| 词条 | Pljuni i zapjevaj moja Jugoslavijo |
| 释义 |
| name = Pljuni i zapjevaj moja Jugoslavijo | type = Studio album | artist = Bijelo Dugme | cover = Pljuni i zapjevaj.jpg | alt = | released = November 1986 | recorded = RTV Sarajevo Studio I, Sarajevo Jugoton Studio, Zagreb | venue = | studio = | genre = Rock Pop rock Folk rock | length = 37:59 | label = Diskoton, Kamarad | producer = Goran Bregović | prev_title = Bijelo Dugme | prev_year = 1984 | next_title = Mramor, kamen i željezo | next_year = 1987 }} Pljuni i zapjevaj moja Jugoslavijo (trans. Spit and Start Singing, My Yugoslavia) is the eighth studio album by Yugoslav rock band Bijelo Dugme, released in 1986. Pljuni i zapjevaj moja Jugoslavijo is the band's first album recorded with vocalist Alen Islamović, who came to the band as replacement for Mladen Vojičić "Tifa". It is also the band's first album since 1977 live album Koncert kod Hajdučke česme to feature keyboardist Laza Ristovski as the official member of the band and the band's last studio album to feature keyboardist Vlado Pravdić. The album was polled in 1998 as the 53rd on the list of 100 greatest Yugoslav rock and pop albums in the book najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Pop and Rock Music).[1] Background and recordingDivlje Jagode vocalist Alen Islamović, who took over as Bijelo Dugme's singer in early fall 1986, had been unsuccessfully pursued two years earlier by the band's leader Goran Bregović in the immediate aftermath of long-time vocalist Željko Bebek's spring 1984 departure from the band.[2] Unsure about volatile internal relations within the band and fearing Bebek's possible return into the fold, Islamović had decided to turn the offer down at the time and stay with Divlje Jagode;[2] twenty-three-year-old upstart Mladen "Tifa" Vojičić thus became Bijelo Dugme's new vocalist, recording a studio album, 1984's Bijelo Dugme, with the band.[2]Under pressure of professional obligations, sudden fame, and media scandal that revealed his LSD usage, Vojičić left Bijelo Dugme after only a year, and Divlje Jagode's Islamović got approached once again about joining.[2] This time, Divlje Jagode were based out of London, pursuing an international career under modified name Wild Strawberries. Doubting Divlje Jagode's international prospects, 29-year-old Islamović decided to take the offer this time, leaving Wild Strawberries and returning to Yugoslavia to join Bijelo Dugme.[2] Talking about the second vocalist change in two years and the band's personnel issues in general, Bregović stated at the time: {{cquote|Fuck singing, and fuck the singer too. What's important is the kind of person he is. The biggest issue in Dugme is can we work together or not. Everything else is easy. I'm very satisfied with Alen. My band is healthy. We've had enough of drunks and drug addicts.[3]}}Some of the ideas Bregović envisioned for the album ended up not being implemented due to political pressure by Yugoslav authorities. Bregović originally wanted the album to contain contributions from individuals known for holding political views outside of SFR Yugoslavia's official ideology as espoused by the Yugoslav Communist League (SKJ), the only legally allowed political party in the country. To that end he and the band's manager Raka Marić approached three such individuals who were effectively proscribed from public discourse in Yugoslavia:
Bregović's idea was to have Vukov sing the "Ružica si bila, sada više nisi" ("You Were Once a Rose") ballad. However, despite Vukov accepting, the plan never got implemented after the band's manager Marić got detained and interrogated by the police at the Sarajevo Airport upon returning from Zagreb where he had met with Vukov.[4] Mića Popović's contribution to the album was to be his Dve godine garancije (A Two-Year Warranty) painting featuring a pensioner sleeping on a park bench while using pages of Politika newspaper as blanket to warm himself, which Bregović wanted to use as the album cover. When approached, Mića Popović also accepted though warning Bregović of possible problems the musician would likely face.[4] Finally, Koča Popović was reportedly somewhat receptive to the idea of participating on the album, but still turned the offer down.[4] {{Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center|quote=I made Bregović aware of Koča's phenomenal singing. Spanish songs, classic French chansons, the man definitely had musical sense. However, Koča's a serious, cerebral guy and I had my doubts whether he'd accept... and I told Bregović as much. So, I asked Koča, and, sure enough, he would have none of it. However, Goran wasn't deterred, saying: 'Alright, find me another old communist revolutionary then. Anyone will do'. So I contacted Tempo who of all of them was actually the worst musically. So Goran and I went down to Reževići where Tempo lived. We got to Tempo's house and as we approached it, he greeted us by singing the song. He had been practicing already.|source={{small|-Milomir Marić in 2017 on the circumstances regarding Svetozar Vukmanović Tempo's appearance on the album.}}[5]|align=right|width=33%}}Eventually, under pressure from the band's record label, Diskoton, Bregović gave up on his original idea, instead turning to alternative solutions.[6] He decided to secure at least one old pre-World War II Yugoslav revolutionary's appearance on the album. Reaching out to surviving individuals of that ilk was done through Duga journalist and writer Milomir Marić who had been known for keeping contacts with them as part of the preparatory work for his upcoming book Deca komunizma (Children of Communism). Bregović was able to get 73-year-old Svetozar Vukmanović Tempo to agree, visiting him in his Reževići home and arranging for Tempo to come to Sarajevo, where he recorded the old revolutionary song Padaj silo i nepravdo" ("Fall, (Oh) Force and Injustice") along with the Ljubica Ivezić orphanage choir.[7] Keyboardist Laza Ristovski, who left Bijelo Dugme in 1978, participated in the recording of Bijelo Dugme, but became an official member of the band once again only after the album was released.[2] Pljuni i zapjevaj moja Jugoslavijo was the first Bijelo Dugme release since 1977 live album Koncert kod Hajdučke česme to feature Ristovski as an official member.[2] Pljuni i zapjevaj moja Jugoslavijo featured similar folk-oriented pop rock sound as Bijelo Dugme, and was similarly inspired by Yugoslavism, containing numerous references to Yugoslav unity as well as the lyrics on the inner sleeve printed in both Cyrillic and Latin alphabets.[2]The album cover featured a photograph of Chinese social realist ballet.[6] Track listingAll songs written by Goran Bregović, except where noted {{tracklist|headline = |title1 = Padaj silo i nepravdo |note1 = ""Fall, (Oh) Force and Injustice"" |music1 = Traditional |lyrics1 = Traditional |length1 = 0:35 |title2 = Pljuni i zapjevaj moja Jugoslavijo |note2 = "Spit and Sing, My Yugoslavia" |music2 = |lyrics2 = |length2 = 4:31 |title3 = Zamisli |note3 = "Imagine" |music3 = |lyrics3 = |length3 = 4:12 |title4 = Noćas je k'o lubenica pun mjesec iznad Bosne |note4 = "There's a Watermelon-like Full Moon over Bosnia, Tonight" |music4 = |lyrics4 = |length4 = 6:07 |title5 = Te noći kad umrem, kad odem, kad me ne bude |note5 = "That Night When I Die, When I Leave, When I'm Gone" |music5 = |lyrics5 = |length5 = 4:37 |title6 = A i ti me iznevjeri |note6 = "And You Let Me Down" |music6 = |lyrics6 = |length6 = 4:03 |title7 = Zar ne vidiš da pravim budalu od sebe |note7 = "Can't You See I'm Making a Fool Out of Myself" |music7 = |lyrics7 = |length7 = 3:36 |title8 = Hajdemo u planine |note8 = "Let's Go to the Mountains" |music8 = G. Bregović |lyrics8 = A. Kenović, G. Bregović, I. Arnautalić |length8 = 4:36 |title9 = Pjesma za malu pticu |note9 = "Song for a Little Bird" |music9 = |lyrics9 = |length9 = 3:50 |title10 = Ružica si bila, sada više nisi |note10 = "You Were Once a Rose" |music10 = |lyrics10 = |length10 = 3:47 }} Personnel
Additional personnel
ReceptionThe album's main hits were pop song "Hajdemo u planine", "Noćas je k'o lubenica pun mjesec iznad Bosne", "A i ti me iznevjeri" and ballads "Te noći kad umrem, kad odem, kad me ne bude" and "Ružica si bila, sada više nisi".[2] The promotional tour was very successful.[2] Bregović vs. Dragan KremerLarge section of the critics, however, disliked Pljuni i zapjevaj moja Jugoslavijo. In his Danas review, Dragan Kremer drew parallels between the developing economic and political crisis in SFR Yugoslavia and what he sees to be the band's ongoing creative crisis: {{cquote|Unfortunately, what makes this album so 'Yugoslav' mostly has to do with the crisis and lack of criteria, which are no longer possible to hide.[3]}}In 1987, Kremer went further while appearing as guest on TV Sarajevo's show Mit mjeseca (Myth of the Month), a programme pitting Yugoslav rock critics against the country's rock stars — allowing critics to directly pose questions to musicians sitting across from them in the same studio. In the case of Kremer's appearance, Bregović wasn't in the studio due to being on tour — Kremer's taped questions were thus shown to Bregović while his reaction was filmed.[8] Expressing his dislike of the band's new album, Kremer looked into the camera and addressed Bregović directly: {{cquote|As a man who adores records with an almost fetishist passion, I hate what I'm about to say and do, but I feel compelled to as means of posing a question. All great authors usually have the same answer to this question, which is that all their works, regardless of type, are equally dear to them and equally good, but — is it possible that this album is your [Bregović's] ugliest and dumbest work?[9]}}Upon stating the above, Kremer tore up the Pljuni i zapjevaj moja Jugoslavijo album cover.[9] This provoked Bregović to describe Kremer as "fat little pig with sideburns who in his forties probably still masturbates on a regular basis".[9] The incident turned into a large media scandal at the time.[2] Vukmanović's appearance on the album was described by The Guardian as "some sort of Bregović's coup d'état".[2] LegacyAlongside Plavi Orkestar's Smrt fašizmu! and Merlin's Teško meni sa tobom (a još teže bez tebe), Pljuni i zapjevaj, moja Jugoslavijo has occasionally been categorized as part of New Partisans, a mid-1980s collection of albums by Sarajevo-based bands, featuring sound centered on the Balkan folk-inspired rock music as well as containing lyrical and visual references to Yugoslavism within communist and socialist patriotic framework.[6] The term New Partisans got introduced during fall 1986 by Plavi Orkestar's manager Malkolm Muharem during Smrt fašizmu!s promotional cycle as means of promoting his clients' latest release and potentially jump starting another (sub)cultural movement, similar to what he had participated in achieving three years earlier with the New Primitives. Unlike the New Primitive bands that all came from similar background and were of the same generation, the supposed New Partisan bands were much more disparate. Though the New Partisans never took off as a coherent movement, the term got picked up by numerous Yugoslav journalists who continue to use it when describing various phases in Bijelo Dugme's, Dino Merlin's, and Plavi Orkestar's respective careers. In 1998, the Pljuni i zapjevaj moja Jugoslavijo album was ranked 53rd on the list of 100 greatest Yugoslav rock and pop albums in the book najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Pop and Rock Music).[1] Covers
References1. ^1 {{cite book|last1=Antonić|first1=Duško|last2=Štrbac|first2=Danilo|title= YU 100: najbolji albumi jugoslovenske rok i pop muzike|year=1998|publisher=YU Rock Press|location=Belgrade|page=}} 2. ^1 2 3 4 5 6 7 8 9 10 11 {{cite book|last=Janjatović|first=Petar|title= EX YU ROCK enciklopedija 1960-2006|year=2007|publisher=self-released|location=Belgrade|page=34}} 3. ^1 {{cite book|last=Krstulović|first=Zvonimir|title= Bijelo Dugme: Doživjeti stotu|year=2005|publisher=Profil|location=|page=44}} 4. ^1 2 3 {{cite book|last=Vesić|first=Dušan|title= Bijelo Dugme: Šta bi dao da si na mom mjestu|year=2014|publisher=Laguna|location=Belgrade|page=267}} 5. ^{{cite news|last=Rosić|first=Branko|url=http://www.nedeljnik.rs/nedeljnik/portalnews/goran-bregovic-je-hteo-da-mu-koca-popovic-peva-na-albumu-doveo-sam-mu-tempa-intervju-sa-mladim-maricem-u-nedeljniku/|title="Goran Bregović je hteo da mu Koča Popović peva na albumu, doveo sam mu Tempa": Intervju sa mladim Marićem u Nedeljniku|agency=Nedeljnik|date=2 November 2017|accessdate=5 November 2017}} 6. ^1 2 {{cite book|last=Vesić|first=Dušan|title= Bijelo Dugme: Šta bi dao da si na mom mjestu|year=2014|publisher=Laguna|location=Belgrade|page=268}} 7. ^{{cite news|last=Rosić|first=Branko|url=http://www.nedeljnik.rs/nedeljnik/portalnews/bregovic-je-hteo-da-mu-na-albumu-peva-koca-popovic-ovaj-je-rekao-ma-kakvi/|title=Bregović je hteo da mu na albumu peva Koča Popović. Ovaj je rekao: "Ma kakvi..."|agency=Nedeljnik|date=14 November 2017|accessdate=15 November 2017}} 8. ^{{cite news|last=Bubalo|first=Robert|url=https://www.vecernji.hr/showbiz/bregovic-je-zelio-vicu-vukova-da-otpjeva-ruzicu-ali-komunisti-nisu-dopustili-964761|title=Bregović je želio Vicu Vukova da otpjeva 'Ružicu', ali komunisti nisu dopustili|agency=Večernji list|date=5 October 2014|accessdate=21 September 2017}} 9. ^1 2 {{cite book|last=Vesić|first=Dušan|title= Bijelo Dugme: Šta bi dao da si na mom mjestu|year=2014|publisher=Laguna|location=Belgrade|page=278}} 10. ^Pitaš kako živim at Discogs 11. ^Original Motion Picture Soundtrack: Arizona Dream at Discogs 12. ^Na Dragačevskom saboru orkestara u Guči 13. ^Profesionalka 14. ^Oko Niša kiša at Discogs 15. ^Bili smo raja at Discogs 16. ^[https://www.youtube.com/watch?v=MHwXW4dTqPs Zuzi Zu - "Ružica si bila", YouTube.com]
External links
2 : 1986 albums|Bijelo Dugme albums |
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