词条 | Grünes Gewölbe |
释义 |
The Grünes Gewölbe (English: Green Vault) in Dresden is a unique historic museum that contains the largest collection of treasures in Europe.[1] Founded by Augustus the Strong in 1723, it features a rich variety of exhibits from the Baroque to Classicism. It is named after the formerly malachite green painted column bases and capitals of the initial rooms. It has some claim to be the oldest museum in the world; it is older than the British Museum, opened in 1759, but the Vatican Museums date their foundation to the public display of the newly excavated Laocoön group in 1506. After the devastation of World War II, the Grünes Gewölbe was completely restored. Today, its treasures are shown in two exhibitions: The Historic Green Vault (Historisches Grünes Gewölbe) is famous for its splendors of the historic treasure chamber as it existed in 1733, while the New Green Vault (Neues Grünes Gewölbe) focuses the attention on each individual object in neutral rooms. The Grünes Gewölbe is located on the first and second floors of the western section of the Dresdner Residenzschloss. It is now part of the Dresden State Art Collections. HistoryThe history of the "Green Vault" goes back to the year 1547, when elector Moritz of Saxony initiated the building of an additional west wing to the palace. Four of the new rooms on the first floor were given elaborate, molded plaster ceilings.[2] The column bases and their capitals were painted with a characteristic bluish-green paint. Due to this color, the rooms were soon known as the "Green Vault", and the name has endured. The official name of the suite of rooms, which was protected against fire and robbery by thick walls, iron shutters and doors, was "Privy Repository" (Geheime Verwahrung).[2][3] Throughout the 17th century, these rooms were used by the rulers of Saxony as a private treasure chamber for important documents and jewellery.[3] Between 1723 and 1729, the elector Frederic Augustus I, today known as Augustus the Strong, turned the once private chambers into a public museum. First, he commanded splendid rooms to be created in which to display his collection. The Pretiosensaal (Hall of Treasures) and the Eckkabinett (Corner Cabinet) were listed as completed in the inventory of 1725; they reached their present-day form in this construction phase.[4] An extension followed in 1727. Augustus’ intentions have been preserved on a ground plan from 1727 on which he drew his ideas.[4] As in the first construction phase, the architect Matthäus Daniel Pöppelmann planned and built a museum-like, artistic structure of German Baroque grandeur.[5] A suite of eight interconnecting rooms was constructed whose architectural beauty complemented the abundance and quality of the priceless treasures. Augustus the Strong could now exhibit his entire collection of valuables, including bronze statues and works of art in silver, gold, amber and ivory. The sequence of rooms was deliberately staged, presenting the objects according to their materials.[3] By the end of his almost four-decade-long reign in 1733, Augustus the Strong had made his crown treasures and his inherited riches accessible to the public – an unprecedented innovation in the Baroque period. These rooms remained unchanged for almost two centuries. When war was imminent in 1938, the art treasures were taken to the Königstein Fortress.[3] The Green Vault was severely damaged in the February 13, 1945 bombing of Dresden in World War II. Three of the eight rooms were totally destroyed.[3] At the end of the war in 1945, the treasures were confiscated by the Red Army and transported to the Soviet Union. After their return to Dresden in 1958, part of the collection was displayed at the Albertinum. In 2004, the Neues Grünes Gewölbe (New Green Vault) was opened on the second floor of the rebuilt Dresden castle. Its modern style of presentation centers on the works of art. In 2006, the reconstructed Historisches Grünes Gewölbe (Historic Green Vault) was reopened in the magnificent suite of rooms on the first floor as it had existed in 1733 at the time of its founder's death. Today's presentationThe whole collection consists of more than 4,000 pieces, with almost 1,100 in the New Green Vault and about 3,000 shown in the original Historic Green Vault.[6] The Historic Green Vault is located on the first floor of the Dresden Castle and the New Green Vault on the second floor, each covering approximately 2,000 square metres. The Historic Green Vault is famous for the splendors of the treasure chamber, in itself a baroque work of art, while the more modern New Green Vault focuses the attention on each individual object. Entrance to the Historic Green Vault requires advance purchase of tickets for a specific entry time slot. A limited number of tickets is also sold every morning. The New Green Vault can be visited at any time. Historic Green VaultThe Historic Green Vault has on display approximately 3,000 masterpieces of jewelry and the goldsmith's art, as well as precious objects made of amber and ivory. Gemstone vessels and elegant bronze statuettes are presented without showcases in front of ornate mirrored display walls.[7] With these treasure chambers, Augustus the Strong realised his vision of a Baroque Gesamtkunstwerk (synthesis of the arts) as an expression of wealth and absolutist power. He presented his treasures to a select public, thus establishing the Green Vault as one of Europe's oldest museums. Exhibition roomsThe Historic Green Vault consists of 9 rooms and one entrance chamber:
Selected exhibitsOne of the most important statues in the collection is the "Moor with Emerald Cluster" (Mohr mit Smaragdstufe; also known as "Moor with Emerald Plate" or "Moor with Platter of Emeralds"). It was manufactured by the royal goldsmith Johann Melchior Dinglinger together with Balthasar Permoser, probably in 1724. The statue is {{convert|63.8|cm|ft|abbr=off}} high and richly decorated with jewels.[8] It was created because Augustus the Strong wanted to exhibit a precious emerald cluster, studded with 16 dark green emeralds, in his new Schatzkammer museum. This "miracle of nature", which originally came from a Colombian mine, was given to Elector Augustus by Emperor Rudolf II as a gift in 1581. The "moor" is actually an elegantly dressed South American Indian, who presents the Colombian emerald cluster on a tray of tortoiseshell.[9] The Jewel Garnitures (Juwelen-Garnituren) constitute the largest collection of jewels in Europe. They represented the monarchs' claim of absolute power. Here, the "Dresden White" or "Saxon White" (Sächsische Weiße), a {{convert|49.71|carat|g|adj=on}} carat cushion-shaped diamond, is on display.[10] Also unique is a {{convert|648|carat|g|adj=on}} sapphire, a present from czar Peter I of Russia. The jewel-studded obelisk Obeliscus Augustalis was made by Johann Melchior Dinglinger in 1719–21. The {{convert|2.28 |m|ft|abbr=off}} high obelisk with 240 stones and figures was acquired by Augustus the Strong directly from Dinglinger's workshop.[11] This cabinet piece, conceived as an indoor monument, shows a portrait of Augustus the Strong at the centre of the monument. He is presented as a king revered by peoples from classical antiquity, as becomes obvious by the cameos of famous men and women from this classical period skillfully carved on the shaft of the obelisk.[9] New Green VaultThe New Green Vault complements the Historic Green Vault. It contains the unique works of the royal goldsmith Johann Melchior Dinglinger and other outstanding works of Baroque jewelry. The almost 1,100 masterpieces are presented in neutral rooms to focus attention on the objects themselves.[12] Exhibition roomsThe New Green Vault consists of 12 rooms:
Selected exhibitsThe "Cherry Stone with 185 Carved Faces" was created before 1589 by an unknown artist, probably using a magnifying glass. Actually, 113 faces can be distinguished on this cherry pit, which is integrated into an earring. This tiny work of art was given as a present to Elector Christian I of Saxony in 1589.[13] The "Large Ivory Frigate Supported by Neptune" was the last work of Jacob Zeller. It was completed in the summer of 1620, a few months before his death. The frigate, with a crew of almost 50 tiny sailors made of ivory, is supported by the god of the seas. One of the mainsails, also made of extremely thin ivory, displays the coat of arms of elector Johann Georg I and his wife Magdalene Sibylle.[14] The "Golden Coffee Service" presents the cups and saucers and sugar bowls on an elaborate pyramidal etagère surmounted by the coffeepot, all in enameled gold, a cabinet piece unique in Europe. Here, Dinglinger masterfully combines the most diverse artistic forms to produce an avantgarde work of art which can be regarded as one of the first manifestations of the fashion for chinoiserie. Augustus took the recently completed ensemble with him to Warsaw at Christmas 1701, to dazzle the nobles of the Polish–Lithuanian Commonwealth, of which he was the nominal ruler.[15] "The Royal Household at Delhi on the Occasion of the Birthday of the Grand Mogul Aureng-Zeb" represents the idea of European monarchs about Arab palaces in India. The Grand Mogul embodies the dream of absolute power and immeasurable riches, which for Augustus the Strong was under serious threat at least for a time due to setbacks in the Nordic Wars. This masterpiece of European jewelers’ art comprises 4,909 diamonds, 164 emeralds, 160 rubies, a sapphire, 16 pearls and two cameos. It was created by the royal goldsmith Johann Melchior Dinglinger, his brothers and others, between 1701 and 1708. The elector paid almost 60,000 talers for it, more than he did for the construction of Moritzburg Castle.[16] The "Bath of Diana" (or "Diana Bathing") was Dinglinger's favorite work: the goddess Diana, carved out of ivory, is seated at the edge of a chalcedony bowl in a filigree that is supported between the horns of a stag's head. Two dolphins spew water into the bowl for her bath.[17] A pearl is suspended in place of the shaft, while the bowl seems to float on the tips of the stag's antlers. This masterpiece depicts the mythological scene in which the unapproachable Diana changes the hunter Actaeon into a deer and has him torn to pieces by his own dogs for having watched her bathing.[16][18] The base of the piece presents the forest floor, upon which lies the head of the stag Actaeon, with the dogs falling ravenously upon it. The inscription picked out in diamonds on the rim of the base reads, "DISCRETION SERT EFFRONTERIE PERD" ("Discretion is laudable, indiscretion unwise").[19] The {{convert|41|carat|g|adj=on}} Dresden Green Diamond is the most valuable diamond in the whole Green Vault. The stone's unique green color is due to natural exposure to radioactive materials. It was acquired by Augustus III of Poland from a Dutch merchant in 1742 at the Leipzig Fair.[20] Augustus ordered his "house diamond" to be mounted into a decorative badge of the Golden Fleece. His grandson Frederick Augustus I of Saxony commissioned the Dresden court jeweler Diesbach to alter it radically. The framed diamond was incorporated into an extremely valuable hat ornament. It became the focal point of a {{convert|14.1|cm|inch|abbr=on}} high hat clasp, where it was surrounded by two large colorless diamonds of {{convert|19.3|carat|g|adj=on}} and {{convert|6.3|carat|g|adj=on}} carat plus 411 additional medium-sized and small diamonds.[10] This is the setting that the Dresden Green Diamond still appears in today. See also
Notes and references1. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, p. 16 {{de icon}} 2. ^1 Dirk Syndram, Das Grüne Gewölbe – The Green Vault – Le Voûte Verte, 3rd ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-159-5}}, p. 5 3. ^1 2 3 4 Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 7-16 {{de icon}} 4. ^1 Dirk Syndram et al., The Baroque Treasury at the Grünes Gewölbe Dresden, 1st ed. Munich: Deutscher Kunstverlag, 2007, {{ISBN|978-3-422-06644-1}}, pp. 6-7 5. ^Fritz Löffler: Das alte Dresden - Geschichte seiner Bauten. 16th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-000-0}} {{de icon}} 6. ^{{cite web |url=http://www.skd.museum/en/museums-institutions/residenzschloss/index.html |title=Residenzschloss (Royal Palace) |year=2011 |accessdate=29 October 2011 |publisher=Dresden State Art Collections |deadurl=yes |archiveurl=https://web.archive.org/web/20111102155839/http://www.skd.museum/en/museums-institutions/residenzschloss/index.html |archivedate=2 November 2011 |df= }} 7. ^{{cite web |url=http://www.skd.museum/en/museums-institutions/residenzschloss/gruenes-gewoelbe/historisches-gruenes-gewoelbe/index.html |title=Historisches Grünes Gewölbe (Historic Green Vault) |year=2011 |accessdate=29 October 2011 |publisher=Dresden State Art Collections}} 8. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 154-155 {{de icon}} 9. ^1 Dirk Syndram et al., The Baroque Treasury at the Grünes Gewölbe Dresden, 1st ed. Munich: Deutscher Kunstverlag, 2007, {{ISBN|978-3-422-06644-1}}, pp. 132-134 10. ^1 Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 166-173 {{de icon}} 11. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 156-157 {{de icon}} 12. ^{{cite web |url=http://www.skd.museum/en/museums-institutions/residenzschloss/gruenes-gewoelbe/neues-gruenes-gewoelbe/index.html |title=Neues Grünes Gewölbe (New Green Vault) |year=2011 |accessdate=29 October 2011 |publisher=Dresden State Art Collections}} 13. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, p. 65 {{de icon}} 14. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 90-91 {{de icon}} 15. ^Dirk Syndram, Das Grüne Gewölbe – The Green Vault – Le Voûte Verte, 3rd ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-159-5}}, p. 62 16. ^1 Wolfgang Kootz: Dresden, Illustrated guide to the state capital and surrounding area, B&V Verlag, 2010, pp. 40-41. 17. ^Géza von Habsburg, Princely Treasures, New York: Vendome, 1997, {{ISBN|978-0-86565-987-2}}, [https://books.google.com/books?ei=nGjFTq32HebciALQnuy3BQ&ct=result&id=lbLpAAAAMAAJ&dq=%22DISCRETION+SERT+EFFRONTERIE+PERD%22&q=antlers#search_anchor p. 90]. 18. ^Dirk Syndram, Prunkstücke des Grünen Gewölbes zu Dresden, 5th ed. Leipzig: Seemann, 2006, {{ISBN|978-3-86502-150-2}}, pp. 122-123 {{de icon}} 19. ^von Habsburg, [https://books.google.com/books?ei=nGjFTq32HebciALQnuy3BQ&ct=result&id=lbLpAAAAMAAJ&dq=%22DISCRETION+SERT+EFFRONTERIE+PERD%22&q=A+French+epigram%2C+picked+out+in+diamonds%2C+runs+about+the+base%3A+Discretion+sert%2C+effronterie+perd+%28%22Discretion+is+laudable%2C+indiscretion+unwise%22%29#search_anchor p. 92]. 20. ^{{cite book| url= http://www.farlang.com/diamonds/streeter_great_diamonds/page_275 |title = Dresden Green Diamond, in "The Great Diamonds of the World" |author = Edwin W. Streeter |year=1898 |accessdate=30 October 2011 |publisher=George Bell & Sons}} External links{{Commons-inline|Grünes Gewölbe}}
6 : Buildings and structures in Dresden|Staatliche Kunstsammlungen Dresden|Decorative arts museums in Germany|Art museums established in 1723|1723 establishments in the Holy Roman Empire|1723 establishments in Germany |
随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。