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词条 Brian Camelio
释义

  1. Music career

  2. Business career

  3. Selected discography

  4. Awards

  5. References

  6. External links

{{Infobox musical artist
| name = Brian Camelio
| image=Brian_camelio.jpg
| caption = ArtistShare Founder/CEO Brian Camelio
| background = non_vocal_instrumentalist
| birth_date = {{Birth date and age|1965|10|15}}
|birth_place = Milton, Massachusetts,
United States
| years_active = 1974–present
| occupation = Founder/CEO ArtistShare inc., musician, public speaker, inventor, entrepreneur, educator
| website = {{URL|http://www.briancamelio.com}}
}}Brian Camelio is an American musician, producer, entrepreneur, educator and founder of ArtistShare.[1][2][3][4]

Camelio is considered one of the fathers of crowdfunding[5] and potentially "a post-modern Ahmet Ertegun" according to Bloomberg News.[6] In 2005, he was the subject of an essay entitled "The One Thing You Can't Download"[7] in Stop Trying to be Perfect and Start Being Remarkable edited by entrepreneur and author Seth Godin. He has been a speaker or panelist at the Judge Business School at Cambridge University,[8] Midem,[9] The Grammy Foundation at NARAS,[10] ASCAP,[11][12] NYU Law School,[13] Pew Center for Arts & Heritage,[14] The Songwriters hall of fame [15] and The Future of Music Coalition.[16][17]

He was a member of the core faculty of The New School for Jazz and Contemporary Music,[18] is currently teaching at the Eastman School of Music [19] and has been a columnist for All About Jazz since 2010.[20][21]

Music career

Camelio, who grew up in Boston, began his music career at the age of 9 and continued to pursue music at Clark University as a composition major. After finishing his music degree at the University of Vermont with a concentration in orchestral composition, he spent 15 years as a professional touring musician, composer and producer according to Celebrity Access.[1][22]

Since founding ArtistShare, he has produced six releases for jazz guitarist and NEA Jazzmaster Jim Hall[23] including Hemispheres, the 2008 collaboration with Bill Frisell,[24] and Conversations (2010) with Joey Baron.[25] Camelio has also worked with Trey Anastasio, Phish and Betty Buckley.[26][27]

Business career

After studying computer programming, Camelio started his first internet business in 1998, an online fundraising portal for non-profit groups. The business was not a success but the lessons learned led him to projects geared more towards technology.[1] Around this time he also authored and published college music theory textbook named Finale Made Easy.[28]

In 2000 or 2001 Brian Camelio founded ArtistShare.[2][29][30][31] ArtistShare is recognized as one of the Internet's first crowdfunding platforms.[32][33][34][35] It also operates as a record label and business model for creative artists which enables them to fund their projects by allowing the general public to directly finance, watch the creative process, and in most cases gain access to extra material from an artist.[36][37][38] In 2004, the first ArtistShare release won a Grammy for "Best Large Jazz Ensemble Recording" and became the first album ever to win a Grammy that was not available in retail stores.[39][40] This is the moment Camelio describes as being his most memorable industry experience.[1]

In a 2004 study by Cathy Allison, a technology expert engaged by the Canadian Heritage’s Copyright Policy Branch "to capture a “snapshot” of current business models and technologies, and to contemplate possible future scenarios regarding the control and compensation for use of music",[41] Camelio is quoted as saying: "ArtistShare is the only viable solution that I can see. With the advent of the latest technology, it is becoming increasingly clear that there needs to be a fundamental shift in how artists do business. That shift involves the expansion of the product offered and a completely different payment schedule. ArtistShare will provide the platform."[42]

The Jazz Review stated in January 2011 that Camelio "now may be considered visionary for perceiving the direction that the distribution of musical recordings was headed in 2001."[43]

In May 2013, ArtistShare partnered with Blue Note Records to form a collaboration titled 'Blue Note/ArtistShare'. The Blue Note/ArtistShare collaboration was forged by Brian Camelio, Bruce Lundvall, and Don Was, President of Blue Note Records.[44]

Selected discography

  • 1987: "Generations" - Jon Gailmor (Bass, Guitar)
  • 1997: "Textures" - Jim Hall (Music Preparation)
  • 1998: "By Arrangement" - Jim Hall (Music Preparation)
  • 2002: "Trio of One" - Sean Harkness (Guitar, Composer)
  • 2002: "Initial Wisdom" - Scott Colley (Composer)
  • 2004: "Magic Meeting" - Jim Hall (Producer)
  • 2005: "Free Association" - Jim Hall and Geoffrey Keezer (Producer)
  • 2008: "Hemispheres" - Jim Hall and Bill Frisell (Producer)
  • 2010: "Conversations" - Jim Hall and Joey Baron (Producer)
  • 2011: "Living Alone And Loving It" - Barbara Feldon (Producer)
  • 2012: "Live At Birdland" - Jim Hall (Producer)
  • 2012: "Jim Hall Live! - Vol. 2-4" - Jim Hall (Producer)
  • 2013: "Newport Jazz Gala!" - Dianne Reeves, Jason Moran, Anat Cohen, Bill Frisell, Edmar Castaneda, Ingrid Jensen, Lionel Loueke, Steve Wilson, and Lewis Nash (Producer)
  • 2016: "Inspired" - John Abercrombie, Rale Micic, Peter Bernstein, Lage Lund (Producer)
  • 2016: "Valse Hot" - Jim Hall and Red Mitchell (Producer)
  • 2017: "With a song in my heart" - Jane Hall and Ed Bickert (Producer)
  • 2018: "Tin Pan Highway" - Tin Pan Highway (Producer, Performer)

Awards

  • Choc de l'année Award (Jazzman - France) 2005 for Jim Hall - Magic Meeting (producer)[45]
  • Choc de l'année Award (Jazzman - France) 2006 for Jim Hall / Geoffrey Keezer - Free Association (producer) [46]
  • Mayor's Peace Prize - Burlington, Vt. for orchestral composition - 1989 [47]
  • ASCAP Young Composer's Grant - 1986 [48]
  • VCA Grant - 1986 [48]

References

1. ^1 2 3 Bob Grossweiner, Jane Cohen, Industry Profile: Brian Camelio, Celebrity Access, February 29, 2008. Consulted on October 9, 2011
2. ^1 Fred Kaplan, [https://www.nytimes.com/2004/07/04/arts/music-diy-meets-nrl-no-record-label.html MUSIC; D.I.Y. Meets N.R.L. (No Record Label)], New York Times, July 4, 2004. Consulted on October 7, 2011.
3. ^[{{Allmusic|class=artist|id=p301375|pure_url=yes}} Brian Camelio] on AllMusic
4. ^ , Consulted on February 7, 2015.
5. ^Barry Harrell, Crowdfunding is the new creative way to finance movies, CDs and more {{webarchive|url=https://web.archive.org/web/20110427175549/http://www.statesman.com/business/crowdfunding-is-the-new-creative-way-to-finance-1389119.html |date=2011-04-27 }}, Austin American-Statesman, April 9, 2011. Consulted on October 23, 2011.
6. ^Mike Zwerin, [https://www.bloomberg.com/apps/news?pid=newsarchive&sid=aHkRoYzxmSnY Ertegun's Death Is Milestone for Jazz Business], Bloomberg News, December 22, 2006. Consulted on October 26, 2011.
7. ^Seth Godin, [https://books.google.com/books?id=8awkqcL91uMC&pg=PT64&lpg=PT64&dq=brian+camelio+the+big+moo&source=bl&ots=_fjKW43pHx&sig=JfJpNwOnbqVTM-Qvx0MwTQmOZlQ&hl=en&ei=AMaRTt3xMaaHsALvkt2aAQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CCkQ6AEwAg#v=onepage&q&f=false The Big Moo: Stop Trying to be Perfect and Start Being Remarkable], Portfolio, 2005, {{ISBN|1-59184-103-8}}, pp. 47-48.
8. ^Beyond the Sound Bite 2010, Agenda, University of Cambridge, Judge Business School. Consulted on October 23, 2011.
9. ^{{fr icon}} Midem: nouveau modèle économique recherché {{webarchive |url=https://web.archive.org/web/20120406173247/http://technaute.cyberpresse.ca/nouvelles/200701/22/01-12355-midem-nouveau-modele-economique-recherche.php |date=April 6, 2012 }}, January 22, 2007. Consulted on October 15, 2011.
10. ^Grammy in the Schools Panel Prepares Students for Careers in Music, BMI.com, News, March 22, 2005. Consulted on October 23, 2011.
11. ^2010 ASCAP "I Create Music" EXPO, Schedule, ASCAP.com. Consulted on October 23, 2011.
12. ^[https://archive.is/20130116113948/http://www.allaboutjazz.com/php/news_print.php?id=13398 ASCAP "I Create Music Week" Jazz Panels], allaboutjazz.com. Consulted on October 23, 2011.
13. ^Panel Discusses State of Music Industry {{webarchive|url=https://web.archive.org/web/20120406212833/http://www.law.nyu.edu/ecm_dlv4/groups/public/%40nyu_law_website__students__student_organizations__the_commentator/documents/documents/ecm_pro_063349.pdf |date=April 6, 2012 }}, The Commentator, The Student Newspaper of the New York University School of Law, Volume XLIII, Number 3, October 14, 2009, pages 1 and 4. Consulted on October 23, 2011.
14. ^PMP Professional Development Event: Brian Camelio of ArtistShare, Pew Center for Arts & Heritage, March 25, 2011. Consulted on October 23, 2011.
15. ^April Anderson, Packed House Presentation By ArtistShare, Songwriters Hall of Fame, September 24, 2009. Consulted on October 23, 2011
16. ^Future of Music Coalition What's the Future for Musicians, Confirmed Panelists, October 6, 2008. Consulted on October 23, 2011.
17. ^All-day event coming up in New York City on October 6th: "What's the Future for Musicians?" {{webarchive |url=https://web.archive.org/web/20120425071850/http://overflowlegal.com/story.php?title=All-day_event_coming_up_in_New_York_City_on_October_6th_Whats_the_Future_for_Musicians |date=April 25, 2012 }} Consulted on October 23, 2011.
18. ^[https://web.archive.org/web/20111112211137/http://newschool.edu/jazz/faculty.aspx The New School for Jazz and Contemporary Music web site, Faculty, Core Faculty]. Consulted on October 18, 2015.
19. ^{{Cite web|url=https://iml.esm.rochester.edu/eclc/course/digital-marketing/|title=Digital Marketing|language=en|access-date=2018-12-20}}
20. ^All About Jazz - The Art of the Artist to Fan Relationship - Brian Camelio. Consulted on February 10, 2012.
21. ^All About Jazz - Brian Camelio User Profile {{webarchive |url=https://web.archive.org/web/20120303161349/http://www.allaboutjazz.com/php/contrib.php?id=32773 |date=March 3, 2012 }}. Consulted on February 10, 2012.
22. ^Patrick Cole, [https://www.bloomberg.com/apps/news?pid=newsarchive&sid=al9TXroBHabk ArtistShare Taps Web to Earn Musicians Money, Grammys (Update1)], Bloomberg News, February 7, 2008. Consulted on October 26, 2011.
23. ^National Endowment of the Arts Website
24. ^[https://www.amazon.com/Hemispheres-Jim-Hall/dp/B001JD73ZC/ref=sr_1_1?s=music&ie=UTF8&qid=1346098852&sr=1-1&keywords=jim+hall+hemispheres Hemispheres - Amazon.com]
25. ^[https://www.amazon.com/Conversations-Jim-Hall/dp/B0043EFHU2/ref=sr_1_1?ie=UTF8&qid=1318188739&sr=8-1 Conversations - Amazon.com]
26. ^Trey Anastasio - Seis de mayo   Consulted on October 9, 2011
27. ^Phish - Billy Breathes [https://archive.is/20130117224711/http://search.barnesandnoble.com/Phish/Phish/p/9780793572373] Consulted on October 9, 2011>
28. ^Finale Made Easy - Brian Camelio {{webarchive |url=https://web.archive.org/web/20120329034054/http://learn.ssc.edu/fhanzelin/course_pdf_files_s00/mus102gu.pdf |date=March 29, 2012 }}
29. ^Patrick Cole, ArtistShare taps Web, fans to earn its musicians money, Grammys, livemint.com, February 7, 2008. Consulted on October 7, 2011.
30. ^Don Heckman, Making fans a part of the inner circle, Los Angeles Times, February 10, 2008. Consulted on October 7, 2011.
31. ^Joel Rose, [https://www.npr.org/templates/story/story.php?storyId=90478696 After Apple Records: Musician-Run Labels], NPR Music, May 15, 2008. Consulted on October 7, 2011.
32. ^Kickstarter entrepreneurs doing big business in the UK [https://www.telegraph.co.uk/technology/technology-companies/9839540/Kickstarter-entrepreneurs-doing-big-business-in-the-UK.html] Consulted on January 5th, 2015
33. ^Crowd-Funding 101: What Every Musician Needs for a Successful Campaign   Consulted on February 7th, 2015
34. ^Blue Note to Partner With ArtistShare   Consulted on February 7th, 2015
35. ^Crowdfund it! [https://books.google.com/books?id=D05eBAAAQBAJ&pg=PT44&lpg=PT44&dq=artistshare+first+crowdfunding+site&source=bl&ots=7iiW_R4GfD&sig=90JgRW1-BUd3Uhn2Uvg-2Z696ak&hl=en&sa=X&ei=u6rVVN3NNea0sASxwoHYAg&ved=0CCMQ6AEwATgK#v=onepage&q=artistshare%20first%20crowdfunding%20site&f=false] Consulted on February 7th, 2015
36. ^{{cite web |url=http://articles.latimes.com/2008/feb/10/entertainment/ca-schneider10 |title=Making fans a part of the inner circle |author=Don Heckman |date=February 10, 2008 |work= |publisher=Los Angeles Times |accessdate=October 7, 2011}}
37. ^{{cite web |url=http://knowledge.wharton.upenn.edu/article.cfm?articleid=2647 |title=Can You Spare a Quarter? Crowdfunding Sites Turn Fans into Patrons of the Arts |author= |date=December 8, 2010 |work= |publisher=Wharton Innovation and Entrepreneurship |accessdate=12 October 2011}}
38. ^02.12.2008: Addendum to recent Wired Article (Part II) Model Number 7: Fan Supported Label/Distribution {{webarchive |url=https://web.archive.org/web/20111028205515/http://journal.davidbyrne.com/2008/02/02122008-addend.html |date=October 28, 2011 }}, David Byrne's Journal, February 12, 2008. Consulted on October 7, 2011.
39. ^Maria Schneider Discography - Concert in the Garden   Consulted on October 8, 2011
40. ^Maria Schneider at Grammy.com   Consulted on October 8, 2011
41. ^See top of page 1 of the study.
42. ^Cathy Allison, The Challenges and Opportunities of Online Music: Technology Measures, Business Models, Stakeholder Impact and Emerging Trends, {{ISBN|0-662-38335-4}}. Consulted on October 22, 2011
43. ^Don Williamson, ArtistShare: The Label That Involves You In The Creative Process, The Jazz Review, January 29, 2011. Consulted on October 12, 2011
44. ^{{cite news |last=Chinen |first=Nate |date=May 8, 2013 |title=Blue Note to Partner With ArtistShare |url=http://artsbeat.blogs.nytimes.com/2013/05/08/blue-note-to-partner-with-artistshare/ |newspaper=The New York Times |location= |publisher= |accessdate=October 26, 2013 }}
45. ^Jim Hall - Magic Meeting
46. ^Jim Hall - Free Association
47. ^Broadway.com
48. ^1 New School Faculty Biography {{webarchive |url=https://web.archive.org/web/20110811231858/http://www.newschool.edu/jazz/faculty.aspx?id=37556 |date=August 11, 2011 }}

External links

  • {{official website|http://www.briancamelio.com}}
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10 : American male composers|20th-century American composers|American music industry executives|American record producers|Living people|1965 births|Guitarists from Massachusetts|American male guitarists|20th-century American guitarists|20th-century male musicians
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