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词条 Bhairav (raga)
释义

  1. Theory

     Organisation & relationships 

  2. Behaviour

     Samay (Time)  Seasonality  Rasa 

  3. Film Songs

  4. References

  5. Sources

{{no footnotes|date=May 2016}}{{Use dmy dates|date=January 2013}}{{Infobox raga
| name = Bhairav
| image_name = File:Bhairavi Ragini, Manley Ragamala, an album painting in gouache on paper.jpg
| image_alt = Ragamala painting of Bhairav
| thaat = Bhairav
| type = Sampurna
| time = Daybreak;{{sfn|Bor|Rao|1999}} Beginning of concerts
| season =
| arohana =Sa {{Underline|Re}} Ga Ma Pa {{underline|Dha}} Ni Sa/Sa Ga Ma {{underline|Dha}} Ni Sa
| avarohana = Sa Ni {{Underline|Dha}} Pa Ma Ga {{underline|Re}} Sa
| vadi = {{Underline|Dha}}
| samavadi = {{Underline|Re}}
| pakad = Ga Ma {{Underline|Dha}} {{Underline|Dha}} Pa, Ga Ma {{Underline|Re}} {{Underline|Re}} Sa
| chalan = Sa Ga Ma Pa {{Underline|Dha}} {{Underline|Dha}} Pa Ma Ga Ma {{Underline|Re}} Sa
| equivalent = Mayamalavagowla
| similar = {{ubl|Kalingda|Gauri|Ahir Bhairav | Nat Bhairav}}

Ramkali


| synonym =
}}

Bhairav is an Indian classical raga of Bhairav thaat. It is a sampurna raga traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own thaat.

Raga Kalingda in Hindustani and Ragam Mayamalavagowla in Carnatic music have the same scale as Raga Bhairav, although the moods they create can be quite different due to the way they are expounded.

Theory

Bhairav is grave in mood and suggests seriousness, introversion as well as devotional attitude. It shares its notes with Ahir Bhairav which has a sombre temperament.

Arohana : Sa {{Underline|Re}} Ga Ma Pa {{Underline|Dha}} Ni Sa/Sa Ga Ma {{Underline|Dha}} Ni Sa

Avarohana : Sa Ni {{Underline|Dha}} Pa Ma Ga {{Underline|Re}} Sa

Vadi : {{Underline|Dha}}

Samvadi : {{Underline|Re}}

Pakad : Ga Ma {{Underline|Dha}} {{Underline|Dha}} Pa, Ga Ma {{Underline|Re}} {{Underline|Re}} Sa

Chalan : Sa Ga Ma Pa {{Underline|Dha}} {{Underline|Dha}} Pa Ma Ga Ma {{Underline|Re}} Sa

Organisation & relationships

Related ragas:

  • Ahir Bhairav
  • Nat Bhairav

Behaviour

The performance for this raga is solemnly serious. The raga comes across as a musical entity with mood of meditation, philosophical depth and emotional richness.

Samay (Time)

Bhairav is an early morning(pratham prahar) raag.

Seasonality

Bhairav is one of few ragas that can be sung in any season.

Rasa

Bhairav is typically performed with a peaceful, serious, and serene mood.

Film Songs

Bhairav is a popular raga for film songs. Here are some film songs based on Bhairav:

  • "Amma Roti De Baba Roti De" - Sansar, 1952
  • "Hanse Tim Tim" - Sansar, 1952
  • "Mohe Bhul Gaye Sanvariya" - Baiju Bawra, 1952
  • "Jaago, Mohan Pyare Jaago" - Jagte Raho, 1956
  • "Man Re Hari Ke Gun Ga" - Musafir, 1957
  • "Meri Veena Tum Bin Roye" - Dekh Kabira Roya, 1957
  • "Kehe Do Koi Na Kare Yahan Pyaar" - Gunj Uthi Shehenai 1959
  • Main Toh Ek Khwab Hoon" - Himalaya Ki Godh Mein 1965
  • Waqt Karta Jo Wafa" - Dil Ne Pukara 1967

References

Sources

  • {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=32 |url=https://books.google.co.in/books?id=jCnoMgEACAAJ |language=en | ref=harv }}
  • {{cite book |title=Bhairav Rāga (Hin), The Oxford Encyclopaedia of the Music of India |publisher=Oxford University Press |isbn=9780195650983 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0731 |accessdate=11 October 2018 |ref={{harvid|OEMI:B}} |language=en | subscription=yes}}
{{Hindustani Classical Music page end}}

2 : Hindustani ragas|Ragas in the Guru Granth Sahib

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