词条 | The Saviors of God |
释义 |
PresentationThe author first presents a prologue. Given the sacred tone of the book, which strives to go beyond philosophy and metaphysics, this introduction is better understood as an admonition. The first words summarize the undercurrent of The Saviors of God: "We came from an abyss of darkness; we end in an abyss of darkness: the interval of light between one and another we name life." Kazantzakis thought that there are two streams in life: the first one runs toward ascesis, synthesis, life and immortality, while the second one runs towards dissolution, matter, death. However, both streams are part of the universe, and being so, sacred. One of Kazantzakis' main concerns was what force drives the uncreated to the created. As opposition seems to be intrinsic to life and infinite, human beings should strive to ascend to a harmonic view of these oppositions, to be a guide for thought and action. SignificanceAccording to Kimon Friar, the English translator of many of Kazantzakis' writings, The Saviors of God occupies a central role in the work of the Greek author. In the second part of his lengthy introduction to A Modern Sequel, Friar notes: {{cquote|Just before Kazantzakis began to write the Odyssey, he completed a small book, perhaps best titled The Saviors of God and subtitled Spiritual Exercises, where in a passionate and poetic style, yet in systematic fashion, he set down the philosophy embedded not only in the Odyssey but in everything he has written, for he was a man of one overwhelming vision, striving to give it shape in all the forms he could master, in epic, drama, novel, travelogue, criticism, translation, and even political action.[2]}}Notes1. ^Page on Askitiki from the Nikos Kazantzakis Museum Foundation website 2. ^The Odyssey: A Modern Sequel, 1958, pp. xii-xiii. Following this passage is a synthetic yet thorough rendering of Kazantzakis' philosophy as expressed in The Saviors of God. References
External links{{Wikiquote}}
3 : 1944 books|Books about spirituality|Works by Nikos Kazantzakis |
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