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词条 In Concert (Miles Davis album)
释义

  1. Critical reception

  2. Track listing

      Original LP    CD reissue  

  3. Personnel

  4. References

  5. Bibliography

  6. External links

{{Infobox album
| name = In Concert
| type = live
| artist = Miles Davis
| cover = In Concert - Miles Davis.jpg
| alt =
| released = May 1973
| recorded = September 29, 1972
| venue = Philharmonic Hall in New York City
| studio =
| genre =
  • Jazz-funk[1]
  • jazz-rock[2]

| length = 84:06
| label = Columbia
| producer = Teo Macero
| prev_title = Black Beauty
| prev_year = 1973
| next_title = Jazz at the Plaza Vol. I
| next_year = 1973
}}{{Album ratings
|rev1 = AllMusic
|rev1score = {{Rating|4|5}}[2]
|rev2 = Christgau's Record Guide
|rev2Score = A–{{sfn|Christgau|1981|p=102}}
|rev3 = Down Beat
|rev3score = {{Rating|4|5}}[1]
|rev4 = Encyclopedia of Popular Music
|rev4Score = {{Rating|4|5}}{{sfn|Larkin|2006|p=210}}
|rev5 = Entertainment Weekly
|rev5score = A[2]
|rev6 = Los Angeles Times
|rev6Score = {{Rating|2|4}}[3]
|rev7 = The Rolling Stone Album Guide
|rev7Score = {{Rating|3.5|5}}{{sfn|Considine et al.|2004|p=215}}

}}

In Concert{{#tag:ref|The title of the album's original release (Columbia KG 32092) is listed as "In Concert" by Billboard,[7] Coda,[4] and the Schwann Record & Tape Guide.[5]|group="nb"}} is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics".[6]

Critical reception

In a contemporary review of the album, Bob Palmer of Rolling Stone magazine believed Carlos Garnett's saxophone playing sounded marginalized, but wrote that the music is "bracing, popping, at least one step ahead of the many Davis imitators. There are few real surprises, but there's a continuing skein of rhythms, themes and developments that makes fine extended listening."[7] Robert Christgau wrote in Rock Albums of the Seventies (1981) that although "it takes a while to get into gear" and is "pretty narrow in function", the album's "urban voodoo" has "more going for it rhythmically than On the Corner."{{sfn|Christgau|1981|p=102}} In an article for The Village Voice, Christgau wrote of the album upon its reissue in 1997:

{{quote|"By In Concert ... [Michael] Henderson is the sole survivor from the more talented prior band—although, crucially, Al Foster pushes like [Jack] DeJohnette with less excess motion. The result is the purest jazz-funk record ever—not as quick or tricky as James Brown, but more richly layered, riffs and drones and wah-wahs and tunelets and weird noises and shifting key centers snaking along on a sexually solicitous, subtly indomitable pulse."[8]}}

According to AllMusic editor Steve Huey, "melody isn't the point of this music; it's about power, rhythm, and the sum energy of the collective, and of Davis' electric jazz-rock albums, In Concert does one of the most mind-bending jobs of living up to those ideals".[9] Erik Davis, writing in Spin magazine, praised its "rhythmic wall of sound" and said that its music is "of such propulsive psychedelic density that it makes the heaviest P-Funk sound like the Archies."[10] JazzTimes writer Tom Terrell called Davis "a spiritual Hendrix with his own cosmic band of gypsies", and commented that the album's "visionary performance ... predicts hip hop ('Rated X'{{'}}s bassline = 'White Lines'), Ornette's Prime Time ('Black Satin') and Talking Heads ('Ife')".[11]

In a mixed review, Don Heckman of the Los Angeles Times criticized Davis' use of the wah-wah effects controller and said that he was "not in particularly exceptional form" because he had "moved more deeply into pounding funk rhythms and fairly static sound textures."[3] In The Rolling Stone Album Guide (2004), J. D. Considine felt that, although it was "occasionally fascinating, the busily churning rhythms often seem oddly static, as if the band were laboriously treading water."{{sfn|Considine et al.|2004|p=219}}

Track listing

Original LP

All tracks were composed by Miles Davis.

Record one ("Foot Fooler")
  1. "Miles Davis in Concert" – 20:45
  2. "Miles Davis in Concert" – 25:23
Record two ("Slickaphonics")
  1. "Miles Davis in Concert" – 18:12
  2. "Miles Davis in Concert" – 20:21

CD reissue

Disc 1 (first set): "FOOT FOOLER" IN CONCERT, PARTS 1 & 2
Track
Song Title
Length
1. Rated X
12:16
2. Honky Tonk
9:18
3. Theme from Jack Johnson
10:12
4. Black Satin/The Theme
14:14
Disc 2 (second set): "SLICKAPHONICS" IN CONCERT, PARTS 3 & 4:
Track
Song Title
Length
1. Ife
27:53
2. Right Off/The Theme
10:30

Personnel

  • Miles Davis - electric trumpet with wah-wah
  • Carlos Garnett - soprano & tenor saxophone
  • Cedric Lawson - electric piano, synthesizer
  • Reggie Lucas - electric guitar
  • Khalil Balakrishna - electric sitar
  • Michael Henderson - electric bass
  • Al Foster - drums
  • Badal Roy - tablas
  • James Mtume - percussion

References

1. ^{{cite journal|title=Review: In Concert|journal=Down Beat|location=Chicago|page=65|date=July 1997}}
2. ^{{cite journal|last=Sinclair|first=Tom|date=August 1, 1997|issue=390|url=http://www.ew.com/ew/article/0,,288884,00.html|accessdate=June 9, 2013|title=Miles Davis|journal=Entertainment Weekly|location=New York|page=75}}
3. ^{{cite news|last=Heckman|first=Don|date=July 27, 1997|url=http://articles.latimes.com/1997/jul/27/entertainment/ca-16623|title=Unleashing More of the Davis Legacy : MILES DAVIS|newspaper=Los Angeles Times|accessdate=June 5, 2013}}
4. ^{{cite journal|journal=Coda|page=105|volume=11|issue=7–12|year=1974|title=Miles Davis – In Concert – Columbia KG 32092}}
5. ^{{cite journal|journal=Schwann Record & Tape Guide|page=232|year=1973|volume=26|issue=2|title=none}}
6. ^{{cite journal|url=https://books.google.com/books?id=OwkEAAAAMBAJ&pg=RA1-PA60#v=onepage&q&f=false|accessdate=June 15, 2013|title=Top Album Picks|journal=Billboard|page=60|date=May 5, 1973}}
7. ^{{cite journal|last=Palmer|first=Bob|authorlink=Robert Palmer (writer)|date=June 21, 1973|url=https://www.rollingstone.com/music/albumreviews/in-concert-live-at-philharmonic-hall-19730621|title=In Concert: Live At Philharmonic Hall|journal=Rolling Stone|location=New York|accessdate=June 9, 2013}}
8. ^{{cite news|last=Christgau|first=Robert|authorlink=Robert Christgau|date=October 14, 1997|url=http://www.robertchristgau.com/xg/rock/davis-97.php|title=Miles Davis's '70s: The Excitement! The Terror!|newspaper=The Village Voice|location=New York|accessdate=April 16, 2013}}
9. ^Huey, Steve (November 1, 2002). Review: In Concert: Live at Philharmonic Hall. AllMusic. Retrieved on 2011-02-26.
10. ^{{cite journal|last=Davis|first=Erik|authorlink=Erik Davis|date=August 1997|url=https://books.google.com/books?id=_uWz-QtMkI4C&pg=PA117#v=onepage&q&f=false|title=Freakin' the Funk – Revisiting Miles Davis's '70s Visions|journal=Spin|location=New York|page=117|accessdate=May 20, 2013}}
11. ^Terrell, Tom (October 1997). Review: In Concert: Live at Philharmonic Hall. JazzTimes. Retrieved on 2011-02-26.
Footnote
{{reflist|group="nb"}}

Bibliography

  • {{cite book|ref=harv|last=Christgau|first=Robert|authorlink=Robert Christgau|year=1981|title=Christgau's Record Guide: Rock Albums of the Seventies|publisher=Ticknor & Fields|isbn=0899190251}}
  • {{cite book|ref={{SfnRef|Considine et al.|2004|p=215}}|author=Considine, J. D.|editor1-first=Nathan|editor1-last=Brackett|editor1-link=Nathan Brackett|editor2-first=Christian|editor2-last=Hoard|title=The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition|publisher=Simon & Schuster|date=November 2, 2004|isbn=0-7432-0169-8|display-authors=etal}}
  • {{cite book|ref=harv|last=Larkin|first=Colin|authorlink=Colin Larkin (writer)|year=2006|title=Encyclopedia of Popular Music|isbn=0195313739|volume=9|edition=4th|publisher=Muze}}

External links

  • {{Discogs master|type=album|64688|name=In Concert}}
  • "Miles Davis - In Concert - On Second Thought" by Stylus Magazine
{{Miles Davis}}{{DEFAULTSORT:In Concert: Live At Philharmonic Hall}}

4 : Albums produced by Teo Macero|Miles Davis live albums|1973 live albums|Columbia Records live albums

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