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词条 Seminal Live
释义

  1. Reception

  2. Track listing

     Vinyl version  CD/cassette version 

  3. Personnel

  4. References

  5. External links

{{Infobox album
| name = Seminal Live
| type = Album
| artist = The Fall
| cover = Seminal Live.jpg
| alt =
| released = June 1989
| recorded =
| venue =
| studio =
| genre = Post-punk
| length = 41:13 (vinyl)
59:59 (CD/cassette)
| label = Beggars Banquet
| producer = Shan Hira,
Mark E. Smith
| prev_title = I Am Kurious Oranj
| prev_year = 1988
| next_title = Extricate
| next_year = 1990
}}{{Album ratings
|rev1 = AllMusic
|rev1score = {{Rating|2|5}}[1]
|rev2 = Alternative Press
|rev2score = favourable[2]
|rev3 = NME
|rev3score = 6/10[3]
|rev4 = Record Mirror
|rev4score = 3/5[4]

}}

Seminal Live is a 1989 album by British rock band The Fall, recorded partly in the studio and partly at live performances in 1988. The album was the last to be released by the group through Beggars Banquet Records, and as such is often seen as a "contractual obligation" album. It was also the last Fall album to feature Brix Smith, former wife of the lead singer Mark E. Smith, until her return for 1995's Cerebral Caustic.

The studio recordings on Seminal Live were all new songs and make up the first five tracks of the album—side one on the original vinyl release. The live recordings on side two, meanwhile, are all versions of previously-released tracks.

In a 2006 interview with The Pseud Mag fanzine, keyboardist Marcia Schofield called Seminal Live "the worst piece of shit I have ever worked on [...] Talk about exhausted and out of ideas. It was one of those-we've just come off tour and have to make a record so what shit covers can we bung on it?-album".[5]

Reception

Critical response to the album was somewhat mixed. Andrew Collins, writing in the NME, suggests: "Seminal Live is worse than an intellectual letdown, it's a tease".[6] The songs themselves also provoked a variety of responses from journalists. Jason Pettigrew of the Alternative Press writes: "For pure weirdness value, look no further than "Mollusc in Tyrol", a musique concrete rave-up on top of a Neubauten "Yu-Gung" rhythm track that's been buried alive".[7] A reviewer for the Record Mirror, by contrast, says: "'Mollusc In Tyrol' is a totally unbearable drone which should never have found its way from the vaults".[8] Jim Sullivan, for The Boston Globe, also singled out "Mollusc in Tyrol" as a "monotonous irritant", but stated that if the album "doesn't rank with the overall best of the Fall, it is a holding pattern that should neatly please and agitate".[9]

Track listing

Vinyl version

Side one (Seminal)
  1. "Dead Beat Descendant" (Mark E. Smith, Brix E. Smith) – 2:25
  2. "Pinball Machine" (Lonnie Irving) – 2:53
  3. "H.O.W." (M. Smith) – 4:18
  4. "Squid Law" (M. Smith, Steve Hanley, Craig Scanlon) – 3:42
  5. "Mollusc in Tyrol" (M. Smith, Craig Leon) – 5:10
    • A home recording of Mark E. Smith singing over "Donkeys Bearing Cups" from Leon's Nommos LP)
Side two (Live)
  1. "2 × 4" (M. Smith, B. Smith) – 3:55
  2. "Elf Prefix"/"L.A." (M. Smith, B. Smith) – 5:02
  3. "Victoria" (Ray Davies) – 2:57
  4. "Pay Your Rates" (M. Smith) – 3:52
  5. "Intro/Cruisers Creek" (M. Smith, Simon Rogers) – 6:58

CD/cassette version

  1. "Dead Beat Descendant" (Mark E. Smith, Brix E. Smith) – 2:25
  2. "Pinball Machine" (Lonnie Irving) – 2:53
  3. "H.O.W." (M. Smith) – 4:18
  4. "Squid Law" (M. Smith, Steve Hanley, Craig Scanlon) – 3:42
  5. "Mollusc in Tyrol" (M. Smith, Craig Leon) – 5:10
  6. "Kurious Oranj" (M. Smith, Hanley, Simon Wolstencroft) – 5:59
  7. "Frenz" (M. Smith) – 5:23
  8. "Hit the North" (M. Smith, Simon Rogers, B. Smith) – 3:12
  9. "2 × 4" (M. Smith, B. Smith) – 3:55
  10. "Elf Prefix"/"L.A." (M. Smith, B. Smith) – 5:02
  11. "Victoria" (Ray Davies) – 2:57
  12. "Pay Your Rates" (M. Smith) – 3:52
  13. "Intro/Cruisers Creek" (M. Smith, Rogers) – 6:58
  14. "In These Times" (M. Smith) – 4:12
    • All additional tracks are further live recordings
    • Tracks 8–10, 12 and 14 recorded at the Arena, Vienna, Austria on 16 April 1988
    • Tracks 6, 7, and 11 recorded at an unknown venue, possibly in Manchester,[7] in 1988. Track 13 recorded at Manchester G-Mex; Bill Grundy introduced the band onstage and his intro was used on the album.

Personnel

The Fall
  • Mark E. Smith – vocals; violin on "Elf Prefix"
  • Brix Smith – guitar and vocals on "Dead Beat Descendent", "Squid Law" and live tracks only
  • Craig Scanlon – guitar
  • Steve Hanley – bass guitar; banjo on "Pinball Machine"
  • Simon Wolstencroft – drums
  • Marcia Schofield – keyboards

with:

  • Bill Grundy - voice on "Intro" (uncredited)

References

1. ^[{{Allmusic|class=album|id=r7111|pure_url=yes}} Allmusic review]
2. ^Alternative Press review
3. ^NME review
4. ^Record Mirror review {{webarchive|url=https://www.webcitation.org/615tOH13s?url=http://www.visi.com/fall/news/010828.html |date=2011-08-21 }}
5. ^[https://sites.google.com/site/reformationposttpm/the-pseud-mag-archives/psa-marcia-schofield PSA Marcia Schofield - Reformation!]
6. ^Collins, Andrew (1989). "Frenz Again". NME.
7. ^Pettigrew, Jason (1989). Review. Alternative Press.
8. ^"The Fall—Seminal Live" {{webarchive|url=https://www.webcitation.org/615tOH13s?url=http://www.visi.com/fall/news/010828.html |date=2011-08-21 }} (1989). Record Mirror
9. ^Sullivan, Jim (1989) "[https://web.archive.org/web/20180209063045/https://www.highbeam.com/doc/1P2-8140011.html The Fall Seminal Live]", The Boston Globe, 28 September 1989. Retrieved 8 February 2018 {{Highbeam}}

External links

  • Lyrics
  • [{{Allmusic|class=album|id=r7111|pure_url=yes}} Review of "Seminal Live"] by Ted Mills, of Allmusic
{{The Fall}}

6 : The Fall (band) albums|Beggars Banquet Records live albums|The Fall (band) live albums|1989 live albums|1989 albums|Molluscs in popular culture

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