| 词条 | Heinrich Maria Davringhausen |
| 释义 |
Heinrich Maria Davringhausen (21 October 1894 – 13 December 1970) was a German painter associated with the New Objectivity. Davringhausen was born in Aachen. Mostly self-taught as a painter, he began as a sculptor, studying briefly at the Düsseldorf Academy of Arts before participating in a group exhibition at Alfred Flechtheim's gallery in 1914. He also traveled to Ascona with his friend the painter Carlo Mense that year. At this early stage his paintings were influenced by the expressionists, especially August Macke.[1] Exempted from military service in World War I, he lived in Berlin from 1915 to 1918, forming friendships with George Grosz and John Heartfield.{{fact|date=January 2018}} In 1919 he had a solo exhibition at Hans Goltz' Galerie Neue Kunst in Munich, and exhibited in the first "Young Rhineland" exhibition in Düsseldorf.{{fact|date=January 2018}} Davringhausen became a member of the "Novembergruppe" and gained some prominence among the artists representing a new tendency in German art of the postwar period.{{fact|date=January 2018}} He was asked to take part in the Neue Sachlichkeit (New Objectivity) exhibition in Mannheim which brought together many leading "post-expressionist" artists, including Grosz, Otto Dix, Max Beckmann, Alexander Kanoldt and Georg Schrimpf.{{fact|date=January 2018}} Davringhausen went into exile with the fall of the Weimar republic in 1933, first going to Majorca, then to France.[2] In Germany approximately 200 of his works were removed from public museums by the Nazis on the grounds that they were degenerate art.{{fact|date=January 2018}} Prohibited from exhibiting, Davringhausen was interned in Cagnes-sur-Mer but fled to Côte D' Azur.{{fact|date=January 2018}} In 1945 however he returned to Cagnes-sur-Mer, a suburb of Nice, where he remained for the rest of his life. He worked as an abstract painter under the name Henri Davring until his death in Nice in 1970.[3] Perhaps the best-known work from Davringhausen's New Objectivity period is Der Schieber (The Black-Marketeer), a Magic realist painting of 1920–21, which is in the Kunstmuseum Düsseldorf im Ehrenhof.{{fact|date=January 2018}} Painted in acidulous colors, it depicts a glowering businessman seated at a desk in a modern office suite that foreshortens dramatically behind him.{{fact|date=January 2018}} Although Davringhausen rarely presented social criticism in his work, in Der Schieber "the artist created the classic pictorial symbol of the period of inflation that was commencing".[3] Much of Davringhausen's work was deposited in 1989 in the Leopold Hoesch museum in Düren, which has subsequently organized several exhibitions of his pictures, above all those from the later period.{{fact|date=January 2018}} See also
Notes1. ^Michalski 1994, pp. 81-82 2. ^{{cite book |last=Rotermund-Reynard |first=Ines |title=Echoes of Exile: Moscow Archives and the Arts in Paris 1933-1945 |publisher=Walter de Gruyter p. 12 |year=2014 |isbn=978-3-1102-9065-3}} 3. ^1 Michalski 1994, pp. 84, 209 References
External links
5 : 1894 births|1970 deaths|20th-century German painters|German male painters|Modern painters |
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