词条 | The Black-Man's Burdon |
释义 |
| name = The Black-Man's Burdon | type = studio | artist = Eric Burdon and War | cover = War - The Black-Man's Burdon.jpg | alt = | released = December 1970 | recorded = 1970 at Wally Heider Studios, San Francisco, California | venue = | studio = | genre = {{Flatlist|
}} | length = 90:08 | label = MGM | producer = Jerry Goldstein | chronology = Eric Burdon | prev_title = Eric Burdon Declares "War" | prev_year = 1970 | next_title = Guilty | next_year = 1971 | misc = {{Extra chronology | artist = War | type = studio | prev_title = Eric Burdon Declares "War" | prev_year = 1970 | title = The Black-Man's Burdon | year = 1970 | next_title = War | next_year = 1971 }} }}{{Album ratings |rev1 = Allmusic |rev1score = {{Rating|4|5}}[1] |rev2 = The Village Voice |rev2Score = D+[2] }} The Black-Man's Burdon is a double album by funk band Eric Burdon and War, released in December 1970 on MGM Records. It was the second of two albums by the group before Burdon left and the remaining band continued as War. The title is a pun on The Black Man's Burden, an expression which refers to black slavery, used as the title of a book by E. D. Morel (1920) in response to the poem, "The White Man's Burden" (1899) by Rudyard Kipling, which refers to (and champions) western imperialism (including its history of slavery). The album includes two suites based on cover versions of songs by other artists: "Paint It Black" by The Rolling Stones, and "Nights in White Satin" by The Moody Blues, augmented by additional sections composed by the group. (Two similar suites appeared on the group's first album.) The extra material is mostly instrumental, except for "P.C. 3" (P.C. referring to Police Constable, a common abbreviation used in the United Kingdom), a risqué poem recited (and probably written) by Burdon over the music. Two other songs include a children's chorus credited as Sharon Scott and the Beautiful New Born Children of Southern California. Richie Unterberger of Allmusic says the album is "Composed mostly of sprawling psychedelic funk jams" and "it does find War mapping out much of the jazz/Latin/soul grooves...". One single from the album was released: "They Can't Take Away Our Music" backed with "Home Cookin'". Cover artThe album is also notable for its risqué cover art. While the front cover merely shows a black man in silhouette, the back cover shows Burdon and a woman in a suggestive pose: the woman sitting on a wall with her legs spread far apart, and Burdon (shirtless) resting the back of his head against her pelvis and gripping her ankles. The gatefold photo consists of the group (mostly shirtless) in a field with two nude women lying in the grass. The album also came with a numbered 7–inch by 3–inch "war bond" entitling the bearer to $1 off the admission of any War concert.[3] Track listingAll tracks written by War (Papa Dee Allen, Harold Brown, Eric Burdon, B.B. Dickerson, Lonnie Jordan, Charles Miller, Lee Oskar, Howard E. Scott) except where noted. Side one
Side two
Side three
Side four
Personnel
References1. ^[{{Allmusic|class=album|id=r31891|pure_url=yes}} Allmusic review] {{War (U.S. band)}}{{DEFAULTSORT:Black-Mans Burdon, The}}2. ^{{cite news|last=Christgau|first=Robert|authorlink=Robert Christgau|year=1970|url=http://www.robertchristgau.com/xg/bk-aow/cg16.php|title=Consumer Guide (16)|newspaper=The Village Voice|location=New York|accessdate=April 5, 2013}} 3. ^Umphred, Neal, Goldmine Price Guide to Collectibble Record Albums, Fifth Edition, 1996 7 : 1971 albums|War (American band) albums|Eric Burdon albums|MGM Records albums|Rhino Records albums|Albums recorded at Wally Heider Studios|Albums produced by Jerry Goldstein (producer) |
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