“Indianapolis Museum of Art”的意思、由来-开放百科全书

The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a {{convert|152|acre|km2|adj=on}} campus at the corner of 4000 N. Michigan Road and W. 38th Street, near downtown Indianapolis, northwest of Crown Hill Cemetery. Newfields also houses the Lilly House, The Garden, 100 Acres, the Beer Garden, and more. There are exhibitions, classes, tours, and events, many of which change seasonally. The campus was re-named in 2017 to better reflect the breadth of offerings and venues.

The Indianapolis Museum of Art is the ninth oldest^[2]{{#tag:ref|The nine oldest museums in the US are Peabody Essex Museum, 1799; Wadsworth Atheneum, 1842; Metropolitan Museum of Art, 1870; Museum of Fine Arts, Boston, 1870; Philadelphia Museum of Art, 1876; Columbus Museum of Art, Ohio, 1878; Art Institute of Chicago, 1879; Cincinnati Art Museum, 1881; Portland Museum of Art, 1882; and Indianapolis Museum of Art, 1883.^[3]|group=note}} and eighth largest encyclopedic art museum in the United States.^[4]{{#tag:ref|At {{convert|669484|sqft|m2|abbr=out|sp=us}}, the IMA is eighth largest in the United States in Main Museum Building space among the 130 respondents in the Association of Art Museum Directors 2010 Statistical Survey.^[4]|group=note}} The permanent collection comprises over 54,000 works, including African, American, Asian, and European pieces.^[5] Significant areas of the collection include: Neo-Impressionist paintings; Japanese paintings of the Edo period; Chinese ceramics and bronzes; paintings, sculptures, and prints by Paul Gauguin and the Pont-Aven School; a large number of works by J. M. W. Turner;^[6] and a growing contemporary art collection.^[7] Other areas of emphasis include textiles and fashion arts^[8] as well as a recent focus on modern design.^[9]

Founded in 1883 by the Art Association of Indianapolis, the first permanent museum was opened in 1906 as part of the John Herron Art Institute. In 1969, the Art Association of Indianapolis changed its name to the Indianapolis Museum of Art, and in 1970 the museum moved to its current location at Michigan Road and 38th Street north of downtown Indianapolis.^[3] Among the Art Association's founders was May Wright Sewall (1844–1920), known for her work in the women's suffrage movement. Other supporters have included Booth Tarkington (1869–1946), Eli Lilly (1885–1977), Herman C. Krannert (1887–1972), and Caroline Marmon Fesler (1878–1960). The associated John Herron Art Institute was established with the help of notable Hoosier Group artists T. C. Steele and William Forsyth.^[3]

The museum is widely recognized^[15]^[16]^[17] as innovative in its development of open source technologies,^[18] institutional transparency,^[19]^[20] and collaboration between museums.^[11] In 2008, the IMA became the first fine art museum to be named an Energy Star partner due to its greening initiative and efforts to reduce energy consumption.^[12] In 2009, the IMA was awarded the National Medal for Museum and Library Service for public service, specifically the museum's free admission policy and educational programming.^[13]

History

The Indianapolis Museum of Art was founded as the Art Association of Indianapolis, an open-membership group led by the suffragist May Wright Sewall. Formed in 1883, the organization aimed to inform the public about visual art and provide art education.^[3] The Art Association's first exhibition, which opened November 7, 1883, contained 453 artworks from 137 artists.^[14] The death of wealthy Indianapolis resident John Herron in 1895 left a substantial bequest with the stipulation that the money be used for a gallery and a school with his name.^[14] The John Herron Art Institute opened in 1902 at the corner of 16th and Pennsylvania street.^[14] Emphasis on the Arts and Crafts movement grew throughout the early years of the school, with a focus on applied art.^[3] William Henry Fox was hired in 1905 as the Art Institute's first director. From 1905 to 1910, Fox managed both the museum and the school while constructing two new buildings on the 16th street site.^[3]

From the 1930s until the 1950s, the John Herron Art Institute placed an emphasis on professionalism and growth in collections.^[3] Wilbur Peat, director of the museum from 1929 until 1965, acquired significant portions of the collection. Peat also made connections with benefactors such as Dr. George H. A. Clowes, Booth Tarkington, and Eli Lilly. Caroline Marmon Fesler, president of the Art Association of Indianapolis, gave a number of artworks in the 1940s, including 20th-century modern artworks and Post-Impressionist works by Cézanne, Van Gogh, and Seurat.^[3] After years of debate surrounding expansion and relocation of the museum and school, the great grandchildren of Eli Lilly, J.K. Lilly III and Ruth Lilly, donated the family estate, Oldfields, to the Art Association of Indianapolis in 1966. One year later it was decided that the school would become a part of Indiana University's Indianapolis campus in an effort to assist with accreditation. That same year it was confirmed that the museum would relocate to Oldfields, with the new Krannert Pavilion opening to the public in October 1970. In 1969, prior to moving to the new site, the Art Association of Indianapolis officially changed its name to the Indianapolis Museum of Art.^[3]

In 2008, the museum changed its main entrance and address from 1200 West 38th Street to 4000 North Michigan Road.

Architecture

Construction and renovation

In 1960, Art Association of Indianapolis board members began discussing the idea of placing the museum at the center of a new cultural campus. Inspired by University Circle in Cleveland, Ohio, board chairman Herman Krannert proposed building an "Acropolitan Area" that would combine a number of cultural institutions in a natural setting.^[3] The museum's location on the grounds of Oldfields allowed architect Ambrose Madison Richardson to build on the idea of an acropolis while also utilizing the natural features of the site. Krannert Pavilion opened in 1970 as the first of four buildings located on the museum's grounds. Following the opening of Krannert, the expansion continued with the Clowes Pavilion in 1972, which housed the Clowes' collection of Old Masters. Construction on the Showalter Pavilion and Sutphin Fountain was completed in 1973.^[3] In 1986 Edward Larrabee Barnes was chosen to design the Hulman Pavilion, a new wing of the museum which housed the Eiteljorg collection of African and South Pacific art. The pavilion opened in 1990 and increased the exhibition space to more than {{convert|80000|sqft|m2}}. The expansion aimed to provide clearer chronological continuity and a more coherent flow as visitors moved from one gallery to the next.^[15]

From the mid-1990s until 2005 the IMA focused on the next phase of development, the "New Vision", or what became known as the "New IMA".^[16] After four years of restoration, the Oldfields mansion reopened to the public in June 2002^[16] and was designated a National Historic Landmark in 2003.^[17] In 2005 the museum completed a three-year, $74 million renovation and expansion project that added three new wings and 50 percent more gallery space to the building.^[18] In all, the construction added {{convert|164000|sqft|m2}} to the museum, in addition to the renovation of {{convert|90000|sqft|m2}} of existing space.^[18] Renovations included the Hulman and Clowes Pavilions, which house the museum's European collection, as well as the addition of the Allen Whitehill Clowes Gallery.^[18] The expansion aimed to unify the building and campus while creating a more welcoming atmosphere for visitors. As one of three new wings and as a new entry to the building, the Efroymson Pavilion helped to transition visitors between the museum and the surrounding grounds.^[19] The Wood Gallery Pavilion added three levels of gallery space as well as a dining area and education suite, while the Deer Zink Pavilion added additional space for private and public events.^[19] The architectural focus on welcoming visitors coincided with a new advertising campaign that reached out to a broader, more diverse audience.^[9]

Museum grounds

The {{convert|152|acre|km2|adj=on}} grounds of the IMA contain distinctive features that have been modified over time to create a greater connection between the museum building and its surroundings. The Oldfields estate has been described as a Gesamtkunstwerk, a unified work of art that combines the arts of landscape design, gardening, architecture, interior design, and decorative arts.^[16] In addition to the restored gardens and grounds of Oldfields, other notable areas of the grounds include the Sutphin Mall and Fountain,^[19] the wheelchair accessible Garden for Everyone,^[20] and a working greenhouse and shop.^[16] The IMA grounds are also home to 100 Acres: The Virginia B. Fairbanks Art and Nature Park, located behind the museum proper.^[49] Garden areas make use of existing features in the natural landscape and incorporate examples of public art, both historical and contemporary.^[3]

The Virginia B. Fairbanks Art & Nature Park: 100 Acres

June 20, 2010 marked the official opening^[21] of a large-scale outdoor project undertaken by the IMA. Formerly a gravel pit,^[22] The Virginia B. Fairbanks Art & Nature Park: 100 Acres now encompasses a diverse landscape, including wooded areas, wetlands, open fields, a lake and a series of hiking trails that guide visitors past site-specific works of contemporary art.^[23] 100 Acres is one of the largest art parks in the country and is the only park to feature an ongoing commission of temporary works.^[24] The first eight artists selected to create site-responsive pieces were Atelier Van Lieshout, Kendall Buster, Alfredo Jaar, Jeppe Hein, Los Carpinteros, Tea Mäkipää, Type A, and Andrea Zittel.^[24] These works, along with an LEED certified visitor center, are linked by a variety of walking trails.^[21]

Historic properties

Oldfields: Lilly House and gardens

Oldfields is a {{convert|26|acre|m2|adj=on}} historic estate and house museum on the grounds of the Indianapolis Museum of Art. The gardens and grounds were restored by the museum in the 1990s. Together with the restoration of the mansion in 2002, Oldfields is now a rare example of a surviving American Country Place Era estate.^[16] The estate was designated a U.S. National Historic Landmark in 2003.^[25] Oldfields was built between 1910 and 1913 by architect Lewis Ketcham Davis for the family of Hugh McKennan Landon, who occupied the home from 1913 until 1932 when it was sold to J. K. Lilly, Jr.^[17] Lilly, the late Indianapolis businessman, collector, and philanthropist, renovated and expanded the estate throughout the 1930s and 1940s, updating interiors as well as adding a number of new buildings to the grounds.^[17] The 22-room mansion has undergone historic restoration and is currently interpreted to reflect the 1930s era when the Lilly family occupied the residence.^[16] In addition to the home's significance as a representation of the American country house movement, Oldfields' gardens and grounds are a rare example of a preserved estate landscape designed by Percival Gallagher of the Olmsted Brothers firm.^[25]

Miller House and gardens

The Miller House is a Mid-Century modern home designed by Eero Saarinen and located in Columbus, Indiana. The residence was commissioned by American industrialist, philanthropist, and architecture patron J. Irwin Miller and his wife Xenia Simons Miller in 1953.^[26] Design and construction on the Miller House took four years and was completed in 1957. The home was declared a National Historic Landmark in 2000. In 2009, the home and gardens, along with many of the original furnishings, were donated to the Indianapolis Museum of Art by the Miller family.^[26] In addition to Eero Saarinen, the house and gardens showcases the work of leading 20th-century figures such as interior designer Alexander Girard, landscape architect Dan Kiley, and principal design associate at the Saarinen office, Kevin Roche.^[27]

Westerley House and gardens

Located just south of the museum in the Golden Hill neighborhood, Westerley House is the former home of Dr. George H. A. Clowes and wife Edith, and their son, Allen Clowes. Designed by architect Frederick Wallick and built in 1922, the four-story home consists of 20 rooms as well as a carriage house, a greenhouse, and the surrounding grounds.^[28] Allen Clowes died in 2000 and bequeathed the estate to the museum, intending it to serve as an event space and the home for the IMA director. In 2006 the estate underwent a $2-million renovation, with a major gift of $800,000 by the Allen Whitehill Clowes Foundation and an anonymous donor.^[28] Westerley House historically served as a venue for the Clowes family to showcase their fine art collection, which eventually became the foundation for the IMA's early European collection.

Collections

The Indianapolis Museum of Art has a permanent collection of over 54,000 works that represent cultures from around the world and span over 5,000 years.^[5] Areas of the collection include: European painting and sculpture; American painting and sculpture; prints, drawings, and photographs; Asian art; art of Africa, the South Pacific, and the Americas; ancient art of the Mediterranean; Design Arts; textile and fashion arts; and contemporary art.^[29]^[30] The museum holds a significant collection of Neo-Impressionist paintings and prints, many of which were given in 1977 by local industrialist W. J. Holliday.^[15]^[31] Combined with the Neo-Impressionist collection is the Samuel Josefowitz Collection of Gauguin and the School of Pont-Aven, which includes highlights such as Bretons in a Ferryboat by Émile Bernard.^[32] The IMA also holds a large collection of works by J.M.W. Turner, containing highlights such as the 1820 watercolor, Rosslyn Castle.^[6] The collection, which was formed by a substantial donation by philanthropist Kurt Pantzer in 1979, includes over fifty watercolors, as well as oil paintings, prints, and etchings.^[31]

The European collection, which is organized into works before 1800 and works from 1800–1945, includes highlights such as Aristotle by Jusepe de Ribera and The Flageolet Player on the Cliff by Paul Gauguin.^[32] Rembrandt's Self-Portrait is part of the Clowes Fund Collection, which comprises a number of significant Old Masters pieces.^[31] Part of the Neo-Impressionist collection, The Channel of Gravelines, Petit Fort Philippe by Georges Seurat was one of the first works to be donated by Caroline Marmon Fesler in the 1940s.^[31] Fesler would go on to donate a number of important works, including her bequest in 1961 of notable 20th-century modernism pieces that included Pablo Picasso, Chagall, and Matisse.^[33] Pieces in the American collection represent American Impressionism and Modernism, including works by Georgia O'Keeffe and George Inness.^[30] Significant pieces include Hotel Lobby (1943) by Edward Hopper^[34] and Boat Builders by Winslow Homer.^[35]

The museum has a substantial Asian art collection, with more than 5,000 pieces spanning 4,000 years.^[31] Most notable is the IMA's acclaimed collection of Japanese Edo Period paintings, scrolls, and screens.^[36] Highlights include A Thousand Peaks and Myriad Ravines, a Ming Dynasty work by Wu Bin, and Buddhist, Daoist, and Confucian Patriarchs, an Edo period panel by Kano Sanraku,^[30] in addition to a number of Chinese ceramics and bronzes that were donated by Eli Lilly in 1961,^[31] such as a fine Shang bronze guang. The IMA's collection is also made up of more than 2,000 pieces of African art and artifacts, 1,200 of which were donated by Harrison Eiteljorg in 1989.^[37] The IMA has expanded the collection to include both historical and contemporary objects from every major region of Africa, including Egypt.^[37] The museum is unique in its inclusive display of Islamic and ancient Egyptian works within the African gallery, rather than with Greek or Roman antiquities.^[38] Significant pieces include a female ancestor figure of the Senufo people and Magbo helmet mask for Oro association by master carver Onabanjo of Itu Meko.^[30]

The museum's textile and fashion art collection is made up of 7,000 items,^[8] including 20th-century, custom-designed costumes by Givenchy, Chanel, and Balmain.^[39] The collection includes a number of the world's fabric traditions,^[39] including African textiles donated by sisters Eliza and Sarah Niblack between 1916 and 1933^[40] and a significant collection of Baluchi rugs.^[41] Based on the museum's early history of collecting textiles, items range from couture to silks and antique laces spanning 500 years.^[8] Some notable pieces include an Imperial Russian court dress by designer Charles Frederick Worth^[42] and Bodhisattva of Wisdom (Mañjusri), a Ming Dynasty silk panel.^[30] The museum's Design Arts collection is made up of European and American pieces from the Renaissance to the present. The collection includes Eliel Saarinen's sideboard designed in 1929 for The Metropolitan Museum of Art exhibition The Architect and the Industrial Arts: An Exhibition of Contemporary American Design^[43] and the Bubbles chaise longue designed by Frank Gehry in 1979^[44] for the Experimental Edges Series.^[45] In 2018, the museum added a Sevres lunch service to its decorative arts collection. ^[46]

In recent years the IMA has begun to focus on developing its contemporary art collection,^[47] which includes works such as Two White Dots in the Air by Alexander Calder^[30] and Light and Space III, a permanent installation by Robert Irwin located in the Pulliam Great Hall.^[48] Since 2007 the museum has featured site-specific contemporary installations in the Efroymson Pavilion, rotating the temporary works every six months.^[49] The Efroymson Pavilion has featured works by artists such as William Lamson, Ball-Nogues Studio, Orly Genger, and Heather Rowe to name a few. Contemporary art is also featured in 100 Acres: The Virginia B. Fairbanks Art and Nature Park, which is unique in its inclusion of commissioned works by emerging mid-career artists.^[50] Since 2007, the IMA has committed to building a modern design collection that illustrates the artistic merits of utilitarian objects.^[9] The focus on international contemporary design, combined with the opening of the Miller House in 2011, is expected to reposition the museum as an authority on design.^[51]

Transparency

The IMA's collecting and deaccessioning practices have utilized technology to provide public access, openness, and transparency in museum operations.^[52] Unveiled in March 2009, the museum's online deaccession database lists every object being deaccessioned and links new acquisitions to the sold objects that provided funds for their purchase.^[53] The IMA has been praised for being the first among museums to openly share their deaccessioning practices^[54] and for including the ability to post public comments on entries in the searchable database.^[55] The IMA also developed the Association of Art Museum Director's (AAMD) Object Registry, a database that helps museums more easily abide by the 1970 UNESCO ruling that prevents illicit trafficking of antiquities.^[56]^[57] Since 2003, the IMA has systematically researched the provenance of artworks created before 1946 and acquired after 1932.^[58]

Conservation

The IMA's conservation department was established in 1970 by the museum's first full-time conservator, Paul Spheeris,^[59] and quickly became known as a regional center for conservation.^[60] In 1978 the department began providing consulting services to regional institutions, taking on contracts from across the Midwest.^[61] An early high-profile contract involved the preservation of 45 governors' portraits over the course of 15 months. The 1979 exhibit, Portraits and Painters of the Governors of Indiana, was held at the IMA from January to March before the portraits were placed on permanent display at the Indiana Statehouse.^[62]^[63] Other major regional projects have included the conservation and restoration of the Thomas Hart Benton murals, first created for the Indiana Hall at the 1933 Chicago World's Fair and now located at Indiana University,^[64] the Wishard Memorial Hospital murals,^[65] the Otto Stark and Clifton Wheeler murals in Indianapolis Public School 54,^[66] and most recently the restoration of the May Wright Sewall Memorial Torches at Herron High School, the former site of the John Herron Art Institute.^[67]

Currently, the conservation department serves the needs of the museum through the expertise of specialists in paintings, textiles, works on paper, frames, and objects conservation.^[68] The department has grown in both size and staff throughout the years,^[69] with the most recent expansion occurring in 2007.^[3] As of 2007, the IMA owned one of the few computer-based X-ray units in the United States, continuing a trend in X-ray technology that the department began in the 1970s.^[62] In 1980, the department helped organize and establish the Midwest Regional Conservation Guild, which includes conservators and conservation scientists from Indiana, Ohio, Illinois, and Michigan.^[70] In the mid-1980s, the department received attention when head conservator Martin Radecki assisted local authorities in uncovering over two dozen forged T.C. Steele and William Forsythe paintings worth more than $200,000.^[71] The high-profile forgery case led Radecki to organize an exhibit in 1989, Is it Genuine? Steele, Forsythe and Forgery in Indiana. The exhibit highlighted conservation techniques and examined how forgeries can be discovered.^[72] Another public presentation of conservation took place in 2007 with Sebastiano Mainardi: The Science of Art, a Star Studio exhibit that allowed visitors to watch conservators as they worked on the 16th-century altarpiece.^[73] The IMA's Star Studio is an interactive gallery that enables visitors to learn, through the process of art-making and observation, about the museum's collections.^[134]

In February 2010, the IMA shifted from current environmental control standards within their exhibition spaces, allowing temperature and humidity fluctuation of a few degrees on either side of the suggested standard.^[74] The IMA relinquished the standard after concluding that the majority of artworks could sustain a greater range of humidity, so permitting the museum to save on the cost of energy bills and reduce its carbon footprint.^[74]^[75]

Conservation Science

In October 2008, the IMA announced a $2.6 million grant from the Lilly Endowment to be used toward the creation of a state-of-the-art conservation science lab.^[76]^[77] Through a grant from the Andrew W. Mellon Foundation, Dr. Gregory Dale Smith, was hired in October 2009 to lead the lab as its senior conservation scientist.^[78]^[79] A main focus of the lab is researching the IMA's collection, including couture fashion in the textile collection and objects made of synthetic materials in the design collection.^[76] Another focus is scientific research on materials found in the collections, such as resins and dyes on African art pieces and glazes on Asian ceramics.^[76] Through the addition of the lab, the IMA aims to establish itself as an internationally recognized conservation center and to increase its potential as a training and professional development resource in conservation science.^[77]

Exhibitions

In 1909 the Art Association campaigned for a major retrospective, the Augustus Saint-Gaudens Memorial Exhibition, to be brought to Indianapolis.^[80] The exhibition, also referred to as the Saint-Gaudens Memorial Exhibition of Statuary, attracted 56,000 visitors during its three-month run,^[3] well beyond the board's goal of attracting 50,000 visitors.^[80] A 1937 exhibition, Dutch Paintings of the Seventeenth Century, included loans from the Cincinnati Art Museum, the Metropolitan Museum of Art, and the Rijksmuseum Amsterdam.^[3] The six-week exhibition presented 65 pieces, including several Rembrandts,^[81] and was considered the beginning of the museum's rise to connoisseurship.^[3]

In 1977, the IMA acquired a collection of Neo-Impressionist paintings from Indianapolis industrialist W.J. Holliday, which was presented in an exhibition in 1983 titled The Aura of Neo-Impressionism: The W.J. Holliday Collection.^[3] From 1986 to 1988, the exhibit traveled to seven cities in the United States and made one stop in Europe at the Van Gogh Museum in Amsterdam.^[82]^[83] Opening in the summer of 1987 to coincide with the Pan American Games, Art of the Fantastic: Latin America, 1920–1987 presented 125 works by artists from a variety of nations. Well-known artists such as Frida Kahlo and Roberto Matta were featured, as well as artists who had never exhibited outside their native country.^[84] The show was the first large-scale presentation of 20th-century Latin American art in the United States in over 20 years and was the museum's first contemporary exhibition to travel.^[3]

In 1992, the IMA hosted The William S. Paley Collection, a traveling exhibition organized by the Museum of Modern Art that included Impressionist, Post-Impressionist, and modern pieces collected by the late CBS news chairman William S. Paley.^[85] The exhibit helped establish the IMA as a prominent museum venue in the Midwest and brought in a record-setting 60,837 visitors.^[86] In 2001, the IMA collaborated with the Armory Museum in Moscow to organize Gifts to the Tsars, 1500–1700: Treasures from the Kremlin.^[87] The show helped the IMA form partnerships with local arts organizations, gain international exposure, and attracted a record 70,704 visitors.^[87] Another important exhibit to travel to the IMA was Roman Art from the Louvre, which attracted 106,002 visitors during its 2008 run.^[3] The exhibition featured 184 mosaics, frescoes, statues, marble reliefs, and vessels loaned from the permanent collection^[88] of the Louvre in Paris, France. It was the largest collection ever loaned from the Louvre to date, and only stopped in three U.S. cities before returning to France.^[88]

In 2009, Sacred Spain: Art and Belief in the Spanish World brought together 71 works of art from a wide variety of lenders, including Peru, Mexico, and the Prado in Spain.^[89] The exhibit was composed of a rare collection of pieces, many of which had never been on view in the United States. It featured paintings, sculpture, metalwork, and books by artists such as El Greco, Diego Velázquez, and Bartolomé Esteban Murillo.^[90] Andy Warhol Enterprises was displayed at the IMA from October, 2010 to January, 2011 and featured more than 150 works of art by Andy Warhol, as well as archival materials.^[91] The exhibition was the largest to illustrate Warhol's fascination with money and feature consumerism as a central theme.^[92] Visitors were able to view the progression of Warhol's career, from his beginnings as a commercial artist to his multimillion-dollar empire.^[93]

Traveling exhibitions

Venice Biennale

In 2010, the IMA was selected to be the commissioning organization for the United States pavilion at the Venice Biennale (Biennale di Venezia).^[105] The IMA's proposal to create an exhibition featuring the work of Puerto Rican artists Jennifer Allora and Guillermo Calzadilla was accepted by the Bureau of Educational and Cultural Affairs at the U.S. State Department.^[106] Allora and Calzadilla were the first collaborative team to be exhibited at the Venice Biennale,^[105] and 2011 was the first time American artists from a Spanish-speaking community were selected.^[106] Six new works of art will be developed by the pair, who often explore geopolitical themes through their work.^[107] The pieces they created for the 2011 U.S. Pavilion will formed an exhibition entitled Gloria and highlighted competitive institutions such as the Olympic Games, the military, and international commerce.^[108] Allora and Calzadilla also brought bring elements of performance into their multimedia pieces through the participation of Olympic athletes.^[108] Three of the six pieces, entitled Body in Flight (Delta), Body in Flight (American), and Track and Field, featured Olympians Dan O'Brien, Chellsie Memmel, and David Durante.^[107]

Administration

The Indianapolis Museum of Art is a 501(c)(3) corporation which is governed by director and CEO Charles Venable, three vice chairmen, a treasurer, secretary, and 21 additional board members.^[109] The museums endowment consists of approximately 120 individual funds devoted to building operations, bond costs, personnel expenses, legal fees and other purposes.^[109]

Mission

Affiliates

The IMA has relied on affiliates to support and raise awareness about the museum's collections since the early 20th century. In 1919 the Friends of American Art was founded to support purchases for the Art Association of Indianapolis and Herron Museum. For two decades the Friends purchased 22 works of art for the collection, funded by members' annual donations. The Alliance of the Indianapolis Museum of Art was founded in 1958 and planned lectures, black tie balls, and related activities in order to raise funds for the museum.^[3] Major gifts included a $350,000 contribution in 1979 toward the $40 million centennial endowment campaign^[111] and a $500,000 contribution toward the IMA's 1990 expansion. By 2007 the Alliance had provided purchase funds for over 300 works of art.^[3] The Contemporary Art Society was formed in 1962 to acquire contemporary art for the museum's permanent collection.^[29] In 1963, the first major acquisition consisted of 65 works.^[14] The Horticultural Society was founded in 1972 to contribute to the care and education of the museum's gardens and grounds, raising $65,000 in 1989 toward the restoration of Oldfields' gardens. In the late 1970s the Second Century Society and the Print and Drawing Society were both formed. The Second Century Society, later known as the IMA Council, was founded to celebrate donations of $1,000 or more to the museum's annual operating fund, attracting more than 200 contributors during its inaugural year.^[3] In 1979, the Print and Drawing Society exhibited 70 artworks spanning 500 years in their first exhibit, The Print and Drawing Society Collections.^[112] By the late 1980s the museum had expanded its affiliate program to include the Decorative Arts Society, the Asian Arts Society,^[29] the Ethnographic Arts Society, and the Fashion Arts Society.^[113]

Awards

After undergoing a sustainability initiative that reduced natural gas consumption by 48 percent and electricity consumption by 19 percent, the IMA became the first fine art museum to be named an Energy Star partner in 2008.^[12] As of 2010, the IMA was one of only 11 museums to receive this recognition by the Environmental Protection Agency. The museum instituted a "greening committee" to organize a variety of efforts to maintain environmental stewardship, a primary component of the institution's mission.^[12]

In 2009 the IMA was awarded the National Medal for Museum and Library Service, one of 10 institutions to receive this annual distinction by the Institute of Museum and Library Services (IMLS).^[114] The IMA was recognized for serving its community through a number of programs, including Viewfinders, a school program that serves 9,000 local students a year.^[2] IMLS also cited the IMA's free admission,^[114] greening and sustainability initiatives, efforts to reach virtual audiences, and improvements in accessibility throughout the museum.^[13]

Outreach

Education

The IMA's educational initiatives include programming for the local community as well as online audiences.^[7] Viewfinders, an art-viewing program that serves 9,000 local students a year, uses Visual Thinking Strategy, an arts-based curriculum that teaches critical thinking, communication skills, and visual literacy.^[2] The museum's emphasis on online engagement has led to educational tools such as ArtBabble, a video portal for art museum content.^[11] Davis Lab, located within the museum next to the Pulliam Great Hall, is a space where visitors can virtually browse the museum's collection and experiment with new technology.^[115] In addition to its focus on technology and school outreach, the museum provides classes, lectures, and film series, as well as ongoing tours of the collections, historic properties, and grounds.^[3] Other programming includes the Star Studio, a space for drop-in art making where visitors, along with museum staff, carry out projects inspired by museum exhibitions.^[115]

From 1946 until 1981, the Indianapolis Junior League provided volunteers and monetary support for the museum's docent program. In 1981, the museum began its own docent training program, which continues to serve a large number of volunteer docents through classes and training.^[3] As of 2009 over 500 individuals volunteer at the IMA.^[109]

Accessibility

Since the 1990s the IMA has continually improved accessibility for visitors; the initiative was a contributing factor to the museum receiving the National Medal for Museum and Library Service in 2009.^[2] The IMA provides captioning on videos produced by the museum, large print binders for exhibits,^[116] accessible seating and sign language interpretation in Tobias Theater, and wheelchair-accessible trails in 100 Acres.^[117] The museum also maintains partnerships with the Indiana School for the Deaf and the Indiana School for the Blind.^[2] In 1993 the IMA opened the Garden for Everyone, a wheelchair-accessible garden designed to emphasize multiple senses. The garden includes varieties of fragrant and textured plants as well as a number of sculptures, including La Hermana del Hombre Boveda by Pablo Serrano.

Initiatives

IMA Lab

In February 2010, the IMA announced the launch of IMA Lab, a consulting service within the museum's technology department.^[118]^[56]^[119] IMA Lab was designed to address museum-specific technology needs not currently met by software vendors and to provide consulting services to museums and nonprofit organizations that want to use technology to help solve problems and meet objectives.^[118]^[119] IMA Lab projects include TAP, steve.museum, and the IMA Dashboard.^[118]^[56] TAP is a mobile tour application for iPod Touch that presents visitors with content related to the IMA's collection, such as artist interviews, text and audio files, and pictures.^[120] Steve.museum, for which IMA Lab is the technical lead, is a project that explores social tagging as a new way to describe collections and make them more accessible.^[118]^[119]

ArtBabble

In 2009 the IMA launched ArtBabble, an online art themed video website that features interviews and full-length documentaries.^[11]^[121] ArtBabble serves as a repository for art related media content created by not only the IMA but other institutions.^[121] The Smithsonian American Art Museum, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, San Diego Museum of Contemporary Art, and the New York Public Library are some of the 30 worldwide partners who contribute content.^[121]^[122]^[123] ArtBabble was a showcase project for the National Summit on Arts Journalism^[124] and was chosen "Best Overall" Best of the Web winner at Museums and the Web 2010.^[125]

IMA Art Services

IMA Art Services is a consulting service focused around public art and modeled after the museum's other consulting arm, IMA Lab.^[126] In January 2011, IMA Art Services signed its first contract with the Indianapolis Airport Authority.^[127] With the $100,000, one-year contract, the museum will manage the Indianapolis Airport Authority's art collection, which includes 40 works currently on display in the passenger terminal of the Indianapolis International Airport.^[126]

Notes

1. ^{{cite web|url=http://issues.ibj.com/ibj/magazines/book-of-lists/2016/|publisher=Indianapolis Business Journal|title=2016 Book of Lists|page=176|accessdate=May 29, 2017}}
2. ^¹²³⁴{{cite news|title=Indianapolis Museum of Art Receives Nation's Highest Award for Community Service|url=http://www.artdaily.com/index.asp?int_new=33793&int_sec=2|accessdate=March 26, 2011|newspaper=ArtDaily|date=October 9, 2009}}
3. ^¹²³⁴⁵⁶⁷⁸⁹¹⁰¹¹¹²¹³¹⁴¹⁵¹⁶¹⁷¹⁸¹⁹²⁰²¹²²²³{{cite book|title=Every Way Possible: 125 Years of the Indianapolis Museum of Art|year=2008|publisher=Indianapolis Museum of Art|isbn=978-0-936260-85-3|author=Anne P. Robinson|author2=S.L. Berry}}
4. ^¹{{cite book|title=AAMD Statistical Survey 2010|year=2010|publisher=Association of Art Museum Directors|location=New York}}
5. ^¹{{cite news|last=Yancey|first=Kitty B.|title=Summer travel '09: Freebies across the USA|newspaper=USA Today|date=May 22, 2009}}
6. ^¹{{cite news|title=Anna Grace Ritchie assisted museum with J.M.W. Turner art collection|url=http://proquest.umi.com/pqdweb?did=1913941221&sid=1&Fmt=3&clientId=53653&RQT=309&VName=PQD |newspaper=The Indianapolis Star|date=January 2, 2000}}
7. ^¹{{cite web|title=Interview: Linda Duke|url=http://www.museum-id.com/ideas-detail.asp?newsID=204|work=IDEAS|publisher=Museum Identity|accessdate=March 22, 2011|deadurl=yes|archiveurl=https://web.archive.org/web/20110307054526/http://www.museum-id.com/ideas-detail.asp?newsID=204|archivedate=March 7, 2011|df=mdy-all}}
8. ^¹²{{cite news|last=Harpaz|first=Beth J.|title=Fashion Museums From NYC to LA, Paris and More|url=http://abcnews.go.com/Travel/wireStory?id=12860319&page=2|accessdate=March 11, 2011|newspaper=ABC News|date=February 8, 2011}}
9. ^¹²{{cite news|last=Lloyd|first=Christopher|title=A wider canvas; Savvy ads and new exhibits boost IMA attendance and membership|url=http://proquest.umi.com/pqdweb?did=1723054941&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD |newspaper=The Indianapolis Star|date=September 9, 2007}}
10. ^{{cite news|title=Simon's Give Indianapolis Museum of Art $10 Million Gift|url=http://www.insideindianabusiness.com/newsitem.asp?ID=23426|newspaper=Inside Indiana Business|date=May 18, 2007|deadurl=yes|archiveurl=https://archive.is/20130126072950/http://www.insideindianabusiness.com/newsitem.asp?ID=23426|archivedate=January 26, 2013|df=mdy-all}}
11. ^¹²³{{cite news|last=Taylor|first=Kate|title=ArtBabble Site Opens Window to World of Museums|url=https://www.nytimes.com/2009/04/07/arts/design/07babb.html|newspaper=The New York Times|date=April 7, 2009}}
12. ^¹²{{cite news|last=O'Donnell|first=Susannah C.|title=Star Power|newspaper=MUSEUM|publisher=American Association of Museums|date=Jan–Feb 2010}}
13. ^¹{{cite book|last=Bowen |first=Katherine |title=National Medal for Museum and Library Service |year=2009 |publisher=Institute of Museum and Library Services |location=Washington, D.C. |url=http://www.imls.gov/pdf/Medals09.pdf |deadurl=yes |archiveurl=https://web.archive.org/web/20101125154324/http://imls.gov/pdf/Medals09.pdf |archivedate=November 25, 2010 |df= }}
14. ^¹²³{{cite book|last=Warkel|first=Harriet G.|title=The Herron Chronicle|year=2003|publisher=Indiana University Press}}
15. ^¹{{cite news|title=Architectural Jewel in The Midwest With its Hulman Pavilion, the Indianapolis Museum is lyric and quietly monumental.|url=http://proquest.umi.com/pqdweb?did=69658073&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Christian Science Monitor|date=August 8, 1990}}
16. ^¹²³⁴⁵{{cite book | last1 = Brooks | first1 = Bradley C. | title = Oldfields | publisher = Indianapolis Museum of Art | year = 2004 | accessdate =December 18, 2010}}
17. ^¹²{{citation|title=National Historic Landmark Nomination: Oldfields|url={{NHLS url|id=03001041}} |format=pdf|date=September 10, 2001 |author1=Carolyn Schlief |author2=Carolyn Pitts |author3=Patty Henry |publisher=National Park Service}} and {{NHLS url|id=03001041|title=Accompanying photos|photos=y}} {{small|(32 KB)}}
18. ^¹²{{cite news|title=European art galleries set to reopen today|url=http://proquest.umi.com/pqdweb?did=1175260021&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The News-Gazette|date=Dec 3, 2006}}
19. ^¹²{{cite journal|title=Spreading Its Wings|journal=Lighting Design and Application|date=November 2005|volume=35|issue=11|pages=52–56|url=http://www.iesna.org/PDF/Archives/2005_11.pdf}}
20. ^¹{{cite news|last=Saetre|first=Julie C.|title=Garden gazing; Plan-it-yourself landscape tour will cost you only time and a little gasoline|newspaper=The Indianapolis Star|date=July 6, 2008}}
21. ^¹{{cite news|title=News: 100 Acres Art & Nature|newspaper=SCULPTURE|date=December 2009}}
22. ^¹{{cite news|last=Marshall|first=Konrad|title=Coming to Life|newspaper=The Indianapolis Star|date=August 18, 2009}}
23. ^{{cite news|title=Max Anderson on why the 100 Acres Art and Nature Park is the most progressive and unpretentious sculpture park to date|newspaper=Modern Painters|date=May 2010}}
24. ^¹{{cite news|last=Bathrop|first=Natalie|title=One Hundred Acres of Art|newspaper=Metropolis|date=September 30, 2009}}
25. ^¹{{cite web|url=http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=-276937780&ResourceType=District|title=Oldfields (Josiah Kirby Lilly, Jr. House)|work=National Historic Landmark summary listing|publisher=National Park Service|accessdate=September 4, 2009|deadurl=yes|archiveurl=https://web.archive.org/web/20090114011538/http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=-276937780&ResourceType=District|archivedate=January 14, 2009|df=mdy-all}}
26. ^¹{{cite journal|last=Kellogg|first=Craig|title=Living History|journal=Elle DECOR|date=May 2011}}
27. ^{{cite journal|last=Williamson|first=Leslie|title=20th-Century Fox|journal=Dwell|date=May 2011}}
28. ^¹{{cite news|last=Aamidor|first=Abe|title=Mansion makeover; IMA director and his wife restore famous home to its former glory|url=http://search.proquest.com/docview/240988847|newspaper=The Indianapolis Star|date=March 23, 2008}}
29. ^¹²{{cite news|last=Mullinix|first=Donna S.|title=Treasure HUNT; The Indianapolis Museum of Art displays pieces collected during the past 10 years in a new exhibit|url=http://search.proquest.com/docview/240239560|accessdate=April 12, 2011|newspaper=Indianapolis Star|date=May 13, 1998}}
30. ^¹²³⁴⁵{{cite book|last=Lee|first=Ellen W.|title=Indianapolis Museum of Art: Highlights of the Collection|year=2005|publisher=Indianapolis Museum of Art|location=Indianapolis, Indiana|isbn=0-936260-77-7|pages=231}}
31. ^¹²³⁴⁵{{cite news|last=Artner|first=Alan G.|title="Hidden" Treasure of the Midwest Beyond Our City's Limits, Museums House Masterpieces of Art|url=http://search.proquest.com/docview/283681826|newspaper=Chicago Tribune|date=Jul 17, 1994}}
32. ^¹{{cite journal|last=McQuiston|first=Julie Pratt|title=Guaguin and the School of Pont-Aven: The Samuel Josefowitz Collection|journal=Dialogue|date=September–October 1999|volume=22|issue=5|pages=23}}
33. ^{{cite news|title=Fesler Will Gives Herron $500,000|newspaper=The Indianapolis News|date=January 11, 1961}}
34. ^{{cite journal|last=Barkin|first=Sandra|title=Edward Hopper, Poet of the Prosiac American Artist of the Past is Star of the Present at the Whitney|journal=Italian Voice|date=June 22, 2006|volume=75|issue=3}}
35. ^{{cite news|last=Batz|first=Bob|title=Indianapolis|url=http://proquest.umi.com/pqdweb?did=22239710&sid=32&Fmt=3&clientId=53653&RQT=309&VName=PQD|accessdate=April 13, 2011|newspaper=Dayton Daily News|date=August 30, 1996}}
36. ^{{cite news|title=Asia's wide open spaces; IMA shows off one of the nation's largest collections of art from the Far East|url=http://proquest.umi.com/pqdweb?did=1751284501&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD|accessdate=April 13, 2011|newspaper=Indianapolis Star|date=November 5, 2006}}
37. ^¹{{cite news|title=The art of diversity; Museums feature more works by Africans and by blacks of the New World|url=http://proquest.umi.com/pqdweb?did=1732624241&sid=1&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Indianapolis Star|date=March 25, 2007}}
38. ^{{cite news|title=AFRICAN ART: IMA to reopen African Gallery during AfricaFest Aug. 19|url=http://proquest.umi.com/pqdweb?did=481071661&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|accessdate=April 13, 2011|newspaper=The Indianapolis Recorder|date=August 11, 2000}}
39. ^¹{{cite news|last=Wade|first=Marcia|title=Indianapolis: One of the oldest museums in the country constantly updates its image|newspaper=USArts|date=June 1987}}
40. ^{{cite news|last=Van Nuys|first=Kathleen|title=Museum Cares for Textiles|newspaper=The Indianapolis News|date=August 3, 1983}}
41. ^{{cite news|last=Berry|first=S.L.|title=Beauty is the magic in woven carpets|url=http://proquest.umi.com/pqdweb?did=1875764241&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Indianapolis Star|date=April 13, 1997}}
42. ^{{cite news|title=The art of adornment; Exhibits of clothing and jewelry attract the cognoscenti and the curious|url=http://proquest.umi.com/pqdweb?did=1727269971&sid=4&Fmt=3&clientId=53653&RQT=309&VName=PQD|accessdate=April 13, 2011|newspaper=Indianapolis Star|date=June 17, 2007}}
43. ^{{cite news|last=Bernstein`|first=Fred|title=The Curator Who Even Considers the Office Chair|url=http://proquest.umi.com/pqdweb?did=1444021151&sid=1&Fmt=3&clientId=53653&RQT=309&VName=PQD|accessdate=April 25, 2011|newspaper=New York Times|date=March 12, 2008}}
44. ^{{cite news|last=Comiskey|first=Daniel|title=The Collector|newspaper=Indianapolis Monthly|date=June 2008}}
45. ^{{cite book|title=USDesign 1975–2000|year=2001|publisher=Prestel Verlag|location=New York|isbn=3-7913-2684-8|pages=152}}
46. ^{{cite web |title=Acquisitions of the month: November 2018 |url=https://www.apollo-magazine.com/acquisitions-of-the-month-november-2018/ |website=Apollo Magazine}}
47. ^{{cite news|last=Sheets|first=Hilarie M.|title=Seeking a Lift From the Contemporary|url=http://proquest.umi.com/pqdweb?did=1245212841&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=New York Times|date=March 28, 2007}}
48. ^{{cite web|last=Green|first=Tyler|title=The Indianapolis Robert Irwin rises above|url=http://blogs.artinfo.com/modernartnotes/2008/11/the-indianapolis-robert-irwin/|work=Modern Art Notes|publisher=Artinfo|accessdate=November 24, 2008}}
49. ^{{cite news|last=Merli|first=Melissa|title=Postapocalyptic works offer glimpses of hope, promise|url=http://proquest.umi.com/pqdweb?did=1217124081&sid=4&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The News-Gazette|date=February 11, 2007}}
50. ^{{cite news|last=Dobrzyński|first=Judith H.|title=Art and Nature, Hand in Hand|url=https://www.wsj.com/articles/SB10001424052748704895204575320982657870158|newspaper=The Wall Street Journal|date=June 23, 2010}}
51. ^¹{{cite news|last=Nancrede|first=Sally F.|title=Living by design|url=http://proquest.umi.com/pqdweb?did=1703465481&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Indianapolis Star|date=Apr 4, 2009}}
52. ^{{cite news|title=Indianapolis Museum of Art Launches Searchable Database of Deaccessioned Artworks|newspaper=ArtDaily|date=March 17, 2009}}
53. ^¹{{cite news|last=Pogrebin|first=Robin|title=The permanent collection may not be so permanent|url=https://www.nytimes.com/2011/01/27/arts/design/27sell.html?_r=1&scp=4&sq=Indianapolis%20Museum%20of%20Art&st=cse|accessdate=February 18, 2011|newspaper=The New York Times|date=January 26, 2011}}
54. ^¹{{cite news|last=Dobrzyński|first=Judith H.|title=Deaccessioning in Public|newspaper=artsJournal|date=March 10, 2009}}
55. ^{{cite news|last=Rosenbaum|first=Lee|title=Deaccession Heaven: Indianapolis Museum of Art Does It Right|newspaper=Culture Grrl|date=March 17, 2009}}
56. ^¹²³{{cite news|title=Indianapolis Museum of Art Launches Online Consulting Service|newspaper=Artinfo|date=February 10, 2010}}
57. ^{{cite web|title=Registry of New Acquisitions of Archaeological Material and Works of Ancient Art|url=http://aamdobjectregistry.org/Antiquities|work=AAMD: Object Registry|publisher=Association of Art Museum Directors|accessdate=April 2, 2011}}
58. ^{{cite news|last=Seligson|first=Joelle|title=A Loophole for Loot?|newspaper=ARTnews|date=March 2009}}
59. ^{{cite news|last=Runyon|first=Keith|title=Surgery on Fine Art|newspaper=The Courier-Journal & Times|date=October 14, 1973}}
60. ^{{cite news|last=Young|first=Jim|title=Conserving Paintings is Delicate Task at IMA|newspaper=The Indianapolis News|date=November 24, 1979}}
61. ^{{cite news|last=Mannheimer|first=Steve|title=Conservation keeps IMA in shape|newspaper=The Indianapolis Star|date=May 15, 1983}}
62. ^¹{{cite news|title=Portraits Undergo Face-Lifts|newspaper=Anderson Herald|date=March 1, 1979}}
63. ^{{cite news|title=Art Museum Team Completes "Face Lifts" On Governors|newspaper=Noblesville Daily Ledger|date=March 5, 1979}}
64. ^{{cite book|last=Foster|first=Kathleen A.|title=Thomas Hart Benton and the Indiana Murals|year=2000|publisher=Indiana University Art Museum|location=Bloomington|isbn=0-253-33760-7}}
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67. ^{{cite news|title=May Wright Sewall Memorial torches to 'relight' their original Herron site|url=http://www.herronhighschool.org/files/news/SewallTorcheClass2010fundraiser4.22.2010.pdf|archiveurl=https://web.archive.org/web/20120321073630/http://www.herronhighschool.org/files/news/SewallTorcheClass2010fundraiser4.22.2010.pdf|archivedate=March 21, 2012|publisher=Herron High School|date=May 2010}}
68. ^{{cite news|last=Whyde|first=Kathy|title=Treasures turned back into pieces of beauty at IMA|newspaper=The Indianapolis Star|date=August 16, 1981}}
69. ^{{cite news|last=Garmel|first=Marion|title=Lab is Museum Nerve Center|newspaper=The Indianapolis News|date=August 8, 1981}}
70. ^{{cite news|title=Art Conservationists Plan Meeting|newspaper=The Indianapolis Star|date=October 24, 1980}}
71. ^{{cite news|last=McBain|first=Roger|title=Preservationists hide their work|newspaper=Evansville Press|date=August 2, 1986}}
72. ^{{cite news|title=Art exhibit sheds light on forgery|newspaper=Chicago Tribune|date=February 8, 1989}}
73. ^{{cite news|last=Wyand|first=Mary Ann|title=Restored 'Virgin of Guadalupe' and Mainardi altarpiece are now on display|newspaper=The Criterion|url=http://www.archindy.org/criterion/local/2009/10-23/spain-sidebar.html|publisher=Archdiocese of Indianapolis|date=October 23, 2009}}
74. ^¹{{cite news|last=Pes|first=Javier|title=Indianapolis Relaxes Climate Controls|url=http://www.theartnewspaper.com/articles/Indianapolis-relaxes-climate-controls/20440|newspaper=The Art Newspaper|date=April 2010}}
75. ^{{cite news|last=Pes|first=Javier|title=Climate control: time to change the settings|url=http://www.theartnewspaper.com/articles/Climate-control-time-to-change-the-settings/20913|accessdate=March 11, 2011|newspaper=The Art Newspaper|date=June 2, 2010}}
76. ^¹²³{{cite news|last=Lloyd|first=Christopher|title=IMA to Expand Art Conservation Lab|newspaper=The Indianapolis Star|date=October 16, 2008}}
77. ^¹{{cite news|title=Indianapolis Museum of Art To Establish Conservation Science Laboratory|newspaper=ArtDaily|date=October 17, 2008}}
78. ^{{cite web|title=Indianapolis Museum of Art appoints new Senior Conservation Scientist|publisher=International Institute for the Conservation of Historic and Artistic Works|date=October 5, 2009|url=https://www.iiconservation.org/node/2446}}
79. ^{{cite news|title=Gregory Dale Smith Appointed Conservation Scientist at Indianapolis Museum|newspaper=ArtDaily|date=October 3, 2009}}
80. ^¹{{cite news|title=Saint-Gaudens Exhibit Will Be Brought Here: Art Association Committee Reaches Decision, 50,000 Attendance Needed.|newspaper=The Indianapolis News|date=November 24, 1909}}
81. ^{{cite news|title=Dutch Artists' Collection to be Shown Here: 65 Paintings, Including Several Rembrandts, Will Go on Exhibition at Herron Feb. 27|newspaper=The Indianapolis Star|date=January 23, 1937}}
82. ^{{cite news|title=W.J. Holliday Collection|newspaper=Art World|date=January 23, 1983}}
83. ^{{cite news|last=Artner|first=Alan G.|title=Seurat Followers Dot the Landscape|url=http://proquest.umi.com/pqdweb?did=24823936&sid=2&Fmt=3&clientId=13225&RQT=309&VName=PQD|newspaper=Chicago Tribune|date=January 24, 1988}}
84. ^{{cite journal|last=Alexander|first=Nancy|title=The Art of the Fantastic: The works of three generations of artists explore the Latin American experience in a dazzling new exhibit at the IMA|journal=Indianapolis Magazine|date=June 1987}}
85. ^{{cite news|last=Nancrede|first=Sally F.|title=Haven't seen the Paley exhibit?|url=http://proquest.umi.com/pqdweb?did=1875725631&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD |newspaper=The Indianapolis Star|date=November 9, 1992}}
86. ^{{cite news|last=Mannweiler|first=David|title=This is a biggie, folks|url=http://proquest.umi.com/pqdweb?did=1873923131&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD |newspaper=The Indianapolis Star|date=February 4, 1992}}
87. ^¹{{cite news|last=Berry|first=S.L.|title=Russian exhibit cultural coup for museum|url=http://proquest.umi.com/pqdweb?did=1884829921&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Indianapolis Star|date=March 18, 2001}}
88. ^¹{{cite news|last=Lloyd|first=Christopher|title=IMA's toga party; The Louvre lent local museum some of its best treasures of ancient Rome|url=http://proquest.umi.com/pqdweb?did=1723051441&sid=3&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The Indianapolis Star|date=September 23, 2007}}
89. ^{{cite news|title=Rare Exhibition Brings Together Spanish Sacred Art|newspaper=The New York Times|date=December 2, 2009}}
90. ^{{cite news|title=In tribute to IMA exhibit gala has a Spanish vibe|newspaper=The Indianapolis Star|date=October 18, 2009}}
91. ^{{cite news|title=An Artful Harvest|newspaper=American Style|date=September 2010|url=http://www.americanstyle.com/2010/08/an-artful-harvest/}}
92. ^{{cite news|last=Kightlinger|first=Cathy|title=Warhol exhibit reflects preoccupation with money|newspaper=The Indianapolis Star|date=October 8, 2010}}
93. ^{{cite news|title=The Business Artist: How Andy Warhol Turned a Love of Money Into a $228 Million Art Career|newspaper=Artinfo|date=December 15, 2010}}
94. ^¹²{{cite news|last=Dobrzyński|first=Judith|title=The Decorative and Beyond|newspaper=The Wall Street Journal|date=April 21, 2009}}
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96. ^¹{{cite news|last=Dunlop|first=Beth|title=Shaping the New Century|newspaper=HOME: Miami|date=May 2009}}
97. ^{{cite news|title=European Design Since 1985 Opens at the Indianapolis Museum of Art March 8|newspaper=Antiques and the Arts Weekly|date=February 27, 2009}}
98. ^{{cite news|title=What's On|newspaper=The Art Newspaper|date=March 2009}}
99. ^{{cite news|last=Morgan|first=Anya|title=European Design Exhibition Coming To Milwaukee Art Museum|url=http://www.huffingtonpost.com/2010/08/11/european-design-exhibitio_n_679408.html|accessdate=April 9, 2011|work=Huffington Post|date=August 11, 2010}}
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102. ^{{cite news|last=Wallis|first=Stephen|title=Extra-ordinary Art|newspaper=Departures|date=January–February 2011}}
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105. ^¹{{cite news|last=Fentress Swanson|first=Abbie|title=Roll Over Beethoven: 'Ode to Joy' Remixes Come to MoMA|publisher=WNYC|date=December 6, 2010}}
106. ^¹{{cite news|last = Harvey|first = Jay|title = IMA picked to represent U.S. at show in Venice|newspaper = The Indianapolis Star|date = September 8, 2010}}
107. ^¹{{cite news|last=Vogel|first=Carol|title=Athletes to Bring Life to Venice Biennale|url=https://www.nytimes.com/2011/03/04/arts/design/04vogel.html?_r=2|newspaper=The New York Times|date=March 3, 2011}}
108. ^¹{{cite news|last=Kightlinger|first=Cathy|title=Indianapolis Museum of Art, athletes team up for sculpture exhibition in Venice|url=http://www.indystar.com/article/20110303/ENTERTAINMENT/103030462/IMA-athletes-team-up-Venice-exhibition?odyssey=mod%7Cnewswell&nclick_check=1|accessdate=March 11, 2011|newspaper=The Indianapolis Star|date=March 3, 2011}}
109. ^¹²IRS Form 990. Filed by the Indianapolis Museum of Art, 2009
110. ^{{cite web|title=Our Mission|url=http://www.imamuseum.org/about/our-mission|publisher=The Indianapolis Museum of Art|accessdate=14 March 2011}}
111. ^{{cite news|title=Indianapolis Museum Gets Major Gift|newspaper=Bloomington Herald Telephone|date=June 27, 1979}}
112. ^{{cite news|title=Museum to display art collected by society|newspaper=Plymouth Pilot News|date=April 20, 1979}}
113. ^{{cite web | author=Gabrielle Poshadlo | year=2011 | title=Fashion Arts Society rolls out new programming! | publisher=Indianapolis Fashion Collective | url=http://www.indianapolisfashion.org/340/fashion-arts-society-rolls-out-new-programming/ | accessdate=April 3, 2011 | deadurl=yes | archiveurl=https://web.archive.org/web/20120322055218/http://www.indianapolisfashion.org/340/fashion-arts-society-rolls-out-new-programming/ | archivedate=March 22, 2012 | df=mdy-all }}
114. ^¹{{cite news|last=McLaughlin|first=Kathleen|title=Indianapolis Museum of Art wins national honor|date=October 6, 2009|newspaper=Indianapolis Business Journal|url=}}
115. ^¹²{{cite news|last=Merli|first=Melissa|title=Indy art "new" museum aims to be a destination|url=http://proquest.umi.com/pqdweb?did=906699671&sid=2&Fmt=3&clientId=53653&RQT=309&VName=PQD|newspaper=The News-Gazette|date=May 1, 2005}}
116. ^{{cite news|title=Indiana Museum Accessibility|url=http://blog.eastersealstech.com/indiana-museum-accessibility/|accessdate=April 3, 2011|newspaper=Indiana Assistive Technology Blog|date=January 11, 2010}}
117. ^{{cite news|title=Accessible Paths at 100 Acres|url=http://blog.eastersealstech.com/accessible-paths-at-100-acres/|accessdate=April 3, 2011|newspaper=Indiana Assistive Technology Blog|date=July 19, 2010}}
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