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词条 Bernardino Poccetti
释义

  1. Biography

  2. Other works

  3. Gallery

      Frescoes for Communicatorio of Sant'Apollonia   Frescoes for vaults of Ospedale degli Innocenti, Florence   Frescoes for Great Cloister, Santissima Annunziata, Florence 

  4. References

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| bgcolour = #6495ED
| name = Bernardino Poccetti
| image = Bernardino Poccetti.png
| imagesize = 130px
| alt =
| caption =
| birth_name =
| birth_date = 26 August 1548
| birth_place = Florence
| death_date = {{death date and age|1612|10|10|1548|8|26|df=y}}
| death_place =
| nationality = Italian
| field = Painting
| training = Michele Tosini
| movement = Counter-Mannerism
| works =
| patrons =
| influenced by = Santi di Tito
| influenced =
| awards =
}}

Bernardino Poccetti (26 August 1548 – 10 October 1612), also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings.

Biography

Born in Florence, he was initially trained as a decorator of facades and ceilings, enrolling in 1570 in the Florentine painters guild for such work, the Accademia delle Arti del Disegno, (Academy of the Arts of Drawing). He is also referred to as: Bernardino Barbatelli or Bernardino delle Grottesche, delle Facciate, or delle Muse. He initially worked in the shop of Michele Tosini, and he participated in the broadly shared decoration of the Chiostro Grande of Santa Maria Novella in 1580s. In 1583–85, he helped decorate panegyric frescoes for the Palazzo Capponi. He also completed frescoes in San Pier Maggiore in San Pierino.

In 1592–93, he worked on frescoes in the Certosa di Galluzzo relating to Life and Death of San Bruno. He painted scenes from the life of founder of the Convent of the Servites for the Annunziata. He painted scenes from the Life of St. Anthony (fresco) for San Marco. He frescoed scenes from the Life of Cosimo I as decoration of great Salon of the Pitti Palace. He also labored for other charterhouses in Pisa and Siena. He also painted frescoes, considered his masterpiece, in the Cappella del Giglio (Cappella Neri, 1599) in Santa Maria Maddalena dei Pazzi.

In his later works, he is considered one of the Florentine reformers—the so-called Counter-Maniera (Counter-Mannerism)—along with Santi di Tito, Domenico Cresti (Il Passignano), Lodovico Cigoli, Jacopo Chimenti da Empoli, Andrea Boscoli, and Gregorio Pagani. Among the painters he trained or influenced was Michelangelo Cinganelli.

Other works

  • Palazzo Usimbardi (now Palazzo Acciaiuoli (1603))
  • Santissima Annunziata di Pistoia Pistoia (1601)
  • Cloister of Sant'Antonino in San Marco, Florence (1602)
  • Massacre of the Innocents, Ospedale degli Innocenti, Florence (1610)

Gallery

Frescoes for Communicatorio of Sant'Apollonia

Frescoes for vaults of Ospedale degli Innocenti, Florence

Frescoes for Great Cloister, Santissima Annunziata, Florence

References

{{Commons category|Bernardino Poccetti}}
  • {{cite book | first= Sydney J.| last= Freedberg| year=1993| title= Pelican History of Art| chapter= Painting in Italy, 1500–1600| editor= | others= | pages=627–629 |publisher = Penguin Books Ltd| id= | url= | authorlink= }}
  • {{cite book| first=Michael| last=Bryan| year=1886| title=Dictionary of Painters and Engravers, Biographical and Critical (Volume I: A-K)| editor = Robert Edmund Graves| pages= 78| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |id= |url=https://books.google.com/books?id=4GYCAAAAYAAJ| authorlink=}}
{{Authority control}}{{DEFAULTSORT:Poccetti, Bernardino}}

9 : 1548 births|1612 deaths|16th-century Italian painters|Italian male painters|17th-century Italian painters|Florentine painters|Mannerist painters|Italian printmakers|Italian decorators

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