词条 | Gondwana (Murail) |
释义 |
The piece uses interpolation to make a smooth transformation on all musical parameters including spectral profile, envelope, and instrumental attacks.[4] The bell sounds were created through a Frequency Modulation (FM) synthesis with a single modulator affecting five carriers to create five different harmonies, these being connected by interpolated chords.[5] The components of the trombone's frequency spectrum was derived through a Fourier transform.[2] The piece's long quiet or silent moments are shaped in "long, seamlessly evolving paragraphs" evoking the geological processes which created the continent. The first opening slowly transforms a chord before turning to trills.[6] The opening chord is compared to Messiaen.[1][7] The piece, "incorporates a substantial passage directly modelled upon," Sibelius's Lemminkäinen in Tuonela from the Four Lemminkäinen Legends op.22 (1896).[8] Sources1. ^1 Staines, Joes (2010). The Rough Guide to Classical Music, p.372. {{ISBN|978-1-4053-8321-9}}. "The locus classicus of early spectral music". {{classical-composition-stub}}2. ^1 Fineberg, Joshua (2000). Spectral Music: History and Techniques, p.69. (Overseas Publishers Association, published by license under the Harwood Academic Publishers imprint, ©2000) OCLC: 48862556. {{ISBN|978-90-5755-131-4}}. 3. ^{{Allmusic|class=album|id=w117538|label=Tristan Murail: Gondwana; Désintégrations; Time and Again|first=Blaire|last=Sanderson|accessdate=15:05, 16 April 2007}} 4. ^Fineberg (2000), p.108 5. ^Fineberg (2000), p.128-129. 6. ^"Murail Gondwana & Désintégrations", CompositionToday.com. 7. ^Griffiths, Paul (2011). Modern Music and After, p.344. {{ISBN|978-0-19-974050-5}}. 8. ^Grimley, Daniel M., ed. (2004). The Cambridge Companion to Sibelius, p.200. {{ISBN|978-0-521-89460-9}}. 2 : Compositions by Tristan Murail|Spectral music |
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