| 词条 | Tales of Terror |
| 释义 |
| name = Tales of Terror | image = Tales of Terror 1962 poster.jpg | image_size = 220 | caption = Theatrical release poster | director = Roger Corman | producer = Samuel Z. Arkoff Roger Corman James H. Nicholson | writer = Richard Matheson | based on = Morella The Black Cat The Facts in the Case of M. Valdemar by Edgar Allan Poe | starring = Vincent Price Peter Lorre Basil Rathbone Debra Paget | narrator = Vincent Price | music = Les Baxter | cinematography = Floyd Crosby | editing = Anthony Carras | distributor = American International Pictures | released = {{Film date|1962|07|04}} | runtime = 89 minutes | country = United States | language = English | budget = | gross = $1.5 million[1][2] 64,396 admissions (France)[3] }} Tales of Terror is a 1962 American International Pictures horror film, shot in color and Panavision, that was produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories directed by Corman for AIP. The film was released in 1962 on a double feature with Panic in Year Zero!. PlotThe film uses an anthology format, presenting three short sequences based on the following Poe tales: "Morella", "The Black Cat" (which is combined with another Poe tale, "The Cask of Amontillado"),[1] and "The Facts in the Case of M. Valdemar". Each sequence is introduced via voiceover narration by Vincent Price, who also appears in all three narratives. "Morella"When Lenora Locke (Maggie Pierce) travels from Boston to be reunited with her father (Vincent Price) in his decrepit and cobwebbed mansion, she finds him drunk, disordered, and depressed. He refuses her company, insisting that she killed her mother Morella (Leona Gage) in childbirth. Lenora then discovers her mother's body decomposing on a bed in the house. Lenora cannot return to Boston and remains in the house to care for her father. His feelings soften towards her when he learns she has a terminal illness. One night Morella's spirit rises, and kills Lenora in revenge for her childbed death. Morella's body is then resurrected, becoming as whole and as beautiful as she was in life. This is in exchange for Lenora's, which is now decomposing where Morella lay. Morella strangles her horrified husband as a fire breaks out in the house. Then Morella and Lenora return to their original bodies, Lenora smiling as she lies on her dead father, rotten Morella cackling as the flames consume the house. The cast includes Edmund Cobb as a coach driver. "The Black Cat"Montresor Herringbone (Peter Lorre) hates his wife Annabelle (Joyce Jameson) and her black cat. One night on a ramble about town, he happens upon a wine tasting event and challenges the world's foremost wine taster, Fortunato Luchresi (Vincent Price), to a contest. Herringbone becomes drunk. Luchresi escorts him home and meets his wife. Time passes, and Annabelle and Luchresi become intimate. The cuckolded Herringbone then entombs them alive in an alcove in the basement. The authorities become suspicious and two policemen (John Hackett and Lennie Weinrib) visit the house to investigate. Hearing screeching behind a basement wall, they knock the wall down to discover the dead lovers — and Annabelle's black cat, which Herringbone had accidentally walled up with the lovers. Cast includes Wally Campo as bartender Wilkins and Alan DeWitt as the wine-tasting chairman. "The Facts in the Case of M. Valdemar"Dying from a painful disease, M. Valdemar (Vincent Price) employs a hypnotist, Mr. Carmichael (Basil Rathbone), to alleviate his suffering by putting him under various trances. He then remains between the worlds of the living and the dead. In a trance, Valdemar begs Carmichael to release his soul so he can die, but Carmichael cruelly refuses. Months pass and Valdemar's putrefying body remains in his bed under the complete control of Carmichael. The hypnotist tries to force Valdemar's wife Helene (Debra Paget) to marry him. When she refuses, he attacks her. Valdemar's putrid body rises from the bed and kills Carmichael. Helene is rescued by Valdemar's physician (David Frankham) and carried from the scene of horror. Cast{{div col}}
ProductionThe film was announced in September 1961. It was shot on November 28.[4][5] Corman commented on how Tales of Terror differed from his earlier film adaptations released by AIP:[1] With Tales of Terror, we tried to do something a little different. The screenplay was actually a series of very frightening, dramatic sequences inspired by several of the Poe stories. To break things up, we tried introducing humor into one of them..." The three stories in the film took a total of three weeks to film.[1] For the conclusion of "Morella", Corman reused some sets and event footage from the fiery climax of House of Usher.[1] The story Morella was remade in the 1990s as The Haunting of Morella. Price explained how the effect of slow decomposition was achieved in "The Facts in the Case of M. Valdemar": "We settled for an old-fashioned mud pack - it dries and draws the skin up and then cracks open." To give the impression of Vincent Price's face melting away, a mixture of glue, glycerin, corn starch and make-up paint was heated and then poured over his head. The substance was so hot that Price could only stand it for a few seconds.[1] Richard Matheson's favorite of the stories was the final one, M. Valdemar. He thought it was "pretty well done. It was pretty straight, except I added the doctor and Valdemar's wife to the story... They acted it pretty well for a change."[6] ReceptionHoward Thompson of The New York Times called the film a "dull, absurd and trashy adaptation," and recommended that viewers only watch the accompanying picture on the double bill, Burn, Witch, Burn.[7] Variety wrote, "Whether audiences will have been rendered limp by the Poe cycle is anybody's guess. Producer Corman, though, plays his latest entry for all it's worth and has assembled some tasty ghoulish acting talent which have marquee strength." The review named "Morella" as the best of the three stories.[8] Margaret Harford of the Los Angeles Times wrote, "Poe admirers will almost certainly find 'Tales of Terror' no substitute for the master's original work but entertaining as another seance with spooks."[9] Harrison's Reports graded the film as "Poor", opining that it "fails to deliver its promise of spine-tingling entertainment. In fact, it's on the dullish side of movie-making."[10] The Monthly Film Bulletin declared, "By and large, Roger Corman's Poe adaptations maintain the highest standard in their field since Val Lewton's low-budget horror films of the Forties," and noted that the anthology format provided "the added advantage that for once there is no sense of the material being stretched too thin."[11]At the film review aggregator website Rotten Tomatoes, the film received a score of 71% based on reviews from 14 respondents.[12] Time Out said the film was "elegant and funny, but the short-story format deprives Corman of the majestic, melancholic rhythm which characterizes his best work of this type."[13] MerchandiseThe film was released on DVD. Dell Comics published a comic book adaptation of the film.[14]A novelization of the film was written in 1962 by Eunice Sudak, adapted from Richard Matheson's screenplay, which was published by Lancer Books in a mass market paperback. In 2011 La-La Land Records released on CD Les Baxter's music score from the "Morella" segment of Tales of Terror. It also features selections from his score used over the end credits for The Man with the X-Ray Eyes. See also
References1. ^1 2 3 4 5 Spotlight: Tales of Terror from Turner Classic Movies 2. ^Roger Corman & Jim Jerome, How I Made a Hundred Movies in Hollywood and Never lost a Dime, Muller, 1990, {{ISBN|9780091746797}}, p 84 3. ^Box office information for Roger Corman films in France at Box Office Story 4. ^FILMLAND EVENTS: Poe-Pourri Film Cooks for CormanLos Angeles Times (1923-Current File) [Los Angeles, Calif] 07 Sep 1961: B9. 5. ^FILMLAND EVENTS: 'Tales of Terror' Adds Lorre to CastLos Angeles Times (1923-Current File); Los Angeles, Calif. [Los Angeles, Calif]14 Oct 1961: A9 6. ^Lawrence French, "The Making of The Raven", The Raven novelization by Eunice Sudak, based on script by Richard Matheson, Bear Manor Media 2012 7. ^{{cite journal |last=Thompson |first=Howard |date=July 5, 1962 |title=Supernatural Thiller Is on Double Bill |url=https://movies.nytimes.com/movie/review?res=9B01E3D91131EF3BBC4D53DFB1668389679ED |journal=The New York Times |page=20 }} 8. ^{{cite journal |date=May 30, 1962 |title=Tales of Terror |journal=Variety |page=23 }} 9. ^Harford, Margaret (July 13, 1962). "Horror Bill This Time IS Scary". Los Angeles Times. Part IV, p. 10. 10. ^{{cite journal |date=July 14, 1962 |title='Tales of Terror' Review |journal=Harrison's Reports |page=106-107 }} 11. ^{{cite journal |date=April 1963 |title=Tales of Terror |journal=The Monthly Film Bulletin |volume=30 |issue=351 |page=45 }} 12. ^Tales of Terror (1962) Rotten Tomatoes (Retrieved September 8, 2018) 13. ^Tales of Terror{{dead link|date=January 2018 |bot=InternetArchiveBot |fix-attempted=yes }} Time Out (Retrieved July 16, 2012) 14. ^{{gcdb series|id=74237|title=Dell Movie Classic: Tales of Terror}} External links{{commons category}}{{Wikiquote}}
19 : 1962 films|1962 horror films|American films|American comedy horror films|American International Pictures films|American mystery films|English-language films|Films about animals|Films about cats|Films based on multiple works|Films based on short fiction|Films based on The Black Cat|Films based on works by Edgar Allan Poe|Films directed by Roger Corman|Films produced by Roger Corman|Gothic horror films|Horror anthology films|Screenplays by Richard Matheson|Films adapted into comics |
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