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词条 Mario Amaya
释义

  1. Background

  2. Shooting

  3. Curatorial work

  4. Death

  5. References

{{Infobox person
| name = Mario Amaya
| image =
| alt =
| caption =
| birth_name =
| birth_date = October 6, 1933
| birth_place = Brooklyn, New York, U.S.
| death_date = {{death date and given age|1986|6|29|52}}
| death_place = Kensington and Chelsea, London, England
| nationality = American
| other_names =
| occupation = American art critic, museum director, magazine editor
| years_active =
| known_for =
  • Directing the New York Cultural Center (1972-1976)
  • Founding editor of Art and Artists magazine

| notable_works =
}}

Mario Amaya (October 6, 1933[1] – June 29, 1986) was an American art critic, museum director and magazine editor, and a one-time director of the New York Cultural Center (1972–1976) and the Chrysler Museum of Art in Norfolk, Virginia (1976–1979). He was also the chief curator of the Art Gallery of Ontario (1969–1972) and the founding editor of London's Art and Artists magazine. He studied Art Nouveau for 35 years, some of this under the teaching of artist Mark Rothko.

Background

Mario Anthony Amaya[1] was born in Brooklyn in 1933. After graduating from Brooklyn College in 1958, he went to England and became the assistant editor of the Royal Opera House magazine About the House from 1962 to 1968, and while still in England became the founding editor of Art and Artists magazine from 1965 to 1968. He also wrote books on art, such as Pop As Art: A Survey of the New Super Realism (1965), Art Nouveau (1966), and Tiffany Glass (1967).

Shooting

On June 3, 1968, Amaya was in Andy Warhol's office when radical feminist Valerie Solanas opened fire and shot both him and Warhol. Amaya, 34 at the time, was discharged from the hospital after receiving treatment of bullet grazes on his back.

Curatorial work

While in his curatorial positions he mounted major exhibitions of Art Nouveau. Examples include "Realism Now" (1972), "Blacks: USA" (1973), "Women Choose Women" (1973), and "Bouguereau" (organized with Robert Isaacson, 1975); he also arranged a retrospective of photographer Man Ray (1975). When he became the director of the New York Cultural Center in 1972, he helped strengthen the Center's position as one of the liveliest of New York's museums at the time. Amaya used his position at the Cultural Center to house over 150 shows in three years. Amaya also contributed to many galleries, and lectured and acted as a visiting professor at the State University of New York at Buffalo.

Death

He died from complications of AIDS on June 29, 1986, in hospital in Kensington and Chelsea, London,[1] at the age of 52.

References

Notes
1. ^Deaths England and Wales 1984-2006
Sources
  • Amaya, Mario. Art Nouveau. Studio Vista, Ltd., London, 1966;
  • Bourdon, D. "New York Museum Crisis: Two Bite Dust." Art in America, vol.63, No.5, 1975;
  • Russell, John. "Mario Amaya, 52, Art Critic, Editor and Museum Director," The New York Times June 30, 1986;
  • Russell, John. "Obituary," Art in America, vol.74, 1986;
  • The Globe and Mail No. 36968, June 4, 1968.
{{Authority control}}{{DEFAULTSORT:Amaya, Mario}}

11 : 1933 births|1986 deaths|AIDS-related deaths in England|American art critics|American expatriates in the United Kingdom|American shooting survivors|Directors of museums in the United States|Brooklyn College alumni|People from Brooklyn|20th-century American non-fiction writers|Journalists from New York City

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