| 词条 | Institute for Research in Art and Technology |
| 释义 |
The Institute for Research in Art and Technology (IRAT, also known as New Arts Lab; Robert Street Arts Lab) was founded in London in 1969 by a group of artists and activists including painter/author Pamela Zoline, video Pioneer John Hopkins, painter Biddy Peppin, film enthusiast David Curtis, arts theorist John Lifton composer Hugh Davies. Its early focus was on video, film, theatre and new media but this was subsequently expanded to include experimental literature, drama, sculpture and multimedia all based on art/technology crossovers. In October 1969 the New Arts Lab opened on Robert Street, Camden Town, in a former chemical factory, with a screening of David Larcher’s Mare’s Tail (1969). This new arts centre, in addition to housing theatre, gallery and cinema space, also provided a base for the LFMC distribution office, screening and a newly equipped film workshop with a step printer and neg/reversal processor.[1] This building housed artists workshops which included electronics, screen printing, the video co-op, the London Filmmakers Co-op distribution office and workshop TVX's video theatre. I remember exhibitions by Stuart Brisley. Pam Zoline and J.G. Ballard's Crashed Cars. The book launch for William Burroughs "The Job" was held there. For its brief life, J G Ballard, Joe Tilson and William David Ormsby-Gore, 5th Baron Harlech, were among IRAT's formal patrons. When IRAT closed in March 1971, many of its organizers moved with the London Filmmakers Co-op to the Dairy, Prince of Wales Crescent. The Directors in August 1970 included David Curtis, Hugh Davies, John 'Hoppy' Hopkins, John Lifton, Pamela Zoline (USA) with Biddy Peppin as Secretary.[2] References1. ^October 1969 - New Arts Lab 2. ^J G Ballad's Crash exhibition External links
4 : Arts centres in London|Culture in London|Counterculture|Science and technology in London |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。