请输入您要查询的百科知识:

 

词条 Lucia Anguissola
释义

  1. Life

  2. References

  3. External links

{{Infobox artist
| name = Lucia Anguissola
| image = Lucia Anguissola, Self Portrait, 1557.jpg
| imagesize =
| caption = {{small|(Lucia Anguissola, Self-Portrait, 1557. Castello Sforzesco, Milan.}}
| birth_name =
| birth_date = 1536 or 1538
| birth_place = Cremona, Italy
| death_date = {{circa}} 1565, before 1568
| death_place =
| nationality = Italian
| education =
| field = Painting
| training =
| movement = Italian Mannerism
| works =
| patrons =
| awards =
| spouse =
| partner =
}}

Lucia Anguissola (1536 or 1538 – {{circa}} 1565, before 1568) was an Italian mannerist painter of the late Renaissance.

Life

Anguissola was born in Cremona, Italy, Lucia Anguissola was the third daughter of seven children born to Amilcare Anguissola and Bianca Ponzone. Her father Amilcare was a member of the Genoese minor nobility and encouraged his five daughters to develop artistic skills alongside their humanist education. Lucia probably trained with her renowned eldest sister Sofonisba Anguissola and her work, mainly portraits, is similar in style and technique. Lucia's skill was seen by contemporary critics as exemplar. According to seventeenth-century biographer Filippo Baldinucci, Lucia had the potential to "become a better artist than even Sofonisba" had she not died so young.[1]

One of her extant paintings, Portrait of Pietro Maria, Doctor of Cremona, (early 1560s)[2] was praised by Vasari, who saw it when he visited the family after her death. It is a sensitive portrayal, in a restricted palette of greys and browns. Lucia places a snake on the doctor's walking stick to allude to the caduceus to show he is a doctor. Lucia's skill is demonstrated in her ability to illustrate the sitter's personality in the animated face with a cocked eyebrow and the shoulders held are at different levels. Lucia's only other signed work is a half-length self-portrait (c. 1557).[3] Lucia also painted a Virgin and Child, and A Portrait of a Woman (early 1560s; Rome, Gal. Borghese) is thought to be either a self-portrait by her or Sofonisba, or a portrait of Lucia by Sofonisba. Two portraits, in the Pinacoteca Tosio Martinengo in Brescia and the Museo Poldi Pezzoli in Milan, probably of Minerva Anguissola, may also be by Lucia.

References

1. ^{{cite book|last1=Gaze|first1=Delia|title=Dictionary of Women Artists: Artists, J-Z|date=1997|publisher=Taylor & Francis|page=190}}
2. ^Museo del Prado in Madrid.
3. ^Castello Sforzesco in Milan.
  • Perlingieri,Ilya Sandra, Sofonisba Anguissola,, Rizzoli International, 1992 {{ISBN|0-8478-1544-7}}
  • Harris, Anne Sutherland and Linda Nochlin, Women Artists: 1550-1950, Los Angeles County Museum of Art, Knopf, New York, 1976

External links

{{Commonscat-inline|Lucia Anguissola}}{{Authority control}}{{DEFAULTSORT:Anguissola, Lucia}}

10 : 1530s births|1560s deaths|16th-century Italian painters|16th-century Italian women|Italian women painters|Italian Renaissance painters|Cremonese painters|Italian portrait painters|16th-century women artists|Sibling artists

随便看

 

开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。

 

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间:2024/11/10 11:15:27