| 词条 | Yokai Monsters: One Hundred Monsters |
| 释义 |
| name = Yokai Monsters: One Hundred Monsters | image = Yokai Monsters 100 Monsters DVD Cover.jpg | caption = Front cover of the 2003 ADV Films DVD release | director = Kimiyoshi Yasuda | producer = Yamato Yashiro | screenplay = Tetsurô Yoshida | starring = {{plainlist|*Shinobu Araki
| music = Michiaki Watanabe (as Chemei Watanabe) | cinematography = Yasukazu Takemura | editing = Kanji Suganuma | production companies = Daiei Film | distributor = Daiei International Films | released = {{Film date|df=y|1968|3|20}} | runtime = 1 hr 20 min (80 min) | country = Japan | language = Japanese }}{{nihongo|Yokai Monsters: One Hundred Monsters|妖怪百物語|Yōkai Hyaku Monogatari|lit. One Hundred Yōkai Tales|lead=yes}} is a Japanese horror/fantasy film directed by Kimiyoshi Yasuda. It is the first in a trilogy of films produced in the late 1960s, which focus around Japanese monsters known collectively as yōkai. The series consists of three films, all released between the years 1968-1969:[1]
The films, produced by Daiei Film, all make extensive use of practical special effects known as tokusatsu. Rather than using stop motion, the films largely made use of actors in costumes and puppetry. In some scenes, there are even examples of traditional animation. Notably darker in tone than its more famous sequel, Yokai Monsters: One Hundred Monsters focuses much more on a traditional story than it does on its titular monsters.[2] While the monsters do appear throughout the film, they are relegated to antagonistic spook roles, more akin to their appearances in traditional Kaidan. SynopsisA rich landowner intends to tear down a local shrine and other houses to build a brothel. He holds a Hyakumonogatari Kaidankai ceremony during which various tales of yōkai monsters are told, such as the tales of kasa-obake (an umbrella tsukumogami), and a long-necked rokurokubi. However, the landowner omits the purification ceremony at the end to ward off the evil spirit conjured up during the telling of tales, after which the town becomes invaded by monsters.[3] Influence and legacyThough perhaps not as well remembered as its sequel, Yokai Monsters: Spook Warfare, the film was nonetheless notable for its production features. Many of the props and costumes used here were also featured in the more famous sequel and are remembered as some of the more faithful realisations of classic yōkai renderings.{{Citation Needed|date=September 2018}} In particular, the puppet used to represent the Kasa-Obake in both films has become one of the most recognised images of yōkai. References1. ^{{cite book |url=https://books.google.com/books?id=ZZBtqGMr8T4C&pg=PA177#v=onepage&q&f=false |title=Directory of World Cinema: Japan 2, Volume 2 |editor= John Berra |page= 177 |publisher=University of Chicago Press |date= 2012|isbn=978-1841505510 }} 2. ^{{cite journal|last = Papp|first = Zilia|title = Monsters at War: The Great Yōkai Wars, 1968-2005|journal = Mechademia|year = 2009|volume = 4|issue=War/Time|pages = 229–230|jstor=41510938}} 3. ^{{cite web |url=https://talkfilmsociety.com/columns/overlooked-underseen-yokai-monsters-one-hundred-monsters-1968 |title=Overlooked & Underseen: Yokai Monsters: One Hundred Monsters (1968) |first=Sarah|last= Jane|work=Talk Film Society |date=10 July 2017}} External links
11 : 1968 films|1960s fantasy films|Japanese films|Japanese-language films|Fantasy adventure films|1960s children's fantasy films|1960s monster movies|Daiei Film tokusatsu films|Japanese mythology|Films based on Asian myths and legends|Films with live action and animation |
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