| 词条 | Jean Paulhan |
| 释义 |
| name = Jean Paulhan | image = Portrait de Jean Paulhan en 1938.jpg | image_size = | alt = | caption = Paulhan in 1938 | pseudonym = | birth_name = | birth_date = 2 December 1884 | birth_place = Nîmes, Gard | death_date = {{death date and age|1968|10|9|1884|12|2|df=yes}} | death_place = Paris | resting_place = | occupation = Teacher, translator | language = | nationality = | ethnicity = | citizenship = | education = | alma_mater = | period = | genre = | subject = | movement = | notableworks = The Flowers of Tarbes, or Terror in Literature | spouse = | partner = Anne Desclos | children = | relatives = Frédéric Paulhan | influences = | influenced = | awards = | signature = | signature_alt = }}Jean Paulhan (2 December 1884 – 9 October 1968) was a French writer, literary critic and publisher, director of the literary magazine Nouvelle Revue Française (NRF) from 1925 to 1940 and from 1946 to 1968. He was a member (Seat 6, 1963–68) of the Académie française. He was born in Nîmes (Gard) and died in Paris. Paulhan's father was the philosopher Frédéric Paulhan and his mother was Jeanne Thérond. From 1908 to 1910 he worked as a teacher in Madagascar, and he later translated Malagasy poems, or Hainteny, into French;[1] Paulhan's translations attracted the interest of Guillaume Apollinaire and Paul Éluard.[2] In 1925 Paulhan succeeded Jacques Rivière as editor of the NRF. In 1935 he launched a similar but more luxuriously-produced journal Mesures, with the patronage of Henry Church. One of his most famous works of literary criticism was The Flowers of Tarbes, or Terror in Literature (1941), a study of the nature of language in fiction.[3] Paulhan also wrote several autobiographical short stories; English translations of several appeared in the collection Progress in Love on the Slow Side.[4] During the Second World War, Paulhan was an early and active member of the French Resistance[1] and was arrested by the German Gestapo. After the war he founded Cahiers de la Pléiade and in 1953 re-launched La Nouvelle Revue Française. Paulhan provoked controversy by opposing independence for Algeria, and supporting the French military during the Algerian War;[5] this resulted in a rift between Paulhan and his friend Maurice Blanchot.[6] Author Anne Desclos revealed that she had written the novel Story of O as a series of love letters to her lover Paulhan,[7] who had admired the work of the Marquis de Sade. Works
References1. ^1 Intellectuals in History: the Nouvelle Revue Française under Jean Paulhan, 1925-1940 by Martyn Cornick.Rodopi, 1995 2. ^A History of French literature: from chanson de geste to cinema by David Coward. Wiley-Blackwell, 2003 (pg. 439). 3. ^The Flowers of Tarbes, Or, Terror in Literature by Jean Paulhan. Translated by Michael Syrotinski. University of Illinois Press, 2006 4. ^Progress in Love on the Slow Side (Progrès en amour assez lents): récits by Jean Paulhan. Contains Maurice Blanchot's essay on Paulhan, "The Ease of Dying". University of Nebraska Press, 1994. 5. ^"Even his (Paulhan's) friends were increasingly unsympathetic to some of his outspoken views towards the end of his life: he was, for example, in favour of Algeria remaining French..." Michael Syrotinski, Defying Gravity: Jean Paulhan's Interventions in Twentieth-Century French Intellectual History SUNY Press, 1998. {{ISBN|079143639X}}, (p.21-22). 6. ^"Blanchot indicates that he and Paulhan had fallen out over the Algerian situation in "La facilité de mourir"". Michael Kessler, Christian Sheppard, Mystics: Presence and Aporia. Chicago; University of Chicago Press, 2003. {{ISBN|0226432106}} (p.202). 7. ^I wrote the story of O | By genre | guardian.co.uk Books Further reading
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9 : 1884 births|1968 deaths|People from Nîmes|French literary critics|French military personnel of World War I|Grand Officiers of the Légion d'honneur|Burials at the Cimetière de Bagneux|Members of the Académie française|French male non-fiction writers |
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