| 词条 | Sing and Play |
| 释义 |
| name = Chàng Yóu (唱遊) | type = Album | artist = Faye Wong | cover = Wang Fei Chang You album.png | alt = | released = {{Plainlist|1=
}} | recorded = | venue = | studio = | genre = Mandopop, Cantopop | length = 44:18 | label = EMI | producer = | prev_title = Faye Wong | prev_year = 1997 | next_title = Lovers & Strangers | next_year = 1999 }}{{Infobox Chinese|t=唱遊|s=唱游|l=Singing game/Singing voyage|p=Chàng Yóu}}Sing and Play ({{zh|t=唱遊|p=Chàng Yóu}}) is a 1998 Mandarin album by Beijing-based singer Faye Wong. It includes 10 tracks in Mandarin, with a bonus disc of 3 Cantonese tracks.[1] It was released on 21 October 1998 in Japan.[2] The album title is usually translated as Sing and Play in English sources.[3][4][5] Others refer to the album as Song Tour[6] (遊 can mean tour), Scenic Tour[7][8] which was the name of Wong's 1998–1999 concert tour, Love Life,[9]or Song Play.[9] Sing and Play was the first Chinese album recorded using HDCD techniques.{{citation needed|date=November 2012}} The album was noted for some of its ballads, in contrast to the pop songs which had provided most of Faye Wong's hits around that time.[3] "Red Beans", "Face" and "Love Commandments" have been popular songs of the album.[7] As of February 1999, the album sold almost 90,000 copies, including imports.[2] It was rereleased in Japan on 3 March 1999 with the bonus track, "Eyes on Me".[2] Track listing{{Track listing| extra_column = Chinese titles | title1 = Emotional Life | note1 = or "Sensational Life" | extra1 = {{zh|c=感情生活|p=Gǎnqíng shēnghuó|labels=no}} | length1 = 5:15 | music1 = Faye Wong | lyrics1 = Lin Xi | title2 = Face[10] | extra2 = {{zh|t=臉|p=Liǎn|labels=no}} | length2 = 3:34 | music2 = Faye Wong | lyrics2 = Lin Xi | title3 = Sex Commandments | extra3 = {{zh|t=色誡|p=Sè Jiè|labels=no}} | length3 = 4:53 | music3 = Adrian Chan ({{lang|zh-hk|陳偉文}}) | lyrics3 = Lin Xi | extra4 = {{zh|t=半途而廢|p=Bàntúérfèi|labels=no}} | title4 = Give Up Half Way | length4 = 3:32 | lyrics4 = Pan Xieqing ({{lang|zh-tw|潘協慶}}) | music4 = Pan Xieqing | title5 = Fly | extra5 = {{zh|t=飛|p=Fēi|labels=no}} | length5 = 5:41 | lyrics5 = Pan Xieqing | music5 = Pan Xieqing | title6 = Our Lord | extra6 = {{zh|c=祢|p=Nǐ|labels=no}}[11] | length6 = 4:22 | lyrics6 = Wyman Wong | music6 = Xu Wei | title7 = Whimsical | note7 = or "A Little Wit", "A Little Cunning", "Clever-Clever", "Sharp but Petty" and "Mortal Wisdom" | extra7 = {{zh|t=小聰明|p=Xiǎo Cōngming|labels=no}} | length7 = 4:02 | music7 = Faye Wong | lyrics7 = Lin Xi | title8 = Wake Up | note8 = or "Wakeless", "Not Awake" and "Not Waking Up" | extra8 = {{zh|t=醒不來|p=Xǐng Bù Lái|labels=no}} | length8 = 4:03 | music8 = Jack Wu ({{lang|zh-tw|Jack吳2}}) | lyrics8 = Kwan | title9 = Red Beans | extra9 = {{zh|t=紅豆|p=Hóngdòu|labels=no}} | length9 = 4:15 | music9 = Jim Lau Chung-yin ({{lang|zh|柳重言|labels=no}}) | lyrics9 = Lin Xi | title10 = Child[12] | extra10 = {{zh|c=童|p=Tóng|labels=no}} | length10 = 4:41 | music10 = Faye Wong | lyrics10 = Faye Wong | all_writing = | title11 = | length11 = | title12 = | length12 = | title13 = | length13 = | title14 = | length14 = | title15 = | length15 = | title16 = | length16 = | title17 = | length17 = | title18 = | length18 = | title19 = | length19 = | title20 = | length20 = | total_length = | note10 = }}
1. ^Anthony Fung and Michael Curtin, “The Anomalies of Being Faye (Wong): Gender Politics in Chinese Popular Music,” International Journal of Cultural Studies 5, no. 3 (September 2002) - album not mentioned by name {{failed verification|date=May 2016}} {{Track listing2. ^1 2 [https://books.google.com/books?id=kw4EAAAAMBAJ&lpg=PA51&dq=changyou%20%22faye%20wong%22%20-wikipedia&pg=PA51#v=onepage&q=changyou%20%22faye%20wong%22%20-wikipedia&f=false Billboard], Faye Wong article by Steve McClure, 6 February 1999, page 51, "Global Music Pulse" column, edited by Dominic Pride 3. ^1 Stan Jeffries, Encyclopedia of world pop music, 1980-2001 2003 p224. "In January 1998, Wong won the favorite female category at Taiwan's Channel V awards. As part of her new goal of winning wider recognition, in the same year she released Sing and Play. The album included some Wong compositions and introduced more ballads to her canon, as most of her previous releases had been unerringly jaunty pop numbers. She then undertook a tour of Japan that lasted for six months. Her nomadic lifestyle throughout this period made her one of the most widely recognized people in East Asia (Asiaweek magazine included her in a list of "50 people you should know in China"), but it began to have an effect on her private life." 4. ^Shane Homan, Access All Eras: Tribute Bands and Global Pop Culture, 2006, p224. "... almost exclusively on contributions from Hong Kong-, Beijing- and Singapore-based composers along with her own compositions on Sing and Play (1998), Only Love Strangers (1999), Fable (2000), Faye Wong (2001) and To Love (2003)." 5. ^Faye Wong is all woman, Taipei Times 2004-11-24. "Sing and Play" 6. ^{{cite web|title=In the mood for Chinese?|url=http://www.channelnewsasia.com/stories/entertainmentfeatures/view/383210/1/.html|publisher=Channel News Asia|date=16 October 2008|accessdate=28 April 2013|quote=Faye Wong's 1997 album, Song Tour}} 7. ^1 {{cite news|title=Faye Wong turns on the charm in return|url=http://www.chinapost.com.tw/art/music/2010/08/09/268008/p2/Faye-Wong.htm|accessdate=26 April 2013|date=9 August 2010}} 8. ^{{cite news|last=Chan|first=Boon|title=Faye's back|newspaper=The Straits Times|date=28 October 2011|location=Singapore|page=C2}} 9. ^{{cite magazine |first=Steve |last=McClure |date=6 February 1999 |url=https://books.google.com/books?id=kw4EAAAAMBAJ&lpg=PA51&dq=%22chang%20you%22%20faye%20wong%20-wikipedia&pg=PA51#v=onepage&q=%22chang%20you%22%20faye%20wong%20-wikipedia&f=false |title=Global Music Pulse |editor=Dominic Pride |magazine=Billboard |page=51 |accessdate=12 June 2016 |via=Google Books }} 10. ^The word refers to the social concept 11. ^The word is only used to address deities 12. ^Part of the name of Wong's daughter Leah Dou; the word also means child 13. ^{{discogs release|3063172}}, Hong Kong release 14. ^{{discogs release|4169734}}, Japan release 15. ^[https://books.google.com/books?id=JQoEAAAAMBAJ&lpg=PA61&dq=%22chang%20you%22%20%22faye%20wong%22%20-wikipedia&pg=PA61#v=onepage&q=%22chang%20you%22%20%22faye%20wong%22%20-wikipedia&f=false Billboard], "Hits of the World", page 61 16. ^1 [https://books.google.com/books?id=IQoEAAAAMBAJ&lpg=PA51&dq=%22chang%20you%22%20%22faye%20wong%22%20-wikipedia&pg=PA51#v=onepage&q=%22chang%20you%22%20%22faye%20wong%22%20-wikipedia&f=false Billboard], "Hits of the World", page 51 17. ^1 [https://books.google.com/books?id=9w0EAAAAMBAJ&lpg=RA1-PA5&dq=changyou%20%22faye%20wong%22%20-wikipedia&pg=RA1-PA5#v=onepage&q=changyou%20%22faye%20wong%22%20-wikipedia&f=false Billboard], "Critics' Choice: Steve McClure", page YE-67, 25 December 1999 | headline = Hong Kong edition and Taiwan deluxe edition bonus disc[13] | total_length = | extra_column = Chinese titles | title1 = Yuen leung chi gei | note1 = "Forgive Myself", "Pardon Myself" or "Excuse Myself" | extra1 = {{zh|t=原諒自己|j=jyun4 loeng6 zi6 gei2|labels=no}} | length1 = 3:39 | lyrics1 = Lin Xi | music1 = Pan Xieqing | title2 = Seung waan | note2 = "Repay" or "Reimburse" | extra2 = {{zh|t=償還|j=soeng4 waan4|labels=no}} | length2 = 4:17 | lyrics2 = Lin Xi | music2 = Jim Lau | title3 = Love Commandments | extra3 = {{zh|t=情誡|j=cing4 gaai3|labels=no}} | length3 = 4:17 | lyrics3 = Lin Xi | music3 = Adrian Chan }}{{Track listing | collapsed = yes | headline = 1998 Japanese edition bonus track | total_length = | extra_column = Chinese title | title11 = Ma zui (Remix) | note11 = "Numbness" or "Anesthesia" | extra11 = {{lang|zh|麻醉}} | length11 = 4:09 }}{{Track listing | collapsed = yes | headline = 1999 Japanese reissue bonus tracks [14] | total_length = | title12 = Eyes on Me | note12 = featured in Final Fantasy VIII | length12 = 5:43 | title13 = Yuen leung chi gei | length13 = 3:39 | title14 = Seung waan | length14 = 4:17 | title15 = Love Commandments | length15 = 4:17 }} ReceptionThe album debuted at number three, respectively, in Hong Kong on the week of 4 October and in Malaysia on the week of 13 October 1998.[15] It peaked at number one in Malaysia on the week of 20 October 1998.[16] It reached number two in Hong Kong on the week of 11 October 1998.[16] Billboard{{'s}} Asia bureau chief, Steve McClure, placed it in number seven of his top ten list of 1999 Asian albums.[17] References 3 : 1998 albums|EMI Records albums|Faye Wong albums |
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