1. Biography

2. Works
    Books  Lithographs  Fotonovelas  Multimedia  Exhibition + Project Catalogues  DVD   Books  Reviews/Features 

3. References

Harry Gamboa Jr. (born 1951) is a Chicano essayist, photographer, director and performance artist. He was a founding member of the influential Chicano performance art collective ASCO.

Biography

The first of five children born to a working-class Mexican American couple, Gamboa grew up in East Los Angeles, California, "an urban area tormented by poverty, violence, and racial conflict".^[1] Despite the "inadequacy of the East L.A. public schools",^[1] Gamboa was encouraged to value education and did fairly well in school, and he was active in community organizations and politics as a teenager. As a high-school student (graduated 1969), Gamboa was active in student government and an organizer of various student-initiated reforms, most significantly the 1968 "East L.A. Blowouts"—a series of protests against the inferior conditions of public schools in poor, non-white areas.^[2]

Gamboa's extracurricular activities were not, however, limited to politics. Already a developing artist, it was at Garfield High that Gamboa met Gronk (Glugio Nicandro), Patssi Valdez (then known as Patsy), and Willie Herrón, three of his closest associates in his later career. After the "Blowouts" of his senior year, Gamboa dropped out of the political scene to dedicate himself to his education. Thanks to these efforts and with the help of the Equal Opportunities Program (EOP) for disadvantaged minority students, Gamboa was able to attend California State University, Los Angeles.

From this point, his career as an artist—both solo and with Gronk, Valdez, and Herrón in the art collective ASCO (Spanish for nausea) —"took off".^[1] Among other "urban interventions," Asco sprayed their names on the Los Angeles County Museum of Art.^[3]

In 1993 Gamboa married his second wife, Chicana muralist Barbara Carrasco, after seven years of romantic and professional involvement.

The Getty Research Institute Pacific Standard Time initiative that focused on postwar art in Los Angeles featured the major exhibition, Asco: Elite of the Obscure, a retrospective, 1972-1987, at Los Angeles County Museum of Art, September 4 - December 4, 2011.

Elite of the Obscure, Williams College Museum of Art, Williamstown, MA, February 4 - July 29, 2012.

Patrick Charpenel selected Asco: Elite of the Obscure as Mexico City’s Best, 2013, Art in America, (December 2013)

Gamboa's photograph, Decoy Gang War Victim, 1974, was featured on the cover of Artforum (October, 2011).

Michael Ned Holte selected, Asco: Elite of the Obscure, as his #1 pick for Best of 2011 in Artforum (December, 2011).

Christopher Knight selected, Asco: Elite of the Obscure, 2011 year in review: Best in Art, 2011 Los Angeles Times.

Current Exhibition:

November 16, 2018 - November 3, 2019

Smithsonian

National Portrait Gallery

Washington D.C.

February 7 - Jun 9, 2019

Davis Museum at Wellesley College

Wellesley, MA

[https://www.wellesley.edu/davismuseum/whats-on/current/node/161571]

March 15 – August 18, 2019

Smithsonian American Art Museum

Washington D.C.

[https://www.e-flux.com/announcements/244630/artists-respond-american-art-and-the-vietnam-war-1965-1975/]

Upcoming Radio Program:

DISQUIET SMOG — a murmuring rumbling echoing Los Angeles soundscape —

New York

Sunday

March 31, 2019

11:00 a.m. (EDT)

streaming

radio.montezpress.com

also

Los Angeles - L.A. Art Book Fair

Thursday

April 11,2019

7-8pm (PST)

streaming radio.montezpress.com

His work has been exhibited by museums nationally/internationally:

Marjorie Barrick Museum of Art UNLV, Las Vegas (2019); Vincent Price Art Museum ELAC, Monterey Park (2019); Museo de Arte Carrillo Gill, Mexico City (2018, 1978); Autry Museum of the American West (2018); Foto Forum Santa Fe (2018); Museo de la Solidaridad Salvador Allende, Santiago, Chile (2018); Marlborough Contemporary, New York (2017); MOCA Pacific Design Center (2017); Whitney Museum of American Art, New York (2016, 2015 and 1995 Biennial); Delaware Art Museum (2016); Utah Museum of Fine Arts (2015); Princeton University Art Museum (2015); Centre d'Arts Plastiques Contemporain, Bordeaux, France (2014); [https://web.archive.org/web/20140313152752/http://www.deappel.nl/visit/programme/activity/?id=889 De Appel], Amsterdam, Netherlands (2014); Lentos Kunstmuseum Linz, Linz, Austria (2013); Nottingham Contemporary, Nottingham, England (2013); Smithsonian American Art Museum, Washington D.C. (2013); Le Musée d’Art Contemporain, Marseille, France (2017, 2013); [https://web.archive.org/web/20130309234204/http://www.muac.unam.mx/webpage/index.php Museo Universitario Arte Contemporáneo (UNAM)], Mexico City (2013); Tate Liverpool, Liverpook, England (2013); Museo del Palacio de Bellas Artes, Mexico City (2011, 1981); Museum of Contemporary Art, Los Angeles (2011, 2010); Musée de l'Élysée, Lausanne, Switzerland (2009); Orange County Museum of Art, Newport Beach, CA (2011); Whitworth Art Gallery, Manchester, England (2009); Museo de Arte Zapopan, Guadalajara, Mexico (2009); Los Angeles County Museum of Art (2011, 2008, 2001); Fowler Museum, UC Los Angeles (2011); Museo Tamayo Arte Contemporaneo, Mexico City (2008); Japanese American National Museum, Los Angeles (2008); El Museo del Barrio, New York (2008, 2010); The Huntington Library, San Marino, California (2008); Museo José Luis Cuevas, Mexico City (2006); Centre Pompidou, Paris, France (2006); Museo Nacional de la Estampa, Mexico City (2005); International Center of Photography, New York (2003); MIT List Visual Arts Center (2000); Queens Museum of Art (1999); Smithsonian Institution, Washington D.C. (1997); Statens Museum for Kunst, Copenhagen, Denmark (1996); Museum of Modern Art, New York, NY (1994); Getty Research Institute, Los Angeles (1994); LAX/CSU Los Angeles (1994); Museo del Palacio de Bellas Artes, Mexico City (1981); Museum of Contemporary Art, Chicago (1979); Museo de Arte Moderno, Mexico City (1978); Tucson Museum of Art, Tucson, AZ (1977).

He has received numerous awards from institutions including the Rockefeller Foundation (2004), the Durfee Foundation Artist Award (2001), the [https://web.archive.org/web/20131202224944/http://www.independent-magazine.org/node/523 Flintridge Foundation] Visual Artist Award (2000), the Gluck Foundation (1998–1999), the J. Paul Getty Trust Fund for the Visual Arts (1990), the California Arts Council (1996), [https://web.archive.org/web/20110811213741/http://artmattersfoundation.org/past_grantees.html Art Matters, Inc.] (1996), and National Endowment for the Arts (1987 and 1980).

Hilda Solis, Los Angeles County Supervisor, First District presented Harry Gamboa Jr. with a County of Los Angeles Commendation, August 1, 2017:

[https://harrygamboajr.wordpress.com/2017/08/02/commendation-l-a-county-supervisor-hilda-solis/]

"In recognition of dedicated service to the affairs of the community and for the civic pride demonstrated by numerous contributions for the benefit of all citizens of Los Angeles County."

2010 Latino Heritage Month was inaugurated in a ceremony attended by a wide spectrum of supporters in Council Chambers at the famed Los Angeles City Hall, where Los Angeles Mayor Antonio R. Villaraigosa presented the Latino Heritage Awards: Spirit of Los Angeles Willie Herrón III, Patssi Valdez, and Harry Gamboa Jr. accepted the award on behalf of Asco), Dream of Los Angeles Tony Plana, Hope of Los Angeles Plácido Domingo.

Gamboa founded/directed Virtual Vérité (2005-2017), an international ensemble performance troupe.

[https://harrygamboajr.wordpress.com/2016/07/16/thin-line/]

[https://harrygamboajr.wordpress.com/2016/07/15/borderless/]

He is a member of the faculty at California Institute of the Arts, School of Art, Program in Photography and Media.

He has taught at various universities and art institutions, including California State University, Northridge, University of California, Los Angeles, University of California, Riverside, University of California, Irvine, University of California, Santa Barbara, University of California, San Diego, Otis/Parsons, and Maine College of Art.

He has delivered artist talks at: Smithsonian American Art Museum, Harvard University; UC Berkeley; University of Houston; Stanford University; Dartmouth College; Cornell University; Scripps College, Claremont Graduate University; School of the Museum of Fine Arts, Boston; Centro Cultural de España, Mexico City; University of Illinois at Urbana-Champaign; ; University of Southern California, Los Angeles; Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", Mexico City.

In Spring 2018, From ‘No Movie’ to ‘Fake Buzzers’ and The Sixth Expanse, Harry Gamboa Jr. in conversation with Hugo Hopping [https://kunsten.nu/journal/portraet-af-kunstner-harry-gamboa-jr/], SixtyEight Art Institute, Copenhagen, Denmark.

In Fall 2017, he delivered keynote, [https://www.ap.be/koninklijke-academie/evenement/summer-school2-making-public-domain/5423 Summer School #2 MAKING PUBLIC DOMAIN], Middelheim Museum, Antwerpen, organized by Nico Dockx (Koninklijke Academie voor Schone Kunsten) and Pascal Gielen (ARIA).

In Fall 2012, Universitair Centrum Sint Ignatius Antwerpen - UCSIA sponsored Gamboa to present, La La Land: Deflections and Recollections, an artist talk at Universiteit Antwerpen. He also worked with students and faculty of Koninklijke Academie voor Schone Kunsten Antwerpen (Royal Academy of Fine Arts) along with Belgian artists Ria Pacquée and Nico Dockx to produce "actions" in Antwerpen and Brugge.

His photographs are in the permanent collection of Smithsonian National Portrait Gallery, Washington, D.C.

His photographs are in the permanent collection of Smithsonian American Art Museum, Washington, D.C.

His photographs are in the permanent collection of Whitney Museum of American Art, New York, NY.

His photographs are in the permanent collection of Autry Museum of the American West, Los Angeles, CA

His photographs are in the permanent collection of Wiliams College Museum of Art, Williamstown, MA.

His photographs are in the permanent collection of [https://www.wellesley.edu/davismuseum/ Davis Museum at Wellesley College, Wellesley, MA], Williamstown, MA.

His photographs are in the permanent collection of El Museo del Barrio, New York, NY.

His lithographs are in the permanent collection of Grunwald Center for the Graphic Arts, University of California, Los Angeles.

His oral history is included in Smithsonian Archives of American Art (1999). His oral history is also included in Alternative Projections, Experimental Film in Los Angeles 1945-1980, a project of Los Angeles Filmforum (2011).

A permanent collection of his media works/papers has been established and archived at Green Library, Stanford University.

Works

Books

• Xoloitzcuintli Doppelgänger and other stories by Harry Gamboa Jr.
• Exploring Commonism A New Aesthetics of the Real Edited with text by Nico Dockx & Pascal Gielen
• Gamboa, Harry Jr.; The Sixth Expanse ; c2018. {{ISBN|9781523244959}} (paperback)
• Gamboa, Harry Jr.; Aztlángst 2 ; c2015. {{ISBN|1477615822}} (paperback)
• Gamboa, Harry Jr.; Vie 21, Photo Journal 1 ; c2014. {{ISBN|1500706868}} (paperback)
• Gamboa, Harry Jr.; Worker Ant (1) ; c2013. {{ISBN|1493544349}} (paperback)
• Gamboa, Harry Jr.; Aztlángst: La La Fotonovela (Volume 1); c2011. {{ISBN|1-4505-6964-1}} (paperback)
• Gamboa, Harry Jr.; Pix; c2011. {{ISBN|1-4565-1742-2}} (paperback)
• Gamboa, Harry Jr.; Fallen; c2010. {{ISBN|1-4505-6964-1}} (paperback)
• Gambhoa, Harry Jr.; Rider; c2009. {{ISBN|1-4486-7030-6}} (paperback)
• Gamboa, Harry Jr.; edited by Chon A. Noriega.Urban Exile: Collected Writings of Harry Gamboa Jr. Minneapolis, Minnesota: University of Minnesota Press, c1998. {{ISBN|0-8166-3051-8}} (hardback), {{ISBN|0-8166-3052-6}} (paperback)

Lithographs

• Siren's Post-Acid Complex series 2005 through 2010.

Fotonovelas

• See What You Mean: Fotonovelas, J. Paul Getty Museum, 2017.

Multimedia

• [https://www.youtube.com/watch?v=RaHwkdpfKB8 "Taller - Momentum social de un momento visual, Harry Gamboa"] Museo Universitario Arte Contemporáneo, Mexico City CDMX, Online video released May 9, 2018.
• "Harry Gamboa Jr." Future Tongue. Online text/video released 2015.
• [https://albertini2014.wordpress.com/2015/11/04/ephemeral-atzec-on-the-405/ "Ephemeral Aztec on the 405"] Albertini 2014 The Kite. Online text/image released 2015.
• [https://www.youtube.com/watch?v=2u7x4t_rVZg "No Movie for Asco: Harry Gamboa Jr & Rita Gonzalez"] Online video released 2013.
• [https://www.youtube.com/watch?v=iyFViWGU06I "ASCO Interviews"] Online video released 2013.
• [https://www.youtube.com/watch?v=xYi2V8xR6wQ "Harry Gamboa Jr. - Baby Kake - Artist's Video Projects - MOCAtv"] Online video released 2013.
• [https://harrygamboajr.wordpress.com/2013/02/15/untunnel/ "Harry Gamboa Jr. - Untunnel - Belgium] Online video released 2013.
• [https://www.youtube.com/watch?v=dXElN3mh03A "Asco: Elite of the Obscure Symposium - Conversation with Mario Ontiveros, Harry Gamboa Jr. and Sean Carrillo - Williams College] Online video released 2012.
• [https://americanart.si.edu/videos/erased-limits-and-borders-artist-harry-gamboa-jr-154312 Erased: Limits and Borders - Harry Gamboa Jr. - Smithsonian American Art Museum"] Online video released 2011.
• [https://vimeo.com/9024748 '1440 frames - vol.08.13.09 - 1 minute'] 35mm films, July 20, 2009
• The Candid Frame #14 - Harry Gamboa Jr. Podcast released 2006.
• Harry Gamboa Jr.: 1990s Video Art, Volumes 2 and 3 DVDs released 2004.
• Red Tide. DVDs released 2001.

Exhibition + Project Catalogues

• [https://www.amazon.com/dp/030021183X Whitney Museum of American Art: Handbook of the Collection.] Whitney Museum of American Art, 2015.
• [https://yalebooks.yale.edu/book/9780300207859/city-lost-and-found The City Lost and Found Capturing New York, Chicago, and Los Angeles, 1960–1980.] Yale University Press, 2015.
• [https://americanart.si.edu/books/our-america Our America: The Latino Presence in American Art.] Smithsonian American Art Museum, Washington D.C., 2014.
• Performance as Archive , Archive as Performance. Royal Academy of Fine Arts, Antwerp (Belgium), 2013.
• [https://www.amazon.co.uk/dp/1849760926 Glam! The Performance of Style.] Tate Liverpool (England), 2013.
• [https://www.amazon.com/dp/3775730036 ASCO: Elite of the Obscure: A Retrospective 1972-1987.] Los Angeles County Museum of Art, 2011.
• [https://www.amazon.com/dp/3775731334 MEX/LA: Mexican Modernisms in Los Angeles 1930-1985.] Museum of Latin American Art, 2011.
• [https://www.amazon.com/dp/0895511452 L.A. Xicano.] UCLA Chicano Studies Research Center, 2011.
• [https://www.amazon.com/dp/3791351397 Under the Big Black Sun: California Art 1974-1981.] Museum of Contemporary Art, 2011.
• [https://www.amazon.com/dp/1606060724 Pacific Standard Time, Los Angeles Art, 1945–1980.] Getty Research Institute and J. Paul Getty Museum, 2011.
• [https://www.amazon.com/dp/0520255631 Phantom Sightings: Art after the Chicano Movement.] Los Angeles County Museum of Art, 2008.
• [https://www.amazon.com/dp/B003GAN39G This Side of Paradise: Body and Landscape in Los Angeles Photographs.] The Huntington Library, 2008.
• [https://www.amazon.com/dp/2755701501 Los Angeles 1955-1985 Birth Of An Art Capital.] Centre Pompidou, 2006.
• [https://www.amazon.com/dp/0810946351 Only Skin Deep.] International Center of Photography, 2003.
• [https://www.amazon.com/dp/0520227654 Made in California: Art, Image, and Identity, 1900-2000.] Los Angeles County Museum of Art, 2000.
• [https://www.amazon.com/dp/0960451498 Global Conceptualism.] Queens Museum of Art, 1999.
• [https://www.amazon.com/dp/0810968185 1995 Biennial Exhibition.] Whitney Museum of Art, 1995.
• [https://www.amazon.com/dp/0914357271 Chicano Art: Resistance and Affirmation, 1965-1985.] Wight Art Gallery, 1991.
• [https://www.amazon.com/dp/0943739152 Helter Skelter: L.A. Art in the 1990s.] Museum of Contemporary Art, 1992.
• [https://www.amazon.com/dp/0938437208 L.A. Hot & Cool.] MIT/Bank of Boston, 1987.

DVD

• [https://www.amazon.com/dp/B000CNEEOI Harry Gamboa Jr., 1990's Chicano video art'.] UCLA Chicano Studies Research Center, 2004.
• [https://www.amazon.com/dp/B000NA77OE Harry Gamboa Jr., Early Chicano video art'.] UCLA Chicano Studies Research Center, 2004.
• [https://www.amazon.com/dp/9525368041 Routemaster Remix Project Live'.] Ilppo Pohjola, Crystal Eye Ltd, 2003.
• [https://www.amazon.com/dp/9525368033 Asphalto/Routemaster.] Ilppo Pohjola, Crystal Eye Ltd, 2003.

Books

• Both Sides of Sunset - Photographing Los Angeles. Edited by Jane Brown, Marla Hamburg Kennedy. Foreword by Ed Ruscha. Introduction by David L. Ulin., Metropolis Books, 2015.
• [https://www.amazon.com/dp/1619023431 Creating the Future: Art and Los Angeles in the 1970s.] Michael Fallon, Counterpoint, 2014.
• [https://www.amazon.com/dp/1595583246 A People’s Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements .] Nicolas Lampert, The New Press, 2013.
• [https://www.amazon.com/dp/0415684234 Live Art in LA: Performance in Southern California, 1970 - 1983.] Peggy Phelan, Routledge, 2012.
• [https://www.amazon.com/dp/0738580066 Mexican Americans in Los Angeles.] Alex Moreno Areyan, Arcadia Publishing, 2010.
• [https://www.amazon.com/dp/0822345439 Next of Kin: The Family in Chicano/a Cultural Politics.] Richard T. Rodriguez, Duke University Press, 2009.
• [https://www.amazon.com/dp/0967412706 Technological Rituals, Stories from the Annenberg Dialogues'.] Rosanna Albertini, University of Southern California, 1999.
• [https://www.amazon.com/dp/0816622183 Chicanos And Film: Representation and Resistance'.] Chon A. Noriega, University of Minnesota Press, 1992.

Reviews/Features

• www.harrygamboajr.com
• harrygamboajr.wordpress.com
• [https://www.instagram.com/harry_gamboa_jr Harry Gamboa Jr. - Instagram]
• [https://terremoto.mx/regeneracion-three-generations-of-revolutionary-ideology-at-the-vincent-price-art-museum-los-angeles-usa/ Regeneración: Three Generations of Revolutionary Ideology at the Vincent Price Art Museum, Los Angeles, Terremoto, Mexico City, February 16, 2019]
• [https://www.voanews.com/amp/natl-portrait-gallery-new-acquisitions/4729113.html Smithsonian Museum's Latest Acquisitions Reflect a Diverse America, VOA, January 05, 2019]
• [https://www.kcet.org/shows/artbound/interactive-a-chicanx-artists-point-of-view Interactive: A Chicanx Artist's Point of View, KCET Artbound, November 19, 2018]
• [https://hyperallergic.com/470635/regeneracion-vincent-price-art-museum/ How Mexican and Chicanx Activism Flourished in 20th-Century Los Angeles, Hyperallergic, November 11, 2018]
• [https://wtop.com/dc/2018/10/national-portrait-gallery-adds-28-famous-faces/amp/ National Portrait Gallery adds 28 famous faces, WTOP, October 29, 2018]
• [https://lareviewofbooks.org/article/los-angeles-city-of-poets/ Los Angeles, City of Poets, Los Angeles Review of Books, October 24, 2018]
• [https://hyperallergic.com/453716/harry-gamboa-jr-chicano-male-unbonded-autry-museum-of-the-american-west/ Awe-Inspiring Portraits of Chicano Men that Resist Typecasting, Hyperallergic, July 31, 2018]
• [https://www.nbcnews.com/news/latino/chicano-renaissance-new-mexican-american-generation-embraces-term-n869846 A Chicano renaissance? A new Mexican-American generation embraces the term, NBC News, July 15, 2018]
• [https://www.tandfonline.com/doi/full/10.1080/21502552.2018.1430294 Banquet and Heterotopia: Asco's First Supper (After A Major Riot) 1974, Public Art Dialogue, Vol. 8, No. 1, pages 32-49, 2018]
• Photographers Harry Gamboa Jr. and Luis Garza on pushing back against 'bad hombre' Chicano stereotypes, Los Angeles Times, March 23, 2018
• After Nearly Four Decades in Hiding, Mural L.A. History Is Shown, Uncensored, LA Weekly, March 19, 2018
• [https://kunsten.nu/journal/portraet-af-kunstner-harry-gamboa-jr/ Harry Gamboa Jr. – portræt af en L.A kunstner, Journal, Copenhagen, March 18, 2018]
• [https://www.artforum.com/news/getty-research-institute-acquires-archive-of-los-angeles-contemporary-exhibitions-74629 Getty Research Institute Acquires Archive of Los Angeles Contemporary Exhibitions, Artforum, March 16, 2018]
• [https://www.vice.com/en_us/article/3k73mw/will-student-walkouts-work-parkland-gun-control-shootings We Know Student Walkouts Can Change America Because They Have Before, VICE, March 13, 2018]
• East L.A., 1968: ‘Walkout!’ The day high school students helped ignite the Chicano power movement, Los Angeles Times, March 1, 2018
• [https://www.kcrw.com/news-culture/shows/design-and-architecture/bridges-and-walls-la-river-part-1 Bridges and Walls: LA River, part 1, Design and Architecture, KCRW, February 27, 2018]
• Counterspectacles, Terremoto Magazine, Mexico City, January 29, 2018
• Harry Gamboa Jr. - Missives and Other Un-Notes, LATERAL 6.2, Winter, 2017
• [https://hcponline.org/spot/a-matter-of-record/ A Matter of Record An Interview by Roberto Tejada with Harry Gamboa Jr., SPOT , Fall, 2017]
• Harry Gamboa Jr. Captures the Chicano Male Experience, CSUN Today, December 1, 2017
• [https://laopinion.com/2017/10/27/buenosdiasla-cuando-fue-la-ultima-vez-que-jugaste-a-la-rayuela/ ¿Cuándo fue la última vez que jugaste a la rayuela?, La Opinión, 27 Octubre 17]
• [https://news.stanford.edu/2017/10/13/guest-artist-series-expose-stanford-students-innovative-performance-art/ Guest artist series to expose Stanford students to innovative performance art, Stanford News, October 13, 2017]
• Harry Gamboa Jr. at Autry Museum, Contemporary Art Review LA, October 6, 2017
• [https://www.flashartonline.com/2017/10/harry-gamboa-jr-marlborough-contemporary-new-york/ Harry Gamboa Jr. Marlborough Contemporary / New York, Flash Art, October 3, 2017]
• [https://www.newyorker.com/culture/culture-desk/the-glam-politics-of-a-chicano-collective-from-east-la The Glam Politics of a Chicano Collective from East L.A., The New Yorker, September 16, 2017]
• 'Pacific Standard Time: LA/LA' Begins With a Bang at Getty Center Celebration, The Hollywood Reporter, September 17, 2017
• [https://www.artforum.com/words/id=71024 Harry Gamboa Jr., 500 Words, Artforum, September 12, 2017]
• Art Out: Harry Gamboa Jr. - The ASCO Years, Musée Magazine, September 8, 2017
• [https://artefuse.com/2017/09/09/gallery-hopping-on-the-opening-night-for-the-2017-2018-season/ Gallery hopping on the opening night for the 2017-2018 season, Arte Fuse, September 9, 2017]
• 'The ASCO Years' by Harry Gamboa Jr. at Marlborough Contemporary, BLOUIN ARTINFO, September 17, 2017
• [https://www.kcet.org/shows/artbound/harry-gamboa-jrs-chicano-male-unbonded-highlights-diversity-of-chicano-male-identity Harry Gamboa Jr.'s 'Chicano Male Unbonded' Highlights Diversity Of Chicano Male Identity, Artbound, KCET TV, September 15, 2017]
• [https://laopinion.com/2017/07/06/mexico-ama-a-los-angeles-y-los-angeles-ama-a-mexico/ México ama a Los Ángeles, y Los Ángeles ama a México, La Opinión, 06 julio 2017]
• [https://www.flickr.com/photos/lacma/sets/72157676891229076 LACMA Photo Booth, 2016]
• Artist Harry Gamboa Jr. attends the LA Art Show 2017 opening premiere hosted by Emma Roberts, Getty Images
• Guest Lecture - Harry Gamboa Jr.- The Sixth Expanse, Artillery, January 10, 2017
• We watch artist Harry Gamboa Jr. stage a fotonovela at the site of L.A.'s demolished 6th Street Bridge, Los Angeles Times, December 24, 2016
• A New Crop of Artists Re-create a Famed 1968 LACMA Photograph, Vanity Fair, December 2016
• Re-creating LACMA’s Famed 1968 Class Photo, Vanity Fair, December 2016
• L.A. Habitat: Ed Ruscha, Artnews, March 2016
• El "boom" del arte hispano se abre paso entre las instituciones de EE.UU., El Diario, March 12, 2016
• [https://artforum.com/inprint/ Art and Technology, Artforum, September, 2015]
• The Whitney Discovers L.A., Blouin Artinfo, August 24, 2015
• Can you capture L.A.'s complexity in a photo book? 'Both Sides of Sunset' tries, Los Angeles Times, June 11, 2015
• Max Mara, Presenting Sponsor, Celebrates The Opening Of The Whitney Museum Of American Art - Arrivals (Harry Gamboa) 2015
• [https://web.archive.org/web/20150509032810/http://blog.frieze.com/the-new-whitney-museum-of-american-art-first-impressions/ The New Whitney Museum of American Art: First Impressions, Frieze, April 27, 2015]
• The City Lost and Found at the Princeton University Art Museum, Artnews, April 27, 2015
• The Ultimate Tour of the New Whitney Museum, NY Curbed, April 27, 2015
• At new Whitney Museum site, a show is shrouded in parochialism, Los Angeles Times, April 27, 2015
• From Solange to Art Stars, The New Whitney Draws a Crowd, Art in America, April 24, 2015
• The Whitney Opens With A Winner, ARTnews, April 23, 2015
• The Whitney's Buried Treasures: 10 Rarely Seen Masterworks Making Their Debut in the New Building, Artspace, April 17, 2015
• The Whitney Museum announces inaugural show, and the Internet parses, Los Angeles Times, April 16, 2015
• Which Artists Does the New Whitney Museum Leave Behind?, New York Observer, April 13, 2015
• [https://www.wsj.com/articles/the-whitney-museums-new-home-1427551059 The Whitney Museum’s New Home, The Wall Street Journal, March 28, 2015]
• [https://www.nytimes.com/2015/03/29/arts/design/the-whitney-museum-soon-to-open-its-new-home-searches-for-american-identity.html?_r=0 The Whitney Museum, Soon to Open Its New Home, Searches for American Identity, The New York Times, March 26, 2015]
• How New York, Chicago, and L.A. Explain the 1960s and '70s, CITYLAB, March 30, 2015
• Experience three cities' histories in photos, Daily Record, March 10, 2015
• [https://www.nytimes.com/2015/02/06/arts/design/texas-museum-to-build-ellsworth-kelly-design.html?_r=0 Texas Museum to Build Ellsworth Kelly Design, The New York Times, February 5, 2015]
• [https://www.nytimes.com/2014/09/10/arts/international/mexican-american-street-art-from-los-angeles-comes-to-bordeaux.html?_r=1 Celebrating a Partnership of Two West Coasts, Mexican-American Street Art From Los Angeles Comes to Bordeaux, The New York Times, September 9, 2014]
• Los Angeles, 1970s style, The Art Newspaper, May 8, 2014
• L'art du happening des voyous superbes d'ASCO, Le Monde, Paris, April 18, 2014
• L'art en bande organisée, Le Monde, Paris, April 11, 2014
• Le combat en images des Chicanos californiens, La Provence, Marseille, March 13, 2014
• CSUN Professor’s New Show ‘Vidrio’ Exhibits Under Hollywood, CSUN Today, March 6, 2014
• Asco: No Movies, Art Monthly, UK, December 2013 - January 2014
• Mexico City’s Best, 2013—Patrick Charpenel, Art in America, December 2013
• Los Fantasmas y Los Muros, Luna Córnea 34, Mexico City, 2013
• [https://archive.is/20131104092601/http://www.sanfernandosun.com/sanfernsun/news/9946-csun-professors-work-part-of-smithsonian-exhibit-on-american-art CSUN Professor's Work Part of Smithsonian Exhibit on American Art, San Fernando Valley Sun, October 31, 2013]
• [https://www.nytimes.com/2013/07/12/arts/design/state-of-mind-new-california-art-circa-1970-at-bronx-museum.html?pagewanted=all&_r=0 West Coast Art (Not Laid-Back) A California ‘State of Mind,’ Circa 1970, at Bronx Museum, The New York Times, July 11, 2013]
• Le MAC de Marseille s’ouvre sur le monde, 20 minutes FR, May 27, 2013
• MUAC prepara ciclo de talleres sobre videoarte y visuales, El Universal, 25 de mayo de 2013
• México DF acoge una retrospectiva de Asco, un colectivo de arte chicano, El País, May 15, 2013
• [https://www.npr.org/blogs/pictureshow/2013/04/25/178668030/chicano-males-stare-down-stereotypes Chicano Males Stare Down Stereotypes, NPR, April 25, 2013]
• Circa 1970: Pacific Standard Time at the Bronx Museum, Art in America, July 11, 2013
• Building bridges between Mexican and Mexican American Art, Los Angeles Times, April 6, 2013
• Asco: Elite of the Obscure, A Retrospective (1972-1987) Arrives at the MUAC, Mexico City, Arte al Día, 2013
• [https://lareviewofbooks.org/essay/walking-mural-asco-and-the-ends-of-chicano-art Walking Mural: Asco and the Ends of Chicano Art , Los Angeles Review of Books, August 23, 2012]
• Gallery Sonja Roesch puts prints online with the unveiling of new UNIT shop and exhibit, Culture Map Houston, August, 2012
• City after Fifty Years’ Living: L.A.’s Differences in Relation, Art Journal, Vol. 71, No. 1, Spring 2012
• Civilians, A Fotonovela, X-TRA, Summer, 2012
• Artists, actors creatively reengage with '92 L.A. riots, 'Twilight', Los Angeles Times, April 29, 2012
• Asco: Elite of the Obscure, Art in America, January, 2012
• [https://web.archive.org/web/20120113210603/http://www.frieze.com/issue/review/asco-elite-of-the-obscure/ Asco: Elite of the Obscure, Frieze, January, 2012]
• [https://web.archive.org/web/20140109181725/http://www.laweekly.com/publicspectacle/archives/2011/12/06/harry-gamboa-of-asco-how-a-chicano-performance-group-turned-oppression-into-dangerous-fun Harry Gamboa of Asco: How A Chicano Performance Group Turned Oppression into Dangerous Fun, LA Weekly, December 6, 2011]
• The MEX/LA Art Show: Five Things to Know, The Hollywood Reporter, December 4, 2011
• [https://www.nytimes.com/2011/11/13/arts/design/pacific-standard-time-art-exhibitions-in-la-review.html A New Pin on the Art Map, The New York Times, November 10, 2011]
• End of an Era/Error, a play by Harry Gamboa Jr., East Los Angeles Dirigible Air Transport Lines, November 1, 2011
• [https://web.archive.org/web/20120403125831/http://www.rollingstonemagazine.it/eventi/reportage/asco-estetica-sovversiva/43707 ASCO: estetica sovversiva, Rolling Stone, 12 ottobre 2011]
• [https://www.nytimes.com/2011/10/13/arts/design/southern-california-claims-its-place-on-the-art-world-map.html?_r=1 Southern California Stakes Its Claim as World Art Center, The New York Times, October 13, 2011]
• Pacific Standard Time, puro arte de L.A. El Cultural, October 13, 2011
• [https://www.wsj.com/articles/SB10001424052970203633104576624720686420848 Laying Claim to Its Place in the Sun, The Wall Street Journal, October 13, 2011]
• PST Events Bring Out Actors, Artists, Collectors and Others, Society News L.A., October 7, 2011
• L.A. Stories: A Roundtable Discussion, Artforum, October, 2011
• Patt Morrison Asks: New master Ed Ruscha, Los Angeles Times, September 24, 2011
• Asco en el museo, BBC Mundo, 23 de septiembre de 2011
• A permanent Asco mural is slated for City Terrace, Los Angeles Times, September 12, 2011
• Art review: 'Asco: Elite of the Obscure, 1972-1987' at LACMA, Los Angeles Times, September 9, 2011
• [https://www.nytimes.com/2011/08/28/arts/design/works-by-asco-at-the-los-angeles-museum.html Chicano Pioneers, The New York Times, August 25, 2011]
• Asco Returns Triumphant to LACMA, The Huffington Post, August 25, 2011
• Virtual Vérité performing for Aztlángst fotonovela, The American Show, August 19, 2011
• Last Stand, a play by Harry Gamboa Jr., Bad Subjects, Issue 81, 2011
• Blinders, a story by Harry Gamboa Jr., Global Graffiti Magazine, June 15, 2011
• MOCA's 'Art in the Streets' gets the big picture wrong, Los Angeles Times, May 29, 2011
• 'America Latina: 'Crisisss. Art and Confrontation in Latin America 1910-2010', Centre for the Aesthetic Revolution, May 24, 2011
• [https://web.archive.org/web/20101216032723/http://www.eastofborneo.org/articles/17 'Your Art Disgusts Me: Early Asco 1971-75', East of Borneo, November 16, 2010]
• [https://web.archive.org/web/20101216032729/http://www.eastofborneo.org/articles/20 'Against the Wall: Remembering the Chicano Moratorium', East of Borneo, November 16, 2010]
• 'The Artists Take Over', Los Angeles Downtown News, November 5, 2010
• 'Arizona law spurs backlash among artists', Los Angeles Times, June 2, 2010
• [https://www.theguardian.com/world/2010/apr/26/democrats-boycott-arizona-immigration-bill 'Democrats lead calls to boycott Arizona over immigration bill', The Guardian, April 26, 2010]
• 'Palabra', Literary Magazine Reviews, May 26, 2009
• [https://web.archive.org/web/20110405225234/http://www.frieze.com/issue/review/phantom_sightings/ 'Phantom Sightings, Frieze, Issue 117, September 2008]
• 'This Side of Paradise at the Huntington Library, Art Collections and Botanical Gardens', Los Angeles Times, June 18, 2008
• Artists in conversation: 'Phantom Sightings' at LACMA, Sickly Season-Notes From Mictlan, May 4, 2008
• 'Phantom Sightings at LACMA', Los Angeles Times, April 15, 2008
• Harry Gamboa Jr.: Early Video Art, Education Media Reviews Online, April 21, 2006
• Reversing curse of American art at Harvard, The Harvard Crimson, November 12, 2004
• 'Harry Gamboa and the Contemporary Avant-Garde', Jouvert, Vol. 6, Issue 3, 2002
• [https://www.csmonitor.com/1997/0616/061697.us.us.3.html 'Honesty' Key to Racial Harmony, The Christian Science Monitor, June 16, 1997]
• [https://www.nytimes.com/1995/02/26/magazine/the-art-of-his-choosing.html The Art of His Choosing, The New York Times, February 26, 1995]
• Losing Focus?, Houston Press, December 1, 1994
• 'Harry Gamboa's East Side Story', Los Angeles Times, November 19, 1994

References

• Stanley L. Weinberg
• Stanley Mandelstam
• Stanley Manly
• Stanley Marcus
• Stanley Marion Garn
• Stanley Market
• Stanley Marsh
• Stanley Marsh, III
• Stanley McCandless
• Stanley McClover
• Stanley M. Chesley
• Stanley McInnis
• Stanley McMaster
• Stanley McNail
• Stanley Melbourne Bruce, 1st Viscount Bruce
• Stanley Melbourne Bruce, 1st Viscount Bruce of Melbourne
• Stanley Menzo
• Stanley Meyers
• Stanley M. Garn
• Stanley Michael Gartler
• Stanley Middle School
• Stanley Mikita
• Stanley milgram
• Stanley Military Cemetery
• Stanley Mitchell hut