| 词条 | Giovanni Francesco Caroto |
| 释义 |
active mainly in his native city of Verona. He initially apprenticed under Liberale da Verona (1445-1526/1529), a conservative painter infused with the style of Mantegna, but after a stay in Milan, Caroto began responding to the other influences from Francesco Bonsignori, Leonardo da Vinci, Raphael, and Giulio Romano; but he never lost a certain individuality and his rich Veronese color. He is perhaps best known for having trained, along with the younger Antonio Badile, the prominent Mannerist painter, Paolo Veronese, who was active mainly in Venice. Examples of his art are in the Castello, Milan, the Chiesa de Carità, Mantua, in the Uffizi and Pitti, Florence, and in the museums of Dresden, Budapest, etc. His works are sometimes confused with those of his brother Giovanni, who was also a painter. Both were buried in Santa Maria in Organo in Verona.[1] Notes1. ^{{cite book | first= Diego|last= Zannandreis| year=1891| title= Le vite dei pittori, scultori e architetti veronesi| editor = Giuseppe Biadego| pages= 66–69| publisher= Stabilimento Tipo-Litografico G. Franchini, Verona; Digitized by Googlebooks from University of California copy on Feb 22, 2007| id= | url= https://books.google.com/books?id=LQYgAAAAIAAJ | authorlink= }} References
External links
7 : 1480 births|1550s deaths|15th-century Italian painters|Italian male painters|16th-century Italian painters|Veronese painters|Italian Renaissance painters |
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