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词条 The Ghost (1963 film)
释义

  1. Plot

  2. Production

  3. Release

  4. Critical reception

  5. References

     Notes  Bibliography 

  6. External links

{{Infobox film
| name = The Ghost
| image = Lo Spettro-poster.jpg
| alt =
| caption = Italian theatrical release poster
| film name =
| director = Riccardo Freda
|producers = {{plainlist|
  • Ermanno Donati
  • Luigi Carpentieri{{sfn|Curti|2015|p=88}}}}

| screenplay = Oreste Biancoli{{sfn|Curti|2015|p=88}}
| story = {{plainlist|*Riccardo Freda
  • Oreste Biancoli{{sfn|Curti|2015|p=88}}}}

| based on =
| starring = {{plainlist|
  • Barbara Steele
  • Peter Baldwin
  • Elio Jotta
  • Harriet Medin}}

| music = Francesco De Masi
| cinematography = Raffaele Masciocchi{{sfn|Curti|2015|p=88}}
| editing = Ornella Micheli{{sfn|Curti|2015|p=88}}
| studio =
| distributor = Dino de Laurentiis (Italy)
| released = {{film date|1963|03|30|Italy}}
| runtime = 100 minutes{{sfn|Curti|2015|p=88}}
| country = Italy{{sfn|Curti|2015|p=88}}
| language = Italian
| budget =
| gross = ₤175 million
}}The Ghost (Italian title: Lo Spettro) is a 1963 Italian horror film directed by Riccardo Freda, using the pseudonym "Robert Hampton". The film stars Barbara Steele and Peter Baldwin. Other titles for the film include The Spectre and Lo Spettro del Dr. Hichcock.[1]

Plot

In 1910 Scotland, the ailing Dr. Hichcock (Elio Jotta) presides over a seance in which his housekeeper, Catherine (Harriet Medin), is the medium. Hichcock's wife, Margaret (Barbara Steele), is having an affair with Dr. Livingstone (Peter Baldwin). She persuades her lover to murder her husband.

During the distribution of Hichcock's estate, Catherine and Livingstone receive very little. Learning that the key to the doctor's safe was buried with him, they secretly open his grave to retrieve it. The safe is empty. Margaret and Livingstone hear Hichcock's voice calling to them and experience poltergeist phenomena. Margaret eventually learns from these encounters that Hichcock's fortune is buried beneath his coffin. She returns to the grave, but only an empty box is found beneath the casket. Catherine, apparently possessed, tells Margaret that Livingstone has taken the jewels for himself. Margaret lures her lover into a cellar and murders him.

Margaret is drawn to Hichcock's room by the ringing of his carillon, where she contemplates suicide by poison. Hichcock appears, alive and well. He kills his accomplice, Catherine, leaves evidence to incriminate Margaret and sends an anonymous notice to the authorities. Believing that Margaret has poured herself a glass of gin, Hichcock drinks it and makes a toast. He immediately realizes that he has poisoned himself. He begs Margaret for the antidote, but she destroys the vial. The police arrive and arrest Margaret for Catherine's murder. Hichcock seals himself inside a secret passage to die, unseen by anyone.

Production

The Ghost was shot in Rome. It is a gothic re-imagining of the film Les Diaboliques (1955).{{sfn|Curti|2015|p=88}}{{sfn|Curti|2015|p=89}}

The Italian production crew are credited by aliases.{{sfn|Curti|2015|p=91}} The music score is credited to "Franck Wallace", whom Italian magazine Bianco e Nero and the Monthly Film Bulletin claim is a pseudonym for Franco Mannino.{{sfn|Curti|2015|p=91}} When Beat Records re-released the score, they found the tapes credited to Francesco De Masi who is not credited in the film.{{sfn|Curti|2015|p=91}}

Release

The Ghost was released in Italy on March 30, 1963, where it was distributed by Dino de Laurentiis.{{sfn|Curti|2015|p=88}} The film grossed a total of ₤175 million lira on its theatrical release.{{sfn|Curti|2015|p=88}} Freda has said that the censors did not object to any of the film's content.{{sfn|Curti|2015|p=91}}

The film was later released in the United Kingdom in February 1964[2]{{Page needed|date=July 2015}} and in the United States on February 18, 1965 in Dallas.{{sfn|Curti|2015|p=88}}[3]

Critical reception

In a contemporary review, The Monthly Film Bulletin stated that "Pictorially the film is a knock-out" while the dubbed dialogue is "more inept than ever".[4] The review concluded that The Ghost was "a splendid exercise in Grand Guignol"[4]

Leonard Maltin awarded the film two and a half out of a possible four stars complimenting the film's atmosphere, calling it a "Measured, moody horror, let down by routine plot".{{sfn|Maltin|2015|p=246}}

References

Notes

1. ^Flavia Brizio-Skov, Popular Italian Cinema: Culture and Politics in a Postwar Society, IB Tauris 2011
2. ^John Hamilton, Beasts in the Cellar: The Exploitation Film Career of Tony Tenser, FAB Press 2005
3. ^{{cite web|url=http://afi.com/members/catalog/DetailView.aspx?s=&Movie=18519|publisher=American Film Institute|accessdate=July 9, 2015|title=The Ghost}}
4. ^{{cite journal|journal=Monthly Film Bulletin|volume=31|issue=360|pages=78–79|year=1964|title=Spettro, Lo|location=London|issn=0027-0407}}

Bibliography

{{Refbegin}}
  • {{cite book

|last=Curti
|first=Roberto
|title=Italian Gothic Horror Films, 1957-1969
|publisher=McFarland
|isbn=1476619891
|year=2015
|ref=harv
}}
  • {{cite book|author=Leonard Maltin|title=Classic Movie Guide: From the Silent Era Through 1965|url=https://books.google.com/books?id=6MIBDAAAQBAJ|year=2015|publisher=Penguin Publishing Group|isbn=978-0-14-751682-4|ref=harv}}
{{Refend}}

External links

  • {{IMDb title|0057522|The Ghost}}
{{Riccardo Freda}}{{DEFAULTSORT:Ghost, The}}

11 : 1963 films|1963 horror films|Italian films|Italian horror films|Italian-language films|Films directed by Riccardo Freda|Films scored by Francesco De Masi|Films shot in Rome|Films set in Scotland|Films set in 1910|Gothic horror films

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