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词条 Kaihō Yūshō
释义

  1. Important Cultural Property status

  2. Gallery

  3. References

  4. External links

{{Japanese name|Kaiho}}{{Infobox artist
| name =Kaihō, Yūshō Shōeki
| image = Daruma by Yusho.jpg
| image_size =
| alt = Painting of Daruma by Kaihō Yūshō
| caption = Painting of Daruma by Kaihō Yūshō
| birth_name =
| birth_date = 1533
| birth_place =
| death_date = 1615
| death_place =
| nationality = Japanese
| spouse =
| field =
| training =
| movement =
| works =
| patrons =Toyotomi Hideyoshi, Emperor Go-Yōzei
| influenced =
| awards =
| elected =
| website =
}}{{nihongo|Kaihō Yūshō|海北 友松||1533–1615}}; real name: Kaiho Shōeki, "brush name": Yusho (alternative names: Josetsusai, Yūkeisai, Yūtoku), was a Japanese painter of the Azuchi–Momoyama period. He was born in Ōmi province, the fifth son of Kaihō Tsunachika, who was a vassal of Azai Nagamasa.

At an early age he became a page at the Tōfuku-ji (temple) in Kyōto and, later a lay priest. He served there under the abbot and associated with the leading Zen priests of Kyōto. In his forties, Yūshō turned to painting and became a pupil in the Kanō School, either under the famous Kanō Motonobu or his grandson Kanō Eitoku.[1] Then, he worked at Jurakudai, under the patronage of Toyotomi Hideyoshi and the Emperor Go-Yōzei.

At first, he patterned his work after Sung painter Liang Kai, doing only monochrome ink paintings, using a "reduced brush stroke" (gempitsu), relying more on ink washes than sharp hard strokes. Later, he worked in fashionable rich colors and gold leaf. Artistically on a level with Hasegawa Tōhaku and Kanō Eitoku, he gave his name Kaihō to the style of painting he and his followers practiced.[2]

As of the Metropolitan Museum of Art exhibition of 1975, most of the artist's extant works were ink paintings produced during his late sixties for the Zen temple Kennin-ji in Kyoto.[3]

Important Cultural Property status

Several of Yūshō's works have been designated as Registered Important Cultural Property. Among these are the following:[4]

  • Landscape, 1599. Two hanging scrolls, ink on paper. Located in Kennin-ji, Kyoto, Japan
  • Plum and pine, around 1599. Four sliding doors, ink on paper. Located in Zenkyō-an (Kennin-ji), Kyoto, Japan (See detail in "Oiseaux sur une branche de pin" in gallery below.)
  • The four accomplishments, late 16th century. Pair of six-fold screens, ink and light color on paper. Located in Reitō-in (Kennin-ji), Kyoto, Japan

Gallery

{{commons category|Kaihō Yūshō}}

References

1. ^{{cite book|last=[unnamed]|title=Momoyama: Japanese Art in the Age of Grandeur (exhibition catalogue)|year=1975|publisher=Metropolitan Museum of Art|location=New York, New York|isbn=0-87099-125-6|pages=39}}
2. ^{{cite book|last=Roberts|first=Laurance P.|title=A Dictionary of Japanese Artists|year=1976|publisher=Weatherhill|location=New York and Tokyo|page=207}}
3. ^{{cite book|last=[unnamed]|title=Momoyama: Japanese Art in the Age of Grandeur (exhibition catalogue)|year=1975|publisher=Metropolitan Museum of Art|location=New York, New York|isbn=0-87099-125-6|pages=5}}
4. ^{{cite book|last=[unnamed]|title=Momoyama: Japanese Art in the Age of Grandeur (exhibition catalogue)|year=1975|publisher=Metropolitan Museum of Art|location=New York, New York|isbn=0-87099-125-6|pages=33–39}}

External links

  • Momoyama, Japanese Art in the Age of Grandeur, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Kaihō Yūshō
  • Bridge of dreams: the Mary Griggs Burke collection of Japanese art, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Kaihō Yūshō (see index)
{{Authority control}}{{DEFAULTSORT:Kaiho, Yusho}}

3 : 1533 births|1615 deaths|Japanese painters

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