| 词条 | Girolamo Benivieni |
| 释义 |
| name = Girolamo Benivieni | image = File:Ridolfo del Ghirlandaio 008.jpg | alt = Portrait of Benivieni as an old man wearing a black cassock and hat seated in front of a snowy landscape painting. | caption = Portrait of Benivieni at the National Gallery in London, painted between 1510 and 1520, and attributed to Ridolfo Ghirlandaio | birth_date = 6 February 1453 | birth_place = Florence, Republic of Florence | death_date = August 1542 | death_place = Florence, Duchy of Florence | nationality = | occupation = Poet | years_active = | known_for = | notable_works = }} Girolamo Benivieni ({{IPA-it|dʒiˈrɔːlamo beniˈvjɛni|lang}}; 6 February 1453 – August 1542){{sfn|Cummings|2004|p=190}} was a Florentine poet{{sfn|Tomas|2003|p=95}} and a musician.{{sfn|Cummings|2004|p=190}} His father was a notary in Florence.{{sfn|Gardner|1914|p=xix}} He suffered from poor health most of his life, which prevented him from taking a more stable job.{{sfn|Gardner|1914|p=xxiv}} He was a leading member of the Medicean Academy, a society devoted to literary study.{{sfn|Tomas|2003|p=95}} He was a friend of Giovanni Pico della Mirandola (1463–1494), whom he met for the first time in 1479;{{sfn|Gardner|1914|pp=xvi–xvii}} it was Pico della Mirandola who encouraged him to study Neoplatonism.{{sfn|Gardner|1914|p=xxiv}} In the late 1480s, he and Pico della Mirandola became students of Dominican friar Girolamo Savonarola (1452–1498).{{sfn|Baldassarri|Saiber|2000|p=271}} In 1496, he translated the teachings of Savonarola from Italian to Latin.{{sfn|Baldassarri|Saiber|2000|p=271}} After he began following Savonarola, he rejected his earlier poetry and attempted to write more spiritually.{{sfn|Baldassarri|Saiber|2000|p=271}} He participated in Savonarola's Bonfire of the Vanities, and documented the destruction of art worth "several thousand ducats".{{sfn|Villari|1969|p=138}} He was supported in his writing by noblewoman Lucrezia de' Medici (1470–1553).{{sfn|Tomas|2003|p=95}} They were both interested in the works of poet Dante Alighieri (1265–1321).{{sfn|Tomas|2003|p=95}} In 1506, Benivieni published an edition of the Divine Comedy with maps by Antonio Manetti (1423–1497) and commentary by Manetti and Benivieni.{{sfn|Heilbron|2010|p=28}} In March 1515 Benivieni drafted a letter to be sent from Lucrezia to her brother, Pope Leo X (s. 1513–21), seeking his assistance in bringing the body of Dante back to Florence.{{sfn|Tomas|2003|p=95}} On 20 October 1519, Benivieni signed a Medicean Academy petition to Pope Leo, again requesting the return of Dante from Ravenna.{{sfn|Cummings|2004|pp=79–80}} Benivieni also used his connection with Lucrezia to advance his ideas on church reform with her brother, and later with her cousin, Pope Clement VII (s. 1523–34).{{sfn|Tomas|2003|p=95}} In 1530, he wrote a letter to Pope Clement in defense of Savonarola, seeking to have his reputation restored within the church.{{sfn|Gardner|1914|pp=xxiv–xxv}} He is buried together with Giovanni Pico della Mirandola at San Marco, Florence, Italy. ReferencesSources
External links
4 : 1453 births|1542 deaths|Italian poets|Italian male poets |
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