词条 | For Whom the Bell Tolls (film) |
释义 |
| name = For Whom the Bell Tolls | image = For_whom_movieposter.jpg | border = yes | alt = | caption = Theatrical release poster | director = Sam Wood | producer = Sam Wood | screenplay = Dudley Nichols | based on = {{based on|For Whom the Bell Tolls|Ernest Hemingway}} | starring = {{Plainlist|
}} | music = Victor Young | cinematography = Ray Rennahan | editing = {{Plainlist|
}} | studio = Paramount Pictures | distributor = Paramount Pictures | released = {{Film date|1943|07|14|USA}} | runtime = 170 minutes (19 reels) | country = United States | language = English | budget = | gross = $7.1 million (US and Canadian rentals)[1] }} For Whom the Bell Tolls is a 1943 American war film produced and directed by Sam Wood and starring Gary Cooper, Ingrid Bergman, Akim Tamiroff, Katina Paxinou and Joseph Calleia. The screenwriter Dudley Nichols based his script on the 1940 novel For Whom the Bell Tolls by American novelist Ernest Hemingway. The film is about an American International Brigades volunteer, Robert Jordan (Cooper), who is fighting in the Spanish Civil War against the fascists. During his desperate mission to blow up a strategically important bridge to protect Republican forces, Jordan falls in love with a young woman guerrilla fighter (Bergman). For Whom the Bell Tolls was Ingrid Bergman's first Technicolor film. Hemingway handpicked Cooper and Bergman for their roles. The film was one of the biggest films of 1943[2], earning $6.3 million in distributor rentals in the United States and Canada.[3] A re-issue in 1957 earned an additional $800,0000.[4] It was also nominated for nine Academy Awards, winning one. Victor Young's film soundtrack for the film was the first complete score from an American film to be issued on record.[5]PlotDuring the Spanish Civil War, an American language teacher, Robert Jordan (Gary Cooper), who lived in Spain during the pre-war period, fights in the International Brigades against Francisco Franco's forces. An experienced dynamiter, Jordan is ordered to travel behind enemy lines and destroy a critical bridge with the aid of a band of local anti-fascist guerrillas. The bridge must be blown up to prevent enemy troops from traveling across it to respond to an upcoming offensive against the fascists. Jordan meets an old man, Anselmo, who is a guerrilla fighter who will serve as Jordan's liaison with the local guerrilla fighters. Anselmo leads Jordan to a group of Republican guerrillas who are led by a middle-aged man named Pablo. Jordan falls in love one of the guerrillas, a young woman named María. María's life was shattered by her parents' execution and her gang-rape at the hands of the Falangists (part of the fascist coalition) at the outbreak of the war. Jordan has a strong sense of duty, which clashes with the unwillingness of the guerrilla leader Pablo to commit to helping with the bridge-blowing operation, as it would endanger himself and his band. At the same time, Jordan develops a new-found lust for life which arises from his love for María. Pablo's wife Pilar displaces Pablo as the group leader and pledges the allegiance of the guerrillas to Jordan's mission. However, when another band of anti-fascist guerrillas, led by El Sordo, is surrounded and killed in a desperate last stand, Pablo destroys Jordan's dynamite detonation equipment, hoping to prevent the bridge demolition and thereby avoid fascist reprisals on his camp. Later, Pablo regrets abandoning his comrades and returns to assist in the operation. However, the enemy, apprised of the coming offensive, has prepared to ambush the Republicans in force and it seems unlikely that blowing up the bridge will do much to prevent a rout. Regardless, Jordan understands that he must still demolish the bridge in an attempt to prevent fascist reinforcements from overwhelming his allies. Lacking the equipment destroyed by Pablo, Jordan and Anselmo improvise an alternative method to explode the dynamite by using hand grenades. Jordan attaches wires to the grenades so that their pins can be pulled from a distance. This improvised plan is considerably more dangerous than using conventional detonators, because the men must increase their proximity to the explosion. While the guerrilla fighters—Pablo, Pilar, and María—create a diversion for Jordan and Anselmo, the two men plant and detonate the dynamite, costing Anselmo his life when he is hit by a piece of debris from the exploding bridge. While the guerrillas are escaping on horseback, Jordan is maimed when a fascist tank shoots his horse out from under him. Jordan cannot feel his legs and he knows that if his comrades stop to rescue him, they too will be captured or killed. He bids goodbye to María and ensures that she escapes to safety with the surviving guerrillas. Armed with a Lewis machine gun, he waits until the horse-mounted fascist soldiers appear in his gun sights. He then pulls the trigger, firing a sweeping barrage at the oncoming soldiers. The film ends with Jordan firing the Lewis gun directly at the camera. Cast{{div col|colwidth=30em}}
RestorationThe film was originally released in a roadshow format, at 170 minutes (not counting intermission). For re-release, it was trimmed to 134 minutes, and it was not seen at its full length until the late 1990s, when it was archivally restored to 168 minutes. This restored version is the one that has been released on DVD. The restoration was photochemical, not digital, and the titles and some of the scenes in the early reels are slightly to significantly out-of-register. AccoladesAcademy Awards
Golden GlobesWins
OthersThe film is recognized by American Film Institute in these lists:
Other versionsThere was a Lux Radio Theater version broadcast on February 11, 1945, which retained the principal cast from the film: Gary Cooper, Ingrid Bergman, and Akim Tamiroff. See also
References1. ^{{cite news|url=http://www.archive.org/stream/variety221-1961-01#page/n48/mode/1up|title=All-Time Top Grosses|work=Variety|date=January 4, 1961|page=44|accessdate=February 22, 2019}} 2. ^{{cite news|url=https://archive.org/stream/variety153-1944-01#mode/1up|title=Record Film Rentals in '43|work=Variety|last=Ungar|first=Arthur|date=January 5, 1944|page=1|accessdate=February 22, 2019}} 3. ^{{cite news|url=https://archive.org/stream/variety163-1946-09#page/n180/mode/1up|title=All-Time Top Grossers|work=Variety|date=September 25, 1946|page=5}} 4. ^{{cite news|url=http://www.archive.org/stream/variety209-1958-01#page/n4/mode/1up|work=Variety|date=January 1, 1958|page=5|title='For Whom the Bell Tolls' (1943) Estimated Repeat Take, $800,000|accessdate=February 22, 2019}} 5. ^Patrick Robinson. 1980. Movie Facts and Feats: A Guinness Record Book. 6. ^{{cite web |url=http://www.oscars.org/oscars/ceremonies/1944 |title=The 16th Academy Awards (1943) Nominees and Winners|accessdate=2014-02-27|work=Academy of Motion Picture Arts and Sciences}} 7. ^{{cite web |url=https://movies.nytimes.com/movie/91991/For-Whom-the-Bell-Tolls/awards |title=NY Times: For Whom the Bell Tolls |accessdate=2008-12-16|work=NY Times}} 8. ^{{cite web|url=http://www.afi.com/Docs/100Years/passions400.pdf |title=AFI's 100 Years...100 Passions Nominees |format=PDF |date= |accessdate=2016-08-19}} 9. ^{{cite web|url=http://www.afi.com/Docs/100Years/quotes400.pdf |title=AFI's 100 Years...100 Movie Quotes Nominees |format=PDF |date= |accessdate=2016-08-19}} 10. ^{{cite web|url=http://www.afi.com/Docs/100Years/scores250.pdf |title= AFI's 100 Years of Film Scores Nominees |format=PDF |date= |accessdate=2016-08-19}} External links{{commons category}}
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17 : 1943 films|1940s romantic drama films|1940s war films|American films|American romantic drama films|American war films|English-language films|Spanish Civil War films|War romance films|Films based on works by Ernest Hemingway|Films featuring a Best Supporting Actor Golden Globe winning performance|Films featuring a Best Supporting Actress Academy Award-winning performance|Films featuring a Best Supporting Actress Golden Globe-winning performance|Paramount Pictures films|Films directed by Sam Wood|Screenplays by Dudley Nichols|Films scored by Victor Young |
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