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词条 National Film Award for Best Music Direction
释义

  1. Winners

  2. Notes

  3. References

  4. External links

{{Use Indian English|date=April 2017}}{{Use dmy dates|date=March 2013}}{{Infobox film award
| name = National Film Award for Best Music Direction
| image =
| image_size =
| alt =
| caption =
| subheader = National award for contributions to Indian Cinema
| description = Best Music Direction and background score for a feature film of the year
| sponsor = Directorate of Film Festivals
| firstawarded = 1967 {{small|(Songs)}}
1994 {{small|(Background Score)}}
| lastawarded = 2017
| reward = {{ubl|Rajat Kamal (Silver Lotus)|{{INRConvert|50|k}}}}
| former name =
| holder_label = Most recent winner
| holder = A. R. Rahman {{small|(Songs & Background Score)}}
| award1_type = Total awarded
| award1_winner = 51 {{small|(Songs)}}
10 {{small|(Background Score)}}
| award2_type = First winner
| award2_winner = K. V. Mahadevan
}}

The National Film Award for Best Music Direction (the Silver Lotus Award) is an honour presented annually at the National Film Awards by the Directorate of Film Festivals to a musician who has composed the best score for films produced within the Indian film industry.[1] The award was first introduced at the 15th National Film Awards in 1967. At the 42nd National Film Awards, an award for "Best Background Score" was instituted. It was however discontinued after that, and it was not until 2009 that the category was re-introduced. A total of 51 awards—including award for Best Background score—to 40 different composers.

Although the Indian film industry produces films in around 20 languages and dialects,[1] the recipients of the award include those who have worked in seven major languages: Hindi (19 awards), Malayalam (9 awards), Tamil (8 awards), Telugu (7 awards), Bengali (6 awards), Kannada (5 awards) and Marathi (2 awards).

The first recipient of the award was K. V. Mahadevan who was honoured for his composition in the Tamil film Kandan Karunai (1967).[2] A. R. Rahman has been the most frequent winner with six wins,{{efn|Includes one for background scoring.}} followed by Ilaiyaraja with five awards. Jaidev and Vishal Bhardwaj have won it three times each.[3] Four musicians—B. V. Karanth, K.V. Mahadevan, Satyajit Ray and Johnson have won the award twice each. Ilaiyaraaja is the only composer to have won the award for working in three different languages—Telugu, Tamil and Malayalam—while Rahman won the award for performing in two different languages—Tamil and Hindi—including one for his debut film Roja (1992).[4]{{efn| name=Roja| The jury of the 40th National Film Awards were tied between Rahman and Ilaiyaraaja—for Thevar Magan—before Balu Mahendra, the chairman voted in favour of Rahman.[5][6]}}

Johnson won the inaugural "Best Background Score" award—for Sukrutham—in 1994. When the award was reinstated in 2009, Ilaiyaraaja won it for the Malayalam film Pazhassi Raja.[7] The most recent recipient is A. R. Rahman jointly awarded for Best Score and Background Score for his work in the Tamil film Kaatru Veliyidai and Hindi film Mom, respectively.

Winners

{{dagger}}Indicates winner for Best Background Score
List of award recipients, showing the year (award ceremony), film(s), language(s) and citation
YearImageRecipient(s)Film(s)LanguageCitation{{Tooltip|Refs.|Reference
1967
{{small|(15th)}}		K. V. Mahadevan Kandan Karunai Tamil {{dash}}[8]
1968
{{small|(16th)}}		{{dash}}Kalyanji Anandji Saraswatichandra Hindi {{dash}}[9]
1969
{{small|(17th)}}		{{dash}}S. Mohinder Nanak Nam Jahaz Hai Punjabi {{dash}}[10]
1970
{{small|(18th)}}		{{dash}}Madan Mohan Dastak Hindi {{dash}}[11]
1971
{{small|(19th)}}		{{dash}}Jaidev Reshma Aur Shera Hindi {{dash}}[12]
1972
{{small|(20th)}}		{{dash}}Sachin Dev Burman Zindagi Zindagi Hindi {{dash}}[13]
1973
{{small|(21st)}}		Satyajit Ray Ashani Sanket Bengali {{dash}}[14]
1974
{{small|(22nd)}}		{{dash}}Ananda Shankar Chorus Bengali {{dash}}[15]
1975
{{small|(23rd)}}		Bhupen Hazarika Chameli Memsaab Assamese {{dash}}[16]
1976
{{small|(24th)}}		{{dash}}B. V. Karanth Rishya Shringa Kannada {{dash}}[17]
1977
{{small|(25th)}}		{{dash}}B. V. Karanth Ghatashraddha Kannada {{hiddenFor employing the resources of sacred and folk music with unerring skill and sensitivity so as to create an atmosphere of subdued pain and loneliness and to lead the poignant theme to its tragic denouement through the tortured process of its unfolding; for the modulation of effects in terms of sound, covering music in all its variegated range within their span, for heightening the mood in each sequence, almost imperceptibly; for creating art at its concealed best.}[18]
1978
{{small|(26th)}}		{{dash}}Jaidev Gaman Hindi {{hiddenFor using the traditional light classical and folk music of U.P. to convey the nostalgia of rural migrants lost in a city. Music in Gaman is an integral part of the film.}[19]
1979
{{small|(27th)}}		K. V. Mahadevan Sankarabharanam Telugu {{dash}}[20]
1980
{{small|(28th)}}		Satyajit Ray Hirak Rajar Deshe Bengali {{hiddenFor brilliant experimentation with different forms and modes of Indian music and for creating a mood of fantasy in a pleasing and harmonious style.}[21]
1981
{{small|(29th)}}		Khayyam Umrao Jaan Hindi {{hiddenFor a finely turned score which invokes the spirit of the period and for a felicitous use of music to enrich the central character of the film.}[22]
1982
{{small|(30th)}}		{{dash}}Ramesh Naidu Meghasandesam Telugu {{hiddenFor his use of classical music to enhance the aesthetic quality of the film.}[23]
1983
{{small|(31st)}}		Ilaiyaraaja Saagara Sangamam Telugu {{hiddenFor his lively, rich and vigorous recreation of traditional music composition and inventive musical ideas adapted to the visual demands of drama.}[24]
1984
{{small|(32nd)}}		{{dash}}Jaidev Ankahee Hindi {{dash}}[25]
1985
{{small|(33rd)}}		Ilaiyaraaja Sindhu Bhairavi Tamil {{hiddenFor innovative bleding of folk and classical music which lends strength and power to the story.}[26]
1986
{{small|(34th)}}		M. Balamuralikrishna Madhvacharya Kannada {{hiddenFor the effective use of classical music blended with folk music.}[27]
1987
{{small|(35th)}}		{{dash}}Vanraj Bhatia Tamas Hindi {{hiddenFor creating a thematic score on a heroic scale through melody and complex harmonic arrangements of a symphonic character to stress the human anguish during the holocaust that followed partition, helping greatly in defining the tragic dimensions of the events.}[28]
1988
{{small|(36th)}}		Ilaiyaraaja Rudra Veena Telugu {{hiddenFor creating an innovative score which brings out the splendour of classical tradition and blends it beautifully with modern sensitibilities.}[29]
1989
{{small|(37th)}}		{{dash}}Sher Choudhury Wosobipo Karbi {{hiddenFor depicting life in interior Assam with a unique background score.}[30]
1990
{{small|(38th)}}		Hridaynath Mangeshkar Lekin... Hindi {{hiddenFor using traditional tunes and instruments creatively, with litting melody and haunting perfection.}[31]
1991
{{small|(39th)}}		{{dash}}Rajat Dholakia Dharavi Hindi {{hiddenFor using music as an integral part of the film structure, furthering the meaning and dimensions of the theme.}[32]
1992
{{small|(40th)}}		A. R. RahmanRoja{{efn>name=Roja}} Tamil {{hiddenFor the harmonious blend of western and Carnatic classical music in Roja, the separate music systems complementing each other without losing their own identities.}[33]
1993
{{small|(41st)}}		Johnson Ponthan Mada Malayalam {{hiddenFor his music, which exhibits imagination, competence and presentation of the changing contours of music from traditional to modern styles.}[34]
1994
{{small|(42nd)}}		{{dash}}Ravi (As Bombay Ravi) {{•}} Sukrutham
{{•}} Parinayam		 Malayalam {{hiddenFor his melodious rendering of his tunes. The music in both the films exhibit originality and creatively highlights the entire mood of the two films, achieving musical harmony.}[35]
Johnson {{daggerSukrutham Malayalam {{hiddenFor scoring the background music.}
1995
{{small|(43rd)}}		Hamsalekha Sangeetha Sagara Ganayogi Panchakshara Gavai Kannada {{hiddenFor his authentic utilisation of classical Indian music in both the Hindustani and Karnatic style and presenting a wholesome musical structure to the film.}[36]
1996
{{small|(44th)}}		A. R. Rahman Minsara Kanavu Tamil {{hiddenFor innovative compositions breaking all traditions, entering into new era.}[37]
1997
{{small|(45th)}}		M. M. Keeravani Annamayya Telugu {{hiddenFor the film's rich, classical music scores and its devotional fervor.}[38]
1998
{{small|(46th)}}		Vishal Bhardwaj Godmother Hindi {{hiddenFor the Hindi film Godmother where the narrative of the film and the music bring about an excellent blend of folk and modern music. It retains the fragrance of the soil of Gujarat.}[39]
1999
{{small|(47th)}}		Ismail Darbar Hum Dil De Chuke Sanam Hindi {{hiddenFor an innovative score that blends in the entire spectrum of Indian music form Classical to folk to embellish the musical narrative.}[40]
2000
{{small|(48th)}}		Anu Malik Refugee Hindi {{hiddenFor a score that blends with the story and heightens it's narrative. A great effort has been made to ensure that the compositions have all the ingredients of the music of the soul.}[41]
2001
{{small|(49th)}}		A. R. Rahman Lagaan Hindi {{hiddenFor a music score, that is both regional in character and popular in appeal bringing out the ethos of Saurashtra region.}[42]
2002
{{small|(50th)}}		A. R. Rahman Kannathil Muthamittal Tamil {{hiddenFor his original musical score highlighting the cultural conflicts and personal anguish in the story.}[43]
2003
{{small|(51st)}}		Shankar–Ehsaan–Loy Kal Ho Naa Ho Hindi {{hiddenFor its wide range of styles and modes, enriching the themes of the film.}[44]
2004
{{small|(52nd)}}		Vidyasagar Swarabhishekam Telugu {{hiddenFor the songs that are composed as per the situation and enrich the theme of the film. From the beginning to the end he has maintained traditional classical music and used Indian acoustic instruments thus bringing out the colour and flavour of Indian music.}[45]
2005
{{small|(53rd)}}		{{dash}}Lalgudi Jayaraman Sringaram Tamil {{hiddenFor bringing alive an era of great musical and dance tradition through the deft use of Indian musical instruments.}[46]
2006
{{small|(54th)}}		Ashok Patki Antarnad Konkani {{hiddenFor a judicious range of music from the classical to pop, elevating the film.}[47]
2007
{{small|(55th)}}		{{dash}}Ouseppachan Ore Kadal Malayalam {{hiddenFor achieving through music the poignancy of the turmoil of unconventional love.}[48]
2008
{{small|(56th)}}		Ajay-Atul Jogwa Marathi {{hiddenFor its well-researched use of traditional and folk music to reinforce the theme of the film.}[49]
2009
{{small|(57th)}}		Amit Trivedi Dev.D Hindi {{hiddenFor the innovative composition that blend contemporary and folk sounds.}[50]
Ilaiyaraaja {{dagger Pazhassi Raja Malayalam {{hiddenFor creating epic grandeur by fusing symphonic orchestration with traditional Indian instrumentation.}
2010
{{small|(58th)}}		Vishal Bhardwaj Ishqiya Hindi {{hiddenFor blending rustic flavour with the Indian classical tradition.}[51]
{{dash}}Isaac Thomas Kottukapally {{dagger Adaminte Makan Abu Malayalam {{hiddenFor minimalistic use of appropriate background score to nurture the essence of the narrative.}
2011
{{small|(59th)}}		{{dash}}Neel Dutt Ranjana Ami Ar Ashbona Bengali {{hiddenFor displaying a variety of contemporary musical forms that rock the city of Kolkata today. He virtually drives the narrative flow composing a variety of songs to portray the world of an ageing rock music performer who suffers from a deep feeling of inadequacy. The songs deal with the emotional and social challenges that beset the film's protagonists.}[52]
{{dash}}Mayookh Bhaumik {{dagger Laptop Bengali {{hiddenFor his original style in narrating the flow of events centred around a laptop. He brings in a new dimension with his unconventional musical renderings, using both live and electronic instruments to counterpoint the urban tragedies that accompany this peripatetic laptop. The music brings in a narrative element that resonates with contemporary problems in Kolkata, a city weighed down by its own contradictions.}
2012
{{small|(60th)}}		{{dash}}Shailendra Barve Samhita Marathi {{hiddenVersatile and soulful presentation of songs based on Raagas, backed by Indian instrumentation arranged in a manner that enhances the film.}[53]
{{dash}}Bijibal {{dagger Kaliyachan Malayalam {{hiddenFusion of native ensemble and percussions in a period setting is a challenge well-met by the background score.}
2013
{{small|(61st)}}		{{dash}}Kabir Suman Jaatishwar Bengali {{hiddenThe music director has presented a rich variety of musical genres of Bengal with appropriate voices, instruments and orchestration..}[54]
Shantanu Moitra {{dagger Naa Bangaaru Talli Telugu {{hiddenThe music composer has kept a balance of music programming and regional acoustic instruments like Saraswati Veena, Mridangam, Ghatam, Morsing and voices to underline the theme of the film.}
2014
{{small|(62nd)}}		Vishal Bhardwaj Haider Hindi {{hiddenFor developing the conflict of the inner and outer landscape through haunting music.}[55]
Gopi Sundar {{dagger 1983 Malayalam {{hiddenFor maintaining the tempo of the film with an in-sync background score. }
2015
{{small|(63rd)}}		M. Jayachandran Ennu Ninte Moideen Malayalam {{hiddenCreating a haunting melodic composition, that resonates the tragic love story}[56]
Ilaiyaraaja {{dagger Tharai Thappattai Tamil {{hiddenFor effectively using folk musical instruments and melodies, to give a harmonic layer of meaning to the world of the characters.}
2016
{{small|(64th)}}		Bapu Padmanabha {{dagger Allama Kannada {{hiddenFor adding soul to the film through Carnatic ragas.}[57]
2017
{{small|(65th)}}		A. R. Rahman Kaatru Veliyidai Tamil {{dash}}[58]
A. R. Rahman {{dagger Mom Hindi {{dash}}

Notes

{{notelist}}

References

1. ^1 {{cite web | url=http://dff.nic.in/nfa.asp | title=About National Film Awards | publisher=Directorate of Film Festivals | accessdate=15 April 2015}}
2. ^{{cite news| last=Narayanan| first=Arjun| title=Much more than the name of a raga|url=http://www.newindianexpress.com/magazine/article82183.ece| accessdate=29 April 2014| newspaper=The New Indian Express| date=13 December 2009}}
3. ^{{cite news| last=Parvez| first=Amjad| title=Jaidev and his unforgettable music| url=http://archives.dailytimes.com.pk/infotainment/21-Dec-2010/jaidev-and-his-unforgettable-music| accessdate=29 April 2014| newspaper=Daily Times (Pakistan)| date=21 December 2010| deadurl=yes| archiveurl=https://web.archive.org/web/20140429220253/http://archives.dailytimes.com.pk/infotainment/21-Dec-2010/jaidev-and-his-unforgettable-music| archivedate=29 April 2014| df=dmy-all}}
4. ^{{cite news| last=Nagarajan| first=Saraswathy| title=Of rhythm and soul| url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/of-rhythm-and-soul/article3218488.ece| accessdate=29 April 2014| newspaper=The Hindu| date=16 June 2006}}
5. ^{{cite book| last=Mathai| first=Kamini| title=A.R. Rahman: The Musical Storm| url=https://books.google.com/books?id=gfCTmjEAChIC| year=2009| publisher=Penguin Books India| isbn=978-0-670-08371-8|pages=99–100}}
6. ^{{cite web| author=Moviebuzz| title=Everybody wants a piece of ARR!| url=http://www.sify.com/carnaticmusic/season2003/fullstory.php?id=14861752| publisher=Sify| date=15 July 2011| accessdate=29 April 2014| deadurl=yes| archiveurl=https://web.archive.org/web/20141016170432/http://www.sify.com/carnaticmusic/season2003/fullstory.php?id=14861752| archivedate=16 October 2014| df=dmy-all}}
7. ^{{cite news| last=Karthikeyan| first=D.| title=Three gems who changed the course of cinema| url=http://www.thehindu.com/todays-paper/tp-features/tp-editorialfeatures/three-gems-who-changed-the-course-of-cinema/article2228531.ece| accessdate=29 April 2014| newspaper=The Hindu| date=15 July 2011}}
8. ^{{cite web|url=http://dff.nic.in/2011/15th_nff_1967.pdf|title=15th National Film Awards|publisher=International Film Festival of India|accessdate=21 September 2011|format=PDF}}
9. ^{{cite web|url=http://dff.nic.in/2011/16th_nff_1970.pdf|title=16th National Film Awards |publisher=Directorate of Film Festivals|accessdate=22 September 2011|format=PDF}}
10. ^{{cite web|url=http://dff.nic.in/2011/17th_NFF_1971.pdf|title=17th National Film Awards |publisher=Directorate of Film Festivals|accessdate=26 September 2011|format=PDF}}
11. ^{{cite web|url=http://dff.nic.in/2011/17th_NFF_1971.pdf|title=18th National Film Awards |publisher=Directorate of Film Festivals|accessdate=26 September 2011|format=PDF}}
12. ^{{cite web|url=http://www.downmelodylane.com/jaidev.html|title=Jaidev@downmelodylane|accessdate=10 May 2012}}
13. ^{{cite web|url=http://iffi.nic.in/Dff2011/Frm20thNFAAward.aspx|title=20th National Film Awards|publisher=International Film Festival of India|accessdate=26 September 2011|archive-url=https://web.archive.org/web/20131105220349/http://iffi.nic.in/Dff2011/Frm20thNFAAward.aspx|archive-date=5 November 2013|dead-url=yes|df=dmy-all}}
14. ^{{cite web|url=http://dff.nic.in/2011/21st_nff_1973.pdf|title=21st National Film Awards|publisher=Directorate of Film Festivals|accessdate=29 September 2011|format=PDF}}
15. ^{{cite web|url=http://dff.nic.in/2011/22nd_nff_1974.pdf|title=22nd National Film Awards|publisher=Directorate of Film Festivals|accessdate=1 October 2011|format=PDF}}
16. ^{{cite web|url=http://dff.nic.in/2011/23rd_nff_1975.pdf|title=23rd National Film Awards |publisher=Directorate of Film Festivals|accessdate=4 October 2011|format=PDF}}
17. ^{{cite news|url=http://www.thehindubusinessline.in/2002/09/06/stories/2002090600461700.htm|title=Trust plans all round tribute to B.V. Karanth|work=The Hindu|date=6 September 2002|accessdate=4 July 2012|author=Murali, Janaki|location=Bangalore}}
18. ^{{cite web|url=http://dff.nic.in/2011/25th_nff_1977.pdf|title=25th National Film Awards|publisher=Directorate of Film Festivals|accessdate=4 October 2011|format=PDF}}
19. ^{{cite web|url=http://dff.nic.in/2011/26th_NFA.pdf|title=26th National Film Awards |publisher=Directorate of Film Festivals|accessdate=4 October 2011|format=PDF}}
20. ^{{cite web|url=http://newindianexpress.com/magazine/article82183.ece|title=Much more than the name of a raga|date=13 December 2009|accessdate=3 July 2012|author=Narayanan, Arjun}}
21. ^{{cite web|url=http://dff.nic.in/2011/28th_nff_1981.pdf|title=28th National Film Awards |publisher=Directorate of Film Festivals|accessdate=4 October 2011|format=PDF}}
22. ^{{cite web|url=http://dff.nic.in/2011/29th_nff_1982.pdf|title=29th National Film Awards |publisher=Directorate of Film Festivals |accessdate=4 October 2011|format=PDF}}
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24. ^{{cite web|url=http://dff.nic.in/2011/31st_nff_1984.pdf|title=31st National Film Awards |publisher=Directorate of Film Festivals|accessdate=9 December 2011|format=PDF}}
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45. ^{{cite web|url=http://dff.nic.in/2011/52nd_nff_2005.pdf|title=52nd National Film Awards |publisher=Directorate of Film Festivals|accessdate=28 January 2012|format=PDF}}
46. ^{{cite web|url=http://dff.nic.in/2011/53rd_nff_2006.pdf|title=53rd National Film Awards |publisher=Directorate of Film Festivals|accessdate=19 March 2012|format=PDF}}
47. ^{{cite web|url=http://dff.nic.in/2011/54th_nff_2006.pdf|title=54th National Film Awards |publisher=Directorate of Film Festivals|accessdate=24 March 2012|format=PDF}}
48. ^{{cite web|url=http://dff.nic.in/2011/55th_nff_2007.pdf|title=55th National Film Awards (PDF)|publisher=Directorate of Film Festivals|accessdate=26 March 2012|format=PDF|pages=14–15}}
49. ^{{cite web|url=http://dff.nic.in/2011/56th_nff_2008.pdf|title=56th National Film Awards |publisher=Directorate of Film Festivals|accessdate=27 March 2012|format=PDF}}
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51. ^{{cite web|title=58th National Film Awards |url=http://dff.nic.in/Press%20Release%20-%2058th%20National%20Film%20Awards%20Winners%202010.pdf|publisher=Directorate of Film Festivals|accessdate=29 March 2012|format=PDF}}
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56. ^{{cite press_release|title=63rd National Film Awards|url=http://dff.nic.in/writereaddata/Winners_of_63rd_NFA_2015.pdf|format=PDF|publisher=Directorate of Film Festivals|date=28 March 2016|accessdate=28 March 2016}}
57. ^{{cite press_release|title=64th National Film Awards|url=http://www.dff.nic.in/writereaddata/NFA64PressNote2016.pdf|format=PDF|publisher=Directorate of Film Festivals|accessdate=7 April 2017|deadurl=yes|archiveurl=https://web.archive.org/web/20170606051143/http://dff.nic.in/writereaddata/NFA64PressNote2016.pdf|archivedate=6 June 2017|df=dmy-all}}
58. ^{{Cite press release|title=65th National Film Awards|url=http://164.100.117.97/WriteReadData/userfiles/65th%20%20NATIONAL%20FILM%20AWARDS%20FOR%202017-%20final%20(1).pdf|access-date=16 January 2019|archive-url=https://web.archive.org/web/20190116085918/http://164.100.117.97/WriteReadData/userfiles/65th%20%20NATIONAL%20FILM%20AWARDS%20FOR%202017-%20final%20(1).pdf|archive-date=16 January 2019|format=PDF}}

External links

  • Official Page for Directorate of Film Festivals, India
  • National Film Awards Archives
{{NationalFilmAwardBestMusicDirection}}{{National Film Awards}}{{DEFAULTSORT:National Film Award For Best Music Direction}}

4 : National Film Awards (India)|Film awards for Best Music Director|Indian music awards|India music-related lists
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