| 词条 | Miirrha Alhambra |
| 释义 |
Her sister Flora Joutard and she had studied in Bad Homburg before touring Europe[2][3][4] and South America[5][6][7][8][9][10] together in the early 1900s. A friend took her to Mérida to play where she would meet and marry her husband{{Citation needed|date=October 2009}}, Domingo Fernando Evia y Barbachano (1883–1977), a wealthy Mexican landowner who was a member of two families that have been prominent in the politics and culture of Yucatán since the mid 19th century, one of which, the Barbachanos, has been described as "one of the most powerful of Yucatán’s oligarchy[11][12][13] On 30 June 1912, she arrived with her husband and two-year-old son Edgar de Evia in New York City aboard the liner "Progreso" [14] External links
References1. ^For information about her recitals in America, both on stage and radio, see the following: The New York Times, 17 June 1928 (p. 133), 13 February 1931 (p. 21), 13 November 1932 (p. X7), and 15 November 1932 (p. 19). {{authority control}}{{DEFAULTSORT:Alhambra, Miirrha}}2. ^{{cite book | last = Breithaupt<| first = Rudolf Maria| year = 1912| title = Die natürliche Klaviertechnik| publisher = C. F. Kahnt Nachfolger| location = Leipzig| isbn = }}p.679:[https://books.google.com/books?id=deQ5AAAAIAAJ&pg=RA6-PA679&dq=%22Paula+and+Flora+Joutard%22#PRA6-PA673,M1] 3. ^{{cite book | last = Nieman| first = Walter| year = 1919| title = Meister des Klaviers| publisher = Schuster & Loeffler| location = Berlin| isbn = }} p.225:[https://books.google.com/books?id=XQVAAAAAMAAJ&pg=PA225&dq=%22Paula+and+Flora+Joutard%22] 4. ^[https://books.google.com/books?id=B9UEAAAAMAAJ&pg=RA4-PA539&lpg=RA4-PA539&dq=%22Flora+Joutard%22&source=web&ots=JsyXznody6&sig=aCQaxG6hIV7IIQDbQiuD7HPPnqc&hl=en&ei=erudSc_vO6GbtwfzntnhBA&sa=X&oi=book_result&resnum=4&ct=result Die Musik Erster Jahrgang, 1901, p. 539] 5. ^{{cite book | last = Elgueta| first = Sara Guerin de| year = 1928| title = Actividades femeninas en Chile| publisher = La Ilustración| location = | isbn = }} 6. ^{{cite book | last = Salas| first = Eugenio Pereira| year = 1957| title = Historia de la Musica en Chile, 1850-1900| publisher = Universidad de Chile| location = | isbn = }} 7. ^{{cite book | last = Sergio| first = Montecino M.| year = 1985| title = Entre músicos y pintores| publisher = Editorial Admadeus| location = | isbn = }} p.18 8. ^{{cite book | last = Brenner| first = Alfonso Cahan| year = 1967| title = Pequeña biografia de un gran teatro| publisher = Aranciia| location = | isbn = }} p.60 9. ^{{cite book | last = Universidad de Chile Instituto de Extension Musical| first = Facultad de| year = 1960| title = Revista musical chilena| publisher = Universidad de Chile| location = | isbn = }} p.63 10. ^{{cite book | last = Encina| first = Francisco Antonio|author2=Leopoldo Castedo| year = 1982| title = Resumen de la historia de Chile| publisher = Zig-Zag| location = | isbn = }} p. 253 11. ^Congresoyucatan.gov.mx {{webarchive|url=https://web.archive.org/web/20061103205548/http://www.congresoyucatan.gob.mx/interes/HISTORIA/congreso_constituyente1.htm |date=2006-11-03 }} 12. ^Merida.gov.mx {{webarchive|url=https://web.archive.org/web/20070630143720/http://www.merida.gob.mx/ayunta2004/InformesMensuales/Gobernacion/2004/diciembre/normatividad.pdf |date=2007-06-30 }} 13. ^Yucatan.gob.mx. {{webarchive|url=https://web.archive.org/web/20070809064611/http://www.yucatan.gob.mx/servicios/diario_oficial/diarios/2006-08-18.pdf |date=2007-08-09 }} The quote is taken from "Tourism 'Wars' in the Yucatan", which is posted on the website of the American Anthropological Association. aaannet.org {{webarchive|url=https://web.archive.org/web/20071011181420/http://aaanet.org/press/an/infocus/Heritage_In_Focus/Castaneda.htm |date=2007-10-11 }} The article was written by Quetzil E. Castaneda, an affiliate assistant professor of anthropology at the University of Washington and the founding director and professor of The Open School of Anthropology and Ethnography. 14. ^According to the ship's manifest, which can be accessed at http://www.ellisisland.org, several members of the Evia family immigrated from Mexico to New York at the same time, including her husband's sister Rosario Evia de Espejo with her own husband and children. In the manifest, Alhambra's husband Domingo gave his occupation as farmer. According to the manifest, the family's surname was Evia, not de Evia. 8 : 1890 births|1957 deaths|French women classical pianists|French classical pianists|French emigrants to Mexico|20th-century classical pianists|20th-century French musicians|20th-century women musicians |
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