| 词条 | Samavadi |
| 释义 |
The samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music.[1] The primary note of the raga is the vadi; the vadi and samvadi are in most cases a fourth or fifth apart.[2] A samvadi is a note of special significance. It is like the ministry to the monarch.{{what|date=May 2018}} A performer will typically try to emphasize the samvadi along with the vadi when improvising on a certain raga. The vadi and samvadi can be crucial in defining the raga at hand, and in some cases two ragas with the same arohana and avrohana can be distinguished only by the prominence of their sonant{{what|date=May 2018}} and consonant notes. E.g. Samvadis in shuddha swaras{{what|date=May 2018}} : References1. ^{{cite book|author=Peter Lavezzoli|title=The Dawn of Indian Music in the West|url=https://books.google.com/books?id=OSZKCXtx-wEC&pg=PA22|date=24 April 2006|publisher=A&C Black|isbn=978-0-8264-1815-9|pages=22–}} 2. ^{{cite book|author1=Vishnudass Shirali|author2=Uday Shankar|title=Hindu music and rhythm|url=https://books.google.com/books?id=WuUXAQAAIAAJ|accessdate=20 April 2013|date=1936*|publisher=Printed by Studium}} 2 : Hindustani music terminology|Carnatic music terminology |
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