| 词条 | Rich, Young and Pretty |
| 释义 |
| name = Rich, Young and Pretty | image = Rich young pretty (1951).jpg | caption = Theatrical release poster | director = Norman Taurog | producer = Joe Pasternak | writer = Dorothy Cooper (story) | screenplay = Sidney Sheldon | starring = Jane Powell Danielle Darrieux Wendell Corey Fernando Lamas introducing Vic Damone | cinematography = Robert H. Planck | editing = Gene Ruggiero | studio = MGM | distributor = Loew's[1] | released = {{Film date|1951|07|24|New York City|1951|08|03|U.S.|ref2=[1]}} | runtime = 95 min | country = United States | music = Sammy Cahn (lyrics) Nicholas Brodszky (music)[2] | awards = | language = English | budget = $1,528,000[3] | gross = $2,999,000[3] }}Rich, Young and Pretty is a 1951 musical film produced by Joe Pasternak for Metro-Goldwyn-Mayer and directed by Norman Taurog. Written by Dorothy Cooper and adapted as a screenplay by Sidney Sheldon. It stars Jane Powell, Danielle Darrieux, Wendell Corey, and Fernando Lamas, The Four Freshmen, and introduced Vic Damone. This was Darrieux's first Hollywood film since The Rage of Paris (1938).[4] PlotElizabeth (Jane Powell) accompanies her wealthy Texan rancher father (Wendell Corey) on a visit to Paris, where her mother (Danielle Darrieux) lives. In Paris, she meets Andre (Vic Damone), an eager young Frenchman. The father tries to keep her from marrying the Frenchman and avoid the mistake he made when he married her mother. Cast
SongsMGM promotion for the film emphasized the film's "songs rather than its patter";[2] Sammy Cahn wrote the lyrics and Nicholas Brodszky the music for several songs, including
Other original songs by Cahn and Brodszky include
The film also features a "studied going over"[2] of songs such as
ReceptionBox officeAccording to MGM records the film made $1,935,000 in the US and Canada and $1,064,000 elsewhere, making a profit of $54,000.[3] Critical receptionTime said the film was "aglow with Technicolor and plush sets" and said it treated a "light cinemusical subject with the butterscotch-caramel sentimentality of the bobby-soxers it is designed to please"; the film "tackles its situations without verve or humor, and handles its lightweight problems as ponderously as if they had been propounded by Ibsen in one of his gloomier moods."[4] Bosley Crowther of The New York Times called it "pretty as a picture postcard and just about as exciting."[2]References1. ^1 {{Tcmdb title|id=2493}} 2. ^1 2 3 4 {{cite web| url=https://query.nytimes.com/gst/fullpage.html?res=9B06EEDB133DEF3BBC4E51DFB166838A649EDE&pagewanted=print|title=Two Newcomers on the Local Scene|author=Bosley Crowther|publisher=The New York Times|date=1951-07-26}} 3. ^1 2 {{Citation|title=The Eddie Mannix Ledger|publisher=Margaret Herrick Library, Center for Motion Picture Study|place=Los Angeles, California}} 4. ^1 {{cite web|url=http://www.time.com/time/magazine/article/0,9171,859323-2,00.html|title=Also Showing|publisher=Time| date=1951-08-20}} External links{{commons category}}
11 : 1951 films|1950s musical comedy films|1950s romantic comedy films|American musical comedy films|American romantic comedy films|American romantic musical films|Films directed by Norman Taurog|Films set in Paris|Metro-Goldwyn-Mayer films|American films|Films produced by Joe Pasternak |
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