词条 | Ernest Normand | ||||
释义 |
| name = Ernest Normand | image = Ernest Normand White Slave.jpg | image_size = | alt = | caption = The White Slave, an Orientalist nude by Ernest Normand | native_name = | native_name_lang = | birth_name = | birth_date = 30 December 1857. | birth_place = London, England | death_date = 23 March 1923 | death_place = London, England | resting_place = | nationality = English | residence = Holland Park, London (1885+) | education = Académie Julian, Paris | alma_mater = | known_for = Painter | notable_works = | style = | movement = Orientalist; Victorian painting | spouse = Henrietta Rae painter and writer (1859–1928) | partner = | awards = | elected = | patrons = | memorials = | website = | module = }} Ernest Normand (1857–1923) was an English painter noted for his historical and Biblical scenes as well as Orientalist works. Life and careerErnest Normand was born in London on 30 December 1857. He painted history and orientalist paintings, [1] and also undertook portraits. In 1884 he married the painter and writer, Henrietta Rae (1859–1928). They both painted nude figures in lush settings, and were criticised for an apparent tendency towards an excess of sensuality in some of their paintings.{{cn|date=May 2018}} The Normands were based in London from 1885, where Ernest had his studio and received support from the circle around Lord Leighton. They lived in Holland Park, an area known as the residence of many other artists of the day.[2] Frequent visitors to their home included Leighton, Millais, Prinsep, and Watts.[3] These more senior artists adopted the Normands, but their criticism was not always welcome. In her memoirs, Henrietta described the overbearing attitudes and conduct of some of the more senior artists.[4] In 1890, the Normands travelled to Paris to study at the Académie Julian with Jules Joseph Lefebvre and Jean-Joseph Benjamin-Constant. In 1893, the Normands moved to Upper Norwood, into a studio that was custom-built for them by Normand's father. The couple had two children, a son (born in 1886) and a daughter (born in 1893). WorkHe painted history and orientalist paintings, [5] and also undertook portraits. His work was influenced by the Pre-Raphaelites. Normand painted the "King John Granting the Magna Carta" fresco at the Royal Exchange in London (painted 1900, restored 2001).
See also
References1. ^(fr)Orientalistes 2. ^Caroline Dakers, The Holland Park Circle: Artists and Victorian Society, New Haven, Yale University Press, 1999. 3. ^Fish, p. 47. 4. ^Debra Mancoff and D. J. Trela, eds., Victorian Urban Settings: Essays on the Nineteenth-Century City and Its Contexts, London, Taylor & Francis, 1996, pp 70-71 5. ^(fr)Orientalistes External links
7 : 1859 births|1923 deaths|19th-century English painters|English male painters|20th-century English painters|Alumni of the Académie Julian|Orientalist painters |
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