| 词条 | Michele Rosewoman |
| 释义 |
| name = Michele Rosewoman | image = | caption = | image_size = | background = non_vocal_instrumentalist | birth_name = Michele Rosewoman | alias = | birth_place = | birth_date = March 19, 1953 | death_date = | origin = {{flagicon|USA}} Oakland, California, U.S. | instrument = Piano | genre = Avant-garde jazz Post-bop Free funk Afro-Cuban jazz | occupation = Pianist, Composer, Educator | years_active = 1976–present | label = Soul Note Enja Evidence Music Blue Note | associated_acts = Mike Westbrook, National Youth Jazz Orchestra | website = michelerosewoman.com | current_members = | past_members = }}Michele Rosewoman is an American jazz pianist living in New York, NY. She is most notable for her work and recordings with her Quintessence ensemble, as well as her New Yor-Uba ensemble. Rosewoman has released nine albums, including five with Quintessence and several trio and quartet recordings. Her New Yor-Uba ensemble, featuring Orlando "Puntilla" Rios until his death in 2008, is an Afro-Cuban jazz big band that Rosewoman founded in 1983. It finally released its first album in 2013, in celebration of its 30th anniversary. Rosewoman is also known for her work as a sidewoman on recordings by such artists as Greg Osby, Billy Bang and Ralph Peterson. Before moving to New York City from California in 1978, Rosewoman, who was deeply influenced by Oakland-based pianist/organist Ed Kelly, led several jazz groups in the Oakland area and also performed with Baikida Carroll, Julius Hemphill and Julian Priester. In New York she would play with post-avant-garde musicians Oliver Lake and Billy Bang, as well as with straight-ahead jazz masters Freddie Waits, Rufus Reid, Billy Hart, Reggie Workman and Latin music greats such as Celia Cruz, Chocolate Armenteros, Nicky Marrero, Paquito D'Rivera, Daniel Ponce and others.[1] Early yearsBorn in Oakland, Rosewoman began playing the piano at age six. In her late teens she studied Cuban and Haitian folkloric rhythms and vocal traditions.[2][3][4] Discography
References1. ^{{cite book | last = Yanow | first = Scott | coauthors = | title = Afro-Cuban Jazz | publisher = Miller Freeman Books | year = 2000 | pages = 107 | month = | isbn = 0-87930-619-X }} 2. ^{{cite web|url=http://www.allaboutjazz.com/michele-rosewoman-wearing-her-passion-with-the-in-side-out-michele-rosewoman-by-tomas-pena.php |title=Michele Rosewoman: Wearing Her Passion With The In Side Out |editor=Pena, Tomas |date=5 February 2007 |publisher=All About Jazz |accessdate=12 November 2015}} 3. ^{{cite web|url=http://wunc.org/post/new-afro-cuban-music-ancient-tradition-meets-future-shock#stream/0 |title=In New Afro-Cuban Music, Ancient Tradition Meets Future Shock |editor=Murph, John |date=24 September 2013 |publisher=WUNC91.5 |accessdate=12 November 2015}} 4. ^{{cite web|url=http://worldmusiccentral.org/2014/12/27/an-afro-cuban-latin-jazz-chat-with-pianist-michele-rosewoman-of-new-york-city/ |title=An Afro-Cuban-Latin Jazz Chat with pianist Michele Rosewoman of New York City |editor=Moncada, Les |date=27 December 2014 |publisher=World Music Central |accessdate=12 November 2015}} External links
Sources
15 : 1953 births|Living people|Musicians from Oakland, California|Post-bop pianists|Free jazz pianists|Afro-Cuban jazz pianists|American jazz pianists|Avant-garde jazz pianists|20th-century American pianists|Jazz musicians from California|American women pianists|21st-century American pianists|20th-century women musicians|21st-century women musicians|Female jazz musicians |
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