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释义 |
| name = Sheffield Doc/Fest | founded = 1994 | logo = Sheffield DocFest Logo.jpg | image = | location = Sheffield, England | telephone = +44 (0)114 276 5141 | awards = Sheffield Doc/Fest Awards | number = | date = {{Start date|df=yes|2018|06|7}} to {{End date|df=yes|2018|06|12}} | website = {{URL|http://sheffdocfest.com}} }} Sheffield Doc/Fest, short for Sheffield International Documentary Festival (SIDF), is an international documentary festival and Marketplace held annually in Sheffield. The Festival includes film screenings, interactive and virtual reality exhibitions, talks & sessions, Marketplace & Talent for the funding and distribution of documentaries and development of filmmakers, unmissable live events, and its own awards. Since beginning in 1994,[1] Doc/Fest has become the UK's biggest documentary festival and the third largest in the world.[2][3] The BBC have called it "one of the leading showcases of documentary films".[4] Sheffield Doc/Fest is now widely recognised as one of the top three documentary festivals in the world, and "the most significant documentary festival in Britain".[5] The Festival has been voted one of the Top Five Coolest Documentary Film Festivals in the World by MovieMaker magazine.[6] About Sheffield Doc/FestThe Festival is held at over 20 other venues across Sheffield and the surrounding area, including the Showroom Workstation, Light Cinema, Sheffield Town Hall, Sheffield City Hall, and the Doc/Fest Exchange on Tudor Square developed with Wellcome. Fun is a key element, and the festival holds many parties.[7] The festival has grown steadily over recent years.[8] Doc/Fest screenings help many films to achieve a wider audience by attracting distribution and further screening opportunities for the films it shows.[9] Sheffield Doc/Fest's Marketplace & Talent is a major part of the Festival, which includes the MeetMarket for films and series to achieve funding and distribution, Alternate Realities Market for interactive and virtual reality projects, live pitches, and other training initiatives. Interactive, immersive and virtual reality documentary is also a central element of the Festival with interactive exhibitions and commissioned works scattered across the city, and the Alternate Realities Summit taking place throughout an entire day of the Festival. {{Quote|text=It has the traditional film festival element in that it screens exciting new documentaries, but it's also a place where buyers, film distributors and producers come to meet documentary makers and find the next big thing.|sign=Alex Graham, Festival Chairman|source=[7]}}Sheffield Doc/Fest is the perfect platform for anyone with an interest in interactive, virtual reality and factual content. Doc/Fest prides itself in supporting and nurturing new talent: in addition to the Festival days in June, Sheffield Doc/Fest presents All Year workshops, screenings, labs and mentoring opportunities both in the UK and internationally. {{Quote|text=Doc/Fest is the beating heart of the documentary and non-fiction content business across all platforms, and it is an absolute privilege to have the opportunity now to build on its impressive UK and international success.|sign=Liz McIntyre, CEO & Festival Director|source=}}[10]HistoryIn 1990, Peter Symes of BBC TV Features Bristol had the idea of creating a forum for British documentary filmmakers to debate and discuss their craft. In 1993, he set up a festival board which included representatives from Channel 4, United Artists, Discovery Channel, Central Independent Television and Granada Television. They chose to hold the festival in Sheffield, an English industrial town which was just beginning to develop a media and cultural sector.[11] The first Sheffield International Documentary Festival was held in 1994, formatted as an international film festival and conference for documentary professionals.[12] It included a film programme, one or two masterclasses, and a party.[13] It lasted two days and mainly attracted London-based filmmakers and producers, plus several international commissioners and distributors. Over the next eight years, the Festival continued with around 475-700 delegates attending, and total audiences reaching around 2000. The Festival became an opportunity for London-based independent filmmakers to talk to commissioners at the BBC and Channel 4, who were otherwise difficult to reach. Success at the Festival might mean landing a job for the coming year.[11] In 2005 Doc/Fest was struggling to survive, with around 500 mostly-UK delegates and 2000 visitors. The chairman at the time, Steve Hewlett, visited the Australian International Documentary Conference (AIDC) where he met its director Heather Croall, who had a background in filmmaking and had founded the cross-platform storytelling event DigiDocs. He invited Croall to come and work for the festival, where she was subsequently Festival Director & CEO until early 2015, turning around the Festival's fortunes.[8] The 1990s rise in international co-productions meant that British producers could no longer rely solely on one big broadcaster for their entire budget, and instead had to look abroad to piece together financing for their films. To internationalise the Festival and help filmmakers achieve this financing, Croall introduced the MeetMarket pitching forum, where filmmakers pitch their ideas to funders in one-to-one meetings. MeetMarket was developed with the help Karolina Lidin, Marketplace Executive Producer since 2008. In 2003, she developed the very first MeetMarket with Croall at AIDC, which was later brought to Sheffield in 2006. Croall also introduced the digital-focused Summit and Crossover Market, now Alternate Realities Market, which – like the MeetMarket – pairs buyers and commissioners with game designers, technologists, producers, digital agencies and filmmakers, all looking to tell stories in the interactive realm. In 2007, Hussain Currimbhoy joined as programmer.[14] In 2011 the Festival moved from November to June, to better fit into the industry calendar and ensure better weather and lighter evenings for visitors. Doc/Fest was an early advocate of crowdfunding as a source of finance for documentary filmmakers, and in 2010 staged its first festival-based crowdfunding pitching event, which was also an industry first.[15][16] The campaign was launched on Indiegogo with a goal to raise $25k for the Festival to help stage special events.[17] They exceeded their target.[18] From 2012, selected highlights from the Festival have often played at the BFI Southbank in London.[19] The Festival began producing its own film projects, including From the Sea to the Land Beyond in 2012 and The Big Melt in 2013. From 2014, the Festival became recognised by the Academy Awards as an Oscar-qualifying festival in the Best Documentary (Short Subject) category[23] with the Doc/Fest Short Doc Award Winner eligible to enter for consideration. Many Doc/Fest Short Doc Award-winning films have gone on to be shortlisted for Oscars. In 2014 Doc/Fest presented films including Beyond Clueless and Love Is All at Latitude Festival,[20] with Sigur Ros scored archive film 100 Years of Vaudeville, Circuses and Carnivals, Montage of Heck, Sounds of the Cosmos and a number of shorts also featured in 2015. This partnership has continued, and in 2017 Doc/Fest brought a selection of virtual reality projects to Latitude for the first time, alongside a curated programme of shorts.[21] In 2014 there were some high level staff changes. Deputy Director Charlie Phillips left to head up the documentary arm of The Guardian, with director of Berwick Film & Media Arts Festival Melanie Iredale taking up the position.[22] Director of Programming Hussain Currimbhoy left for Sundance Festival with former Executive Content Adviser at Independent Television Service (ITVS) Claire Aguilar becoming Head of Programming & Industry Engagement.[23] Croall returned to Australia to direct the Adelaide Fringe Festival.[24] Following Heather's departure, Crossover Labs Director Mark Atkin stepped in as Acting Director for the 2015 Festival, before Liz McIntyre of Discovery Networks joined as CEO & Festival Director from 1 September 2015.[25] Since McIntyre's appointment, the CEO & Festival Director has championed diverse and pluralist voices, inclusiveness and accessibility, for example creating a crèche service and introducing British Sign Language interpreted talks,[26] Dementia-friendly screenings,[27] Doc/Dinner for championing diverse talent within the industry,[28] and a From Door to Doc, affording reduced rate entry to screenings for hard-to-reach areas of Sheffield.[29] {{Quote|text=I’m a realist. I want these things to happen for the good of the festival, but they are also the way to make the best of the industry – they get the best ideas to the table and empower the best talent|sign=Liz McIntyre|source=https://wftv.org.uk/sheffield-docfest-introduces-childcare-for-delegates/}}In 2016 there were high-level staff appointments. Luke W Moody, formerly of BRITDOC (now Doc Society) joined as Director of Film Programming, replacing Head of Programming & Industry Engagement Claire Aguilar.[30] Former Dogwoof Distribution Manager Patrick Hurley joined as Head of Marketplace & Talent, replacing Marketplace Manager Anna Parker.[31] From BBC, Dan Tucker joined as Curator of Alternate Realities.[32] And in 2017, Lisa Brook joined as Marketing & Events Consultant. The effect of the Festival on Sheffield's economy is worth millions of pounds. Outside of the annual Festival, there is now also a year-round programme, called Doc/Fest All Year, providing training, educational and cultural activities across the UK, including a training initiative for aspiring feature documentary producers called Future Producer School launched in 2014.[33] 2018The 25th Edition of Sheffield Doc/Fest was held between 7–12 June 2018. 2017The 2017 event took place from 9 to 14 June. A record total of 72,146 audiences attended, including 3,397 industry delegates who travelled from 54 countries, 36,008 public audiences, and virtual audiences experiencing the Festival through livestream.[34] The film programme hosted a record 182 films with 35 world premieres, 21 international, 24 European and 73 UK premieres. The film programme boasted premieres including: Daisy Asquith's Queerama, the Opening Night Film, scored by John Grant; Laura Poitras’ new Julian Assange documentary Risk; Whitney ‘Can I Be Me’ from Nick Broomfield; and Winnie from Pascale Lamche, which originated in Doc/Fest's MeetMarket.[35] The Alternate Realities programme featured 26 projects, 12 of which had world premieres, 1 international, 5 European and 8 UK. VR experiences at the festival included: Chasing Coral: The VR Experience, presented in a 360 dome, which accompanied the feature documentary in the film programme; Unrest VR, which accompanied the feature film Unrest; and Future Aleppo by Alex Pearson and Marshmallow Laser Feast, a commission by Doc/Fest, in partnership with FACT, and with support from Arts Council England.[35] The Talks & Sessions programme included big-name speakers Lenny Henry, Peter Greenaway, Ian Hislop, Stacey Dooley, Nick Broomfield and Louis Theroux. Industry sessions included: a panel about making your film Oscar-ready, featuring Tom Oyer from the Academy of Motion Picture Arts and Sciences; a sessions with God's Own Country director Francis Lee for the Northern Talent Talk; a free public interview with YouTube sensation Elijah Quashie aka The Chicken Connoisseur; and two sessions with editor Walter Murch.[35] 2017 saw the reinvention of all film strands to concisely represent the creative vision of the Festival. The new strands featured in 2017 were: Doc/Vision, Doc/Adventure, Doc/Expose, Doc/Love, Doc/Think, Doc/Rhythm, Focus/Industry, featuring work-in-progress pieces, and Focus/India, featuring a collection of documentaries from that year's focus country of choice, to mark 70 years after Partition.[36] 2017 also saw the use of new venue The Light Cinema on the Moor, offering 3 luxury cinema screens.[37] Following the 2017 Festival, 9 virtual reality works from the Alternate Realities exhibition were chosen to tour Latin America as part of Doc/Fest's Realidades Alternativas tour with support from British Council. The tour visited festivals DocMontevideo in Uruguay, DocSP in Brazil, and Noviembre Electrónico in Argentina.[38] Notable screenings and events included:
2016The 2016 event took place from 10 to 15 June. A total of 32,769 audiences attended, including 3,534 industry delegates who travelled from 60 countries, and 29,235 public audiences, both figures a record increase on 2015.[45] The film programme hosted a record 160 films with 27 world premieres, 15 international, 19 European and a whopping 52 UK premieres from 49 different countries. Audiences were attracted to big filmmaking names from the documentary world including US director Michael Moore – whose film Where to Invade Next opened the Festival – Louis Theroux, Palme d'Or winning director Ken Loach, and legendary filmmakers D. A. Pennebaker and Chris Hegedus.[46] Women and LGBT+ subjects feature prominently throughout the Festival's selection, making up two of the festival's strands, plus a retrospective honouring Chantal Akerman.[46] The speakers represented in the Talks & Sessions programme were 45% female.[45] The newly renamed Alternate Realities programme featured 14 immersive media experiences in Millennium Gallery, and 12 virtual reality documentaries in Site Gallery, The Space and Union Street. The Alternate Realities Summit was a day-long event with a focus on virtual reality, artificial intelligence, and mixed reality. The morning session saw a keynote from Ramona Pringle and Bina48, an artificially intelligent robot, while the afternoon session saw a keynote from Google's Jessica Brillhart.[47] 2016 also saw the inaugural Alternate Realities Commission, supported by site Gallery and Arts Council England.[48] Darren Emerson's Indefinite (previously Invisible) won the £5,000 prize and had its World Premiere at the Festival.[49] Indefinite, about the detention of immigrants in Britain, was later featured by The New York Times.[50] 2016 saw the introduction of the Doc/Fest Exchange on Tudor Square developed with Wellcome, which hosted a series of public talks, including an interview with This is England director Shane Meadows.[51] Notable screening and events included:
2015The 22nd Festival ran for six days 5–10 June. Over 20 venues were used to host films, sessions, interactive exhibitions and networking events, with the full programme announced on the morning of the general election on 7 May.[64] A record number of audiences attended the festival, with 3,422 festival delegates and 27,917 members of the public. 148 films were shown, of which a record breaking 31 were world premieres, including Sean McAllister's hotly anticipated A Syrian Love Story, Brian Hill's The Confessions of Thomas Quick, and Jake Witzenfeld's Oriented, 41 UK premieres, 13 international premieres, and 19 European premieres.[65] Nearly 50% of the film programming was headed up by female filmmakers, with 73 of the films either produced or directed by women filmmakers.[66] Notable screenings and events included:
There were 83 sessions, talks and masterclasses,[64] with speakers including Davina McCall, Nicky Campbell, Jon Snow, Lucy Worsley, Philippa Perry, Ian Katz, Charlotte Moore, and Robin Ince.[67] 2014The Festival expanded from five days to six and for the first time began on a Saturday. Screenings took place across a wider range of more unusual venues in Sheffield and the Peak District.[70] 130 films were shown, of which 21 were world premieres, 24 UK premieres, and 12 European premieres.[71][72][73] World premieres included Martin Scorsese's documentary about The New York Review of Books, The 50 Year Argument; Alex Holmes' Stop At Nothing: The Lance Armstrong Story; The Last Man On The Moon, about former astronaut Eugene Cernan who also attended the Festival; One Rogue Reporter, written and directed by former 'Daily Star' reporter Rich Peppiatt;[4] and Brilliant Creatures: Rebels of Oz.[74] Notable screenings and events included:
Speakers included Peter Bazalgette, Jeremy Deller, Brian Eno, Sue Perkins, Grayson Perry, John Pilger, Jon Snow, and Ondi Timoner.[4][71][72][75] There were 82 conference sessions and masterclasses,[71] and a record number of pitch opportunities for filmmakers worth £200,000.[33] 20132013 saw a record number of films and delegates.[81] Delegate numbers rose by 18% to 3,129.[82] There were a record 18 international delegations including representatives from Armenia, Canada, Jordan, Morocco, the Netherlands, the State of Palestine, Russia, South Africa, and South Sudan, attending the Festival with a special focus on factual filmmaking in their regions.[83] 250 buyers and Decision Makers from over 20 countries attended.[12] Film submissions topped 2000 for the first time.[84] 120 films were shown, of which there were 77 feature length documentaries,[85] 33 shorts, 10 interactive projects and one art installation.[14] There were 18 world premieres,[5] 12 UK premieres, and 5 European premieres. A record 14 films screening at Doc/Fest were developed and funded through MeetMarket,[86] including Joshua Oppenheimer's The Act of Killing which went on to win the Audience Award.[8] World premieres included Basically, Johnny Moped, Emptying The Skies, Everybody's Child, A Fragile Trust: Plagiarism, Power & Jayson Blair at the New York Times, Here Was Cuba, Mirage Men, Notes from the Inside with James Rhodes, Particle Fever, Plot for Peace, Project Wild Thing, Omit the Logic, The Big Melt, Which Way is the Front Line from Here? The Life and Time of Tim Hetherington, The Man Whose Mind Exploded, The Road to Fame, The Secret Life of Uri Geller – Psychic Spy?, Thin Ice, and To Let The World In. European premieres included After Tiller, Dirty Wars, and Pandora's Promise. UK premieres included The Act of Killing and The Crash Reel.[87] The Act of Killing went on to win a Bafta and was named best film of 2013 by The Guardian.[88] Film strands included Behind the Beats, Best of British, Cross-Platform, Euro/Doc, First Cut, Global Encounters, New York Times Op-Docs, Queer Screen, Resistance, Shorts, The Habit of Art, and This Sporting Life. A new strand, Films on Film, screened a notable film with a documentary about it, for example The Exorcist (Director's Cut) with The Fear of God: 25 Years of The Exorcist, and John Waters’ Female Trouble with I Am Divine.[19] This strand aimed to attract a wider mix of people, and was supported by Lottery funding through the BFI's Film Festival Fund which provides extra resources to help grow film festival audiences.[89] The Doc/Fest Retrospective strand celebrated the work of Japanese filmmaker Shōhei Imamura.[87] More than 75 directors were present and took part in Q&A sessions.[90] Notable screenings and events included:
There were 80 conference sessions and masterclasses,[86] and 300 speakers.[12] Notable speakers included Adam Buxton, Melvyn Bragg, Jonathan Franzen, Uri Geller, Ira Glass, Alex Graham, Janice Hadlow, Jay Hunt, Ross Kemp, Mark Kermode, Sir Trevor McDonald, Hardeep Singh Kohli, Walter Murch, Miranda Sawyer interviewing Michael Palin, Sue Perkins, Captain Sensible, and Alan Yentob.[5][101][102][103][104][105][106][107] 20122,657 delegates from 67 countries attended the Festival, and general admissions were 20,079. Notable screenings and events included:
Speakers included Gareth Malone and Tim Pool.[109] 20112011 saw the Festival move from November to June, right off the back of the November 2010 Festival. The Festival opened with Morgan Spurlocks’ The Greatest Movie Ever Sold and featured box-office hit Senna, Alma Har’el's debut Bombay Beach, an Albert Maysels retrospective, and Oscar-winning director Barbara Kopple's Gun Fight.[110][111] AwardsThe Sheffield Doc/Fest Awards honour the best documentaries from the Doc/Fest programme, and are judged by industry professionals. Current categories
Previous categories
Winners2017[114]
2016[115]
2015The awards were held on 10 June 2015 at the Crucible Theatre.[71]
2014The awards were held on 12 June 2014. For the first time, the award-winning documentary short automatically qualifies for consideration for the Academy Awards.[71]
A Lifetime Achievement Award was presented to Roger Graef.[116] 2013The awards were held on 16 June 2013, and presented by Jeremy Hardy.
The Alliance of Women Film Journalists also presented a Special EDA Award to Sheffield Doc/Fest's Festival Director, Heather Croall, naming her 2013's Ambassador of Women's Films.[117][118] 2012The awards were held on 17 June 2012.
2011
A Lifetime Achievement Award was presented to Albert Maysles. 2010
2009
FilmsSheffield Doc/Fest's film programme showcases international documentaries and new works of non-fiction. The Film programme includes:
Alternate RealitiesSheffield Doc/Fest runs a number of programmes focused on new media development in interactive and immersive projects and virtual reality, titled Alternate Realities. The Alternate Realities programme includes:
In 2017, Alternate Realities at Sheffield Doc/Fest was awarded Arts Council England NPO status, helping the programme to grow even further.[125] Talks & SessionsSheffield Doc/Fest's Talks & Sessions programme features high-profile speakers, industry creatives, and documentary talent in a variety of discussions, large public talks, commissioning question panels, interviews, and showcasing sessions. Past high-profile speakers include Sir David Attenborough,[126] Louis Theroux,[127] Nick Broomfield,[127] Stacey Dooley,[128] Joanna Lumley,[129] Reggie Yates,[28] Walter Murch,[130] Michael Moore,[129] Kim Longinotto,[131] Tilda Swinton,[132] D. A. Pennebaker,[132] John Akomfrah,[133] Brett Morgan,[134] Sue Perkins,[135] and Joan Rivers.[136] Marketplace & TalentMeetMarket & Alternate Realities MarketMeetMarket & Alternate Realities Market is a documentary pitching event held at Sheffield Doc/Fest, where filmmakers pitch their project ideas one-on-one to UK and international broadcasters, funders and distributors. Former Festival Director Heather Croall introduced MeetMarket to Doc/Fest in 2006 and developed it as an alternative to public pitching (where filmmakers pitch to a large audience).[137] Each meeting is match-made and scheduled with relevant Decision Makers. Each year there are approximately 65 projects, which hold many one-to-one across two days.[138] In 2017, the event was attended by 330 Decision Makers. Since its introduction, nearly 10,800 meetings have taken place for 609 documentary and digital projects (as of July 2017). All meetings held at MeetMarket have been requested by both parties, meaning it's more likely for a deal to be made. While the focus is on achieving funding and distribution, participants also benefit from advice on production, distribution, exhibition, marketing and outreach. Filmmaker Guy Davidi said "Pitching in intimate round-table sessions was a big comfort. It reduces tension and competitiveness and makes the whole thing much more relaxed and fun. We have created important connections and in one case it led directly to an investment."[139] In 2017, 63 projects from 22 countries, including new films from Michael Moore, Mark Cousins, Kim Longinotto, Dionne Walker, Laura Poitras, and Jerry Rothwell, and 24 Alternate Realities projects were selected, including works from Charlotte Mikkelborg, Richard Nockles, and INK Stories. 330 Decision Makers took part, including representatives from Submarine, BBC Earth VR, Royal Shakespeare Company, The National Film Board of Canada, VICE, and Pulse Films.[140] In 2016, 64 projects from 27 countries were chosen to participate, including new films from Orlando von Einsiedel, Jennifer Brea, Mike Lerner, Stefan Kloos, Nick Fraser, Christoph Jorg, David Letterman, Al Morrow, Jeanie Finlay, Andre Singer, Amir Amiriani, and Catherine Allen. 25 Alternate Realities Market projects were chosen, including works from Katharine Round, Alex Pearson, Darren Emerson, and Jennifer Brea. 313 Decision Makers took part in the MeetMarket, Alternate Realities Market and various other Marketplace initiatives from organisations including Red Bull, Canal+, Al Jazeera, Discovery, National Geographic, Google, and Netflix.[141] In 2015, 64 projects from 19 countries were chosen to participate in MeetMarket from 600 submissions,[72] including new films from John Akomfrah, Lindsey Dryden and Maheen Zia. 300 executives, distributors, commissioners, funders, advisors and buyers across documentary and digital media took part in the MeetMarket and Marketplace activity including The Guardian, BBC, ARTE, Dogwoof and Channel 4. In 2014, 64 projects were chosen to participate in MeetMarket,[72] including new films from Franny Armstrong, William Karel, and Stanley Nelson Jr.. 290 investors, commissioners and production partners took part including commissioners from Netflix, Dazed, Vice, Vimeo and Nowness and distributors Oscilloscope Laboratories, Dogwoof and PBS.[71] In 2013 MeetMarket attracted over 600 applications. Over 60 projects from 18 countries were chosen to participate. Filmmakers included Franny Armstrong, Marshall Curry, Jeanie Finlay, Alex Gibney, Phil Grabsky, Brian Hill, Victor Kossakovsky and Joshua Oppenheimer.[11] The selection also included six cross-platform projects. MeetMarket films and Alternate Realities Market projects are tracked for success across awards and other film festivals. Films and projects have gone on to win awards at Sundance, Tribeca, IDFA, Hot Docs and Doc/Fest.[139] Notable films to achieve funding through MeetMarket include Unrest and Unrest VR,[142] Notes on Blindness and Notes on Blindness: Into Darkness,[143] Joshua Oppenheimer's The Act of Killing[8] and The Look of Silence, Searching for Sugarman, Jeanie Finlay's The Great Hip Hop Hoax,[144] Ping Pong, 5 Broken Cameras, and God Loves Uganda.[145] PitchesThe Marketplace plays host to further initiatives, such as pitches and prize competitions. Pitched projects are selected from an open call, cover a range of topics, and offer funding, in-kind support and Festival Pass prizes. Previous pitches include:
Training InitiativesThe Marketplace also holds All Year training initiatives, including Future Producer School. Future Producer School, created by Sheffield Doc/Fest and Bungalow Town Productions, has successfully run every year since its launch in 2014. Aimed at emerging producers currently working in the industry, the primary outcome of Future Producer School is to develop industry partnerships and provide industry knowledge and experience to up-and-coming producers that have the ambition to become international feature documentary producers.[147] Notable alumni include Eloise King, Julia Nottingham, Lindsey Dryden, and Sky Neal.[148] On-Screen Talent Market is a Sheffield Doc/Fest initiative to connect charismatic subject-specialists with producers, commissioners, and other Decision Makers looking for fresh faces for their programmes. The programme includes an intensive morning training programme giving insight into the industry via first-hand encounters with established professionals, and is designed for the experts to hone their skills in presenting themselves to the media. This is followed by an afternoon of match-made one-to-one meetings between the talent and television executives. The programme is designed and delivered in collaboration with the Academic Ideas Lab.[149]Doc/Dinner allows a group of emerging filmmakers to dine with industry executives to exchange ideas and expertise, hosted by Yates. In 2017, execs from the BBC, Channel 4, VICE, Pulse Films and The Guardian met with 20 young filmmakers.[150] DelegationsDoc/Fest hosts a number of international and national delegations each year, including delegations from Norway,[151] Scotland,[152] Palestine,[153] Indonesia, Jordan, Cuba and Wider Europe.[154] Social Events & NetworkingEach year, Doc/Fest hosts parties and drinks events during the Festival and year-round, including the annual Guilty Pleasures Party held at both Doc/Fest[155][156] and in Amsterdam at IDFA.[157] Nightly parties are themed around the programme and in 2017 included: the I Will Always Love Docs Party, celebrating the premiere of Whitney "Can I Be Me";[158] a Great Get Together lunchtime picnic celebrating the life and legacy of Jo Cox MP, before the premiere of Closing Night Film Jo Cox: Death of an MP;[159] and in 2016, and the Vogue, Strike a Pose Party, celebrating the premieres of Strike a Pose and Kiki.[160] Each year also sees the Award Ceremony hosted at Sheffield's Crucible Theatre, honouring the best films of the Festival.[121] Each Festival sees dozens of networking drinks hosted by sponsors and supporters, including Image Nation Abu Dhabi, The Academy of Motion Picture Arts and Sciences, Shooting People, and more.[161] All Year programmeDoc/Fest activities outside of the five-day festival include:
Festival directors
Festival chairpersons
Board Members
References1. ^Catherine Shoard, [https://www.theguardian.com/film/2013/jun/10/sheffield-doc-fest-jarvis-cocker Jarvis Cocker gears up to be Sheffield Doc/Fest's Man of Steel], The Guardian, 10 June 2013 2. ^Matt Thrift, Preview: Sheffield Doc/Fest 2013 {{webarchive|url=https://web.archive.org/web/20131023111632/http://www.littlewhitelies.co.uk/features/articles/preview-sheffield-docfest-2013-24026 |date=23 October 2013 }}, Little White Lies, 29 May 2013 3. ^Truth or Dare? A Golden Age for Documentary Film, Huffington Post UK, 17 June 2013 4. ^1 2 3 4 [https://www.bbc.co.uk/news/entertainment-arts-27323501 Martin Scorsese premiere for Sheffield Doc/Fest], BBC News, 8 May 2014, retrieved 4 August 2014 5. ^1 2 3 Julie Farmer, ‘Centre Stage’, First For Business, 1 June 2013 6. ^Lara Colocino, The Coolest Film Festivals in the World, 2013: Documentary and Horror/Sci-Fi Festival Winners, moviemaker.com, 8 November 2013 7. ^1 2 Chris Bond, Documentary evidence of a golden age as festival opens window on the world, The Yorkshire Post, 30 May 2013 8. ^1 2 3 Nick Bradshaw, The best of Sheffield Doc/Fest 2013, Sight & Sound, 10 July 2013 9. ^Alexandra Zeevalkink, Sheffield Doc/Fest: call for documentary submissions , docgeeks.com, 30 October 2012 10. ^{{Cite news|url=https://www.screendaily.com/festivals/sheffield-doc/fest-names-liz-mcintyre-new-festival-director/5086799.article|title=Sheffield Doc/Fest names Liz McIntyre new festival director|work=Screen|accessdate=15 December 2017}} 11. ^1 2 Kevin Ritchie, Doc/Fest celebrates its second decade, realscreen.com, 12 June 2013 12. ^1 2 ’20th Anniversary for Sheffield Doc/Fest’, Regional Film and Video, 1 June 2013 13. ^1 2 'Quidnunc', Sheffield Telegraph, 6 June 2013 14. ^1 Paul Banks, Fav docs of Sheffield Doc/Fest's programmer, The Knowledge, 9 May 2013 15. ^Alexandra Zeevalkink, '‘Sheffield Doc/Fest launches crowdfunding campaign'’, docgeeks.com, 4 October 2012 16. ^Jennifer Merin, Sheffield Doc Fest's Crowdfunding Initiative, about.com, retrieved 10 October 2012 17. ^Ian Sandwell, '’Sheffield Doc/Fest launch Indiegogo crowdfunding initiative’', ScreenDaily, 4 October 2012 18. ^Ben Unwin, '‘Documentary festival reaches own crowdfunding target’', 18 November 2012 19. ^1 2 Chris Patmore, [https://web.archive.org/web/20131102161022/http://www.moviescopemag.com/featured-editorial/packed-schedule-for-sheffield-docfest-announced/ Packed schedule for Sheffield Doc/Fest 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news|url=https://www.screendaily.com/features/british-council-welcomes-palestinian-delegation-to-doc/fest/5104789.article|title=British Council welcomes Palestinian delegation to Doc/Fest|work=Screen|accessdate=18 December 2017}} 154. ^{{cite web|url=http://film.britishcouncil.org/calendar/2016/sheffield-docfest|title=British Council Film: Sheffield Doc/Fest|last=Film|first=British Council|website=film.britishcouncil.org|accessdate=18 December 2017}} 155. ^{{cite web|url=http://www.exposedmagazine.co.uk/archived/the-guilty-pleasures-party/|title=The Guilty Pleasures Party – Exposed Magazine|website=www.exposedmagazine.co.uk|accessdate=18 December 2017}} 156. ^{{cite web|last=Heather Croall|title=Sheffield Docfest- Last song of the Saturday Party: DJ Guilty Pleasures|date=17 June 2011|url=https://www.youtube.com/watch?v=SWMzNBNy0KQ|accessdate=18 December 2017}} 157. ^{{cite web|url=http://dochouse.org/online/news/our-idfa-highlights|title=Our IDFA highlights {{!}} DocHouse|website=dochouse.org|accessdate=18 December 2017}} 158. ^{{Cite news|url=https://dogwoof.com/blogs/2017/best-of-doc-fest|title=Our Best of DOC/FEST 2017|work=Dogwoof – Documentary distribution|accessdate=18 December 2017}} 159. ^{{cite web|url=https://www.thestar.co.uk/whats-on/video-preview-sir-lenny-henry-louis-theroux-and-ian-hislop-to-speak-at-sheffield-doc-fest-1-8525951|title=VIDEO PREVIEW: Sir Lenny Henry, Louis Theroux and Ian Hislop to speak at Sheffield Doc/Fest|work=The Star|accessdate=18 December 2017}} 160. ^{{cite web|url=https://www.yorkshirepost.co.uk/what-s-on/top-10-things-you-must-see-at-sheffield-doc-fest-1-7953986|title=Top 10 things you must see at Sheffield Doc/Fest|work=The Yorkshire Post|accessdate=18 December 2017}} 161. ^{{cite web|url=https://sheffdocfest.com/social_events|title=Sheffield Doc/Fest: Sheffield International Documentary Festival|website=sheffdocfest.com|accessdate=18 December 2017}} 162. ^'Theatre, cabaret and 3D show', Eastern Daily Press, 18 July 2013 163. ^{{cite web|url=https://argentina.britishcouncil.org/programas/artes/realidades-alternativas|title=Realidades Alternativas {{!}} British Council|website=argentina.britishcouncil.org|language=es|accessdate=18 December 2017}} 164. ^{{cite web|url=http://www.docmontevideo.com/tvs_participantes/sheffield-docfest/|title=DocMontevideo » Sheffield Doc/Fest|website=www.docmontevideo.com|accessdate=18 December 2017}} 165. ^Tim Dams, Woods steps down as Sheffield Documentary fest director, screendaily.com, 6 October 2005 166. ^Festival Director Quits, Broadcast, 25 January 2002 167. ^Adam Benzine, Wall To Wall’s Graham to chair Sheffield Doc/Fest, realscreen.com, 20 June 2011 168. ^Havana Marking, [https://www.theguardian.com/film/filmblog/2006/nov/02/northernexposurewhysheffiel Northern exposure: Why Sheffield Doc/Fest matters], The Guardian, 2 November 2006 169. ^Andy Fry, Sheffield hits its stride, realscreen.com, 1 December 1999 170. ^{{cite web|url=https://beta.companieshouse.gov.uk/company/02856141/officers|title=INTERNATIONAL DOCUMENTARY FESTIVAL SHEFFIELD LIMITED – Officers (free information from Companies House)|website=beta.companieshouse.gov.uk|accessdate=18 December 2017}} External links
12 : Annual events in the United Kingdom|Arts festivals in England|Culture in Sheffield|Digital media organizations|Documentary film festivals in the United Kingdom|Documentary film organizations|Events in Sheffield|Festivals in South Yorkshire|Film organisations in the United Kingdom|Recurring events established in 1994|British film awards|Documentary film awards |
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