词条 | Mecha Ortiz |
释义 |
| name = Mecha Ortiz | image = Mecha Ortiz.jpg | alt = | caption = | birth_name = María Mercedes Varela Nimo Domínguez Castro | birth_date = {{Birth date|1900|09|24|df=y}} | birth_place = Buenos Aires, Argentina | death_date = {{Death date and age|1987|10|20|1900|09|24|df=y}} | death_place = Buenos Aires, Argentina | nationality = Argentine | other_names = | occupation = actress | years_active = 1936-1976 | known_for = Sapho | notable_works = }} Mecha Ortiz (née María Mercedes Varela Nimo Domínguez Castro; 1900–1987) was a classic Argentine actress who appeared in film between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943) and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts. Early life and backgroundMaría Mercedes Varela Nimo Domínguez Castro, known as Mecha was born 24 September 1900. Until she was twenty-nine, Mecha, was married to a farmer and was busy being a wife and mother.[1] She had enrolled for acting classes in the Conservatorio Nacional de Música y Declamación (National Conservatory of Music and Speech) in the inaugural class under the direction of Carlos López Buchardo and Enrique García Velloso. This first class of 1926, which included Ortiz, Miguel Mileo and Paulina Singerman, among others, sought to teach acting using a standardized manual.[2] When her husband was thrown from a horse and had a serious back injury, she took a job in the prosecutor's office, refusing help from her well-to-do family. Her sister, Amanda Varela, was an established actress and got her a screen test with Paramount Studios of France. She was selected but no films were made, so her sister introduced her to a friend, influential film critic Chas de Cruz, who helped her find work.[1]CareerShe began her entertainment career as a supporting actress in the Rivera-De Rosas Theater Company of Enrique de Rosas. She debuted on stage with El Proceso de Mary Duggan, by Bayard Veiller on 20 June 1929, at the Ateneo Theater.[3] In 1933, she was in the production of Mirandolina by Carlo Goldoni which was put on by the Theater Company of Antonio Cunill Cabanellas.[2] Also in 1933, she appeared in Corine with Guillermo Battaglia, Nedda Francy, Miguel Faust Rocha and Iris Marga at the Odeón Theater.[4] She had a theatrical season on the Smart Theater, in 1938 with "Mujeres", written by US actress and writer Clare Boothe Luce,[5] and co-starring Amelia Bence.[6] In 1936 she had her first film role as "Rubia Mireya", with Florencio Parravicini, Irma Córdoba and Santiago Arrieta, in the classic Los muchachos de antes no usaban gomina directed by Manuel Romero. The role was the first of many wherein she played a character who could not be with the man she loved, but made personal sacrifices to be honorable.[7] Mecha was often cast as mysterious characters, plagued by past misfortunes in love, mental disorders, or forbidden love and was frequently compared with Greta Garbo.[1][8][9] She was also seen as a symbol of sophistication and was referred to in other works to denote the line between what was chic or provincial.[8] Years later the character was brought back for Ortiz in the film La Rubia Mireya (1948) with Fernando Lamas also directed by Manuel Romero. In this version, a woman who had reluctantly married, divorced and is rejected by her daughter.[10] In 1938 she starred with Niní Marshall in Mujeres que trabajan, which was directed by Manuel Romero,[11] Con las alas rotas directed by Orestes Caviglia[12] and Maestro Levita with Pepe Arias.[13][14] In 1943 Lumiton produced, Safo, historia de una pasión, adapted from Alphonse Daudet, directed by Carlos Hugo Christensen with Roberto Escalada. Safo was Argentina's first erotic film and was forbidden to minors. There was no nudity in the film, but the innuendo of a sexual encounter between the characters played by Ortiz and Escalada arose from their smoking a cigarette together.[15] She won her first Silver Condor Award for Best Actress for Safo at the 1944 ceremony.[16] The "forbidden" romance of an older woman and a younger man, was repeated in the 1945 sequel El canto del cisne[15] (Swan Song) for which Ortiz won acting awards in Cuba and Brazil,[8][17] as well as the Argentine Silver Condor Award for Best Actress.[15] Stability and permanence was rarely found in Argentine theater companies. One of the exceptions was La Compañía Argentina de Comedias Mecha Ortiz (the Argentine Comedy Company of Mecha Ortiz) which included a cast of Ortiz, Lola Membrives, Rosa Rosen and Narciso Ibáñez Menta. In early 1949, she and the director Luis Mottura, led and managed their own cast, which stayed together for almost a decade, disbanding in 1958. They produced over 15 productions—the best being "Iremos a Valparaíso " by Marcel Achard at the Odeón Theater on 13 May 1949; " “Un tranvía llamado deseo” (A Streetcar Named Desire) by Tennessee Williams at the Casino Theater on 7 July 1952; "Rueda de amantes" by Regás Luz Maria and Juan Albornoz at the Casino Theater on 27 July 1953; "Anna Karenina" by Raymond Rouleau, based on Leo Tolstoy’s novel[3] at the Casino Theater[18] on 11 June 1953; " Tú el ángel y yo el demonio " by Maria Luz Regás and Juan Albornoz at the Versailles Theater on 6 April 1954; "Sandra" by Sixto Pondal Ríos and Carlos Olivari at the Versailles Theater on 6 April 1955; and "Ardelé (la margarita del amor) " by Jean Anouilh and translated by Maria Luz Regás at the Athenaeum Theatre on 23 May 1957.[3] She starred in films such as Una mujer sin importancia (1945) with Santiago Gómez Cou, which was the first film in which a woman slapped a man;[8] Camino del infierno by Luis Saslavsky with Pedro López Lagar, Amelia Bence and Elsa O'Connor;[19] Las tres ratas (1946) by Carlos Schlieper with María Duval;[20] Madame Bovary (1947), Cartas de amor (1951),[21] and Mi vida por la tuya (1951) with Emma Gramatica, in which Ortiz's singing voice was dubbed by Nelly Omar;[22] She played a prison guard in the 1952 film Deshonra by Daniel Tinayre with Fanny Navarro, which featured the first lesbian love affair on Argentine film.[23] La sombra de Safo (1957) under the direction of Julio Porter, reunited Ortiz and Robert Escalada[24] and she made Las Furias (1960) with Elsa Daniel, Aida Luz, Alba Mujica, and Olga Zubarry.[25] Between 1940 and 1950 she broadcast on the radio on the Teatro del Aire Palmolive with Orestes Caviglia, Pedro López Lagar, and Francisco Petrone.[9] Then beginning in the late 1950s, she appeared in television series, including El mar profundo y azul (1956), Estrellita, esa pobre campesina (1968-1969), Rolando Rivas, taxista (1972-1973), Invitación a Jamaica (1977) and Aventura '77 (1977).[21] Her last appearance on TV was in 1981 for the ATC Special Christmas 2000 with Rosa Rosen, Duilio Marzio, Luisa Vehil and Iris Marga.[9] In the 1960s, her career began to decline and she made a suicide attempt, which was stopped by her son.[1] She returned to the theater and did a revival of El proceso de Mary Duggan (1965-1966), Así es la vida (1967), Canción para un crepúsculo (1968) and several television rolls.[21] Her return to the screen came a decade later in 1974 with Boquitas pintadas, based on a novel by Manuel Puig, directed by Leopoldo Torre Nilsson, with Alfredo Alcon and Marta González.[26] In 1976 along with other stars, like Arturo García Buhr, Mario Soffici, Bárbara Mujica and Narciso Ibáñez Menta, Ortiz plays in Los muchachos de antes no usaban arsénico.[1] The plot is a black comedy about aging, friendships, madness and greed.[27] Piedra libre (1976) was her last film also directed by Leopoldo Torre Nilsson with Marilina Ross and Juan José Camero.[28] In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.[29] She wrote her memoirs under the title Mecha Ortiz by Mecha Ortiz. They were published in 1982.[30] FamilyHer husband, Julián Ortiz, was a farmer in Argentina. When she was twenty-nine, her husband was injured in a fall from a horse.[1] Some articles have said he became a paraplegic,[8] and others that he spent nearly 3 decades in a coma after the accident.[31] Ortiz was dedicated to him and their privacy, which in many instances escalated the mystery and speculation about her.[1] Their son, Julián, became a translator and playwright. Her brother, José, was a theatre director, and a sister, Amanda, was also an actress. DeathShe died on 20 October 1987 in Buenos Aires, Argentina.[21] FilmographyMovies{{div col|colwidth=22em}}
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Theater{{div col|colwidth=22em}}
Autobiography
References1. ^1 2 3 4 5 6 {{cite web|last1=Bello|first1=Omar|title=Mecha Ortiz: Erotismo después de los cuarenta|url=http://www.laverdadonline.com/noticia-55678.html|website=La Verdad Online|publisher=La Verdad Online|accessdate=28 May 2015|location=Buenos Aires, Argentina|language=Spanish|date=1 November 2014}} 2. ^1 {{cite book|last1=Pellettieri|first1=Osvaldo|title=Dos escenarios: intercambio teatral entre España y la Argentina|date=2006|publisher=Galerna|location=Buenos Aires|isbn=950-556-491-0|pages=181–184|edition=1.|url=https://books.google.com.mx/books?id=IzKVjUPmWBkC&lpg=PA184|accessdate=28 May 2015|language=Spanish}} 3. ^1 2 {{cite book|last1=Pellettieri|first1=Osvaldo (editor)|title=Historia del teatro argentino en Buenos Aires: La segunda modernidad (1949 - 1976)|date=2003|publisher=Galerna [u.a.]|location=Buenos Aires|isbn=950-556-447-3|pages=162–164|edition=1.|url=https://books.google.com.mx/books?id=KD-dO_NyAY0C&lpg=PA162|accessdate=28 May 2015|language=Spanish}} 4. ^{{cite web|title=Miguel Faust Rocha|url=http://www.acceder.gov.ar/es/596977|website=Acceder|publisher=Ministerio de Cultura|accessdate=28 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 5. ^{{cite journal|title=item 52.411|journal=Boletín Oficial de la República Argentina|date=14 December 1938|volume=Ed. 84|issue=Núm. 13.315|page=16825|url=https://archive.org/details/Boletin_Oficial_Republica_Argentina_1ra_seccion_1938-12-14|accessdate=20 May 2015|publisher=República Argentina|location=Buenos Aires, Argentina|language=Spanish|quote="Mujeres. Comedia en tres actos. 102 páginas. Mecanografíadas. Versión castellana de Francisco Madrid Alier. Claire Boothe. Dada en el Teatro Smart, por la compañía de Mecha Ortiz. Bunos Aires, 1938."}} 6. ^{{cite book|last1=Bence|first1=Amelia|last2=Etchelet|first2=Raúl|title=La niña del umbral: Amelia Bence: memorias|date=2011 |publisher=Corregidor |location=Buenos Aires, Argentina|isbn=978-9-500-51934-2|page=52 |language=Spanish}} 7. ^{{cite journal|last1=Soria|first1=Claudia|title=Los muchachos de antes no usaban gomina: el discurso de una Buenos Aires histérica|journal=Revista Canadiense de Estudios Hispánicos|date=Spring 2001|volume= 25|issue= 3|pages=519–530|jstor=27763728|publisher=Canadian Association of Hispanists|location=Canada|language=Spanish}} 8. ^1 2 3 4 {{cite news|last1=Meccia|first1=Ernesto|title=Mecha encendida|url=http://www.pagina12.com.ar/diario/suplementos/soy/1-988-2009-09-18.html|accessdate=21 May 2015|publisher=Página12|date=18 September 2009|location=Buenos Aires, Argentina|language=Spanish}} 9. ^1 2 {{cite news|last1=Zancada|first1=Ana Maria|title=La Garbo argentina|url=http://www.ellitoral.com/index.php/diarios/2007/10/16/escenariosysociedad/SOCI-01.html|accessdate=29 May 2015|publisher=El Litoral|date=16 October 2007|location=Buenos Aires, Argentina|language=Spanish}} 10. ^{{cite web|title=La rubia Mireya|url=http://www.acceder.gov.ar/es/861406|website=ACCEDER|publisher=Ministerio de Cultura|accessdate=25 May 2015|location=Buenos Aires, Argentina|language=Spanish|deadurl=yes|archiveurl=https://web.archive.org/web/20080414042453/http://www.acceder.gov.ar/es/861406|archivedate=14 April 2008|df=}} 11. ^Rist (2014), pp 494-495 12. ^{{cite book|last1=Herlinghaus|first1=Hermann|title=Narraciones anacrónicas de la modernidad : melodrama e intermedialidad en América Latina|date=2002|publisher=Ed. Cuarto Propio|location=Santiago, Chile|isbn=956-260-270-2|page=129|edition=1.|url=https://books.google.com.mx/books?id=hMrrCZBaRgIC&lpg=PA129&ots|accessdate=29 May 2015|language=Spanish}} 13. ^{{cite web|title=Maestro Levita|url=http://www.acceder.gov.ar/es/1674120|website=Acceder|publisher=Ministerio de Cultura|accessdate=28 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 14. ^{{cite web|title=1938: año de consagración para el cine nacional|url=http://www.acceder.gov.ar/es/628786|website=Acceder|publisher=Ministerio de Cultura|accessdate=28 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 15. ^1 2 {{cite book|last1=Rist|first1=Peter H.|title=Historical Dictionary of South American Cinema|date=2014|publisher=Rowman & Littlefield Publishers|location=Lanham|isbn=978-0-8108-8036-8|pages=155–156 |url=https://books.google.com.mx/books?id=PrOMAwAAQBAJ&lpg|accessdate=25 May 2015}} 16. ^{{cite web|title=Ortíz, Mecha|url=http://www.nuestrosactores.com.ar/index.php/component/content/article/19-actrices/524-ortiz-mecha|website=Nuestros Actores|publisher=Nuestros Actores|accessdate=29 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 17. ^{{cite web|last1=Pardo|first1=Soledad|last2=Croci|first2=Pablo|title=Safo, historia de una pasión: Tensión entre canon y ruptura en el primer melodrama erótico del cine argentino|url=http://www.asaeca.org/imagofagia/sitio/index.php?option=com_content&view=article&id=134%3Asafo-historia-de-una-pasion-tension-entre-canon-y-ruptura-en-el-primer-melodrama-erotico-del-cine-argentino&catid=40&Itemid=84|website=Asociación Argentina de Estudios de Cine y Audiovisual|publisher=Imagofagia|accessdate=21 May 2015|location=Argentina|language=Spanish}} 18. ^{{cite web|title=Mecha Ortiz estrenó anoche en el Teatro Casino "Anna Karenina"|url=http://www.acceder.gov.ar/es/609111|website=Acceder|publisher=Ministerio de Cultura|accessdate=28 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 19. ^{{cite web|title=Camino del infierno (1946)|url=http://www.mardelplatafilmfest.com/29/evento/camino-del-infierno/|website=Mar del Plata Filmfest|publisher=Mar del Plata Filmfest|accessdate=28 May 2015|location=Mar del Plata, Argentina|language=Spanish}} 20. ^{{cite news|last1=Garcia Oliveri|first1=Ricardo|title=Centenario de un señor de la escena|url=http://edant.clarin.com/diario/1998/08/06/c-01001d.htm|accessdate=22 May 2015|publisher=Clarín|date=6 August 1998|location=Buenos Aires, Argentina|language=Spanish}} 21. ^1 2 3 {{cite web|url=http://www.nuestrosactores.com.ar/index.php/component/content/article/19-actrices/524-ortiz-mecha|title=Ortíz, Mecha|publisher=Nuestrosactores.com.ar|accessdate=28 May 2014}} 22. ^{{cite news|last1=Pérez|first1=Jorge|title=Se fue un mito, nació una leyenda|url=http://www.diarioeltiempo.com.ar/se-fue-un-mito-nacio-una-leyenda.html|accessdate=21 May 2015|publisher=Diario El Tiempo|date=23 December 2013|location=Buenos Aires, Argentina|language=Spanish|deadurl=yes|archiveurl=https://web.archive.org/web/20150622174017/http://www.diarioeltiempo.com.ar/se-fue-un-mito-nacio-una-leyenda.html|archivedate=22 June 2015|df=}} 23. ^{{cite web|title=Deshonra (1952)|url=http://www.mardelplatafilmfest.com/29/evento/deshonra/|website=Mar del Plata Filmfest|publisher=Mar del Plata Filmfest|accessdate=28 May 2015|location=Mar del Plata, Argentina|language=Spanish}} 24. ^{{cite web|title=La sombra de Safo (1957)|url=http://www.cinenacional.com/pelicula/la-sombra-de-safo|website=Cine Nacional|publisher=Cine Nacional|accessdate=30 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 25. ^{{cite web|title=Las furias (1960)|url=http://www.cinenacional.com/pelicula/las-furias|website=Cine Nacional|publisher=Cine Nacional|accessdate=30 May 2015|location=Buenos Aires, Argentina|language=Spanish}} 26. ^{{cite web|title=Boquitas pintadas|url=https://www.montevideo.gub.uy/tarjetalibre/evento/boquitas-pintadas|website=Montevideo GUB|publisher=Montevideo Departamento de Cultura|accessdate=30 May 2015|location=Montevideo, Uruguay|language=Spanish}} 27. ^{{cite news|title=Apertura del 19 Festival Internacional de Cine de Paraguay 2010 con la presencia del director argentino José Martínez Suárez|url=http://www.embajada-argentina.org.py/V2/tag/festival-internacional-de-cine-del-paraguay/|accessdate=30 May 2015|publisher=Embajada Argentina en Paraguay|date=7 September 2010|location=Asuncion, Paraguay|language=Spanish}} 28. ^{{cite book|last1=Tompkins|first1=Cynthia|title=Experimental Latin American cinema : history and aesthetics|date=2013|publisher=University of Texas Press|location=Austin|isbn=978-0-292-74415-8|page=270|edition=1st|url=https://books.google.com.mx/books?id=7XGra9F1_LsC&lpg=PA270|accessdate=30 May 2015}} 29. ^{{cite web|title=Distinción a Mecha Ortiz|url=http://www.acceder.gov.ar/fr/td:Revistas_y_articulos_periodisticos.3/608763|website=acceder|publisher=Ministére de la Culture|accessdate=22 May 2015|location=Buenos Aires, Argentina|language=Spanish|date=1981}} 30. ^{{cite book|last1=Ortiz|first1=Mecha|title=Mecha Ortiz|date=1982|publisher=Moreno|location=Buenos Aires|url=https://books.google.com.mx/books?id=5AoJaAEACAAJ&dq|accessdate=30 May 2015|language=Spanish}} 31. ^{{cite news|title=La Vida de Grandes Estrellas Revisitadas en un Libro|url=http://noticias.terra.com.ar/sociedad/la-vida-de-grandes-estrellas-revisitadas-en-un-libro,6926e4daaff2d210VgnVCM4000009bf154d0RCRD.html|accessdate=29 May 2015|publisher=Noticias Terra|date=29 December 2010|location=Buenos Aires, Argentina|language=Spanish}} External links{{Commons category|Mecha Ortiz}}
9 : 1900 births|1987 deaths|Argentine film actresses|Actresses from Buenos Aires|Disease-related deaths in Argentina|Place of birth missing|Silver Condor Award for Best Actress winners|20th-century Argentine actresses|Burials at La Recoleta Cemetery |
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