释义 |
- Winners and nominees 1940s 1950s 1960s 1970s 1980s 1990s 2010s
- Notes
- Superlatives
- Controversies
- Cinematography award in 1930
- See also
- References
- External links
{{Infobox award | name = Academy Award for Best Documentary Feature | presenter = Academy of Motion Picture Arts and Sciences (AMPAS) | country = United States | year = 1942 | holder = Elizabeth Chai Vasarhelyi Jimmy Chin Evan Hayes Shannon Dill Free Solo (2018) | website = {{url|oscars.org}} }}The Academy Award for Documentary Feature is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight.[1] They have since been bestowed competitively each year, with the exception of 1946. Winners and nominees Following the Academy's practice, films are listed below by the award year (that is, the year they were released under the Academy's rules for eligibility). In practice, due to the limited nature of documentary distribution, a film may be released in different years in different venues, sometimes years after production is complete. 1940s Year | Film | Nominees |
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1942 {{small|(15th)}} [2] | The Battle of Midway | United States Navy | Kokoda Front Line! | Australian News & Information Bureau | Moscow Strikes Back | Artkino | Prelude to War | United States Army Special Services | Africa, Prelude to Victory | The March of Time | Combat Report | United States Army Signal Corps | Conquer by the Clock | Frederic Ullman Jr. | The Grain That Built a Hemisphere | Walt Disney | Henry Browne, Farmer | United States Department of Agriculture | High Over the Borders | National Film Board of Canada | High Stakes in the East | The Netherlands Information Bureau | Inside Fighting China | National Film Board of Canada | It's Everybody's War | United States Office of War Information | Listen to Britain | British Ministry of Information | Little Belgium | British Ministry of Information | Little Isles of Freedom | Victor Stoloff and Edgar Loew | Mr. Blabbermouth | United States Office of War Information | Mr. Gardenia Jones | United States Office of War Information | The New Spirit | Walt Disney | The Price of Victory | William H. Pine | A Ship Is Born | United States Merchant Marine | Twenty-One Miles | British Ministry of Information | We Refuse to Die | William C. Thomas | The White Eagle | Concanen Films | Winning Your Wings | United States Army Air Force | 1943 {{small|(16th)}} [3] [4] | Desert Victory | British Ministry of Information | Baptism of Fire | United States Army | The Battle of Russia | United States Department of War Special Service Division | Report from the Aleutians | United States Army Pictorial Service | War Department Report | United States Office of Strategic Services Field Photographic Bureau | 1944 {{small|(17th)}} | The Fighting Lady | United States Navy | Resisting Enemy Interrogation | United States Army Air Force | 1945 {{small|(18th)}} | The True Glory | The Governments of Great Britain and the United States of America | The Last Bomb | United States Army Air Force | 1946 (19th) | No award given | 1947 {{small|(20th)}} | Design for Death | Sid Rogell, Theron Warth and Richard Fleischer | Journey into Medicine | United States Department of State Office of Information and Educational Exchange | The World Is Rich | Paul Rotha | 1948 {{small|(21st)}} | The Secret Land | Orville O. Dull | The Quiet One | Janice Loeb | 1949 {{small|(22nd)}} | Daybreak in Udi | Crown Film Unit | Kenji Comes Home | Paul F. Heard | |
1950s Year | Film | Nominees |
---|
1950 {{small|(23rd)}} | Story of Michelangelo | Robert Snyder | With These Hands | Jack Arnold and Lee Goodman | 1951 {{small|(24th)}} | Kon-Tiki | Olle Nordemar | I Was a Communist for the F.B.I. | Bryan Foy | 1952 {{small|(25th)}} | The Sea Around Us | Irwin Allen | The Hoaxters | Dore Schary | Navajo | Hall Bartlett | 1953 {{small|(26th)}} | The Living Desert | Walt Disney | The Conquest of Everest | John Taylor, Leon Clore and Grahame Tharp | A Queen Is Crowned | Castleton Knight | 1954 {{small|(27th)}} | The Vanishing Prairie | Walt Disney | The Stratford Adventure | Guy Glover | 1955 {{small|(28th)}} | Helen Keller in Her Story | Nancy Hamilton | Heartbreak Ridge | Rene Risacher | 1956 {{small|(29th)}} | The Silent World | Jacques-Yves Cousteau | The Naked Eye | Louis Clyde Stoumen | Where Mountains Float | The Government Film Committee of Denmark | 1957 {{small|(30th)}} | Albert Schweitzer | Jerome Hill | On the Bowery | Lionel Rogosin | Torero! | Manuel Barbachano Ponce | 1958 {{small|(31st)}} | White Wilderness | Ben Sharpsteen | Antarctic Crossing | James Carr | The Hidden World | Robert Snyder | Psychiatric Nursing | Nathan Zucker | 1959 {{small|(32nd)}} | Serengeti Shall Not Die | Bernhard Grzimek | The Race for Space | David L. Wolper | |
1960s Year | Film | Nominees |
---|
1960 {{small|(33rd)}} | The Horse with the Flying Tail | Larry Lansburgh | Rebel in Paradise | Robert D. Fraser | 1961 {{small|(34th)}} | Le Ciel et la Boue (Sky Above and Mud Beneath) | Arthur Cohn and Rene Lafuite | La Grande Olimpiade (Olympic Games 1960) | dell Istituto Nazionale Luce, Comitato Organizzatore Del Giochi Della XVII Olimpiade | 1962 {{small|(35th)}} | Black Fox | Louis Clyde Stoumen | Alvorada (Brazil's Changing Face) | Hugo Niebeling | 1963 {{small|(36th)}} [4][5] | A Lover's Quarrel with the World | Robert Hughes | Le Maillon et la Chaine (The Link and the Chain) | Paul de Roubaix | The Yanks Are Coming | Marshall Flaum | 1964 {{small|(37th)}} | Jacques-Yves Cousteau's World without Sun | Jacques-Yves Cousteau | The Finest Hours | Jack Le Vien | Four Days in November | Mel Stuart | The Human Dutch | Bert Haanstra | Over There, 1914-18 | Jean Aurel | 1965 {{small|(38th)}} | The Eleanor Roosevelt Story | Sidney Glazier | The Battle of the Bulge... The Brave Rifles | Laurence E. Mascott | The Forth Road Bridge | Peter Mills | Let My People Go | Marshall Flaum | To Die in Madrid | Frédéric Rossif | 1966 {{small|(39th)}} | The War Game | Peter Watkins | The Face of a Genius | Alfred R. Kelman | Helicopter Canada | Peter Jones and Tom Daly | The Really Big Family | Alex Grasshoff | Le Volcan Interdit (The Forbidden Volcano) | Haroun Tazieff | 1967 {{small|(40th)}} | The Anderson Platoon | Pierre Schoendoerffer | Festival | Murray Lerner | Harvest | Carroll Ballard | A King's Story | Jack Le Vien | A Time for Burning | William C. Jersey | 1968 {{small|(41st)}} [6][5] | Journey into Self | Bill McGaw | A Few Notes on Our Food Problem | James Blue | The Legendary Champions | William Cayton | Other Voices | David H. Sawyer | 1969 {{small|(42nd)}} | Arthur Rubinstein – The Love of Life | Bernard Chevry | Before the Mountain Was Moved | Robert K. Sharpe | In the Year of the Pig | Emile de Antonio | The Olympics in Mexico | Comite Organizador de los Juegos de la XIX Olimpiada | The Wolf Men | Irwin Rosten | |
1970s Year | Film | Nominees |
---|
1970 {{small|(43rd)}} | Woodstock | Bob Maurice | Chariots of the Gods | Dr. Harald Reinl | Jack Johnson | Jim Jacobs | A Filmed Record... Montgomery to Memphis | Ely Landau | Say Goodbye | David H. Vowell | 1971 {{small|(44th)}} | The Hellstrom Chronicle | Walon Green | Alaska Wilderness Lake | Alan Landsburg | On Any Sunday | Bruce Brown | The RA Expeditions | Lennart Ehrenborg and Thor Heyerdahl | The Sorrow and the Pity | Marcel Ophüls | 1972 {{small|(45th)}} | Marjoe | Howard Smith and Sarah Kernochan | Ape and Super-Ape | Bert Haanstra | Malcolm X | Marvin Worth and Arnold Perl | Manson | Robert Hendrickson and Laurence Merrick | The Silent Revolution | Eckehard Munck | 1973 {{small|(46th)}} | The Great American Cowboy | Kieth Merrill | Always a New Beginning | John D. Goodell | Battle of Berlin | Bengt von zur Muehlen | Journey to the Outer Limits | Alexander Grasshoff | Walls of Fire | Gertrude Ross Marks and Edmund F. Penney | 1974 {{small|(47th)}} | Hearts and Minds | Peter Davis and Bert Schneider | A Portrait of the Woman | Judy Collins and Jill Godmilow | The Challenge... A Tribute to Modern Art | Herbert Kline | The 81st Blow | Jacquot Ehrlich, David Bergman and Haim Gouri | The Wild and the Brave | Natalie R. Jones and Eugene S. Jones | 1975 {{small|(48th)}} | The Man Who Skied Down Everest | F. R. Crawley, James Hager and Dale Hartlebe[7] | The California Reich | Walter F. Parkes and Keith F. Critchlow | Fighting for Our Lives | Glen Pearcy | The Incredible Machine | Irwin Rosten | A China Memoir | Shirley MacLaine | 1976 {{small|(49th)}} | Harlan County, U.S.A. | Barbara Kopple | Hollywood on Trial | James Gutman and David Helpern Jr. | Off the Edge | Michael Firth | People of the Wind | Anthony Howarth and David Koff | An Inquiry into the Life and Death of Malcolm Lowry | Donald Brittain and Robert Duncan | 1977 {{small|(50th)}} | Who Are the DeBolts? And Where Did They Get Nineteen Kids? | John Korty, Dan McCann and Warren L. Lockhart | The Children of Theatre Street | Robert Dornhelm and Earle Mack | High Grass Circus | Bill Brind, Torben Schioler and Tony Ianzelo | The Colours of Love | Harry Rasky | Union Maids | Jim Klein (filmmaker)|lt=Jim Klein|de|Jim Klein}}, Julia Reichert and Miles Mogulescu | 1978 {{small|(51st)}} | Scared Straight! | Arnold Shapiro | The Lovers' Wind | Albert Lamorisse | Mysterious Castles of Clay | Alan Root | Raoni | Jean-Pierre Dutilleux, Barry Williams and Michel Gast | Story of the Women's Emergency Brigade | Anne Bohlen, Lyn Goldfarb and Lorraine Gray | 1979 {{small|(52nd)}} | Best Boy | Ira Wohl | Generation on the Wind | David A. Vassar | Going the Distance | Paul Cowan and Jacques Bobet | The Killing Ground | Steve Singer and Tom Priestley | The War at Home | Glenn Silber and Barry Alexander Brown |
1980s Year | Film | Nominees |
---|
1980 {{small|(53rd)}} | Isaac Stern in China | Murray Lerner | Agee | Ross Spears | The Day After Trinity | Jon Else | Front Line | David Bradbury | The Persecution of the Jews in Europe 1933-45 | Bengt von zur Muehlen and Arthur Cohn | 1981 {{small|(54th)}} | Genocide | Arnold Schwartzman and Rabbi Marvin Hier | A Cuban Odyssey | Suzanne Bauman, Paul Neshamkin and Jim Burroughs | Brooklyn Bridge | Ken Burns | A Portrait of Dr. Helen Caldicott | Mary Benjamin, Susanne Simpson and Boyd Estus | Another Vietnam | Glenn Silber and Tete Vasconcellos | 1982 {{small|(55th)}} | Just Another Missing Kid | John Zaritsky | After the Axe | Sturla Gunnarsson and Steve Lucas | Ben's Mill | John Karol and Michel Chalufour | In Our Water | Meg Switzgable | A Portrait of Giselle | Joseph Wishy | 1983 {{small|(56th)}} | He Makes Me Feel Like Dancin' | Emile Ardolino | Children of Darkness | Richard Kotuk and Ara Chekmayan | First Contact | Bob Connolly and Robin Anderson | The Profession of Arms | Michael Bryans and Tina Viljoen | Seeing Red | James Klein and Julia Reichert | 1984 {{small|(57th)}} | The Times of Harvey Milk | Rob Epstein and Richard Schmiechen | High Schools | Charles Guggenheim and Nancy Sloss | In the Name of the People | Alex W. Drehsler and Frank Christopher | Marlene | Karel Dirka and Zev Braun | Streetwise | Cheryl McCall | 1985 {{small|(58th)}} | Broken Rainbow | Maria Florio and Victoria Mudd | Las Madres: The Mothers of Plaza de Mayo | Susana Blaustein Muñoz and Lourdes Portillo | Soldiers in Hiding | Japhet Asher | The Statue of Liberty | Ken Burns and Buddy Squires | Unfinished Business | Steven Okazaki | 1986 {{small|(59th)}} [8] | Time Is All You've Got (TIE) | Brigitte Berman | Down and Out in America (TIE) | Joseph Feury and Milton Justice | Chile: Hasta Cuando? | David Bradbury | A Journey with Isaac Bashevis Singer | Kirk Simon and Amram Nowak | Witness to Apartheid | Sharon I. Sopher | 1987 {{small|(60th)}} | The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table | Aviva Slesin | Eyes on the Prize: America's Civil Rights Years/Bridge to Freedom 1965 | Callie Crossley and James A. DeVinney | A Journey from Hiroshima | John Junkerman and John W. Dower | Radio Bikini | Robert Stone | A Stitch for Time | Barbara Herbich and Cyril Christo | 1988 {{small|(61st)}} | The Life and Times of Klaus Barbie | Marcel Ophüls | The Cry of Reason - Beyers Naudé: An Afrikaner Speaks Out | Robert Bilheimer and Ronald Mix | Let's Get Lost | Bruce Weber and Nan Bush | Promises to Keep | Ginny Durrin | Who Killed Vincent Chin? | Renee Tajima-Peña and Christine Choy | 1989 {{small|(62nd)}} | Stories from the Quilt | Rob Epstein and Bill Couturié | Adam Clayton Powell | Richard Kilberg and Yvonne Smith | County Under Siege | Vince DiPersio and William Guttentag | For All Mankind | Al Reinert and Betsy Broyles Breier | The Life and Legacy of Earl Warren | Judith Leonard and Bill Jersey |
1990s Year | Film | Nominees |
---|
1990 {{small|(63rd)}} | American Dream | Barbara Kopple and Arthur Cohn | Berkeley in the Sixties | Mark Kitchell | Building Bombs | Mark Mori and Susan Robinson | Forever Activists: Stories from the Veterans of the Abraham Lincoln Brigade | Judith Montell | A Screenwriter's Journey | Robert Hillmann and Eugene Corr | 1991 {{small|(64th)}} | In the Shadow of the Stars | Allie Light and Irving Saraf | Death on the Job | Vince DiPersio and William Guttentag | Life Inside the Big House | Alan Raymond and Susan Raymond | Resistance to Hitler Within Germany 1933-1945 | Hava Kohav Beller | Wild by Law | Lawrence Hott and Diane Garey | 1992 {{small|(65th)}} | The Panama Deception | Barbara Trent and David Kasper | The Story of Dr. Evelyn Hooker | David Haugland | Fires of Kuwait | Sally Dundas | Fighting on Two Fronts in World War II | Bill Miles and Nina Rosenblum | Bernard Herrmann | Margaret Smilow and Roma Baran | 1993 {{small|(66th)}} | The Children of Stanton Elementary School | Susan Raymond and Alan Raymond | The Broadcast Tapes of Dr. Peter | David Paperny and Arthur Ginsberg | Children of Fate | Susan Todd and Andrew Young | For Better or For Worse | David Collier and Betsy Thompson | The War Room | D. A. Pennebaker and Chris Hegedus | 1994 {{small|(67th)}} | A Strong Clear Vision | Freida Lee Mock | Complaints of a Dutiful Daughter | Deborah Hoffmann | D-Day Remembered | Charles Guggenheim | Freedom on My Mind | Connie Field and Marilyn Mulford | A Great Day in Harlem | Jean Bach | 1995 {{small|(68th)}} | Anne Frank Remembered | Jon Blair | The Battle Over Citizen Kane | Thomas Lennon and Michael Epstein | Fiddlefest: Roberta Tzavaras and Her East Harlem Violin Program | Allan Miller and Walter Scheuer | Chasing the Dream | Michael Tollin and Fredric Golding | A Midwestern | Jeanne Jordan and Steven Ascher | 1996 {{small|(69th)}} | When We Were Kings | Leon Gast and David Sonenberg | The Al Hirschfeld Story | Susan W. Dryfoos | Mandela | Jo Menell and Angus Gibson | Elusive Muse | Anne Belle and Deborah Dickson | George Seldes and the American Press | Rick Goldsmith | 1997 {{small|(70th)}} | The Long Way Home | Marvin Hier and Richard Trank | A Sense of Life | Michael Paxton | Colors Straight Up | Michèle Ohayon and Julia Schachter | 4 Little Girls | Spike Lee and Sam Pollard | The Rules of Engagement | Dan Gifford and William Gazecki | 1998 {{small|(71st)}} | The Last Days | James Moll and Kenneth Lipper | Dancemaker | Matthew Diamond and Jerry Kupfer | Angola, U.S.A. | Jonathan Stack and Liz Garbus | Swear to Tell the Truth | Robert B. Weide | Regret to Inform | Barbara Sonneborn and Janet Cole | 1999 {{small|(72nd)}} | One Day in September | Arthur Cohn and Kevin Macdonald | Buena Vista Social Club | Wim Wenders and Ulrich Felsberg | Genghis Blues | Roko Belic and Adrian Belic | On the Ropes | Nanette Burstein and Brett Morgen | Speaking in Strings | Paola di Florio and Lilibet Foster |
===2000s=== Year | Film | Nominees |
---|
2000 {{small|(73rd)}} | Stories of the Kindertransport | Mark Jonathan Harris and Deborah Oppenheimer | Legacy | Tod Lending | Long Night's Journey into Day | Deborah Hoffmann and Frances Reid | An American Tragedy | Daniel Anker and Barak Goodman | Sound and Fury | Josh Aronson and Roger Weisberg | 2001 {{small|(74th)}} | Murder on a Sunday Morning | Jean-Xavier de Lestrade and Denis Poncet | Children Underground | Edet Belzberg | The Legacy of Cotton | Deborah Dickson and Susan Frömke | Promises | B.Z. Goldberg and Justine Shapiro | War Photographer | Christian Frei | 2002 {{small|(75th)}} | Bowling for Columbine | Michael Moore and Michael Donovan | Daughter from Danang | Gail Dolgin and Vicente Franco | Prisoner of Paradise | Malcolm Clarke and Stuart Sender | Spellbound | Jeffrey Blitz and Sean Welch | Winged Migration | Jacques Perrin | 2003 {{small|(76th)}} | The Fog of War | Errol Morris and Michael Williams | Balseros | Carlos Bosch and Josep Maria Domenech | Capturing the Friedmans | Andrew Jarecki and Marc Smerling | My Architect | Nathaniel Kahn and Susan R. Behr | The Weather Underground | Sam Green and Bill Siegel | 2004 {{small|(77th)}} | Born into Brothels | Ross Kauffman and Zana Briski | The Story of the Weeping Camel | Byambasuren Davaa and Luigi Falorni | Super Size Me | Morgan Spurlock | Resurrection | Karolyn Ali and Lauren Lazin | Twist of Faith | Kirby Dick and Eddie Schmidt | 2005 {{small|(78th)}} | March of the Penguins | Luc Jacquet and Yves Darondeau | Darwin's Nightmare | Hubert Sauper | The Smartest Guys in the Room | Alex Gibney and Jason Kliot | Murderball | Henry Alex Rubin and Dana Adam Shapiro | Street Fight | Marshall Curry | 2006 {{small|(79th)}} | An Inconvenient Truth | Davis Guggenheim | Deliver Us from Evil | Amy Berg and Frank Donner | Iraq in Fragments | James Longley and John Sinno | Jesus Camp | Heidi Ewing and Rachel Grady | My Country, My Country | Jocelyn Glatzer and Laura Poitras | 2007 {{small|(80th)}} | Taxi to the Dark Side | Alex Gibney and Eva Orner | No End in Sight | Charles Ferguson and Audrey Marrs | Writing the Wartime Experience | Richard Robbins | Sicko | Michael Moore and Meghan O'Hara | War/Dance | Sean Fine and Andrea Nix Fine | 2008 {{small|(81st)}} | Man on Wire | Simon Chinn and James Marsh | The Betrayal (Nerakhoon) | Ellen Kuras and Thavisouk Phrasavath | Encounters at the End of the World | Werner Herzog and Henry Kaiser | The Garden | Scott Hamilton Kennedy | Trouble the Water | Carl Deal and Tia Lessin | 2009 {{small|(82nd)}} | The Cove | Louie Psihoyos and Fisher Stevens | Burma VJ | Anders Østergaard and Lise Lense-Møller | Food, Inc. | Robert Kenner and Elise Pearlstein | The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers | Judith Ehrlich and Rick Goldsmith | Which Way Home | Rebecca Cammisa |
2010s Year | Film | Nominees |
---|
2010 {{small|(83rd)}} | Inside Job | Charles Ferguson and Audrey Marrs | Exit Through the Gift Shop | Banksy and Jaimie D'Cruz | Gasland | Josh Fox and Trish Adlesic | Restrepo | Tim Hetherington and Sebastian Junger | Waste Land | Lucy Walker and Angus Aynsley | 2011 {{small|(84th)}} | Undefeated | T. J. Martin, Daniel Lindsay and Rich Middlemas | Hell and Back Again | Danfung Dennis and Mike Lerner | A Story of the Earth Liberation Front | Marshall Curry and Sam Cullman | Purgatory | Joe Berlinger and Bruce Sinofsky | Pina | Wim Wenders and Gian-Piero Ringel | 2012 {{small|(85th)}} | Searching for Sugar Man | Malik Bendjelloul and Simon Chinn | 5 Broken Cameras | Emad Burnat and Guy Davidi | The Gatekeepers | Dror Moreh, Philippa Kowarsky, and Estelle Fialon | How to Survive a Plague | David France and Howard Gertler | The Invisible War | Kirby Dick and Amy Ziering | 2013 {{small|(86th)}} | 20 Feet from Stardom | Morgan Neville, Gil Friesen and Caitrin Rogers | The Act of Killing | Joshua Oppenheimer and Signe Byrge Sørensen | Cutie and the Boxer | Zachary Heinzerling and Lydia Dean Pilcher | Dirty Wars | Richard Rowley and Jeremy Scahill | The Square | Jehane Noujaim and Karim Amer | 2014 {{small|(87th)}} | Citizenfour | Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky | Finding Vivian Maier | John Maloof and Charlie Siskel | Last Days in Vietnam | Rory Kennedy and Kevin McAlester | The Salt of the Earth | Wim Wenders, Juliano Ribeiro Salgado and David Rosier | Virunga | Orlando von Einsiedel and Joanna Natasegara | 2015 {{small|(88th)}} | Amy | Asif Kapadia and James Gay-Rees | Cartel Land | Matthew Heineman and Tom Yellin | The Look of Silence | Joshua Oppenheimer and Signe Byrge Sørensen | What Happened, Miss Simone? | Liz Garbus, Amy Hobby and Justin Wilkes | Ukraine's Fight for Freedom | Evgeny Afineevsky and Den Tolmor | 2016 {{small|(89th)}} [9] | Made in America | Ezra Edelman and Caroline Waterlow | Fire at Sea | Gianfranco Rosi and Donatella Palermo | I Am Not Your Negro | Raoul Peck, Rémi Grellety and Hébert Peck | Life, Animated | Roger Ross Williams and Julie Goldman | 13th | Ava DuVernay, Spencer Averick and Howard Barish | 2017 (90th) [10] | |
Icarus | Bryan Fogel and Dan Cogan | Small Enough to Jail | Steve James, Mark Mitten and Julie Goldman | Faces Places | Agnès Varda, JR and Rosalie Varda | Last Men in Aleppo | Feras Fayyad, Kareem Abeed and Søren Steen Jespersen | Strong Island | Yance Ford and Joslyn Barnes | 2018 (91st) | Free Solo | Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes, and Shannon Dill | Hale County This Morning, This Evening | RaMell Ross, Joslyn Barnes, and Su Kim | Minding the Gap | Bing Liu and Diane Quon | Of Fathers and Sons | Talal Derki, Ansgar Frerich, Eva Kemme, and Tobias N. Siebert | RBG | Betsy West and Julie Cohen |
Notes1. ^{{cite web |url=https://www.documentary.org/magazine/drive-archive-academy-pushes-preserve-docs |title=The Drive to Archive: Academy Pushes to Preserve Docs |last=Fisher |first=Bob |date=2012 |website= |publisher=International Documentary Association |access-date=January 4, 2018 |quote=}} 2. ^In 1942, documentary features and short subjects competed together for Best Documentary. Four special awards were bestowed among the 25 nominees. 3. ^A preliminary list of eight films were announced as nominees, but the Documentary Award Committee subsequently narrowed the field to five titles included on the final ballot. The films that did not advance were: For God and Country (United States Army Pictorial Service), Silent Village (British Ministry of Information), and We've Come a Long, Long Way (Negro Marches On, Inc.). 4. ^Terminus was originally announced as a nominee, but the nomination was rescinded after it was discovered the film had been released prior to the eligibility period. 5. ^1 2 {{cite web |url=http://awardsdatabase.oscars.org/ |title=The Official Academy Awards Database |author= |date= |website= |publisher=Academy of Motion Picture Arts and Sciences |access-date=January 4, 2018 |quote=}} 6. ^Young Americans, produced by Robert Cohn and Alex Grasshoff, won this award on April 14, 1969. On May 7, 1969, the win and nomination were rescinded after it was discovered the film had been released prior to the eligibility period. First runner-up Journey into Self was named the winner the following day. 7. ^{{cite web | url=http://www.oscars.org/oscars/ceremonies/1976 | title=The 48th Academy Awards | accessdate=September 29, 2015}} 8. ^A tie in voting resulted in two winners. 9. ^{{cite web |url=http://www.latimes.com/entertainment/movies/la-et-mn-oscars-2017-nominees-winners-list-20170123-story.html |title=Academy Awards 2017: Complete list of Oscar winners and nominees |author= |date=February 26, 2017 |website= |newspaper=Los Angeles Times |access-date=January 8, 2018 |quote=}} 10. ^{{cite web |url=http://deadline.com/2018/01/oscar-nominations-2018-academy-award-nominees-1202266874/ |title= Oscar Nominations: ‘The Shape Of Water’ Leads Way With 13 |last=Hipes |first=Patrick |date=January 23, 2018 |website=Deadline Hollywood |access-date=January 23, 2018 |quote=}} 11. ^Academy Award Statistics {{webarchive|url=https://web.archive.org/web/20090301005626/http://awardsdatabase.oscars.org/ampas_awards/help/helpMain.jsp?helpContentURL=statistics%2FindexStats.html |date=2009-03-01 }} 12. ^"Steve James, Frederick Marx and Peter Gilbert: Hoop Dreams: from short subject to major league"; current.org; July 30, 1995. {{webarchive |url=https://web.archive.org/web/20070607213731/http://www.current.org/people/peop423h.html |date=June 7, 2007 }} 13. ^{{cite web|url=http://www.rogerebert.com/rogers-journal/the-great-american-documentary|title=The great American documentary – Roger Ebert's Journal – Roger Ebert|first=Roger|last=Ebert|website=www.rogerebert.com}} 14. ^Pond, Steve, The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, pg. 74, Faber and Faber, 2005 15. ^{{cite web|url=http://www.rogerebert.com/reviews/one-day-in-september-2001|title=One Day In September Movie Review (2001) – Roger Ebert|first=Roger|last=Ebert|website=www.rogerebert.com}} 16. ^1 {{cite web|url=http://www.indiewire.com/article/michael-moore-best-documentary-oscar-will-be-chosen-by-the-full-academy|title=Michael Moore: Best Documentary Oscar Will Be Chosen By the Full Academy – IndieWire|first=Indiewire|last=Team|website=www.indiewire.com}} 17. ^{{cite web|url=http://www.craveonline.com/film/articles/639099-the-other-oscars-best-documentary-feature#/slide/1|title=The OTHER Oscars: Best Documentary Feature – |website=CraveOnline|date=31 January 2014|publisher=}} 18. ^{{cite web|url=http://ew.com/article/2009/11/20/oscar-documentary-scandal/|title=Oscar documentary scandal: The real reason that too many good movies got left out|date=20 November 2009|website=ew.com}} 19. ^{{Cite news|url=https://www.hollywoodreporter.com/news/sony-classics-tom-bernard-slams-754619|title=Sony Classics' Tom Bernard Slams Oscar Voters For Snubbing Russian Hockey Doc 'Red Army'|work=The Hollywood Reporter|access-date=2017-11-27|language=en}} 20. ^{{Cite news|url=https://www.hollywoodreporter.com/race/oscar-doc-shortlist-a-brutal-753358|title=Oscar Doc Shortlist: A Brutal Year to Have to Select Just 15 Finalists|work=The Hollywood Reporter|access-date=2017-11-27|language=en}} 21. ^{{cite news|url=https://variety.com/2017/film/news/oscars-new-rules-documentary-oj-made-in-america-barred-1202026406/ |title=Oscars: New Rules Bar Multi-Part Documentaries Like ‘O.J.: Made in America’ |first=Dave |last=McNary |work=Variety |date=2017-04-07 |accessdate=2017-05-30}} 22. ^{{cite web |title=With Byrd at the South Pole (1930) |url=https://catalog.afi.com/Catalog/moviedetails/13385 |website=catalog.afi.com |publisher=American Film Institute |accessdate=27 June 2018}} 23. ^{{cite web|url=http://movies.nytimes.com/movie/54972/With-Byrd-at-the-South-Pole-The-Story-of-Little-America/details|title=Movie Reviews|publisher=}}
Superlatives For this Academy Award category, the following superlatives emerge:[11] - Most awards: Walt Disney {{ndash}} 3 awards (resulting from 7 nominations)
- Most nominations: Charles Guggenheim {{ndash}} 10 nominations (resulting in 3 awards)
Controversies Many critically acclaimed documentaries were never nominated. Examples include Paris Is Burning, Crumb, Hoop Dreams, The Thin Blue Line and Fahrenheit 9/11 (see below). Michael Moore's Fahrenheit 9/11, at the time the highest-grossing documentary film in movie history, was ruled ineligible because Moore had opted to have it played on television prior to the 2004 election. Previously, the 1982 winner Just Another Missing Kid had already been broadcast in Canada and won that country's ACTRA award for excellence in television at the time of its nomination. The controversy over Hoop Dreams exclusion was enough to have the Academy Awards begin the process to change its documentary voting system.[12] Roger Ebert, who had declared it to be the best 1994 movie of any kind, looked into its failure to receive a nomination: "We learned, through very reliable sources, that the members of the committee had a system. They carried little flashlights. When one gave up on a film, he waved a light on the screen. When a majority of flashlights had voted, the film was switched off. "Hoop Dreams" was stopped after 15 minutes."[13] The Academy's executive director, Bruce Davis, took the unprecedented step of asking accounting firm Price Waterhouse to turn over the complete results of that year's voting, in which members of the committee had rated each of the 63 eligible documentaries on a scale of six to ten. "What I found," said Davis, "is that a small group of members gave zeros (actually low scores) to every single film except the five they wanted to see nominated. And they gave tens to those five, which completely skewed the voting. There was one film that received more scores of ten than any other, but it wasn't nominated. It also got zeros (low scores) from those few voters, and that was enough to push it to sixth place."[14] In 2000, Arthur Cohn, the producer of the winning One Day in September boasted, "I won this without showing it in a single theater!" Cohn had hit upon the tactic of showing his Oscar entries at invitation-only screenings, and to as few other people as possible. Oscar bylaws at the time required voters to have seen all five nominated documentaries; by limiting his audience, Cohn shrank the voting pool and improved his odds. Following protests by many documentarians, the nominating system was subsequently changed.[15] Hoop Dreams director Steve James said "With so few people looking at any given film, it only takes one to dislike a film and its chances for making the short list are diminished greatly. So they’ve got to do something, I think, to make the process more sane for deciding the shortlist."[16] Among other rule changes taking effect in 2013,[17] the Academy began requiring a documentary to have been reviewed by either The New York Times or Los Angeles Times, and be commercially released for at least one week in both of those cities. Advocating for the rule change, Michael Moore said, "When people get the award for best documentary and they go on stage and thank the Academy, it's not really the Academy, is it? It's 5% of the Academy."[16]The awards process has also been criticized for emphasizing a documentary's subject matter over its style or quality. In 2009, Entertainment Weeklys Owen Gleiberman wrote about the documentary branch members' penchant for choosing "movies that the selection committee deemed good because they’re good for you... a kind of self-defeating aesthetic of granola documentary correctness."[18] In 2014, following the announcement of the shortlist of eligible feature documentary nominees, Sony Pictures Classics co-president Tom Bernard publicly criticized Academy documentary voters after they excluded SPC's Red Army from the shortlist. "It's a sign of some really old people in the documentary area of the Academy. There's a lot of people who are really up in their years. It's shocking to me that that film (Red Army) didn't get in,” Bernard said.[19] Additionally, in his reporting of the Oscar documentary shortlist exclusions that year, The Hollywood Reporter’s Scott Feinberg reacted to Red Army’s omission: “...no matter which 15 titles the doc branch selected, plenty of other great ones would be left on the outside. That is the case, most egregiously, with Gabe Polsky's Red Army (Sony Classics), a masterful look at the role of sports in society and Russian-American relations"[20] (Icarus, another documentary related to sports and Russian-American relations, would later win the Oscar). In 2017, following the win of the eight-hour O.J.: Made in America in this category, the Academy announced that multi-part and limited series would be ineligible for the award in the future, even if they are not broadcast after their Oscar-qualifying release (as was O.J.: Made in America).[21] Although documentaries are eligible for the Academy Award for Best Picture, none has yet earned a nomination. Documentaries are ineligible for the other awards such as Best Original Screenplay and Best Director due to their realistic elements. Cinematography award in 1930The documentary film With Byrd at the South Pole: The Story of Little America (1930), won an oscar for Best Cinematography, at the 3rd Academy Awards, the first documentary to win any kind of Oscar.[22][23] See also - BAFTA Award for Best Documentary
- Academy Award for Best Documentary (Short Subject)
- Independent Spirit Award for Best Documentary Feature
- Critics' Choice Movie Award for Best Documentary Feature
- Submissions for Best Documentary Feature
References {{reflist|40em}} External links - Academy of Motion Picture Arts and Sciences official site
{{Academy Awards}}{{AcademyAwardBestDocumentaryFeature}}{{DEFAULTSORT:Academy Award For Best Documentary (Feature)}} 3 : Academy Awards|Documentary film awards|Lists of documentary films |