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词条 CineAlta
释义

  1. Concept

     Logo 

  2. Format

  3. History and use in motion pictures

      Future  

  4. List of CineAlta cameras

  5. See also

  6. References

  7. External links

{{Infobox product
| title = Sony CineAlta
| image = CineAlta logo (c.2005).svg
| image_size =
| alt = Logo for CineAlta, accompanied by "CINEALTA" text below logo. The logo is a stylized capital "CA", colored gold.
| caption =
| type = Video camera
| inventor =
| inception = {{start date|2000}}
| manufacturer = Sony
| available = Available
| current supplier =
| last production =
| models =
| website = {{url|pro.sony/ue_US/products/digital-cinema-cameras}}
| notes =
}}

CineAlta cameras are a series of professional digital movie cameras produced by Sony that replicate many of the same features of 35mm film motion picture cameras.

Concept

CineAlta is a brand name used by Sony to describe various products involved in content creation, production and exhibition process within digital cinema workflow. Now Sony's products branded as CineAlta include camera, camcorder, recorder, cinema server, and projector. "CineAlta" is a portmanteau of Cine, from cinematography, and Alta, an Italian word for "high".[1]

Logo

The first CineAlta logo was designed by Hiroki Oka, Chief Art Director of Sony CreativeWorks Corporation, based at the Atsugi Technology Center. The twinned ribbons represent the marriage of film and videotape, arranged in a way to deliberately evoke the infinity symbol, to symbolize the infinite possibilities.[1] The CineAlta logo was updated by Tetsuro Sano and applied for the first time to the F65.[2]

Format

CineAlta cameras record onto HDCAM tapes, XDCAM Professional Discs, SRMemory, or SxS flash memory cards. They have the ability to shoot at various frame rates including 24fps and a resolution of up to 4K. The camera can be used with a Miranda DVC 802 converter. This allows the camera to output SDI, DV, and multiple HD outputs.

History and use in motion pictures

In June 1999, George Lucas announced that Episode II of the Star Wars Prequel Trilogy would be the first major motion picture to be shot 100% digitally. Sony and Panavision had teamed up to develop the High Definition 24p camera that Lucas would use to accomplish this and thus the first CineAlta camera was born: the Sony HDW-F900 (also called the Panavision HD-900F after being "panavised"). However, the science-fiction film Vidocq was actually the first released feature that was shot entirely with digital cinematography. Lucas held a private screening of Episode II – Attack of the Clones for the Atsugi Technology Center staff, and inserted a credit to specifically thank the Sony engineers at Atsugi for the use of the HDW-F900.[1]

For Episode III – Revenge of the Sith the more advanced Sony HDC-F950 was used, with higher resolution and better color reproduction than its predecessor. The film was cropped to a 2.40:1 aspect ratio from its native 16:9 frame. As a result, only 817 of the 1080 vertical pixels were actually used; but there is an anamorphic adaptor lens from Canon, which allows shooting in 2.39:1 without losing any pixels. Manuel Huerga's Salvador is the first movie shot with this adaptor.

2002's Russian Ark was recorded in uncompressed high definition video using a Sony HDW-F900. The information was recorded uncompressed onto a hard disk which could hold 100 minutes, thus allowing the entire film to be shot in a single 86 minute take. This was very complicated, as in 2002 there wasn't widely available technology for high capacity hard disk-recording; even less for doing this portably, on battery power, with the camera moving inside and outside, from {{convert|-23|°C}} to {{convert|23|°C}}. Four attempts were made to complete the shot which had to be completed in one day due to the Hermitage Museum being closed for the shooting; the first three had to be interrupted due to technical faults, but the fourth attempt was completed successfully. Extra material on the DVD release includes a documentary on the technology used.

Other notable movies that were shot with CineAlta cameras include:

{{div col |colwidth=25em |gap=2em}}
  • All About Lily Chou-Chou (2001, shot August 2000)
  • Session 9 (released 2001, shot September - October 2000)[3][4][5]
  • Burning Annie (released 2007, shot February 2002)[6]
  • Once Upon a Time in Mexico (released 2003, shot May 2001)[7]
  • The Island of Lost Dreams (2002)
  • Game Over (2003)
  • Dogville (2003)
  • Scacco pazzo (2003)
  • Sky Captain and the World of Tomorrow (2004)
  • The World (2004)
  • Zebraman (2004)[8]
  • Sin City (2005)[9]
  • Crank (2006)
  • U2 3D (2007)[10]
  • Cloverfield (2008)
  • Rachel Getting Married (2008)
  • Yesterday Was a Lie (2008)
  • Tetro (2009)
  • Public Enemies (2009)
  • Avatar (2009)
  • Legacy (2010)
  • Real Steel (2011)
  • Just Go with It (2011)
  • Shark Night 3D (2011)
  • The Darkest Hour (2011)
  • Sanctum (2011)
  • The Sunset Limited (2011)
  • Mirror Mirror (2012)
  • Oblivion (2013)
  • After Earth (2013)
  • White House Down (2013)
  • The Smurfs 2 (2013)
  • Evil Dead (2013)
  • Winter Sleep (2014)
  • Lucy (2014)
  • Tomorrowland (2015)
{{div col end}}

Future

Sony has announced on several occasions that CineAlta 4K, a 4K production suite including a 4K digital cinema camera, recorder, and production tools, is being developed. With the release of the F65 in January 2012, Sony has begun to create a 4K workflow from acquisition to distribution.

List of CineAlta cameras

All cameras are made by Sony except where noted:

{{div col |colwidth=25em |gap=2em}}
  • VENICE (2017)[13]
  • F55/F5 (2012)[14]
  • NEX-FS700 (2012)[15]
  • F65 (2011)[14]
  • PMW-F3 (2010)[17]
  • SRW-9000PL (2010)[18]
  • PMW-500 (2010)[19]
  • PDW-F800/700 (2009/2008)[19]
  • F35/F23 (2008)[21]
  • PMW-EX3 (2008)[22]
  • PMW-EX1/EX1R (2007, EX1R in 2009)[22]
  • HDW-F900R (2006)[24]
  • PDW-F350/F330 (2006)[25]
  • HDC-F950 (2003)[26]
  • HDW-F900 (2000)[27]
{{div col end}}
Sony CineAlta model summary
Model Weight Width × Height × Depth, excluding lenses and protrusions Sensor Lens mount Media Framerates Introduced Current
HDW-F900[12]8|kg|order=flip|disp=br|abbr=on}}{{efn|name=wet|Including lens, battery, and cassette}}140|×|265|×|380|mm|order=flip|disp=br|abbr=on}}2|3}}"
CCD		 Special bayonet HDCAM 24,25,30 (1080p)
50,60 (1080i)		 2000  No
HDC-F950[13]5.1|kg|order=flip|disp=br|abbr=on}}133|×|276|×|360|mm|order=flip|disp=br|abbr=on}}2|3}}"
CCD		 Sony bayonetNo onboard recording. Connects to SRW-5000 HDCAM or SRW-1 HDCAM-SR videocasette recorders.}} 24 (1080p) 2003  No
HDW-F900R[14]5.4|kg|order=flip|disp=br|abbr=on}}{{efn|name=wet}}127|×|269|×|345|mm|order=flip|disp=br|abbr=on}}2|3}}"
CCD		 Special bayonet HDCAM 24,25,30 (1080p)
50, 60 (1080i)		 2006  No
PDW-F350[15]{{convert|3.85|kg|order=flip|disp=br|abbr=on}}{{efn|Approximately {{convert|5.4|kg|order=flip|abbr=on}} with viewfinder, microphone, Professional Disc, and battery}}{{convert|124|×|268|×|328|mm|order=flip|disp=br|abbr=on}}3×{{frac|1|2}}"
CCD		Sony {{frac|1|2}}" bayonetXDCAM PFD 4–60 (1080p)2006 No
PDW-F330[15] 24,25,30 (1080p)
50,60 (1080i)
PMW-EX1/EX1R[16][17]2.4|kg|order=flip|disp=br|abbr=on}}{{efn|Approximately {{convert|2.8|kg|order=flip|abbr=on}} with battery and SxS card.}}178|×|176|×|311.5|mm|order=flip|disp=br|abbr=on}}{{efn|name=withLens|With lens.}}3×{{frac|1|2}}"
CMOS		 Fixed2×SxS1–30 (1080p)
1–60 (720p)		[18]{{efn>EX1R announced in 2009 with upgraded features.}} No
PMW-EX3[16]1.9|kg|order=flip|disp=br|abbr=on}}{{efn|Approximately {{convert|3.6|kg|order=flip|abbr=on}} with lens, battery and SxS card.}}250|×|210|×|400|mm|order=flip|disp=br|abbr=on}}{{efn|name=withLens|With lens.}} EX-mount 2008
F23[19]{{convert|5.0|kg|order=flip|disp=br|abbr=on}}{{convert|199.3|×|219|×|197.8|mm|order=flip|disp=br|abbr=on}}2|3}}"
CCD		 B4{{efn|No onboard recording. Connects to SRW-1 HDCAM-SR videocasette recorder. Solid state SRMemory compatible via dockable SR-R1.}}name=boards|Requires HKSR-102 to be installed in SRW-1 for 50/60fps in 4:2:2 mode; requires both HKSR-102 and HKSR-103 for 50/60fps in 4:4:4 mode.}} 2007[20] No
F35[19] 1×Super 35
CCD		 PLname=boards}} 2008
PDW-700[21]{{convert|4.3|kg|order=flip|disp=br|abbr=on}}{{efn|{{convert|6.0|kg|order=flip|disp=br}} with battery, viewfinder, and microphone.}}{{convert|124|×|269|×|332|mm|order=flip|disp=br|abbr=on}}3×{{frac|2|3}}"
CCD		Type 48 bayonetXDCAM PFD 24,25,30 (1080p)
50,60 (1080i)		 2008[22] No
PDW-F800[21] 1–60 (1080p) 2009[23]
PMW-500[21][24]3.4|kg|order=flip|disp=br|abbr=on}} 2×SxS 1–30 (1080p)
1–60 (720p)		 2010[25]
SRW-9000PL[26]6.9|kg|order=flip|disp=br|abbr=on}}{{efn|Including lens, battery, and cassette}}148|×|211|×|330|mm|order=flip|disp=br|abbr=on}} 1×Super 35
CCD		 PLname=SR-R1|Attaches to SR-R1 via HD-SDI to allow recording to solid state SRMemory.}}50, 60 (1080i){{efn>Variable frame rate 1–60 fps when HKSR-9002 Picture Cache Board is installed.}} 2010[27][28]  No
[29]{{efn>Available as a kit (with 35mm, 50mm, 85mm T2.0 PL-mount prime lenses, PMW-F3K) and bare body (PMW-F3L)2.4|kg|order=flip|disp=br|abbr=on}}151|×|189|×|210|mm|order=flip|disp=br|abbr=on}} 1×Super 35
CMOS		name=PL-adapted}}name=SR-R1}} 1–30 (1080p)
1–60 (720p)		 2010[30]  No
F65[31]5.0|kg|order=flip|disp=br|abbr=on}}{{efn|{{convert|6.5|kg|order=flip|abbr=on}} with accessories}}227|×|203|×|205|mm|order=flip|disp=br|abbr=on}} 1×Super 35
CMOS		 PLVia external docking recorder SR-R4.}} 1–60 (8K)
1–120 (4K)		 2011[32] Yes
NEX-FS700[33]1.68|kg|order=flip|disp=br|abbr=on}}{{efn|{{convert|3.06|kg|order=flip|abbr=on}} with lens, battery, microphone, handle, viewfinder.}}145|×|178.5|×|235.5|mm|order=flip|disp=br|abbr=on}} 1×Super 35
CMOS		 EAXSM via optional AXS-R5 recorder and HXR-IFR5 interface units.}} 1–240 (1080p) 2012[34]  No
F5[31]{{convert|2.2|kg|order=flip|disp=br|abbr=on}}{{convert|130|×|125|×|191|mm|order=flip|disp=br|abbr=on}}1×Super 35
CMOS		FZ{{efn|name=PL-adapted|PL with included adapter}}2×SxS, AXSM{{efn|Via external docking recorder AXS-R5.}}1–60 (4K){{efn|F5 requires optional upgrade for 4K in XAVC.}}
1–240 (2K){{efn|Limited to 180fps when recording in 2K XAVC}}		2012[35] Yes
F55[31]
[36]{{efn>Model number MPC-36103.9|kg|order=flip|disp=br|abbr=on}}133|×|159|×|172|mm|order=flip|disp=br|abbr=on}}{{convert|36|×|24|mm|abbr=on}} sensor size.}}
CMOS		name=PL-adapted}}{{efn|Lever-lock variant of E-mount, which allows the rotation of a lever, rather than the lens.}}Via external docking recorder AXS-R7.}} 1–30 (6K)
1–60 (4K)		 2017[37] Yes
Notes
{{notelist|25em}}

See also

  • Digital cinematography
  • Panavision HD-900F
  • PMW-EX1
  • AXIOM (camera)

References

1. ^1 2 {{cite web |url=https://www.sony.net/Fun/design/activity/product/f23_03.html |title=Feature Design: "CineAlta" Digital Cinema Camera F23 |date=13 June 2007 |publisher=Sony |accessdate=25 September 2018}}
2. ^{{cite web |url=https://www.sony.net/Fun/design/activity/product/f65/03.html |title=Feature Design: "CineAlta" Digital Cinema Camera F65 |date=11 June 2012 |publisher=Sony |accessdate=25 September 2018}}
3. ^{{cite web|url=https://www.imdb.com/title/tt0261983/business?ref_=tt_dt_bus| title=Session 9 Budget / Box Office / Filming Dates, IMDB| accessdate=2016-04-28}}
4. ^{{cite web|url=https://www.imdb.com/title/tt0261983/technical| title=Session 9 Technical Specifications, IMDB| accessdate=2016-04-28}}
5. ^{{cite web|url=https://variety.com/2001/film/reviews/session-9-1200469568/| title=Review: 'Session 9', Variety| accessdate=2016-04-28}}
6. ^{{cite web|url=https://www.moviemaker.com/archives/series/how_they_did_it/burning-annie-found-self-distribution-after-a-decade-of-catastrophes| title=MovieMaker: How They Did It 'Burning Annie'}}
7. ^{{cite web|url=https://www.imdb.com/title/tt0285823/technical| title=Once Upon a Time in Mexico Technical Specifications, IMDB| accessdate=2009-01-31}}
8. ^{{cite web|url=https://www.imdb.com/title/tt0388556/technical |title=Zebraman Technical Specifications, IMDB| accessdate=2011-08-24}}
9. ^{{cite web|url=http://www.sony.net/SonyInfo/IR/financial/ar/2006/qfhh7c00000aksu2-att/qfhh7c00000aksvf.pdf| title=HD World: The World of High Definition, Created by Sony| format=PDF| accessdate=2007-05-15 |archiveurl = https://web.archive.org/web/20070131042038/http://www.sony.net/SonyInfo/IR/financial/ar/2006/qfhh7c00000aksu2-att/qfhh7c00000aksvf.pdf |archivedate = 2007-01-31}}
10. ^{{cite web|url=http://www.hollywoodreporter.com/hr/content_display/film/news/e3iSvX2Mh9HIlJOpHjDRwrDbQ%3D%3D|title=Mysterious ways: U2 in 3-D concert film|first=Gregg|last=Goldstein|work=The Hollywood Reporter |date=2006-10-31 | accessdate= 2007-04-07}}
11. ^Rainbow (1996 film)#Synopsis
12. ^1 {{cite web |url=https://cinequipt.com/cms-files/sony-hdw-f900-brochure.pdf |title=HDW-F900 Sony Digital Camcorder |date=2006 |publisher=Sony |accessdate=30 September 2018 |archiveurl=https://web.archive.org/web/20181001002855/https://cinequipt.com/cms-files/sony-hdw-f900-brochure.pdf |archivedate=30 September 2018 |deadurl=no}}
13. ^1 {{cite web |url=http://bssc.sel.sony.com/BroadcastandBusiness/docs/brochures/hdc-f950.pdf |title=Sony Digital 4:4:4 HD Camera System HDC-F950 / HDCU-F950 |date=2003 |publisher=Sony |accessdate=23 September 2018 |archiveurl=https://web.archive.org/web/20050304213927/http://bssc.sel.sony.com:80/BroadcastandBusiness/docs/brochures/hdc-f950.pdf |archivedate=4 March 2005 |deadurl=yes}}
14. ^1 {{cite web |url=https://pro.sony/s3/cms-static-content/brochures/HDW-F900R.pdf |title=HDW-F900R Sony Digital Camcorder |date=2006 |publisher=Sony |accessdate=23 September 2018 |archiveurl=https://web.archive.org/web/20180924151209/https://pro.sony/s3/cms-static-content/brochures/HDW-F900R.pdf |archivedate=24 September 2018 |deadurl=no}}
15. ^1 2 {{cite web |url=http://bssc.sel.sony.com/BroadcastandBusiness/docs/brochures/v-2320.pdf |title=XDCAM HD Professional Disc System |publisher=Sony |accessdate=23 September 2018 |archiveurl=https://web.archive.org/web/20060504105940/http://bssc.sel.sony.com:80/BroadcastandBusiness/docs/brochures/v-2320.pdf |archivedate=6 May 2006 |deadurl=yes}}
16. ^1 2 3 {{cite web |url=https://pro.sony/s3/cms-static-content/file/65/1237485216665.pdf |title=XDCAM EX |publisher=Sony |accessdate=26 September 2018}}
17. ^{{cite web |url=https://pro.sony/s3/cms-static-content/file/44/1237485157844.pdf |title=Full HD solid-state camcorder. PMW-EX1R |publisher=Sony |accessdate=26 September 2018}}
18. ^{{cite web |url=https://www.networkworld.com/article/2252403/smb/sony-announces-replacement-for-the-pmw-ex1.html |title=Sony announces replacement for the PMW-EX1 |author=Young, Rick |date=23 October 2009 |work=Network World |accessdate=26 September 2018}}
19. ^1 2 {{cite web |url=https://pro.sony/s3/cms-static-content/file/59/1237485155859.pdf |title=Digital Cinematography Camera F35 / F23 |publisher=Sony |accessdate=23 September 2018}}
20. ^{{cite press release |url=https://www.sony.net/SonyInfo/News/Press/200611/06-107E/index.html |title=[Inter BEE 2006]Sony reveals a new lineup for accelerating HD World |date=November 15, 2006 |publisher=Sony |accessdate=30 September 2008}}
21. ^1 2 3 4 {{cite web |url=https://pro.sony/s3/cms-static-content/file/55/1237485213955.pdf |title=XDCAM HD422 Family |publisher=Sony |accessdate=26 September 2018}}
22. ^{{cite magazine |url=http://www.dvuser.co.uk/images/magazine/back-issues/issue-9.pdf |title=XDCAM HD: Sony's 2/3rd-inch XDCAM HD PDW-700 is here |author=Stuart, Mark |date=April 2008 |magazine=DVuser Magazine |pages=6–12 |accessdate=30 September 2018}}
23. ^{{cite news |url=http://www.studiodaily.com/2009/04/sony-stretches-xdcam-hd-hdcam-sr-offerings-at-nab/ |title=Sony Stretches XDCAM HD, HDCAM SR Offerings at NAB |author=Frazer, Bryant |date=19 April 2009 |work=Studio Daily |accessdate=30 September 2018}}
24. ^{{cite web |url=https://pro.sony/s3/cms-static-content/file/01/1237489668401.pdf |title=PMW-500 Solid-State Memory Camcorder |accessdate=26 September 2018 |publisher=Sony}}
25. ^{{cite news |url=http://www.studiodaily.com/2010/09/sony-introduces-xdcam-pmw-500-recording-422-hd-to-sxs-memory-cards/ |title=Sony Introduces XDCAM PMW-500, Recording 4:2:2 HD to SxS Memory Cards |author=Frazer, Bryant |date=10 September 2010 |work=Studio Daily |accessdate=30 September 2018}}
26. ^1 {{cite web |url=https://pro.sony/en_EE/products/digital-cinema-cameras/srw-9000pl |title=SRW-9000PL |publisher=Sony |accessdate=24 September 2018 }}
27. ^{{cite news |url=https://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=7269863 |title=Electronic Image Acquisition Progress Report |author=Schubin, Mark |date=September 2010 |work=SMPTE Motion Imaging Journal |pages=67–69 |accessdate=30 September 2018}}
28. ^{{cite magazine |url=https://www.cinec.de/global/downloads/pressespiegel/2010/FDTimes-Sept2010-Cinec.pdf?m=1487949772 |title=Sony SRW-9000PL |page=21 |magazine=Film and Digital Times |accessdate=30 September 2018}}
29. ^1 {{cite web |url=https://pro.sony/en_GB/products/handheld-camcorders/pmw-f3l |title=PMW-F3L |publisher=Sony |accessdate=25 September 2018 }}
30. ^{{cite news |url=https://www.provideocoalition.com/sony_pmw-f3_announced/ |title=Sony PMW-F3 Announced |author=Wilt, Adam |date=November 10, 2010 |work=Pro Video Coalition |accessdate=25 September 2018}}
31. ^1 2 3 4 {{cite web |url=https://pro.sony/s3/cms-static-content/uploadfile/47/1237494512347.pdf |title=CineAlta Catalog 2015 |publisher=Sony |accessdate=23 September 2018}}
32. ^{{cite press release |url=https://www.sony.com/en_us/SCA/company-news/press-releases/sony-electronics/2011/sony-launches-f65-cinealta-camera-and-unveils-end-.html |title=Sony Launches F65 CineAlta Camera and Unveils End-to-End 4K Workflow for Digital Cinematography |date=6 September 2011 |publisher=Sony |accessdate=23 September 2018}}
33. ^1 {{cite web |url=https://pro.sony/s3/cms-static-content/file/28/1237486157828.pdf |title=NEX-FS700: Full-HD Super Slow Motion NXCAM Camcorder |publisher=Sony |accessdate=26 September 2018}}
34. ^{{cite news |url=https://www.dpreview.com/articles/6772362590/sony-4k-ready-nex-fs700-fs700e-camcorder |title=Sony announces NEX-FS700 '4k-ready' E-mount camcorder |date=2 April 2012 |work=Digital Photography Review |accessdate=26 September 2018}}
35. ^{{cite news |url=https://filmmakermagazine.com/57288-sony-announces-f5-f55-and-other-toys/ |title=Sony Announces F5, F55 and Other Toys |author=Murie, Michael |date=31 October 2012 |work=Filmmaker Magazine |accessdate=23 September 2018}}
36. ^1 {{cite web |url=https://pro.sony/s3/cms-static-content/uploadfile/61/1237495194461.pdf |title=VENICE |publisher=Sony |accessdate=23 September 2018}}
37. ^{{cite news |url=https://www.newsshooter.com/2017/09/06/sony-unveils-venice-36x24mm-full-frame-digital-motion-picture-camera-system/ |title=Sony unveils VENICE – 36x24mm full-frame digital motion picture camera system |author=Allard, Matthew |date=6 September 2017 |work=News Shooter |accessdate=23 September 2018}}

External links

  • Official CineAlta page
  • Sony Professional
  • Sony's first global news release of F35
  • [https://web.archive.org/web/20080724232004/http://www.broadcastpapers.com/whitepapers/Wilox-Sony%20Speech.pdf Sony US's announcement with information of CineAlta 4K]
Sony Cinealta

2 : Digital movie cameras|Sony camcorders
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