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词条 Yuki-onna Monogatari
释义

  1. Date, genre and sources

  2. Plot

  3. Textual tradition

  4. References

      Citations    Works cited  
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Yuki-onna Monogatari (雪女物語) is a Japanese otogi-zōshi in two books (one volume), likely composed in the Azuchi-Momoyama period or the beginning of the Edo period.

Date, genre and sources

Yuki-onna Monogatari is a work of the otogi-zōshi genre{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} in two books (one volume).{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} It was probably composed in the Azuchi-Momoyama period or the beginning of the Edo period.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

It is one of a number of works depicting the defeat of a monster and the legendary origin of a famous sword,{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} other such works including the Heike Tsurugi no Maki (平家剣巻).{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} This particular work portrays a marriage to a ghostly figure (怪婚 kai-kon),{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} which is not an uncommon theme in such stories.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

The work shows the influence of the yōkyoku (Noh libretti) Kokaji.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} In his article for the Nihon Koten Bungaku Daijiten, Motoichi Kinoshita also notes the apparent influences of setsuwa such as Izumi Shikibu Inari-mōde (和泉式部稲荷詣),{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} Rashōmon Modori-bashi (羅生門戻橋),{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} Tsuchi-gumo Taiji (土蜘蛛退治){{sfnm|1a1=Kinoshita|1y=1983|1p=126}} and Tamamono Mae (玉藻前),{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} as well as the Noh play Momiji-gari,{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} on the work.

The word yuki-onna appears in the kōwakamai Fushimi Tokiwa (伏見常盤),{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} and the motif of people being taken by old raccoons is also seen in a story in the Kokon Chomonjū.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

Plot

In the first year of Chōtoku (995), Emperor Ichijō is told in a dream to commission the forging of a sword by Sanjō no Kokaji Munechika (三条小鍛冶宗近).{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} Munechika, with the assistance of the god Inari, forges the valuable blade {{illm|Kogitsune-maru|ja|小狐丸}}.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

That winter, a malevolent female raccoon dog manifests as a yuki-onna and starts spiriting people away.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} Several warriors, including the retainers of Tada Mitsunaka, are commissioned to eliminate the beast, and manage to injure it but fail to capture it.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

The following spring, Taira no Kanenobu encounters a beautiful woman on {{illm|Mount Otowa|ja|音羽山 (滋賀県・京都府)}} and takes her home with him.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} Kanenobu's former lover realizes the woman's true nature and attempts to warn him, but is strangled to death.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} A fortune-teller tells Kanenobu that this was the work of the yuki-onna, and Kanenobu uses the sword Kogitsune-maru, with which he is entrusted by the emperor, to slay the creature.{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

Textual tradition

In the holdings of the Katei Archives (霞亭文庫) in the University of Tokyo, there is a Shōkaiban (松会版) printed edition dating to Kanbun 5 (1665).{{sfnm|1a1=Kinoshita|1y=1983|1p=126}} The 1909 Kinko Shōsetsu Kaidai (近古小説解題) also reproduces a Manji 3 (1660) edition printed by Ishizu Hachirō Uemon (石津八郎右衛門).{{sfnm|1a1=Kinoshita|1y=1983|1p=126}}

References

Citations

Works cited

{{Refbegin|colwidth=80em}}
  • {{cite book

|last = Kinoshita
|first = Motoichi
|author-link = Motoichi Kinoshita
|chapter = Yuki-onna Monogatari
|pages = 126
|title = Nihon Koten Bungaku Daijiten
|script-title = ja:日本古典文学大辞典
|language = Japanese
|year = 1983
|volume = 6
|location = Tokyo
|publisher = Iwanami Shoten
|oclc = 11917421
|ref = harv
}}{{Refend}}{{Authority control}}{{DEFAULTSORT:Yuki-onna Monogatari}}

3 : Otogi-zōshi|Azuchi–Momoyama-period works|Edo-period works

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