| 词条 | Hugo (film) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 释义 |
| name = Hugo | image = Hugo Poster.jpg | alt = | caption = Theatrical release poster | director = Martin Scorsese | producer = {{Plainlist|
| screenplay = {{Plainlist|
| based on = {{Based on|The Invention of Hugo Cabret|Brian Selznick}} | starring = {{Plainlist|
| music = Howard Shore | cinematography = Robert Richardson | editing = Thelma Schoonmaker | studio = {{Plainlist|
}} | distributor = {{ubl|Metropolitan Filmexport (France)|Entertainment Film Distributors (United Kingdom)|Paramount Pictures (United States)}} | released = {{Film date|2011|10|10|NYFF|2011|11|23|United States|2011|12|2|United Kingdom|2011|12|14|France}} | runtime = 126 minutes[1] | country = {{ubl|France|United Kingdom|United States}} | language = English | budget = $150-170 million[2] | gross = $185.8 million[3] }} Hugo is a 2011 historical adventure drama film directed and produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it tells the story of a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally. Their slightest move, their slightest intention is picked up much more precisely."[4] The film was released in the United States on November 23, 2011.[5]Hugo received critical acclaim and received 11 Academy Award nominations (including Best Picture), more than any other film that year, and won five awards: Best Cinematography, Best Art Direction, Best Sound Mixing, Best Sound Editing, and Best Visual Effects.[6] It was also nominated for eight BAFTAs, winning two of the eight, and was nominated for three Golden Globe awards, earning Scorsese his third Golden Globe Award for Best Director. Despite this, the film was a commercial failure, grossing $185 million against its $150–$170 million budget. PlotIn 1931 Paris, 12-year-old Hugo Cabret (Asa Butterfield) lives with his widowed, clockmaker father (Jude Law), who also works at a museum. Mr. Cabret finds a broken automaton - a mechanical man designed to write with a pen - at the museum. He and Hugo try to repair it, with Mr. Cabret documenting the automaton in a notebook. When his father dies, Hugo goes to live with his resentful, alcoholic uncle, Claude (Ray Winstone), and is forced to maintain the clocks at the Gare Montparnasse railway station. When Claude goes missing for several days, Hugo continues maintaining the clocks, fearing that vindictive Station Inspector Gustave Dasté (Sacha Baron Cohen) will send him away as an orphan if Claude's absence is discovered. Hugo attempts to repair the automaton with stolen parts, believing it contains a message from his father, but the machine requires a heart-shaped key that his father could not make before his death. Hugo is caught stealing from a toy store. The owner, Georges (Ben Kingsley), looks through Hugo's father's notebook, takes it from Hugo, and threatens to destroy it. Georges' goddaughter, Isabelle (Chloë Grace Moretz), offers to help Hugo get the notebook back. As their friendship grows, he is astonished when Isabelle inadvertently reveals she wears the missing key as a necklace given to her by Georges. He shows her the automaton, and when started now the machine draws out a scene that Hugo recognizes from his father's description of the film A Trip to the Moon. Isabelle identifies the signature, that of a "Georges Méliès", as her godfather. She sneaks Hugo into her home, where they find a hidden cache of more imaginative drawings of Méliès, but are caught by Georges, who banishes Hugo from his home. Hugo and Isabelle go to the Film Academy Library and find a book about the history of cinema that praises Méliès' contributions. They meet the book's author, René Tabard (Michael Stuhlbarg), a film expert who is surprised to hear that Méliès might still be alive, as he had disappeared after World War I along with nearly all copies of his films. Excited at the chance to meet him, René agrees to meet Isabelle and Hugo at Georges' home to show his copy of A Trip to the Moon, hoping it will invigorate Georges. The next day, Hugo discovers that the key has somehow found its way onto the railway tracks in the station. As he drops onto the track to retrieve it, he is run over by an uncontrollable train that eventually smashes through the walls of the station. Hugo wakes up to discover that the harrowing events were just a nightmare. After noticing that a pocket watch hanging from the rafters of his home is missing, Hugo can still hear an ominous ticking emanating from him. He then discovers he's been turned into the automaton, only for him to wake up again to discover that this was yet another nightmare, possibly and disturbingly symbolizing Hugo’s belief of all beings having a sole purpose in life. On the scheduled night, Georges' wife Jeanne (Helen McCrory) tries to turn them away, but René compliments Jeanne as Jeanne d'Alcy, an actress in many of Méliès' films, and she allows them to continue. As the film plays, Georges is woken by the sound of René's hand-cranked film projector, and Jeanne finally convinces him to cherish his accomplishments rather than regret his lost dream. Georges recounts that as a stage magician, he had been fascinated by motion pictures, and used the medium to create imaginative works through his Star Film Company, but was forced into bankruptcy following the war, closing his studio and selling his films to be turned into raw materials. He laments that even an automaton he made that he donated to a museum was lost. Hugo recognizes this is the same automaton he has, and races to the station to retrieve it. He is caught by Gustave, who has learned that Claude's body was found some time ago, and threatens to take Hugo to the orphanage. Hugo runs from him, but drops the automaton on the tracks. He is almost run over by a train like his dream, but Gustave saves him and the automaton. Georges arrives and tells Gustave that he will now see to Hugo, adopting him as his son. Some time later, Georges is named a professor at the Film Academy, and is paid tribute through a showcase of his films recovered by René. Hugo joins in with his new family as they celebrate at the apartment, where the guests include a mellower Gustave. He has a new leg brace (which is implied to have been crafted by Hugo), and is clearly in love with Lisette (Emily Mortimer), a flower seller at the station. As the movie ends, Isabelle starts to write down Hugo's story and the automaton is shown in Hugo's new room, staring into space. Cast{{castlist|
}} Michael Pitt, Martin Scorsese, and Brian Selznick have cameo roles. ProductionPre-productionGK Films acquired the screen rights to The Invention of Hugo Cabret shortly after the book was published in 2007. Initially, Chris Wedge was signed in to direct the adaptation and John Logan was contracted to write the screenplay.[7] The film was initially titled Hugo Cabret. Several actors were hired, including Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, and Helen McCrory. Jude Law, Ray Winstone, Christopher Lee, Frances de la Tour, and Richard Griffiths later joined the project. Hugo was originally budgeted at $100 million, but ran over with a final budget between $156 million and $170 million.[8] In February 2012, Graham King summed up his experience of producing Hugo: "Let's just say that it hasn't been an easy few months for me—there's been a lot of Ambien involved". FilmingProduction began in London on June 29, 2010; the first shooting location was at the Shepperton Studios.[9] The Nene Valley Railway near Peterborough also lent their original Compagnie Internationale des Wagons-Lits rolling stock to the studio.[10][11] In August 2010, production moved to Paris for two weeks. Locations included the Sainte-Geneviève Library, the Sorbonne (where a lecture hall was converted into a 1930s cinema hall) in the 5th arrondissement, and the Théâtre de l'Athénée and its surrounding area in the 9th. High school Lycée Louis-le-Grand served as the film's base of operations in Paris; its cafeteria served 700 meals a day for the cast and crew.[12] MusicThe film's soundtrack includes an Oscar-nominated original score composed by Howard Shore, and also makes prominent use of the Danse macabre by Camille Saint-Saëns and Gnossienne No. 1 by Erik Satie. Additional music was provided uncredited by French pianist and composer Jean-Michel Bernard.[13] {{track listing|all_music = Howard Shore |title1 = The Thief |length1 = 4:20 |title2 = The Chase |length2 = 2:50 |title3 = The Clocks |length3 = 4:28 |title4 = Snowfall |length4 = 1:50 |title5 = Hugo's Father |length5 = 3:24 |title6 = Ashes |length6 = 2:33 |title7 = The Station Inspector |length7 = 1:10 |title8 = Bookstore |length8 = 1:51 |title9 = The Movies |length9 = 1:29 |title10 = The Message |length10 = 4:36 |title11 = The Armoire |length11 = 2:32 |title12 = Purpose |length12 = 2:04 |title13 = The Plan |length13 = 2:48 |title14 = Trains |length14 = 2:50 |title15 = Papa George Made Movies |length15 = 1:52 |title16 = The Invention of Dreams |length16 = 6:28 |title17 = A Ghost in the Station |length17 = 6:00 |title18 = A Train Arrives in the Station |length18 = 3:25 |title19 = The Magician |length19 = 2:33 |title20 = Cœur volant (feat Zaz) |length20 = 4:19 |title21 = Winding it Up |length21 = 4:11 |total_length = 01:07:33 }} ReleaseThe film was theatrically released on November 23, 2011, by Paramount Pictures, premiered at the NYFF on October 10, 2011, and was released on DVD and Blu-ray on February 28, 2012, by Paramount Home Entertainment. Hugo has grossed $34.3 million in home video revenue.[14] Historical referencesThe backstory and primary features of Georges Méliès' life as depicted in the film are largely accurate: He became interested in film after seeing a demonstration of the Lumière brothers' camera;[15] he was a magician and toymaker; he experimented with automata; he owned a theatre (Theatre Robert-Houdin); he was forced into bankruptcy; his film stock was reportedly melted down for its celluloid; he became a toy salesman at the Montparnasse station, and he was eventually awarded the Légion d'honneur medal after a period of terrible neglect. Many of the early silent films shown in the movie are Méliès's actual works, such as Le voyage dans la lune (1902). However, the film does not mention Méliès' two children, his brother Gaston (who worked with Méliès during his film-making career), or his first wife Eugénie, who was married to Méliès during the time he made films (and who died in 1913). The film shows Méliès married to Jeanne d'Alcy during their filmmaking period, when in reality they did not marry until 1925. The automaton's design was inspired by the Maillardet's automaton made by the Swiss watchmaker Henri Maillardet, which Selznick had seen in the Franklin Institute, Philadelphia,[16] as well as the Jaquet-Droz automaton "the writer".[17] A portion of the scene with Harold Lloyd in Safety Last! (1923), hanging from the clock, is shown when the main characters sneak into a movie theater. Later, Hugo, like Lloyd in Safety Last!, hangs from the hands of a large clock on a clock tower to escape from a pursuer. Several viewings of the film L'Arrivée d'un train en gare de La Ciotat are portrayed, depicting the shocked reaction of the audience—although this view is in doubt.[18] Emil Lager, Ben Addis, and Robert Gill make cameo appearances as the father of Gypsy jazz guitar, Django Reinhardt, the Spanish surrealist painter, Salvador Dalí, and the Irish writer James Joyce, respectively. The names of all three characters appear towards the end of the film's cast credit list.[19] The book that Monsieur Labisse gives Hugo as a gift, Robin Hood le proscrit (Robin Hood the outlaw), was written by Alexandre Dumas in 1864 as a French translation of an 1838 work by Pierce Egan the Younger in England. The book is symbolic, as Hugo must avoid the "righteous" law enforcement (Inspector Gustave) to live in the station and later to restore the automaton both to a functioning status and to its rightful owner. The particular copy given to Hugo looks like the 1917 English-language edition (David McKay publisher, Philadelphia, United States) with cover and interior illustrations by N.C. Wyeth, but with "Le Proscrit" added to the cover by the prop department. The film also depicts of the Montparnasse derailment, when at 4:00 pm on 22 October 1895, the Granville–Paris Express overran the buffer stop at its Gare Montparnasse terminus. ReceptionBox office performanceHugo earned $15.4 million over its Thanksgiving weekend debut. It went on to earn US$73,864,507 domestically and $111,905,653 overseas, for a worldwide gross of $185,770,160.[3] Despite praise from critics, Hugo was cited as one of the year's notable box-office flops. Its perceived failure was due to competition with Disney's The Muppets and Summit's Breaking Dawn Part 1.[20] The film was estimated to have had a net loss of $100 million.[21] Producer Graham King said that the film's box-office results were painful. "There's no finger-pointing—I'm the producer and I take the responsibility," he said. "Budget-wise, there just wasn't enough prep time and no one really realized how complicated doing a 3D film was going to be. I went through three line-producers because no one knew exactly what was going on. Do I still think it's a masterpiece that will be talked about in 20 years? Yes. But once the schedule started getting out of whack, things just spiraled and spiraled and that's when the avalanche began."[22]Critical receptionThe film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 213 reviews, with an average score of 8.3/10. The website's critical consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema."[23] Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim".[24] Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying that the film "...is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about—movies."[25] Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through."[26] Christy Lemire said that the film had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong".[27] Michael Phillips of the Chicago Tribune give it three stars and described it as "rich and stimulating even when it wanders," explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation."[28] Joe Morgenstern of The Wall Street Journal said that Hugo "visually [...] is a marvel, but dramatically it's a clockwork lemon".[29]Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund.[30] Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying that "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history—the birth of a popular art form given new life through a master's application of the coolest new techniques".[31] James Cameron called Hugo "a masterpiece" and that the film "had the best use of 3D [he] had seen," surpassing even his own acclaimed films.[32]Top-ten listsThe film appeared on the following critics' lists of the top-ten films of 2011:
Accolades
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Hoberman's Personal Best |date=2011-12-21 |newspaper=The Village Voice |accessdate=2014-10-04}} 45. ^1 {{cite web |url= http://www.avclub.com/article/best-films-of-2011-66423 |title=Best films of 2011 |newspaper=The AV Club |date=2011-12-13 |accessdate=2014-10-04 |first1=Nathan |last1=Rabin |author2=Scott Tobias |author3=Alison Willmore |author4=Keith Phipps |author5=Noel Murray |author6=Sam Adams |author7=Tasha Robinson |last-author-amp=yes}} 46. ^{{cite journal |url=http://letterboxd.com/ctalibard/list/mark-kermodes-top-11-films-of-2011/ |title=Mark Kermode's top 11 films of 2011 |journal=Letterboxd |first=Charles |last=Talibard |accessdate=2014-10-04}} 47. ^{{cite web |url=http://sunsetgun.typepad.com/sunsetgun/2011/12/my-number-one-movie-of-the-year-melancholia-lars-von-trier-universal-and-personal-blatant-and-mysterious-sorrowful-and-1.html |title=Magnificent Melancholia: 11 Best of 2011 |date=2012-01-12 |accessdate=2014-10-04}} 48. ^{{cite journal |url=http://writeriot.blogspot.co.uk/2011/12/best-films-of-2011-lists.html |title=Best Films Of 2011 Lists |date=2012-12-16 |first=Dibyajyoti |last=Sarma |accessdate=2014-10-04}} 49. ^{{cite journal |url=http://www.slantmagazine.com/features/article/the-25-best-films-of-2011 |title=The 25 Best Films of 2011 |journal=Slant |accessdate=2014-10-04}} 50. ^{{cite news |url=http://www.buffalonews.com/apps/pbcs.dll/article?AID=/20111223/GUSTO/312239935&template=printart |title=A critic's picks; Jeff Simon shares his Top 10 Films of 2011 and gives his thoughts on actors, superheroes and overrated movies |accessdate=2014-10-04}}{{dead link|date=March 2019}} 51. ^{{cite news |url=https://www.theguardian.com/film/2012/feb/27/oscars-2012-full-list-winners |title=Oscar 2012 winners – The full list |newspaper=The Guardian |location=London |date=2012-02-27 |accessdate=2012-02-29}} 52. ^{{cite web |url=http://www.oscars.org/awards/academyawards/84/nominees.html |title=Nominees and Winners for the 84th Academy Awards |website=Academy Awards of Motion Picture Arts and Sciences (Oscars) |accessdate=2012-02-21}} 53. ^{{cite web |url=https://academiadecine.org.ar/premio-sur-2012/ganadores-2/ |title=Ganadores Premio Sur 2012 |trans-title=2012 South Award Winners |website=Academy of Motion Picture Arts and Sciences of Argentina Awards |language=Spanish}} 54. ^{{cite web |url=http://awfj.org/eda-awards/2012-eda-awards-nominees |title=2011 EDA Awards Nominees |accessdate=2012-02-20}} 55. ^{{cite web |url=http://awfj.org/eda-awards/2011-eda-award-winners |title=2011 EDA Awards Winners |accessdate=2012-02-20}} 56. ^{{cite press release |title=The American Society of Cinematographers Nominates |url=http://www.theasc.com/asc_news/News_Articles/News_385.php |accessdate=20 February 2012 |publisher=The ASC |date=11 January 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20120228114824/http://www.theasc.com/asc_news/News_Articles/News_385.php |archivedate=February 28, 2012 |df=mdy-all}} 57. ^{{cite news |last=Kilday |first=Gregg |title=Art Directors Nominate Movies as Different as 'Harry Potter' and 'The Girl with the Dragon Tattoo' |url=http://www.hollywoodreporter.com/race/art-directors-guild-announces-nominations-277724 |newspaper=The Hollywood Reporter |accessdate=15 January 2012 |date=3 January 2012}} 58. ^{{cite web |title=AACTA Awards winners and nominees 2011|url=http://aacta.org/media/174991/all%20inaugural%20samsung%20aacta%20awards%20winners%20and%20nominees.pdf |publisher=Australian Academy of Cinema and Television Arts (AACTA) |accessdate=20 February 2012 |date=31 January 2012 |deadurl=yes |archiveurl=https://web.archive.org/web/20160123084200/http://aacta.org/media/174991/all%20inaugural%20samsung%20aacta%20awards%20winners%20and%20nominees.pdf |archivedate=January 23, 2016 |df=mdy-all}} 59. ^{{cite journal |url=http://www.digitalspy.co.uk/movies/news/a364820/orange-bafta-film-awards-2012-winners-list-in-full.html |title=Orange BAFTA Film Awards 2012 winners list—in full |journal=Digital Spy |last=Reynolds |first=Simon |date=2012-12-02 |accessdate=20 February 2012}} 60. ^{{cite news |url=https://www.theguardian.com/film/2012/feb/12/baftas-2012-winners-full-list?intcmp=239 |title=BAFTA 2012 the winners—the full list |work=The Guardian |date=12 February 2012 |accessdate=20 February 2012 |location=London}} 61. ^{{cite web |title=Tree of Life Leads CFCA Nominations with 7; Descendants, Drive Follow with 6 |url=http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=74:tree-of-life-leads-cfca-nominations-with-7-descendants-drive-follow-with-6&catid=3:newsflash&Itemid=65 |publisher=Chicago Film Critics Association |accessdate=21 February 2012 |year=2011}}{{dead link|date=March 2019}} 62. ^{{cite web |title=CFCA Names Tree of Life Best Picture |url=http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=75:cfca-names-tree-of-life-best-picture&catid=3:newsflash&Itemid=65 |publisher=Chicago Film Critics Association |accessdate=21 February 2012}}{{dead link|date=March 2019}} 63. ^{{cite news| last=Lyman |first=Eric J. |title=Marco Tulio Giordana Drama Earns 16 Nominations for Italy's Top Film Honors |url=http://www.hollywoodreporter.com/news/marco-tulio-giordana-donatello-awards-italy-nanni-moretti-paolo-sorrentino-311582 |newspaper=The Hollywood Reporter |accessdate=December 9, 2012 |date=April 12, 2012}} 64. ^{{cite press release |url=http://detroitfilmcritics.com/Home_Page.html |title=Best of 2011 |accessdate=20 December 2011 |publisher=Detroit Film Critics Society |deadurl=yes |archiveurl=https://web.archive.org/web/20110709015310/http://detroitfilmcritics.com/Home_Page.html |archivedate=July 9, 2011 |df=mdy-all }} 65. ^{{cite web |title=Florida Film Critics swoon for 'The Descendants' |url=http://www.miamiherald.com/2011/12/19/2553179/florida-film-critics-swoon-for.html |newspaper=The Miami Herald |accessdate=20 February 2012 |date=19 December 2011}} 66. ^{{cite news |url=https://www.theguardian.com/film/2012/jan/16/golden-globes-golden-globes-2012 |title=Golden Globes 2012 the winners—the full list |work=The Guardian |date=16 January 2012 |accessdate=21 February 2012 |location=London}} 67. ^{{cite news |url=http://www.hollywoodreporter.com/news/golden-globes-2012-winners-list-282032 |title=Golden Globes 2012: The Full List |work=The Hollywood Reporter |date=15 January 2012 |accessdate=21 February 2012}} 68. ^{{cite web |title=The 13th Annual Golden Trailer Awards |url=http://www.goldentrailer.com/awards.gta13.php |publisher=Goldentrailer.com |accessdate=8 December 2012 |deadurl=yes |archiveurl=https://www.webcitation.org/6CjbkD9Hg?url=http://www.goldentrailer.com/awards.gta13.php |archivedate=December 7, 2012 |df=mdy-all }} 69. ^{{cite web |last=Brooks |first=Brian |title='The Hunger Games' And 'The Muppets' Top Grammy Awards Movie Nominees |url=http://movieline.com/2012/12/06/grammy-nominations-movies/ |publisher=Movieline |accessdate=6 December 2012 |date=8 December 2012}} 70. ^{{cite journal |url=http://www.awardsdaily.com/2011/12/hugo-named-best-film-by-nbr |title=Hugo Named Best Film by NBR |journal=AwardsDaily |date=1 December 2011 |last=Stone |first=Sasha |accessdate=21 February 2012}} 71. ^{{cite journal |url=http://collider.com/saturn-award-nominations-2012/148931/ |title=Saturn Award Nominations Announced; HUGO and HARRY POTTER Lead with 10 Nominations Each |journal=Collider |last=Goldberg |first=Matt |date=February 29, 2012 |accessdate=March 1, 2012}} 72. ^{{cite web |url=https://www.visualeffectssociety.com/ayear/10th-annual-ves-awards |title=10th Annual VES Awards |website=Visual Effects Society |accessdate=December 31, 2017}} 73. ^{{cite press release |title=The 2011 WAFCA Awards |url=http://www.dcfilmcritics.com/awards/2011.htm |publisher=The Washington, D.C. Area Film Critics Association |accessdate=1 March 2019 |date=19 December 2011}} 74. ^{{cite web |url=http://www.youngartistawards.org/noms33.html |title=33rd Annual Young Artist Awards |accessdate=2012-03-31 |work=YoungArtistAwards.org |deadurl=yes |archiveurl=https://web.archive.org/web/20120404162133/http://www.youngartistawards.org/noms33.html |archivedate=2012-04-04 }} External links{{wikiquote}}
42 : 2010s adventure films|2010s drama films|2010s mystery films|2011 3D films|2011 films|American 3D films|American adventure drama films|American mystery films|English-language films|Cultural depictions of Georges Méliès|Cultural depictions of Salvador Dalí|Cultural depictions of James Joyce|Cultural depictions of Django Reinhardt|Films scored by Howard Shore|Films about bibliophilia|Films about filmmaking|Films about films|Films about magic and magicians|Films about wish fulfillment|Films about orphans|Films based on American novels|Films directed by Martin Scorsese|Films set in 1931|Films set in France|Films set in Paris|Films shot in London|Films shot in Paris|Films whose cinematographer won the Best Cinematography Academy Award|Films whose art director won the Best Art Direction Academy Award|Films that won the Best Sound Editing Academy Award|Films that won the Best Sound Mixing Academy Award|Films that won the Best Visual Effects Academy Award|Films whose director won the Best Director Golden Globe|Films shot at Longcross Studios|Paramount Pictures films|Rail transport films|Robot films|Screenplays by John Logan|Dieselpunk|Infinitum Nihil films|Films produced by Martin Scorsese|Films produced by Johnny Depp |
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开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。