| 词条 | Le Sieur de Machy |
| 释义 |
He studied with Nicolas Hotman. He resided in Paris from at least 1692. He described himself as the first composer whose viola da gamba works were published. This is not technically correct, as the collection Fantaisies pour les violles by Nicolas Metrus had already been published in 1642. These and other earlier pieces were, however, written for gamba consort, while Machy, in his Pièces de violle (1685), preferred polyphonic playing for solo gamba in the tradition of Nicolas Hotman, André Maugars and Jean de Sainte-Colombe. The eight surviving suites by Machy are printed half in notation and half in tablature. He preceded these suites with a technical introduction that has high historic value, as it lists the most important ornaments along with the methods of playing those instruments. References1. ^{{cite journal | author = Thompson, S. | year = 2004 | title = Marc-Antoine Charpentier and the viol | journal = Early Music | volume = 32 | issue = 4 | pages = 497–510 | doi = 10.1093/em/32.4.497}} 2. ^{{cite journal | author = Pond, C. | year = 2004 | title = Ornamental style and the virtuoso: Solo bass viol music in France c 1680-1740 | journal = Early Music | volume = 6 | issue = 4 | pages = 512–518 | doi = 10.1093/earlyj/6.4.512}} External links
10 : French musicians|French classical composers|French male classical composers|French Baroque composers|French Baroque viol players|17th-century French people|People from Abbeville|Year of birth missing|Year of death missing|17th-century French musicians |
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