| 词条 | Ismo Hölttö |
| 释义 |
Ismo Hölttö (born 1940) is a Finnish documentary photographer known for his monochrome portraits of Romani people and others living in the cities and countryside of Finland in the 1960s, a time of rapid societal change. Life and careerHölttö was born in 1940. In 1955, he started as an apprentice goldsmith with the Helsinki firm of G. Buchert. He studied at the School of Applied Arts, whose vocational evening courses were held in the Ateneum museum building. From then until 1970 he worked at the firm of Westerback; he left after winning the State Photography Prize and set up an advertising company, Rykämä. The photography for which he is known was almost complete by this point: thereafter, his professional photography left little time for him to pursue his own photographic interests.[1]{{rp|i}} Hölttö became interested in photography via two colleagues in the jewelry shop where he worked. He joined the Helsinki Camera Club and became friends with {{Illm|WD=Q11882791|Mikko Savolainen}}, who had joined at about the same time and was able to give him technical advice. After initial attempts at landscape, Hölttö found his métier: portraiture. He pursued this vigorously, seldom photographing anything else.[1]{{rp|ii}} In summer 1966 Hölttö and Savolainen visited Northern Karelia. They had had light-hearted intentions but found the trip unexpectedly worthwhile, and pursued the work during the coming years. In 1970 Savolainen arranged their work into the photobook Suomea tämäkin, published in time for Christmas. The two continued their partnership, bringing out the books Raportti Suomen mustalaisista (1972) and Vanhuksia (1981), on the Romani people and the elderly respectively. Hölttö's portraiture was complemented by Savolainen's concentration on communities.[1]{{rp|ii}} Soon after becoming seriously interested in photography, Hölttö bought a Rolleiflex medium format twin lens reflex camera, whose design encouraged or even enforced a certain deliberation. From 1968, he added a 35 mm camera;[1]{{rp|ii}} but for the majority of his better-known portraits, his technique was somewhat similar to that of a studio photographer.[1]{{rp|iii}} Such an extensive series of portraits was unprecedented for Finland, and Hölttö's work has sometimes been compared with August Sander's Menschen des 20. Jahrhunderts. But whereas Sander had followed a self-imposed assignment of photographing people having a list of occupations, Hölttö photographed as he wished.[1]{{rp|iii}} Hölttö's photography in Northern Karelia concentrated on smallholders and others on the lower rungs of society, but his coverage in Helsinki was broader, showing middle-class people and even hippies.[1]{{rp|ii}} Together with Savolainen and {{Illm|WD=Q11881695|Matti Saanio}}, Hölttö led social documentary, then the dominant trend of Finnish photography, in the 1970s.[2] Using a Rolleiflex, he photographed both Helsinki and the Finnish countryside: North Karelia, Savonia[3] and Oulu.[4][5] He shot the main body of his work during the ten years between 1962 and 1971 while working as a goldsmith.[6] When he started documenting the Finnish people, he was only 22; when he ended this series he had turned 31. The reproductions of Hölttö's negatives have changed considerably over time. In the 1960s he favoured high contrast, close cropping, and glossy paper. The early books used duotone offset printing, with little or no space separating the images. His large 1989 book Ihminen pääosassa (Englished in 1991 as People in the Lead Role) used tritone printing for reduced and subtler contrast, with more relaxed cropping.[1]{{rp|iv}} His works have been exhibited in Finland,[5][7][8][9] Russia,[6][10] Denmark,[11] France[12][13] and Lithuania.[14] Books of Hölttö's works
NotesReferences1. ^1 2 3 4 5 6 7 8 Elina Heikka, "The decisive moment of introducing oneself"; within Ismo Hölttö, Valokuvia = Photographs (Helsinki: {{Illm|WD=Q11895148|Finnish Museum of Photography}}, 2008). The four pages of this prefatory essay are not marked with page numbers, which have been added for this article. 2. ^Anna Tellgren, "Darkness and light: Contemporary Nordic photography" (PDF), Scandinavia House, 2014. Retrieved 5 February 2018. 3. ^Savonia: Northern Savonia and Southern Savonia. 4. ^"[https://www.sttinfo.fi/tiedote/ismo-holttos-photographs-at-ateneum?publisherId=17286863&releaseId=25899921 Ismo Hölttö’s photographs at Ateneum]", STT Info, 9 April 2015. Retrieved 3 February 2018. 5. ^1 [https://ateneum.fi/nayttelyt/ismo-holtto/?lang=en Exhibition notice], Ateneum. Retrieved 3 February 2018. 6. ^1 Exhibition notice, Rosphoto, 2016. Retrieved 3 February 2018. 7. ^[https://helsinkithisweek.com/events/ismo-holtto Exhibition notice], Helsinki This Week, 2015. Retrieved 3 February 2018. 8. ^[https://web.archive.org/web/20070312035440/http://www.hippolyte.fi/galleria/tiedote_menneet/pressholtta.htm Article about Ihminen pääosassa] for an exhibition in Helsinki. Retrieved by the Wayback Machine on 12 March 2007. 9. ^{{webarchive |url=https://web.archive.org/web/20070313215024/http://www.finnguide.fi/events/expiredinfo.asp?b=1&c=3&p=1358&offset=220 |date=March 13, 2007 |title="Ismo Hölttö - Ihminen Pääosassa" }}, article about an exhibition held in Tampere in early 2006. Retrieved on 13 March 2007 by the Wayback Machine. (The browser's character set may need to be set to ISO-8859-1 for correct display.) 10. ^"Ismo Hölttö exhibition", Visit Petersburg. Retrieved 3 February 2018. 11. ^Exhibition notice, Galleri Image, 2005. Retrieved 3 February 2018. 12. ^"La photographie finlandaise : « Images from the North Country »", Histoire des Arts. Retrieved 3 February 2018. 13. ^"Finnish photography [1950–1980]" (PDF), {{Illm|WD=Q1165235|Musée Nicéphore Niépce}}, 2008. Retrieved 5 February 2018. 14. ^"Tarptautinis fotomeno festivalis Kaunas Photo 08", Lietuvos Fotografija, 2008. Retrieved 3 February 2018. 15. ^Both this book and another, quite distinct book share {{ISBN|978-951-9086-74-3}}. This number appears both within the copyright page and on the back cover of Valokuvia = Photographs, which is no. 25 in the series Suomen Vallokuvataiteen Museon Julkaisusarja (ISSN 1239-6141), published by the {{Illm|WD=Q11895148|Finnish Museum of Photography}}. No. 24 in the same series is Jukka Kukkonen and Elina Heikka, Punamustavalkea: 1918 Kuvat (2008). Both [https://web.archive.org/web/20120312215925/http://www.valokuvataiteenmuseo.fi/fi/museovierailu/museokauppa this 2012 page about publications available from the museum's shop] and [https://web.archive.org/web/20100816133719/http://www.valokuvataiteenmuseo.fi/fi/tutkimusjulkaisut/julkaisut this 2010 description of the publisher's productions] list both books with this single ISBN. Searches in OPACs for the ISBN usually bring no. 24; a search of WorldCat in February 2018 showed no record of no. 25. The page "[https://web.archive.org/web/20160306010723/http://www.valokuvataiteenmuseo.fi/fi/component/content/article/10373 Ismo Höltön kirjaharvinaisuus]", announcing publication of Valokuvia = Photographs and incidentally describing its rather odd production process, shows a photograph of it. External links
4 : 1940 births|Finnish photographers|Portrait photographers|Living people |
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