| 词条 | Private Parts & Pieces |
| 释义 |
| name = Private Parts & Pieces | type = studio | artist = Anthony Phillips | cover = Anthony_Phillips_Private_Parts_and_Pieces_cover.jpg | alt = | released = November 1978 | recorded = 1972–1976 | venue = | studio = Send Barns, Woking, Surrey | genre = {{flatlist|
}} | length = 56:46 | label = Passport | producer = {{flatlist|
}} | prev_title = Wise After the Event | prev_year = 1978 | next_title = Sides | next_year = 1979 }} Private Parts & Pieces is the third studio album by English musician and composer Anthony Phillips. It was released in November 1978 by Passport Records in the United States, and in April 1979 by Arista Records in the United Kingdom. Unlike his previous two releases, the album is a collection of demos, out-takes, and previously unreleased material rather than an explicit attempt at a commercial album. Private Parts & Pieces received a limited edition with 5,000 copies sold as an accompaniment to his next studio release, Sides (1979). The success of the album's format inspired Phillips to continue with the series, and put out the second instalment, Back to the Pavilion, in 1980. Background and recordingIn early 1978, Phillips secured a three-album record deal with Arista Records which allowed for the UK release of his second studio album Wise After the Event (1978) in May of that year. He then started work on his next album which took a different direction than his previous two in regards to its content, as rather than making a conscious attempt at a produced and fully arranged album, he assembled pieces of acoustic music that he had written and recorded but remained unreleased.[1] The main reason for the album was that Phillips had learned from his manager Tony Smith that musician and producer Brian Eno had formed a record label primarily focused on instrumental music. However, Phillips recalled that the label was disinterested in the tracks as it wanted to feature more ambient and synthesised music.[1] The idea was discarded until Phillips was making his fourth studio album Sides (1979) when Arista Records agreed to package the first 5,000 copies of Sides with Private Parts & Pieces as a free accompaniment.[1] Phillips felt particularly lucky with Arista agreeing to put out the album as he deemed it "the best of the home recordings" with tracks that were "simple, a bit rough at the edges" with substandard presentation but were strong in character and emotion.{{sfn|Cherry Red Interview|2014|loc=21:16–21:43}} Whereas before Phillips gave reasons why not to include a track on an album he was making, producing Private Parts & Pieces made the excuses no longer matter.{{sfn|Cherry Red Interview|2014|loc=23:45–23:59}} The songs on Private Parts & Pieces were recorded between 1972 and 1976 at Send Barns, a recording facility set-up at the home of Phillips's parents in Woking, Surrey. He is credited as the album's co-producer with duties also completed by Harry Williamson.[1] The earliest pieces were put down on a Revox 2-track tape machine before Phillips installed a TEAC 4-track with added Dolby noise reduction.[1] The 12-string guitar played on the album was built by Rivers Jobe, one of Phillips's former school bandmates in Anon.[1] In a 2014 interview, Phillips revealed that a radio broadcast can be heard in the background in the opening of one of the album's tracks.{{sfn|Cherry Red Interview|2014|loc=23:59–24:10}} After completing the initial mixes himself, problems arose when Phillips handed the completed tracks to Ray Staff for mastering at London's Trident Studios as his inexperience had caused numerous technical errors which Staff had to correct.[1] The album's artwork was designed and illustrated by artist Peter Cross, who depicted a soldier going off to war in the winter and returning home during a summer. Phillips had high praise for Cross's design, rating it among his best.{{sfn|Cherry Red Interview|2014|loc=22:10–22:28}} Music"Beauty and the Beast" is a piano piece that was recorded in 1972, the first of two pieces on the album recorded that year, and inspired upon Phillips hearing one of Chopin's piano nocturnes. It features Phillips on piano, a pin piano, an acoustic classical guitar. Phillips noted the track was recorded in four hours,[1] and developed at a time when he experimented his technique such as playing at different speeds. It was recorded in "fake stereo" as he flipped from one track to another during the piece, resulting in the two tracks running slightly out of sync, but it ended up "too fast not to matter".[1] "Field of Eternity" is a classical guitar piece written in 1972, credited to Phillips and his former Genesis band mate Mike Rutherford. It is based on what Phillips described as a "massive, straggly" composition of the same name, and contains themes from a section of "Flamingo" that was ultimately discarded and a small section of an unrecorded Genesis song from the band's early years. It was not recorded until 1976.[1] Following the release of the Genesis Archive 1967–75 (1998) box set, it became clear that the Genesis song in question was "Pacidy". "Tibetan Yak-Music" was recorded on a 12-string guitar with unconventional tuning accompanied by what Phillips described as "graphics" from Williamson who created vocal-like effects at the end of the piece,[1] and changed the graphic equalisation on the guitar track so it changes in timbre multiple times. Phillips described the track as "virtually improvised".[1] It originated from sessions with Harry Williamson in early 1976 that were scheduled for a television soundtrack based on Tarka the Otter.[1] "Lullaby–Old Father Time" is performed on four guitars: one acoustic 12-string, two acoustic 6-strings, and one electric guitar.[1] "Harmonium in the Dust (or Harmonious Stratosphere)" features Phillips playing a harmonium and Fender Stratocaster. He did not own a synthesiser at the time of recording, so he used a harmonium as it could make a sustained note.[1] "Tregenna Afternoons" is the second track on the album composed in 1972. It takes its name from Phillips's time at Tregenna Castle in Cornwall that overlooks St Ives Bay.[1] Phillips wrote "Reaper" in 1970, shortly after his departure from Genesis,[1] and wrote "Autumnal" in 1972. "Flamingo" is the first movement to a proposed 12-string guitar concerto.[1] ReleaseArista released Private Parts & Pieces as an accompaniment to Phillips's next "full" studio release Sides (1979),{{sfn|Cherry Red Interview|2014|loc=21:16–21:49}} with an initial print of 5,000 copies. Phillips originally intended to have Private Parts & Pieces as a one-off album concept, but it was enough of a success for him to continue with the series featuring tracks "not on large scale" and "homely".{{sfn|Cherry Red Interview|2014|loc=22:10–22:57}} The second edition, Back to the Pavilion, was released in April 1980. ReissuesThe 1990 CD reissue of Private Parts & Pieces included two new, solo recordings of material that date from Phillips' time in Genesis. These songs were a new recording of "Stranger", a track from 1969, and a demo version of "Silver Song".[1] In 2010, as part of Voiceprint’s re-issue campaign of Phillips' back catalogue, the album was re-issued as a double CD with Back to the Pavilion. This release is newly remastered by Simon Heyworth, retains the two bonus tracks from the previous CD release, and adds a new bonus track, "Movement IV from Guitar Quintet", which was recorded in 1976 and had never been released. On 11 September 2015, Esoteric Recordings released a 5-disc box set containing the first four volumes in the Private Parts & Pieces series and a fifth disc of previously unreleased material. Track listingAll songs written by Anthony Phillips except where indicated.[1] {{Track listing| headline = Side one (Home side) | title1 = Beauty and the Beast | length1 = 4:08 | title2 = Field of Eternity | writer2 = Anthony Phillips, Mike Rutherford | length2 = 5:10 | title3 = Tibetan Yak-Music | length3 = 6:09 | title4 = Lullaby–Old Father Time | length4 = 1:15 | title5 = Harmonium in the Dust (or Harmonious Stratosphere) | length5 = 2:29 | title6 = Tregenna Afternoons | length6 = 7:49 }}{{Track listing | headline = Side two (Away side) | title1 = Reaper | length1 = 7:38 | title2 = Autumnal | length2 = 5:57 | title3 = Flamingo | length3 = 11:06 | title4 = Seven Long Years | length4 = 2:58 }}{{Track listing | collapsed = yes | headline = Private Parts & Pieces — 2010 and 2015 reissue bonus tracks | title11 = Silver Song (Demo) | length11 = 3:19 | title12 = Movement IV from Guitar Quintet | length12 = 7:08 }} PersonnelCredits adapted from the album's 1978 sleeve notes.[2] Music
References1. ^1 2 3 4 5 6 7 8 9 10 {{cite web|url=http://www.anthonyphillips.co.uk/interviews/ppint.htm|title=Private Parts & Pieces|first1=Jonathan|last1=Dann|first2=Alan|last2=Hewitt|year=1994|publisher=AnthonyPhillips.co.uk|accessdate=3 May 2018}} Sources2. ^1 2 3 4 5 6 7 8 9 {{cite AV media notes|url=https://www.discogs.com/Anthony-Phillips-Private-Parts-And-Pieces/release/9482212|title=Private Parts & Pieces|others=Anthony Phillips|publisher=Passport Records|year=1978|id=PVC 7905}}
5 : 1979 albums|Anthony Phillips albums|Passport Records albums|Arista Records albums|Virgin Records albums |
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