| 词条 | The Blacks (play) |
| 释义 |
| name = The Blacks | image = | image_size = | image_alt = | caption = | writer = Jean Genet | chorus = | characters = | mute = | setting = | premiere = {{Start date|1959|10|28}} | place = Théâtre de Lutèce Paris | orig_lang = French | series = | subject = | genre = | web = }} The Blacks: A Clown Show ({{lang-fr|Les Nègres, clownerie}}) is a play by the French dramatist Jean Genet. Published in 1958, it was first performed in a production directed by Roger Blin at the Théâtre de Lutèce in Paris, which opened on 28 October 1959. SynopsisA review of the Theatre Royal Stratford East production (2007) states: {{quote|Using the framework of a play within a play, it exposes racial prejudice and stereotypes while exploring black identity. As a troupe of black actors re-enact the trial and ensuing murder of a white woman before a kangaroo court, the Queen and her entourage look on and comment. Five of the 13 black actors white up to play the establishment figures. The Queen (a whited-up woman) comes to a Command Performance, but the proceedings are far removed from any Royal Variety Show.[1]}}In Genet's oeuvreIn a prefatory note, Genet specifies the conditions under which he anticipates the play would be performed, revealing his characteristic concern with the politics and ritual of theatricality: {{quote|This play, written, I repeat, by a white man, is intended for a white audience, but if, which is unlikely, it is ever performed before a black audience, then a white person, male or female, should be invited every evening. The organizer of the show should welcome him formally, dress him in ceremonial costume and lead him to his seat, preferably in the first row of the orchestra. The actors will play for him. A spotlight should be focused upon this symbolic white throughout the performance.But what if no white person accepted? Then let white masks be distributed to the black spectators as they enter the theater. And if the blacks refuse the masks, then let a dummy be used.[2]}} The Blacks was, after The Balcony, the second of Genet's plays to be staged in New York. The production was the longest-running Off-Broadway non-musical of the decade. This 1961 New York production opened on 4 May at the St. Mark's Playhouse and ran for 1,408 performances. It was directed by Gene Frankel, with sets by Kim E. Swados, music by Charles Gross, and costumes and masks by Patricia Zipprodt. The original cast featured James Earl Jones as Deodatus, Roscoe Lee Browne as Archibald, Louis Gossett, Jr., as Edgar, Cicely Tyson as Stephanie, Godfrey Cambridge as Diouf, Maya Angelou as the White Queen and Charles Gordone as the burglar. Shi Mei Li directed the play in 1983.[3] See also
References1. ^[https://www.independent.co.uk/arts-entertainment/theatre-dance/features/the-blacks-genets-contentious-play-returns-394981.html Guardian Review] 2. ^Genet (1958, 4). 3. ^Bradby (1998, 417). Further reading
External links
4 : 1959 plays|African and Black nationalism|Plays by Jean Genet|Postcolonialism |
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