1. Career
    Early years  1920s-1930s  1945-1960s  Late 1960s-2000s 

2. References

3. Bibliography

Ena Baga (5 January 1906 – 15 July 2004) was a British pianist and theatre organist. She is best known for improvising accompaniments to silent films, both in the 1920s and during the revival of interest in silent films that began in the 1970s.

Career

Early years

Ena Rosina Baga was born at Clerkenwell in 1906, to an Italian father, Constantine, and an Irish mother, Charlotte.^[1] Her father conducted a cinema orchestra for silent films. After the family moved to Southend, 12-year-old Rosina began playing organ for the Roman Catholic Church.

Tony Moss, co-founder of the Cinema Organ Society in 1952, and compiler of the biography "BAGATELLE - Queens of the Keyboard" ({{ISBN|0 951431331}} - Pub 1993) writes the following:

"Born on 15th January 1906 at 45 Colebrook Row, off the City Road and near the Angel Islington, she was christened Ena after the Queen of Spain. The Royal Ena, daughter of Princess Beatrice and Henry of Battenburg, and grand-daughter of Queen Victoria, was in the news in 1906 as she was to marry Alfonso XIII, King of Spain on 21 May that year. Returning to the Royal Palace after the ceremony, a bomb was thrown at the new Queen Ena's coach and she and the King were lucky to escape with their lives.

The two Ena's never met but Ena Baga was much later commanded to appear at Balmoral before King George V and Queen Mary, who, as the Prince and Princess of Wales, had been present in Madrid on that near fateful day. But, we are jumping ahead. Ena, the future 'Queen of the Keyboard', was the fourth daughter of Constantine Joseph Baga, born in Liverpool, the son of an Italian and whose mother came from Cork. There was also Italian blood on her mother's side, again one generation away, and her mother's maiden name was Draghi. Her mother's father had a flair for stocks and shares and had been pretty successful, whereas her father's father was a devotee of Donizetti and Italian composers of opera and sang opera in Italian all day long! He had come to England with Giuseppe Garibaldi, who he recalled had kissed the ground when they disembarked at Folkestone."

1920s-1930s

In the 1920s, when silent film theatres began replacing orchestras with one organist playing a theatre organ (as a cost-cutting measure), Baga became an organist for silent films, improvising music that dramatized the emotions or actions depicted in the film. In 1928, when "talking pictures" arrived, she provided music for the intermission between the opening "B-movie" and the feature movie.

Baga also did other musical jobs, such as accompanying music hall performers on a small Wurlitzer organ. In 1932 she was invited to Balmoral, where she improvised music for Charlie Chaplin's The Gold Rush for George V and Queen Mary. From 1940 to 1945, she replaced Reginald Dixon as the organist of the Tower Ballroom.

1945-1960s

After the war, the great pipe organs in theatres and cinemas were seldom used. In some theatres, the organs were removed to make room for bigger Cinemascope screens. From 1957 to 1962 Baga visited southern Africa to perform for the Italian workers building the Kariba dam in Northern Rhodesia.^[2]

By the 1960s, though, interest in organs was revived, and Hammond organs were imported from the US as home organs. In the 1960s, Baga played an electric organ at Joe Lyons's corner house on Tottenham Court Road, and later at the Jolly Blacksmith at Fulwell. Baga updated her repertoire to suit the 1960s, and the new Hammond electric organ, performing tunes such as Smoke Gets in Your Eyes.

Late 1960s-2000s

When London theatres began showing silent films again in the late 1960s and into the 1980s, she played organ again for silent movies, improvising melodies and passages to suit the onscreen action. She performed on the Light Programme, and from 1969 on, she played on BBC Radio 2's The Organist Entertains. In 1976, she gave Oscar Peterson a masterclass on how play for silent film scenes.^[3]

She has several roles in film and television (playing herself), such as in Upstairs, Downstairs, and later in Richard Attenborough's film Chaplin (1992).^[4] Her recordings include Happy Hammond Plays the Beatles and Happy Hammond Plays Bacharach. Her composition Bagatelle, is a word play on her name, that uses its four letters as musical notes. Baga dressed in a theatrical style, with evening gowns and sequinned tops. She outlived her two husbands (Reginald Turnbull and then James Hamilton-Brown).

References

Bibliography

Porter, Laraine. 'Women Musicians in British Silent Cinema Prior to 1930'. Journal of British Cinema and Television, 10:3, 2013 p. 563-583 http://www.euppublishing.com/doi/abs/10.3366/jbctv.2013.0158

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