| 词条 | Yves Zurstrassen |
| 释义 |
Yves Zurstrassen (1956) is a Belgian abstract painter. He lives and works in Brussels (Belgium) and in Viens (France). Yves Zurstrassen’s painting is a work always in motion, navigating between lyrical abstraction and abstract expressionism. His approach plays with the general principle of collage and “décollage” of various types of thin paper on successive layers of colour. BiographyYves Zurstrassen was born in Liège in 1956. After a childhood in the Vesdre valley (between the Ardennes and Hautes Fagnes) he left Verviers at the age of 10 with his family to settle in Brussels following the decline of the wool industry. A more turbulent period followed for the adolescent, between the hippie movement and truancy, with one certainty: his world was in painting. At the age of 18 he started to paint, alternating studio work with long periods of work in France, in the [https://www.rdv-inprovence.com/en-us/provence-places-to-visit/chartreuse-de-la-verne.html charterhouse of La Verne], or in Andalusia, where he painted outdoors. His work was highly influenced by these stays. He exhibited for the first time in Brussels in 1982.[1] A self-taught painter with training in the graphic arts, he learned his craft in the 80s among the artists’ studios and retrospectives of the masters of abstract expressionism, Jackson Pollock, Willem de Kooning, Cy Twombly and Mark Tobey, in opposition to the standard idea at that time in France of the death of painting. Zurstrassen deliberately chose to focus on the rectangle of the painting, with only the stretchers, the canvas, paper, and paint, to seek new freedom of expression.[2] At the end of the 90s he settled in a disused industrial building that he adapted to his work and studies. Starting in the 2000s his approach evolved, inspired also by his love of the Dada movement, of Kurt Schwitters; at first through small format studies that occupied a more important place in his work; his technique was enhanced by collages of torn, cut-out newsprint integrated into the picture and then detached, removing the paint. He says that he opens windows in the memory of the picture.[3] He integrates into these collages shapes cut from photos that he takes in the public space, urban motifs or details of everyday life, and digitally reworks, as in the monumental (94 m) work installed in the Gare de l'Ouest [Brussels-West Station] in Brussels in 2009.[4] The beginning of the 2010 decade saw the cut-out motifs, which at the beginning were placed on the surface of the composition, change place to completely cover the background.[5] Jazz and free jazz play an important role in the work of Zurstrassen, strongly influenced in his work by great musicians like John Coltrane, Ornette Coleman, Eric Dolphy and Evan Parker, with whom he "communicates through painting."[6] GalleryExhibitionsGroup Exhibitions
Individual Exhibitions
References1. ^{{Cite journal|last=la libre|first=|date=2016|title=Yves Zurstrassen|url=http://www.lalibre.be/culture/arts/yves-zurstrassen-51b8d3cbe4b0de6db9c170f1|journal=La Libre|volume=|pages=|via=}} 2. ^in Yves Zurstrassen peintre, a film by Michele Porte 3. ^{{Cite book|title=Yves Zurstrassen, painter|last=A film by Michelle Porter|first=|publisher=|year=2018|isbn=|location=|pages=}} 4. ^STIB, L'art à Bruxelles passe aussi par le Métro, STIB-Communication, Albe de Coker, 2012, p.167 5. ^Anne Pontégnie, A Year in Painting, Galérie Valérie Bach, 2014. 6. ^Xavier Douroux, Painters' Delight, Geneva, Renos Xippas, April 2017. External links
3 : 1956 births|Living people|Belgian painters |
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