| 词条 | Latin pop |
| 释义 |
}}{{Use dmy dates|date=August 2013}}{{Infobox music genre |name = Latin pop |bgcolor = #87CEEB |color = black |stylistic_origins = {{hlist|Latin music|pop}} |cultural_origins = 1970s, Spain, Portugal, and Latin America |instruments = {{hlist|Spanish guitar|accordion|bass guitar|drums|bongos|tambourine|drum machine|keyboard|trumpet|trombone|piano|claves|cowbell|timbales|congas}} |popularity = {{hlist|Latin America|Spain|Italy|US}} |derivatives = {{hlist|Latin ballad|tropipop}} |subgenrelist = List of popular music genres |subgenres = |fusiongenres = {{hlist|Chicano rock|Latin rock}} |regional_scenes = |other_topics = }}Latin pop (Spanish and Portuguese: {{lang|es|Pop latino}}) refers to pop music that contains sounds or influence from Latin America, but it can also mean pop music from anywhere in the Spanish-speaking world.[1] Latin pop usually combines upbeat Latin music with American pop music.[2] Latin pop is commonly associated with Spanish-language pop, rock, and dance music.[3] HistoryLatin pop is one of the most popular Latin music genres today. However, before the arrival of artists like Alejandro Sanz, Thalía, Luis Miguel, Selena, Paulina Rubio, Shakira, Ricky Martin, Gloria Trevi and Enrique Iglesias, Latin pop first reached a global audience through the work of bandleader Sergio Mendes in the mid-1960s;[4] in later decades, it was defined by the romantic ballads that legendary artists such as Julio Iglesias or Roberto Carlos produced in the 1970s.[5] Ricky Martin is regarded as the King of Latin Pop.[6] Influences and developmentLatin pop became the most popular form of Latin music in the United States during the 1980s and 1990s, with acts such as Puerto Rican boyband Menudo, even achieving massive crossover success among non-Latino listeners during the late 1990s. While not restricted to America by any means, Latin pop was profoundly affected by production techniques and other styles of music — both Latin and otherwise — that originated primarily in the United States. Tejano music, centered in Texas and the U.S./Mexico border region, had begun to introduce synthesizers, slicker production, and a more urban sensibility to formerly root styles like norteño and conjunto. Moreover, New York and Miami were home to thriving Latin club scenes, which during the 1980s led to the rise of Latin freestyle, a club-oriented dance music that was rooted in Latin rhythms but relied on synthesizers and drum machines for most of its arrangements. Both of these sounds influenced the rise of Latin pop, which retained Latin rhythms in its uptempo numbers but relied more on mainstream pop for its melodic sense. Latin pop's first major crossover star was Gloria Estefan, who scored a succession of non-club-oriented dance-pop hits during the mid- to late 1980s, but eventually became known more as an adult contemporary diva with an affinity for sweeping ballads. This blend of Latinized dance-pop and adult contemporary balladeering dominated Latin pop through the 1990s. Most of its artists sang in Spanish for Latino audiences, although Latin pop's similarity to the mainstream helped several performers score crossover hits when they chose to record in English. Jon Secada landed several pop hits during the mid-1990s, and Tejano pop star Selena's album Dreaming of You actually debuted posthumously at number one on the album charts upon its 1995 release.[7] The late 90s and early 2000s saw Latin artists such as Ricky Martin, Enrique Iglesias, Shakira, Jennifer Lopez and ex-husband Marc Anthony, Paulina Rubio, Thalía, among others, achieve crossover mainstream success. Other traditionally pop artistes also made forays into Latin pop either finding success experimenting with the sound, such as Debelah Morgan, or recording Spanish versions of their songs or albums, such as Christina Aguilera and Jessica Simpson, to name a few.[8][9] See also{{Portal|Latin music|Pop music}}
References1. ^{{cite book|last1=Stavans|first1=Ilan|authorlink=Ilan Stavans|title=Latin Music: Musicians, Genres, and Themes [2 volumes]|date=29 July 2014|publisher=ABC-CLIO|location=Santa Barbara, California|isbn=9780313343964|page=407|url=https://books.google.com/books?id=qE-LBAAAQBAJ&lpg=PA407&dq=%22latin%20pop%22%20latin%20music&pg=PA407#v=onepage&q&f=false|accessdate=30 October 2014}} 2. ^{{cite book|last1=Lindeen|first1=Mary|title=Cool Latin Music: Create & Appreciate What Makes Music Great!|date=1 September 2010|publisher=ABDO Publishing Company|isbn=9781617846489|page=8|url=https://books.google.com/books?id=43N6AgAAQBAJ&lpg=PA8&dq=%22latin%20pop%22%20latin%20music&pg=PA8#v=onepage&q&f=false}} 3. ^{{cite journal|last1=Fernandez|first1=Enrique|title=Latin Notas|journal=Billboard|date=1 November 1986|volume=98|issue=44|page=40A|url=https://books.google.com/books?id=9CMEAAAAMBAJ&lpg=RA1-PA40&dq=%22latin%20pop%22%20latin%20music&pg=RA1-PA40#v=onepage&q&f=false|accessdate=22 March 2015}} 4. ^Latin Pop, Rhapsody , retrieved 8 January 2013. 5. ^Latin Pop, About- Latin music , retrieved 8 January 2013. 6. ^{{cite news|url=https://www.laverdad.es/planes/latino-20170603005339-nt_amp.html|title=El rey del pop latino|date=3 June 2017|accessdate=1 December 2018|publisher=DIEGO GARNÉS}} 7. ^Latin Pop, Allmusic, retrieved 8 January 2015. 8. ^{{cite web | url=https://www.billboard.com/articles/columns/latin/6620381/latin-crossover-artists-poll-shakira-ricky-martin-enrique-iglesias | title=Shakira, Enrique, Ricky Martin & More: Which Latin Icon Pulled Off the Best Crossover? Vote! | date=8 July 2015 | work=Billboard | first=Angie | last=Romero | accessdate=9 February 2019 }} 9. ^http://www.stereogum.com/1942140/despacito-could-signify-a-latin-pop-resurgence-or-just-justin-biebers-king-making-power/franchises/the-week-in-pop/ External links
10 : Latin American music|Latin pop|Pop music genres|Spanish music|Spanish-language music|1970s in Latin music|1980s in Latin music|1990s in Latin music|2000s in Latin music|2010s in Latin music |
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