| 词条 | Moanin' |
| 释义 |
| name = Moanin' | type = studio | artist = Art Blakey and the Jazz Messengers | cover = Moanin' (Art Blakey).jpg | alt = | released = January 1959[1] | recorded = October 30, 1958 | venue = | studio = Van Gelder Studio, Hackensack | genre = Hard bop | length = 40:26 50:20{{small|CD reissue}} | label = Blue Note {{small|BST 84003}} | producer = Alfred Lion | chronology = Art Blakey | prev_title = Art Blakey Big Band | prev_year = 1957 | next_title = Drums Around the Corner | next_year = 1959 | misc = {{Extra chronology | artist = The Jazz Messengers | type = studio | prev_title = Hard Drive | prev_year = 1957 | title = Moanin{{'}} | year = 1958 | next_title = 1958 – Paris Olympia | next_year = 1958 }} }}{{Album reviews |rev1 = AllMusic |rev1score = {{Rating|5|5}}[2] |rev2 = The Rolling Stone Jazz Record Guide | rev2Score = {{rating|4|5}}[3] }} Moanin{{'}} is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958 for the Blue Note label. BackgroundThis was Blakey's first album for Blue Note in several years, after a period of recording for a miscellany of labels, and marked both a homecoming and a fresh start. Originally the LP was self-titled, but the instant popularity of the bluesy opening track "Moanin'" (by pianist Bobby Timmons) led to its becoming known by that title. MusicThe rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long, this being the only American album on which he is featured). "Are You Real?" is a propulsive thirty-two-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost serving as the album's ballad. "The Drum Thunder Suite" is a feature for Blakey, in three movements: "Drum Thunder"; "Cry a Blue Tear"; and "Harlem's Disciples". "Blues March" calls on the feeling of the New Orleans marching bands, and the album finishes on its only standard, an unusually brisk reading of "Come Rain or Come Shine". Of the originals on the album, all but the "Drum Thunder Suite" became staples of the Messengers book, even after Timmons and Golson were gone. Recorded by Rudy Van Gelder in his meticulous Hackensack studios, this recording reflects the hallmark precision associated with that engineer – on the reissue there is a brief conversation between Lee Morgan and Rudy Van Gelder going over Morgan's solo. ReceptionThe album stands as one of the archetypal hard bop albums of the era, for the intensity of Blakey's drumming and the work of Morgan, Golson and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by jazz critic Scott Yanow as one of the 17 Essential Hard Bop Recordings.[4] InfluenceA vocalese version of "Moanin'" was later written by Jon Hendricks, and recorded by Lambert, Hendricks and Ross, as well as jazz vocalists Bill Henderson and Karrin Allyson. Track listingAll tracks composed by Benny Golson except where noted. Original LP
CD reissue
Personnel
References1. ^[https://books.google.it/books?id=XiAEAAAAMBAJ&pg=PA6&dq=billboard+january+1959&hl=it&sa=X&ved=0CFYQ6AEwCWoVChMIpvGW_5PFxwIVyhcsCh0xLgsX#v=onepage&q=blakey&f=false Billboard Jan 19, 1959] {{Jazz Messengers}}{{Lee Morgan}}{{Bobby Timmons}}{{DEFAULTSORT:Moanin}}2. ^[{{AllMusic|class=album|id=moanin-mw0000241419|pure_url=yes}} AllMusic review] 3. ^{{Cite book|editor-last=Swenson|editor-first=J.| author-link =|year=1985|title=The Rolling Stone Jazz Record Guide|publisher=Random House/Rolling Stone|location=USA|isbn=0-394-72643-X|pages=25}} 4. ^{{cite web|last1=Yanow|first1=Scott|title=hardbopz|url=http://www.scottyanow.com/hardbopz.html|website=www.scottyanow.com|accessdate=6 July 2017}} 7 : 1959 albums|Art Blakey albums|Jazz Messengers albums|Blue Note Records albums|Hard bop jazz standards|Albums produced by Alfred Lion|Grammy Hall of Fame Award recipients |
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