| 词条 | The First Traveling Saleslady |
| 释义 |
| name = The First Traveling Saleslady | image = Poster of the movie "The First Traveling Saleslady".jpg | caption = Film poster | director = Arthur Lubin | producer = Arthur Lubin | writer = Devery Freeman Stephen Longstreet | narrator = | starring = Ginger Rogers Carol Channing Barry Nelson | music = Irving Gertz | cinematography = William E. Snyder | editing = Otto Ludwig | distributor = RKO Radio Pictures |studio = Arthur Lubin Productions | released = {{Film date|1956|8|15|US|ref1=[1]}} | runtime = 92 minutes | country = United States | language = | budget = }} The First Traveling Saleslady is a 1956 American film, starring Ginger Rogers and Carol Channing.[2][3] Commercially unsuccessful, it was among the films that helped to close RKO Pictures. Future western stars Clint Eastwood and James Arness have supporting roles in the film. PlotCorset company owner and independent-thinking suffragette Rose Gillray has her wagon struck by a 'horseless carriage' in 1897 New York. This early automobile is driven by Charlie Masters, who tells her it's the transportation means of the future. At work, Rose is helping singer Molly Wade into a boldly designed new corset when she gets the idea that using it for Molly's costume on stage would help to promote sales, but instead the show is shut down by the police. With her business failing, Rose owes money to Jim Carter, whose steel business manufactures the metal used for a corset's stays. Jim takes a shine to Rose and offers her a chance to sell his barbed wire, which is not selling well out west, where his salesmen get run out of town - or worse. Ending up in Kansas City, accompanied by Molly and followed by Charlie, a cattlemen's association convention seems a good place to try to sell the barbed wire. But cattle rancher Joel Kingdon gives her the runaround, attracted to her personally but warning her against peddling wire. She tries his home state of Texas next, but once again, Joel interferes, putting the women out of business temporarily. Joel and Jim both end up in love with Rose and proposing marriage, but she rejects both. Charlie, though, comes along offering a ride to California, where he's got another new notion that he wants to explore: machines that fly. Cast
ProductionThe film was based on an original story by Stephen Longstreet. It was Ginger Rogers' first movie at RKO for a number of years.[4] "It's a very cute story," said Rogers. "It's for the whole family and I was delighted to make a family story."[5] The movie marked the film debut for Carol Channing.[6] It was Barry Nelson's first film in five years. Clint Eastwood was under personal contract to producer-director Arthur Lubin, who used him in a number of films. James Arness was under contract to John Wayne and had just established himself in the TV show Gunsmoke. The movie was part of a $22 million slate of 11 films announced by RKO for the first half of 1956. Others included Back from Eternity, Beyond a Reasonable Doubt, Stage Struck, Bundle of Joy, A Farewell to Arms, The Syndicate, Cash McCall and Is This Our Son.[7] (Ultimately RKO would only make a few of these films). Filming took place in January and February 1956. RKO's head of production William Dozier signed Carol Channing to a five year contract at two films a year. It was to begin with a musical remake of Stage Door but then RKO went out of business.[8] ReceptionThe film was not a financial success. According to a history of the studio. "the picture quickly faded into oblivion. RKO Teleradio needed a box-office rocket to blast off its first program of movies; instead, it tossed out a fizzling cherry bomb."[9] See also
References1. ^{{cite web | url=http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=51827| title=The First Traveling Saleslady: Detail View | publisher=American Film Institute | accessdate= June 2, 2014}} 2. ^Variety film review; August 15, 1956, page 6. 3. ^Harrison's Reports film review; August 18, 1956, page 132. 4. ^Drama. (November 15, 1955). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/166846634?accountid=13902 5. ^Hopper, H. (April 29, 1956). FAMILY FILMS. Chicago Daily Tribune (1923-1963) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/179756754?accountid=13902 6. ^By THOMAS M PRYOR Special to The New York Times. (January 10, 1956). CAROL CHANNING TO BOW IN FILMS. New York Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/113603332?accountid=13902 7. ^RKO sets up budget of $22,500,000 for films. (January 16, 1956). Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/166862956?accountid=13902 8. ^Schallert, E. (March 13, 1956). Drama. Los Angeles Times (1923-Current File) Retrieved from https://search-proquest-com.ezproxy.sl.nsw.gov.au/docview/166936217?accountid=13902 9. ^Jewell, Richard B.. Slow Fade to Black: The Decline of RKO Radio Pictures (Kindle Locations 4417-4418). University of California Press. Kindle Edition. External links
6 : 1956 films|American films|Films directed by Arthur Lubin|RKO Pictures films|1950s Western (genre) films|American Western (genre) films |
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