| 词条 | Everybody Sing (film) |
| 释义 |
| name = Everybody Sing | image = File:Everybody Sing poster.JPG | caption = Theatrical release poster | director = Edwin L. Marin | producer = Harry Rapf | story = Florence Ryerson Edgar Allan Woolf | screenplay = Florence Ryerson Edgar Allan Woolf | writer =Add'l dialogue: James Gruen Milton Merlin (uncredited) Contributing: Bert Kalmar (uncredited) Harry Ruby (uncredited) Dalton Trumbo (uncredited) | starring = Allan Jones Judy Garland Fanny Brice | music = {see article} | cinematography = Joseph Ruttenberg | editing = William S. Gray | studio = Metro-Goldwyn-Mayer | distributor = Loew's Inc. | released = {{Film date|1938|2|4}} | runtime = 80 or 91 minutes[1] | country = United States | language = English | budget = $795,000[1] | gross = $1,003,000[1] }} Everybody Sing is a 1938 American musical comedy film starring Allan Jones, Judy Garland, and Fanny Brice, and featuring Reginald Owen and Billie Burke. The film was a significant step in Garland's career. PlotYoung Judy Bellaire (Judy Garland) has trouble fitting in at school, causing trouble by introducing her jazzy style into music class and being expelled as a result. Returning home to her dysfunctional and financially challenged family, where her playwright father, actress mother, and beautiful elder sister, Sylvia (Lynne Carver) compete for attention along with the funny Russian maid, Olga (Fanny Brice) and the hunky cook, Ricky (Allan Jones), who is not-so-secretly in love with Sylvia. Judy foils her father's attempt to ship her off to Europe by escaping from the ship and then trying out for a musical show as a blackface singer, taking advantage of her love of jazz to enchant the show's producer, who hires her and makes her a star of his new show. Meanwhile, Ricky cuts a record, musically expressing his love for Sylvia. Nevertheless, Sylvia is forced into engagement with another man. When the distraught parents discover their younger daughter is appearing in a musical show, Sylvia rejoins her love, who is also appearing in the show. Finally, all the cast members are reunited, including the Russian maid, who finds her lost love, Boris. The movie's happy ending includes an extravagant stage piece with gorgeously attired chorus girls, happily reunited parents and child, and the happy kiss between Sylvia and Ricky, who is now the producer of a successful musical show. Cast{{div col|colwidth=30em}}
MusicAllan Jones introduces in Everybody Sing the pop standard "The One I Love", with lyrics by Gus Kahn and music by Bronisław Kaper and Walter Jurmann. The film also includes three other songs from the same composing team: "(Down On) Melody Farm," "Swing Mr. Mendelssohn," and "The Show Must Go On". Jones also sings part of Kaper and Jurmann's hit song "Cosi-Cosa", which he introduced in the MGM film A Night at the Opera (1935). The music and lyrics for "Quainty, Dainty Me" and "Snooks (Why? Because!)" are by Bert Kalmar and Harry Ruby.[1] The "Snooks" number is based on the character "Baby Snooks" played on Broadway and on the radio by Brice.[4] The St. Brendan's Boys Choir, directed by Robert Mitchell, provided the singing voices for the schoolgirl chorus that backs Judy on her numbers.[2] The musical numbers were staged by Dave Gould, except for "Quainty, Dainty Me", which was staged by Seymour Felix; the dance director was Val Raset. Fanny Brice's dancing was doubled by Iola Cochran.[1] ProductionWorking titles for the film were "The Ugly Ducking" – a reference to Garland's character[3] – and "Swing Fever".[4][1] Principal photography took place from September 2-3, and then late September to December 21, 1937. Retakes took place January 8-10, 1938.[5] After a stalled career, this was one of the films marking the picking up of momentum in Judy Garland's ascent to stardom. Following the sensational audience reaction to her singing "You Made Me Love You" to a picture of Clark Gable in Broadway Melody of 1938 (1937), she was rushed into shooting two films back to back, Thoroughbreds Don't Cry (1937) and this film, which was held for later release.[6] According to TCM.com: As important as the film itself in the development of Garland's career was a seven-week, seven-city promotional tour that started in Miami Beach and included stops in New York and Chicago. With Garland mentor Roger Edens accompanying her on the piano, she stepped alone for the first time onto huge stages to sing in front of adoring crowds and began to establish the audience rapport that would, in time, make her one the world's greatest live entertainers.[3] ReceptionThe reviewer for Film Weekly wrote that Garland's singing put the film into the "excellent" class, and that "Anyone who stands up to Miss Brice at her own comedy game is very good indeed."[3] According to MGM's records the film earned $655,000 in the US and Canada and $348,000 elsewhere, resulting in an overall loss of $174,000.[1] References1. ^1 2 {{Citation | title = The Eddie Mannix Ledger | publisher = Margaret Herrick Library, Center for Motion Picture Study | place = Los Angeles}}. 2. ^"Music" TCM.com 3. ^1 2 Fristoe, Roger. "Article: Everybody Sing (1937)" TCM.com 4. ^1 2 "Notes" TCM.com 5. ^1 2 3 4 {{AFI film|5358|Everybody Sing}} 6. ^{{cite book |last1=Hirschhorn |first1=Clive |authorlink1=Clive Hirschhorn |title=The Hollywood Musical |trans-title=|url= |format= |accessdate= |edition=2nd |series= |volume= |date= |year=1991 |month= |origyear=1981 |publisher=Portland House |location=New York |language= |isbn=0-517-06035-3 |oclc= |doi= |id= |page=139}} External links{{commons category}}
11 : 1938 films|1930s musical comedy films|1930s romantic comedy films|American musical comedy films|American romantic comedy films|American films|American romantic musical films|Blackface minstrel shows and films|Films directed by Edwin L. Marin|Metro-Goldwyn-Mayer films|American black-and-white films |
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