| 词条 | Sunday Bloody Sunday (film) |
| 释义 |
| name = Sunday Bloody Sunday | image = Sundaybloodysunday.jpg | alt = | caption = Theatrical release poster | director = John Schlesinger | producer = Joseph Janni Edward Joseph | writer = Penelope Gilliatt | starring = Murray Head Glenda Jackson Peter Finch Peggy Ashcroft | music = Ron Geesin | cinematography = Billy Williams | editing = Richard Marden | studio = Vectia | distributor = United Artists | released = {{Film date|1971|7|1|df=y}} | runtime = 110 minutes | country = United Kingdom | language = English }} Sunday Bloody Sunday is a 1971 British drama film written by Penelope Gilliatt, directed by John Schlesinger and starring Murray Head, Glenda Jackson, Peter Finch and Peggy Ashcroft. It tells the story of a free-spirited young bisexual artist (played by Head) and his simultaneous relationships with a divorced female recruitment job consultant (Jackson) and a male Jewish doctor (Finch). The film is significant for its time in that Finch's homosexual character is depicted as successful and relatively well-adjusted, and not particularly upset by his sexuality. In this sense, Sunday Bloody Sunday was a considerable departure from Schlesinger's previous film Midnight Cowboy (1969), which portrayed its queer characters as alienated and self-loathing, as well as other LGBTQ+-themed films of the era, including Boys in the Band (1970) and Some of My Best Friends Are... (1971). The film was released a year before the 1972 massacre of unarmed Northern Irish civilians by the British Army in Derry, Northern Ireland, an event dubbed "Bloody Sunday". PlotSet in London, the film tells the story of a middle-aged Jewish doctor, Daniel Hirsh (Peter Finch), and a divorced woman in her mid-30s, Alex Greville (Glenda Jackson), who are both involved in an open love triangle with sculptor Bob Elkin (Murray Head), a younger man in his mid-20s. Not only are Hirsh and Greville both aware that Elkin is seeing the other but they know one another through common friends. Despite this, they are willing to put up with the situation through fear of losing Elkin, who switches freely between them. For Greville, the relationship is bound up with growing disillusion about her professional life, failed marriage and uneasy childhood. For Hirsh, it represents an escape from the repressed nature of his Jewish upbringing. Both realize the lack of permanence about the situation and when Elkin decides to leave the country to settle in New York City, after receiving an offer to open his own art gallery, that they both come face to face (for the first time in the narrative at the end). Despite their opposed circumstances, Hirsh and Greville come to realize that it is time to move on; Elkin leaves for the United States. Cast{{div col}}
Production notes{{Unreferenced section|date=January 2016}}
MusicThe film makes extensive use of source music including a leitmotif of the trio Soave sia il vento from Mozart's opera Così fan tutte. ReceptionThe film currently holds a 92% 'Fresh' rating on Rotten Tomatoes.[1] Peter Rainer of Bloomberg News wrote,"It's Finch's finest moment as an actor (and literally a far cry from his most famous role as the "mad prophet of the airwaves" in Network). As for Jackson, she was never better, more variegated. . ."[2] This film appeared on both Roger Ebert and Gene Siskel's Top 10 list of 1971, listed as No. 5 and No. 6 respectively. Roger Ebert commented, "The official East Coast line on John Schlesinger's Sunday Bloody Sunday was that it is civilized. That judgment was enlisted to carry the critical defense of the movie; and, indeed, how can the decent critic be against a civilized movie about civilized people? My notion, all the same, is that Sunday Bloody Sunday is about people who suffer from psychic amputation, not civility, and that this film is not an affirmation but a tragedy...I think Sunday Bloody Sunday is a masterpiece, but I don't think it's about what everybody else seems to think it's about. This is not a movie about the loss of love, but about its absence."[3] Awards and nominationsAcademy Awards
Golden Globe Awards
BAFTA Awards
Other awards and nominations
References1. ^{{rotten-tomatoes|sunday_bloody_sunday|Sunday Bloody Sunday}} 2. ^{{cite news|url=http://articles.chicagotribune.com/2013-01-14/entertainment/ct-ent-0115-bloody-sunday-20130114_1_gay-cinema-film-critic-movie|work=Chicago Tribune|date=14 January 2013|accessdate=3 July 2018|first=Peter|last=Rainer|title=Kiss in 'Bloody Sunday' broke rules}} 3. ^{{cite news|url=http://www.rogerebert.com/reviews/sunday-bloody-sunday-1971|work=Chicago Sun-Times|date=1 January 1971|accessdate=3 July 2018|title=Sunday Bloody Sunday}} External links
|title= Awards for Sunday Bloody Sunday |list={{BAFTA Best Film 1961-1980}}{{Golden Globe Award for Best Foreign Language Film}} }} 14 : 1971 films|1970s drama films|1970s LGBT-related films|British films|British drama films|British LGBT-related films|English-language films|Films directed by John Schlesinger|Male bisexuality in film|Films set in England|Films set in London|Films shot in England|Best Film BAFTA Award winners|Films whose director won the Best Direction BAFTA Award |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。