“Joanne Catherall”的意思、由来-开放百科全书

Joanne Catherall (born 18 September 1962) is an English singer who is one of two female vocalists in the English synth-pop band the Human League.

In October 1980, Catherall was an unknown 18-year-old school girl when she and her best friend Susan Ann Sulley were discovered in Sheffield's Crazy Daisy Nightclub by Philip Oakey, the lead singer and a founding member of the Human League. The pair then joined Oakey in forming a new and commercially successful band line-up.

Catherall has remained in the band ever since, working constantly over the next 30 years. Today, she is a joint business partner in the band, which continues to record and tour.^[1]

Sheffield 1980 and "The Crazy Daisy"

The Human League had recently split acrimoniously over creative differences, leaving only two of the original four members, Oakey and Adrian Wright, to continue. Crucially, The Human League was contracted to a European tour starting within a week. Already in debt to Virgin Records, Oakey had to recruit new band members in a matter of days for the tour or be sued by the tour's promoters, face bankruptcy, and see the end of the band.{{Citation needed|date= January 2018}} Oakey went into Sheffield one evening to recruit a single female backing singer for the tour, needed to replace the original high backing vocals of the now departed Martyn Ware.{{Citation needed|date= January 2018}} He immediately noticed Catherall and Sulley dancing together in the Crazy Daisy, and now states that they stood out from all the other girls in the club due to their unique dress sense, immaculate make-up, and idiosyncratic but sophisticated dance moves.{{Citation needed|date= January 2018}} Without preamble Oakey asked both girls to join the tour as dancers and incidental vocalists.{{Citation needed|date= January 2018}}

Catherall now states that she knew immediately it was a genuine offer, as Oakey was well known in Sheffield; she and Sulley already had tickets to see The Human League on the Doncaster leg of their tour.{{Citation needed|date= January 2018}} Catherall and Sulley agreed to the offer immediately, despite having absolutely no singing or professional dancing experience.{{Citation needed|date= January 2018}}

However, with the girls being 17/18 years old, the final decision about them going on the tour lay with their parents.{{Citation needed|date= January 2018}} The parents of both the girls were unhappy with the idea and initially refused to give their consent. This was overturned reluctantly when Oakey, complete with his then trademark lop-sided haircut, red lipstick and high heeled shoes visited both sets of parents to convince them that the girls would come to no harm.{{Citation needed|date= January 2018}} Catherall and Sulley's school also agreed to the absence as it was thought visiting Europe would be educational for the girls.{{Citation needed|date= January 2018}}

The first European tour of The Human League got underway with the two young recruits assigned to dancing and incidental vocal duties.{{Citation needed|date= January 2018}} The girls at this stage were just guests in the group on a salary of £30 a week. Although the tour was a success the crowds were largely hostile to Catherall and Sulley, as fans had bought tickets for the original all male line-up.{{Citation needed|date= January 2018}} Catherall recalls dodging several beer cans thrown at her during the tour and was often heckled. During the tour Oakey had experimented with the girls singing on a number of the original tracks and was impressed with the results; he was also impressed with the girls' professionalism and determination during the tour.{{Citation needed|date= January 2018}}

On return to Sheffield in December 1980 both girls were made full-time members of The Human League.^[2]

1981 and the release of Dare

After the tour, Catherall and Sulley returned to school full-time while Wright and Oakey set about composing and songwriting.{{Citation needed|date= January 2018}} The new Human League of Sulley, Oakey, Catherall and Wright started to gain ground in early 1981 with the release of the single "Boys and Girls." Even though it charted at number 48, it was the most successful single at that point. The girls were not used in the production as the song was written without any female backing and they were busy with school. They later featured on the record sleeve and in promotional photo shoots.{{Citation needed|date= January 2018}}

Soon after Boys and Girls came the recruitment of professional musicians Ian Burden and Jo Callis, which sharpened the band's output considerably.{{Citation needed|date= January 2018}} Although no one yet knew it, the band had arrived at its most successful evolution. The release of the next single "Sound of the Crowd" was the band's commercial breakthrough. It was also the first single to include both Catherall's and Sulley's full vocals, rather than incidentals and 'adlibs.' Unexpectedly the single raced up the UK singles charts; as a result the band were invited to play on the UK's principal music programme BBC TV's Top of The Pops, with only a few hours notice.{{Citation needed|date= January 2018}} The first Catherall knew about her first appearance on UK national TV was when Sulley's mother rushed to collect her and Sulley from school mid-lessons for the rapid drive down to the London studios.{{Citation needed|date= January 2018}}

Thus the classic Human League signature sound was born, one that has continued for three decades into the 21st Century.{{Citation needed|date= January 2018}} Deep synths, electronic drums, Oakey's semi-sung/semi-spoken-word baritone vocals, and Catherall and Sulley's feminine interaction. Sound of the Crowd was a major achievement in the British charts, but was quickly bettered by the next single, "Love Action (I Believe in Love)", going to number three in the UK.{{Citation needed|date= January 2018}}

By this time, the music video had become highly popular for broadcast TV. Spurred on by pre-filmed promos and live TV appearances, the band started to refine their personal appearance styles for a commercial audience. Catherall adopted the striking black kohl eye make-up and bright red lipstick which became her trademark early 1980s style.{{Citation needed|date= January 2018}}

In October 1981 The Human League released their next studio album Dare. By now The Human League were in their ascendancy and were becoming extremely popular with the mainstream British public. The cutting-edge sound of sequenced synths impressed music fans. Their visual style and presentation also became popular; the mutually contrasting teenage girls (brunette Catherall and blonde Sulley) pulled in male fans,{{Citation needed|date= June 2012}} and teenage girls were inspired as the media picked up on the 'Cinderella-esque' story of the girls' recruitment into the band.{{Citation needed|date= June 2012}}

In mid November 1981, with the Human League fully in the public eye, and sales of the album Dare soaring, Virgin records decided to pull one more single from Dare. Oakey had always disliked the track "Don't You Want Me". Virgin Records had more faith; they commissioned an expensive and elaborate promo video to accompany the release of "Don't You Want Me".{{Citation needed|date= January 2018}} Shot on 35mm film rather than videotape, the promo was filmed in late November 1981 in Slough, Berkshire, UK. The scenario was "a movie shoot for a murder mystery film", and is lyrically a conflicting duet between Oakey and Sulley with backing vocals from Catherall.{{Citation needed|date= January 2018}}

Premiering in December 1981, the video was played on British television frequently. The memorable opening scene of the video has Catherall, in a fur coat standing on a rural road corner.{{Citation needed|date= January 2018}} The night is freezing, she is surrounded by swirling mist and accompanied by the deep opening synth chords. The video captured the imagination of the British public. The effects of the music and emotional lyrics, as well as the cinematic production values, helped propel "Don't You Want Me" to the UK number one spot.{{Citation needed|date= January 2018}}

1981 also saw the start up of cable TV channel MTV in the US, dedicated to playing music videos. However, the channel was limited in that music videos were a new medium, and there were relatively few available. The syndication by Virgin Records of "Don't You Want Me"'s promo to MTV, and ensuing airplay, brought The Human League to US audiences. The subsequent (and admittedly) unexpected interest prompted Virgin Records to release Dare in the US as "Don't You Want Me" rose in the US charts to number one, aided by the promo video.{{Citation needed|date= January 2018}}

At one time the British media erroneously reported that Catherall and Oakey had married, a story which is occasionally repeated today. Catherall and Oakey split amicably in 1990, remaining friends and colleagues; today the subject is rarely raised. Catherall subsequently married in 1995.^[3]

Remaining 1980s

In 1982, riding on the success of Dare, The Human League embarked on an international tour. On completion of the tour, the group returned to the recording studios to start on the follow-up to Dare. In November 1982, the Motown-inspired single "Mirror Man" hit the UK charts, peaking at number two. Six months later, the group released the single, "(Keep Feeling) Fascination". Aided by a promo video, this single also made number two in the UK and number eight in the US.{{Citation needed|date= January 2018}}

Following this, however, the recording sessions for their next album became fraught with tension and producer Martin Rushent departed from the project, as did later producer Chris Thomas.{{Citation needed|date= January 2018}} They were replaced by producer Hugh Padgham and the subsequent album Hysteria was released in mid-1984, three years after Dare. Although it entered the charts at number three, the album failed to match the success of Dare and quickly dropped out of the charts.{{Citation needed|date= January 2018}}

With Oakey working on side projects, rumours that the band had split were perpetuated in the press.{{Citation needed|date= June 2012}} However, in 1986, Virgin Records paired The Human League with US production team Jimmy Jam and Terry Lewis. The band decamped to the USA to record. Creative tensions disturbed their time there, both in the band and with the production team. Sulley and Catherall, who had fortunately absolved themselves of any creative responsibility in 1981, were exempted from the bickering but were homesick and unhappy in the US. Creatively, the US recordings ended in acrimony but not complete disaster.{{Citation needed|date= January 2018}}

The single "Human" was released in September 1986. A ballad about separation and infidelity, it gave Catherall her most prominent vocals in any Human League single. The promo video was typical of mid-1980s gloss and the single peaked at number one in the US and number eight in the UK. The subsequent album, Crash, emerged from the Jam and Lewis sessions, and reached number seven in the UK.

1990s

The Human League reconvened for their 1990 album Romantic?, which Catherall contributed vocals for, but the album was not well received, only charting barely and receiving little critical support. By now The Human League consisted solely of Catherall, Philip Oakey and Susan Sulley with supporting musicians.

The Human League found a new record label, in the form of EastWest records. Using material rejected by Virgin, and new material written by Oakey and Sutton, the band released a new studio album in 1995. Propelled by some radio friendly singles, Octopus returned the band to the UK top 10 for the first time since the 1980s. As well as performing on UK TV music shows, various talk shows were keen to interview the band. On one occasion, during an interview of ITV's This Morning, host Richard Madeley made the mistake of telling viewers that the band were making an "80s comeback", prompting an irritated Catherall to reply: "We've never stopped working, we've never been away!"^[4]

In 1997 Joanne Catherall became a mother, giving birth to a son named Elliot. She is the only member of the trio to have children.^[5]

Film and television

Awards

Sheffield 1980 and "The Crazy Daisy"

1981 and the release of Dare

Remaining 1980s

1990s

Film and television

Awards

Further reading

References