| 词条 | Hwang Jini |
| 释义 |
|img= |caption=Alleged portrait of Hwang Jini. |hangul={{linktext|황|진|이|}} |hanja={{linktext|黃|眞|伊|}} |rr=Hwang Jini |mr=Hwang Chini |othername1=Gisaeng name |hangul1={{linktext|명|월|}} |hanja1={{linktext|明|月|}} |rr1=Myeong-wol |mr1=Myŏngwŏl }}Hwang Jini or Hwang Jin-Yi ({{ko-hhrm|황진이}}; c. 1506 – c. 1560), also known by her gisaeng name Myeongwol ("bright moon", 명월), was one of the most famous gisaeng of the Joseon Dynasty. She lived during the reign of King Jungjong. She was noted for her exceptional beauty, charming quick wit, extraordinary intellect, and her assertive and independent nature.[1][2][3] She was born to the daughter of a scribe by the name of Jeon Hyun Geum and a politician’s son who goes by the name Hwang. The story goes that her parents met while her mother was doing laundry, but the two could not get married and she became the illegitimate daughter of Hwang. She was known for her beauty and her bold personality. As Hwang Jini grew older she became more and more beautiful and many men wanted to marry her. It is passed on that one day a coffin was passing in front of her house, but the coffin stopped and refused to move from her house just listening to her read her poetry. She then runs out and strips off her outer skirt from her hanbok and covers the coffin and only then did the coffin started to move again. The coffin was said to have carried the body of her lover who was born of a higher class, but due to her status in society the two could not wed and the man died of a broken heart. She then decides to become a gisaeng after losing her lover at the age of 15. [4] She has become an almost myth-like figure in modern Korea, inspiring novels, operas, films, and television series. Life as a Gisaeng-Hwang Jini’s era:Women during the Joseon dynasty were restricted inside the houses and were considered property. They could not marry whoever they wanted and a daughter born out of wedlock was considered an untouchable. Hwang Jini chose to become a gisaeng in order to escape the strict rules that women had to follow during the Joseon Dynasty. Hwang Jini refused to follow strict social norms for women and chose the life of a gisaeng giving her the freedom to learn not only dance and music, but also art, literature, and poetry topics that were not taught to young women during the time. Hwang Jini’s beauty was famous throughout the Korean peninsula. It is said that her beauty shined even if she was bare faced and had her hair pulled back out of her face. She was clever, witty, and artistic. Many men of the upper class and lower classes alike came all over just to see her and her performances. She, like many other gisaengs, at the time asked a riddle to the men who came to visit her and only those who passed could interact and talk with her. The riddle would be later known as the “Jeomiligu Idubulchool” (점일이구 이두불출/點 一 二 口 牛 頭 不出). Legend has it that she gave such difficult riddles in order to meet a man that was just as intellectual as her so that she may one day also get a husband, and the only man who solved it was a yangban by the name of Seo Gyung Deok.[5] WorksHwang Jini’s Riddle:Hwang Jini was known for her intellect and wit. Her most famous written work was the Jeomiligu Idubulchool” (점일이구 이두불출/點 一 二 口 牛 頭 不出). She gave the riddle to any man who wanted to be her lover and she waited for many years until one man came and solved the riddle. The answer to the riddle; however, was in the title. “When combining the variations in the title the first part “Jeomiligu” (점일이구/點 一 二 口 ) created the Chinese character meaning spoken word (言) and the second part Idubulchoo; (이두불출/ 牛 頭 不出) created the Chinese character meaning day (午). When you combine both words together it creates the Chinese character meaning consent (許). The reason being that whoever solved her riddle she would allow him to come into her house and share a bed with him.” This being one of her most famous written works shows her wit and intellect that most women during the time were not able to share with the rest of the world.[5] Only a handful of sijo (Korean verse form) and geomungo pieces exist today. They show skilled craftsmanship of words and of musical arrangement. Hwang's sijo often describe the beauty and sites of Gaeseong (such as the palace of Manwoldae and the Pakyon Falls in the Ahobiryong Mountains), the personal tragedy of her lost loves and responses to famous classic Chinese poems and literature (the majority of them reflecting on lost love). Hwang appears to have been of noble birth. Her sijo are considered the most beautiful ever written. In the following poem, the term Hwang uses for her beloved (어론님) has two meanings, alluding to both her sweetheart and a person who has been frozen by the winter cold. The English phrase “frozen love” may help to illustrate this double entendre in translation. {{Verse translation|italicsoff=y|{{lang|ko|冬至 섯달 기나긴 밤을 한 허리를 잘라 내어春風 이불 아래 서리서리 넣었다가 어론님 오신 날 밤이여든 구뷔구뷔 펴리라.}} | I will divide this long November night and coil by coil lay it under a warm spring blanket and roll by roll when my frozen love returns In this next poem, “Full Moon” is a play on Hwang’s pen name, Myeongwol (literally, “Bright Moon”; 명월 ). The poem was written to a man famed for his virtue, Byok Kye Su, whom Hwang infamously seduced. “Green water” is a pun on Byok’s name (벽계수 碧溪水). {{Verse translation|italicsoff=y|{{lang|ko|청산리 벽계수(靑山裏 碧溪水)야 수이 감을 자랑 마라.일도창해(一到滄海)하면 다시 오기 어려워라. 명월(明月)이 만공산(滿空山)할 제 쉬어간들 어떠리.}} | Green water, do not boast of your rapid flow from the blue mountains. It is hard to return when you’ve reached the blue sea. A full moon graces these peaceful hills: In popular cultureLiteratureIn the late 20th century, Hwang Jini's story began to attract attention from both sides of the Korean divide and feature in a variety of novels, operas, films and television series. Novelizations of her life include a 2002 treatment by North Korean writer Hong Sok-jung (which became the first North Korean novel to win a literary award, the Manhae Prize, in the South) and a 2004 bestseller by South Korean writer Jeon Gyeong-rin.[7] Film and television
See also
References1. ^{{cite web|url=http://www.konfuciuszintezet.hu/letoltesek/tkt/tkt_2009-1/pdf/06-Osvath_06-07.pdf|title=Hvang Dzsini sidzso versei (eredeti szövegek, nyers- és műfordítások)|author=Osváth Gábor|accessdate=2012-11-14|format=pdf|publisher=Konfuciusz Intézet|language=Hungarian}} 2. ^{{cite book|title=Spirit of Korean Cultural Roots 9 : Poetic World of Classic Korean Women Writers|url=https://books.google.hu/books?id=K17mLqrKA40C|pages=13-18|isbn=8973006029|publisher=Ewha Womans University Press|year=2005|last1=Lee |first1=Hai-soon|first2= Hye-Sun|last2= Yi}} 3. ^{{cite web|url=http://world.kbs.co.kr/english/program/program_koreanstory_detail.htm??lang=e¤t_page=9&No=22744|title=Best Female Poet in Korean Literature, Hwang Jini|publisher=KBS World|date=2010-12-24|accessdate=2012-11-14}} 4. ^{{Cite web|url=https://blog.naver.com/fnf079/221298162307|title=만능소녀의 귓속말 : 네이버 블로그|website=blog.naver.com|access-date=2018-12-19}} 5. ^1 {{Cite web|url=https://blog.naver.com/sonata334004/221380496663|title=三千甲者 東方朔以 : 네이버 블로그|website=blog.naver.com|access-date=2018-12-19}} 6. ^1 David Bannon, [https://sites.google.com/site/atakoreanlanguagedivision/kld-newsletter/Hangul%20Herald%20Fall%202008.pdf?attredirects=0 “Sijo Poetry of Korean Kisaeng,”] Hangul Herald, Fall 2008: 10-13. Excerpted and used with permission. 7. ^{{cite web|url=http://www.time.com/time/magazine/article/0,9171,655483,00.html|title=A Literary Thaw in Korea|date=2004-06-21|publisher=Time|accessdate=2012-11-15}} 8. ^{{cite web|url=http://www.korea.net/NewsFocus/Culture/view?articleId=73242|title=Korean drama about Hwang Jin-yi to air in Japan|date=2008-08-21|publisher=Korea.net|accessdate=2012-11-15}} 9. ^{{cite web|url=http://koreanfilm.org/kfilm07.html|title=Hwang Jin Yi|publisher=Koreanfilm.org|accessdate=2012-11-15}} 10. ^{{cite web|url=http://english.visitkorea.or.kr/enu/SI/SI_EN_3_4_2_12.jsp|title=Filming Locations|publisher=Korea Tourism Organisation|accessdate=2012-11-15}} Sources{{refbegin}}
External links
18 : Korean female dancers|Korean artists|Joseon Dynasty writers|Kisaeng|Joseon Dynasty people|Joseon Dynasty painters|Korean scholars|Korean Confucianists|16th-century Korean women writers|16th-century writers|16th-century Korean people|Year of death missing|Year of birth unknown|Year of death unknown|Korean women writers|Korean musicians|Korean women poets|16th-century Korean poets |
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